466:. Numerous critics and scholars examined Huchon's essay and frequently found her reasoning absurd, judging that her interpretation of the biographical evidence seemed to show inexplicable bias and reliance on unfounded assumptions. The lack of any evidence in support of her thesis was a further reason for the ease with which many dismissed her ideas as mistaken and considered Huchon's work to have made no valuable contribution to scholarship. The list of eminent scholars opposing Huchon include Emmanuel Buron, Henri Hours, Bernard Plessy, Madeleine Lazard, Daniel Martin, Eliane Viennot, and many others. Despite strong objections from most Labé scholars, however, Huchon's audacious thesis has not entirely disappeared from view.
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133:, into a family of ropemakers, surgeons, and butchers. Her father, Pierre Charly, was a successful ropemaker, who started a business on rue de l'Arbre sec, at the base of Saint Sébastien Hill in Lyon. When his first wife died in 1515, he married Etiennette Roybet, and had five children: Barthélemy, Francois, Mathieu, Claudine, and Louise. It is presumed that Louise Labé was born at some point between her father's wedding in 1516 and her mother's death in 1523.
31:
364:. The great theme of her sonnets are the longings, torments and satisfactions of a passionate love which, however noble, is very much of this world, with no metaphysical concepts evoked and no references to a more perfect world than this one. A critic such as Breghot du Lut, writing for the 1824 edition of her works, found that he must apologize to the reader for her explicitness of some of her works;
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283:, writing in 1573, was aiming at neutral objectivity in writing "She had a face more angelic than human, which was yet nothing in comparison with her spirit which was so chaste, so virtuous, so poetic and of such uncommon knowledge that it would seem to have been created by God so that we may wonder at it as something prodigious."
375:, with Ferdimand Brunetière, in his 1900 article on the Pléiade and Lyonnese schools, writing that her poetry was the first time in French that passion was expressed with such vehemence and naiveté. Modern critics cite her rejection of the more showy or extravagant metaphors and poetic effects employed by poets such as
412:. They have been translated into English, maintaining the exact rhyme patterns of the originals, by poet Annie Finch (published in the same volume with a translation of Labé's prose by Deborah Lesko Baker, University of Chicago Press, 2006), and by Richard Siebuth in a volume published by NYRB (2014).
389:
Readers have, from the middle of the last century, commented on how in her verse she presents women in a way that goes against prevailing attitudes about what a woman's nature was or what made a woman either praiseworthy or blameworthy, a feature which makes her appear more in step with modern ideas
159:
Between 1543 and 1545 she married
Ennemond Perrin, also a Lyon ropemaker, a marriage dictated in her father's will, and which established the succession of the rope manufacturing business he was involved in. The business must have been prosperous, since the couple purchased a townhouse with a large
668:
Other general discussion e.g. related to feminism and the originality of the poet, see the introduction to
Oeuvres poétiques / Louise Labé. précédées des Rymes de Pernette Du Guillet. avec une sélection de Blasons du corps féminin / édition présentée, établie et annotée par Françoise Charpentier.
136:
Records show that Labé's father, despite his humble beginnings, eventually achieved some social prestige. For example, in 1534, he was summoned before the
Assemblée de Consuls of the city of Lyon to approve and participate in the founding of a relief agency for the poor.
368:, in 1845, expressed something that was to become a refrain for readers and critics up to this day: despite her work showing that she was highly learned, this does not prevent her from seeming to speak to contemporary readers in a very direct way.
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Scholars deliberate carefully over what status to accord to such statements published in a piece of religious propaganda by a writer whose tone has been described as vicious and hysterical, and similarly question to what extent the historian
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controversially argued that, despite over four centuries of scholarship and biographical evidence to the contrary, Louise Labé was not the author of the works signed with her name but rather that these works were by the
Lyonnais poets
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As a young woman, she was acclaimed as an extraordinary horsewoman and archer. Her early biographers called her "la belle
Amazone" and report that she dressed in male clothing and fought as a knight on horseback in the ranks of the
205:'s collection of love poems in 1545, Labé began writing her own poetry. On March 13, 1555, Labé received from Henry II a privilège protecting her exclusive right to publish her works for a period of 5 years. Her
962:
Oeuvres poétiques / Louise Labé. précédées des Rymes de
Pernette Du Guillet. avec une sélection de Blasons du corps féminin / édition présentée, établie et annotée par Françoise Charpentier. Gallimard,
293:
Debates on whether or not she was a courtesan and other aspects of her life have not always been of interest to critics who have focussed increasing attention on her writings, especially her verse.
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In 1564, the plague broke out in Lyon, taking the lives of some of Labé's friends. In 1565, suffering herself from bad health, she retired to the home of her companion Thomas Fortin, a banker from
723:
is collecting published responses to Huchon's book and making them available online. Scholars who disagree with part or all of Huchon's theory include
Emmanuel Buron, "Claude de Taillemont et les
163:
Lyon was the cultural centre of France in the first half of the sixteenth century and Labé hosted a literary salon that included many of the renowned
Lyonnais poets and humanists, including
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in 1608), which belongs to a long tradition with examples from antiquity through to the Middle Ages, a tradition that had gained contemporary prominence due to the controversial satire,
397:
In 2005, Labé's work was included on the programme of a very prestigious exam in France, sparking a flurry of academic publications. The most remarked upon of these was the 2006 book
386:"Labé's lyrical voice is truly one of the best expressions in literature of artful simplicity, of a consistent and masterly synthesis of substance and form, of passion and poetry".
258:
Debate on whether Labé was or was not a courtesan began in the sixteenth century, and has continued up to the present day. In 1557 a popular song on the scandalous behavior of
659:
All quotes relating to the work's reception by critics from pages 250-261, Oeuvres complètes présentation par François
Rigolot, Flammarion, 2004, Paris. (1st edition 1986)
219:("Writings of diverse poets, in praise of Louise Labé of Lyons"). The authors of these praise poems (not all of whom can be reliably identified) include Maurice Scève,
140:
At some point, perhaps in a convent school, Labé received an education in foreign languages (Greek, Latin, Italian, and
Spanish) and music, specifically the lute.
290:, who witnessed her will (a document that is extant). She died there in 1566, and was buried on her country property close to Parcieux-en-Dombes, outside Lyon.
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than her contemporaries were. The frank expression of female desire had previously been confined to comic genres such as
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as one of the key components of her originality and appeal for the modern reader, with Jerry C. Nash writing in 1980
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include two prose works: a feminist preface, urging women to write, that is dedicated to a young noblewoman of Lyon,
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The sonnets have been her most famous works following the early modern period, and were translated into German by
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A collection of 26 published responses to the debate, including biographies etc., many freely accessible online
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the most admired of her works in the sixteenth century, was used as the source for one of the fables of
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Contains links to online translations by a selection of different translators, essays and reviews.
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Cameron, Keith. "Louise Labé: Renaissance poet and feminist". New York: Berg, 1990.
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Contains digital images of a 1556 edition of her works and background information.
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Her poetry was singled out among that of her contemporaries for special praise by
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garden in 1551, and, in 1557, a country estate at Parcieux-en-Dombes near Lyon.
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Other Women's Voices: Translations of women's writing before 1700: Louise Labé
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Der ruinierte Körper. Petrarkistische Sonette in transkultureller Perspektive
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called Huchon's argument "irrefutable" in the literature supplement of
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640:. Vol. 16 (11th ed.). Cambridge University Press. p. 2.
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Encyclopedia of women in the Renaissance: Italy, France, and England
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801:); Daniel Martin, "Louise Labé est-elle 'une creature de papier'?"
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Escriz de divers Poëtes à la louenge de Louïze Labé Lionnoize.
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Escriz de divers poetes, a la louenge de Louize Labe Lionnoize
478:, Chicago, Ill.; London: University of Chicago Press, 2006.
335:, and was translated into English by Robert Greene in 1584.
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University of Virginia's Gordon Project Louise Labe page
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Anne R. Larsen; Diana Robin; Carole Levin, eds. (2007).
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were printed in 1555, by the renowned Lyonnais printer
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Complete poetry and prose : a bilingual edition
113:(The Beautiful Ropemaker), was a French poet of the
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201:Perhaps inspired by the posthumous publication of
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887:Marc Fumaroli's review of Mireille Huchon's book
977:. Würzburg: Königshausen & Neumann, 2008.
1033:http://www.siefar.org/debats/louise-labe.html
895:http://www.siefar.org/debats/louise-labe.html
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309:; and a dramatic allegory in prose entitled
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927:Librairie Artheme Fayard, 2004. Biography.
109:1522 – 25 April 1566), also identified as
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554:, New York: New York Review Books, 2014.
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903:ed. and trans. Deborah Lesko Baker and
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499:, Troy, N.Y.: Whitston Pub. Co., 1986.
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845:Théâtre de femmes de l'Ancien Régime,
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907:, University of Chicago Press, 2006.
251:. Her contemporaries compare her to
729:Louise Labé, une créature de papier
631:"Labé, Louise Charlin Perrin"
452:, and others, and by the publisher
399:Louise Labé: une créature de papier
541:, New York: New Directions, 1947.
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1083:16th-century French women writers
416:Marc Fumaroli and Mireille Huchon
255:and hail Labé as the Tenth Muse.
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650:Robin, Larsen and Levin, p. 192.
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803:Réforme, Humanisme, Renaissance
356:that draw on the traditions of
262:was published in Lyon. In 1560
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1113:Women in 16th-century warfare
1093:Female wartime cross-dressers
1005:Works by or about Louise Labé
338:Her poetry consists of three
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805:63, December 2006, p. 7-37 (
497:Louise Labé's complete works
424:professor and specialist of
313:(translated into English by
1020:(public domain audiobooks)
847:December 2006, p. 377-379 (
520:, New York: P. Lang, 2000.
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1058:Translations of 24 sonnets
901:Complete Poetry and Prose,
552:Love sonnets & elegies
456:. The conservative critic
103:Louise Charlin Perrin Labé
35:Louise Labé; engraving by
1088:16th-century French poets
401:(Droz); discussed below.
311:Débat de Folie et d'Amour
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775:Le Bulletin des Lettres,
733:L'Information littéraire
518:Debate of folly and love
446:Jacques Peletier du Mans
129:Louise Labé was born in
731:, de Mireille Huchon,"
727:Discussion critique de
637:Encyclopædia Britannica
410:Pieter Cornelis Boutens
1108:Women in war in France
925:Louise Labé Lyonnaise,
777:October 2006, p. 3-5 (
241:Mellin de Saint-Gelais
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420:In her 2006 book the
1014:Works by Louise Labé
973:Hennigfeld, Ursula.
450:Guillaume des Autels
442:Claude de Taillemont
342:in the style of the
237:Jean-Antoine de Baïf
225:Claude de Taillemont
173:Claude de Taillemont
1041:Biography, Analysis
735:2, 2006, p. 38-46 (
596:Pernette Du Guillet
381:Pernette du Guillet
333:Jean de la Fontaine
307:Clémence de Bourges
297:Works and reception
203:Pernette du Guillet
181:Pernette du Guillet
1098:French women poets
942:Louise Labé, essai
923:Madeleine Lazard,
853:2006-11-29 at the
797:2006-11-29 at the
783:2006-11-29 at the
408:and into Dutch by
406:Rainer Maria Rilke
352:, and twenty-four
194:contained a poem (
152:) at the siege of
71:Parcieux-en-Dombes
1103:Writers from Lyon
983:978-3-8260-3768-9
915:Œuvres completes,
789:Monde des livres,
560:978-1-59017-731-0
526:978-0-8204-3752-1
505:978-0-87875-319-2
484:978-0-226-46715-3
270:and called her a
245:Antoine du Moulin
111:La Belle Cordière
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362:Petrarchism
264:Jean Calvin
260:La Cordière
115:Renaissance
93:Nationality
23:Louise Labé
16:French poet
1067:Categories
865:References
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754:2007-04-04
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678:Fumaroli,
954:123705566
568:852457621
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492:877377277
186:The poet
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1018:LibriVox
891:Le Monde
851:Archived
833:cite web
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426:Rabelais
422:Sorbonne
392:fabliaux
345:Heroides
288:Florence
150:Henry II
117:born in
85:Language
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55:Lyonnais
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944:, 1981
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340:elegies
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281:Paradin
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303:Œuvres
253:Sappho
247:, and
207:Œuvres
179:, and
96:French
88:French
39:, 1555
818:(PDF)
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607:Notes
377:Scève
373:Rilke
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963:1983
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