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with Paul and Lurene sharing a furtive one-night sexual encounter. The next morning, Mrs. Enright's disapproval of Lurene’s extramarital interracial relationship reminds Lurene that she is complicating the journey, and she offers to let Paul and Jonell go on without her, but Paul wants her to continue with them. The
Enrights lend them their car.
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Lurene is allied with Paul and pulls a gun, but Paul wrestles the gun from him. Lurene and Paul manage to get back unscathed to the car with
Jonelle and leave, but Ray notes the car and license. The police eventually catch the pair, and Paul is sentenced to a year in jail for theft of the car he stole from the repair shop.
297:. During the bus journey, she befriends Jonell, the young black daughter of Paul Cater. After the bus has an accident, Lurene takes Jonell to the restroom and notices old wounds on Jonell's body. Sensing something is wrong, Lurene asks Jonell whether Paul is her father, and the child replies he isn’t. Lurene calls the
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motor-mouth ditz. But, even in the movie's earliest scenes, Pfeiffer suggests that Lurene has hidden depth; not unrevealed smarts, really, but innate decency and guilelessness... She's fully alive up there on the screen: a grounded angel, tarnished, funny and exquisitely soulful, even when the movie is dead."
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The car breaks down near
Tazewell, Virginia, where local rednecks spot the white woman travelling with a black man and beat him severely. Lurene recalls that the parents of Hazel Enright, a work associate, live in Tazewell, and seeks help there. They tend to Paul's wounds and spend the night there,
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to report a kidnapping. Moments after her well-intentioned interference, Paul explains that Jonell's wounds are from an orphanage where she was taken after her mother's death. He is indeed her father, who rescued Jonell, without permission, from the Texas orphanage where she was being abused. Jonell
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from 1968. This commission found that "Our nation is moving toward two societies, one black, one white, separate and unequal." Love Field shows differing opinions about
Kennedy in the white and black communities, represented respectively by Lurene and Paul, specifically through Lurene's naïve point
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Racism is prevalent throughout the film, as well as displays of discontent from the black community concerning
Kennedy's efforts to improve race relations. Despite the efforts of the filmmakers to include the black perspective during this era, one critic complains that the black characters function
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Paul and
Jonelle must now leave the bus. While Lurene watches Jonelle, Paul steals a car from a repair shop to continue their journey. Lurene misses the bus and joins them in the car on an increasingly difficult road trip across America. Meanwhile, the FBI believes Lurene has been kidnapped by Paul
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called the characterization "a marvel, but by now that is only to be expected. Watching her discover new facets of her talent is one of the real pleasures of going to the movies these days. Done up with a '60s platinum bouffant and butterfly fake eyelashes, Pfeiffer plays Lurene as a big-hearted,
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In 1964, Lurene visits Jonell in a foster home where Lurene has been visiting Jonell regularly. Lurene explains to Jonell that her father is coming back to take her home later that day. As Lurene leaves the group home, Paul arrives to pick up Jonell. They stop to talk, and Lurene informs Paul that
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In
Washington DC, on the day of the Kennedy funeral, Ray is waiting for Lurene at the motel. Lurene prefers to deal with Ray alone, leaving Paul and Jonelle in the car. Ray argues with Lurene, and the argument turns violent. Paul intervenes, pretending to be the motel manager. Ray figures out that
286:. Lurene leaves her car in the street and rushes to watch the news through a store window. Lurene's anguish over Kennedy's death reflects the collective grief of the nation over this tragedy. She is determined to attend Kennedy's burial, even though her overbearing husband, Ray, vetoes the plan.
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was similarly positive, writing: "This affecting romantic comedy probes the gradations of racial prejudice still prevalent in the South despite JFK's best efforts... unaccountably denied a theatrical release in
Britain, this is a most impressive and enjoyable work." On the negative side,
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does not remember him because he never married her mother, but he shows Lurene pictures of himself, Jonelle's mother, and
Jonelle as a baby. Paul must now elude the authorities until he can reach Pennsylvania and fight for custody on his home turf.
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role), Haysbert is respectable and doe-eyed McFadden makes a fetching innocent. But
Pfeiffer is the movie's sole engine. Tucking away her gratuitous beauty behind pancake makeup and that blonde hay-er, she's in effortless, sassy command."
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it was "yet another memorable characterization." Roger Ebert congratulated her for a performance "which takes a woman who could have become a comic target and invests her with a certain dignity." Stephen Farber in
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449:"merely as analogies of oppression." Criticism aside, it is realistic in its portrayals of violence against Paul by white men, by Lurene, and by her husband, Ray. Historically, it relates to findings of the
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she and Ray are divorced. Paul and Lurene hug, and both declare that they have no regrets. Lurene drives away; however, she turns her car around and rushes back into the group home to join Paul and Jonell.
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wrote that a "character this flamboyant would risk sinking any film. But Ms. Pfeiffer, again demonstrating that she is as subtle and surprising as she is beautiful, plays Lurene with remarkable grace."
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brings remarkably few preconceptions to the telling of its understated story. The characters transcend stereotypes, but what really matters is the actors' ability to breathe these people to life."
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of view. For example, in one interaction between Mrs. Enright and Paul, she states, "I don't know when we started killing people to solve things," and he responds, "I didn't know we stopped."
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wrote: "As Lurene Hallett, a dreamy beautician obsessed with Jackie Kennedy, Pfeiffer confirms her growing range and power. Her skill with accents is beginning to rival
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to try to catch a glimpse of the couple as they arrive by plane. Lurene just misses shaking Jackie’s hand. Shortly afterward, she learns that the President has been
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described it as "a sincere, not fully realized 1960s drama that is yet another variation on the 'Where were you when you heard JFK was shot?' theme." Hal Hinson in
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suffered crippling financial losses and filed for bankruptcy. It was not released until December 1992, in time for Oscar consideration.
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The film was released on December 11, 1992, and grossed $ 1,949,148 in the United States.
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just before filming commenced. The character of Lurene Hallett was based on screenwriter
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called it a "marvellously touching, funny and credible performance," while for
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infamy). She weaves magic in a portrayal of striking grace notes... long after
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simply for Pfeiffer. As the nobly oppressed father (a sort of clichéd,
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wrote: "This modest film actually covers a lot of ground...
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was attached to the role of Paul Cater, but was replaced by
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and his wife will be visiting Dallas, Lurene travels to
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hits a dead end, Pfeiffer cuts a path to the heart."
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assassination of John F. Kennedy in popular culture
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1142:"Love Field : Review : Rolling Stone"
1170:. movieline.standard8media.com. Archived from
240:. It is an example of a representation of the
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1026:"Love Field Review - Film - Time Out London"
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244:. For her performance, Pfeiffer earned an
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358:as Mrs. Heisenbuttal, Lurene's neighbor
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830:"Love Field Plot Summary and Details"
16:1992 film directed by Jonathan Kaplan
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462:Although the film was made in 1990,
809:"Love Field (1992) - Release dates"
709:New York Film Critics Circle Awards
1817:Films with screenplays by Don Roos
1144:. rollingstone.com. Archived from
1121:Howe, Desson (February 12, 1993).
657:Berlin International Film Festival
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1772:Films directed by Jonathan Kaplan
1077:Hinson, Hal (February 12, 1993).
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346:as Ray Hallett, Lurene's husband
331:as Louise Irene "Lurene" Hallett
1812:Films scored by Jerry Goldsmith
1218:"Berlinale: 1993 Prize Winners"
832:. moviefone.com. Archived from
364:as Hazel Enright, Lurene's boss
352:as Mrs. Enright, Hazel's mother
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1028:. timeout.com. Archived from
924:American Culture in the 1960s
1792:Films shot in North Carolina
1757:1990s English-language films
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1247:"Love Field – Golden Globes"
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161:December 11, 1992
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1193:"THE 65TH ACADEMY AWARDS"
1056:. Variety.com. 1992-01-01
927:. Sharon Monteith. 2008.
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1123:"'Love Field' (PG-13)"
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610:Awards and nominations
406:Joe Maggard as Redneck
260:On November 22, 1963,
1102:(February 12, 1993).
1011:. movies.nytimes.com.
1007:(December 11, 1992).
904:. moviefilmreview.com
1837:1990s American films
1807:Orion Pictures films
1767:American drama films
1471:The Gentleman Bandit
1407:The Student Teachers
1168:"Review: Love Field"
444:Depictions of racism
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1619:The Opposite of Sex
1054:"Love Field Review"
765:"Love Field (1993)"
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580:Single White Female
545:The Washington Post
518:The Washington Post
216:is a 1992 American
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1479:Heart Like a Wheel
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495:The New York Times
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1283:. Retrieved
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1256:. Retrieved
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1226:the original
1222:berlinale.de
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1200:. Retrieved
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1172:the original
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1150:. Retrieved
1146:the original
1135:
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1108:the original
1104:"Love Field"
1100:Ebert, Roger
1082:
1058:. Retrieved
1034:. Retrieved
1030:the original
985:. Retrieved
979:
976:"Love Field"
970:
959:. Retrieved
949:
938:. Retrieved
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906:. Retrieved
902:"Love Field"
896:
885:. Retrieved
859:. Retrieved
849:
838:. Retrieved
834:the original
824:
813:. Retrieved
803:
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774:. Retrieved
768:
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735:
714:Best Actress
679:Best Actress
640:Best Actress
604:Meryl Streep
597:
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394:Bob Gill as
344:Brian Kerwin
316:
312:
308:
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288:
284:assassinated
259:
250:Best Actress
212:
211:
210:
177:Running time
154:Release date
93:Brian Kerwin
1729:Web Therapy
1503:The Accused
1455:11th Victim
1439:Mr. Billion
1312:Film portal
662:Golden Bear
574:The Accused
550:Desson Howe
523:Roger Ebert
418:Rocky Mount
401:Nick Searcy
228:, starring
220:written by
205:$ 1 million
181:102 minutes
115:Jane Kurson
59:Produced by
39:Directed by
1752:1992 films
1746:Categories
1686:Diabolique
1670:Love Field
1527:Love Field
1343:Love Field
1332:Love Field
1321:Love Field
1232:2011-06-01
1197:oscars.org
1178:2009-11-18
1152:2009-11-18
1060:2020-01-01
1036:2009-11-18
987:2020-01-01
961:2009-11-18
957:. imdb.com
940:2011-11-14
908:2011-11-14
887:2009-11-18
883:. imdb.com
861:2009-11-18
857:. imdb.com
840:2011-11-14
815:2009-11-18
811:. imdb.com
792:Love Field
751:References
718:3rd Place
701:Nominated
671:Nominated
649:Nominated
585:Love Field
554:Love Field
500:Love Field
440:' mother.
412:Production
403:as FBI man
374:Troy Evans
362:Beth Grant
266:First Lady
218:drama film
213:Love Field
202:Box office
165:1992-12-11
49:Written by
22:Love Field
1732:(2011–15)
1602:Works by
1535:Bad Girls
1495:Project X
1415:The Slams
776:9 January
620:Category
599:Movieline
458:Reception
356:Peggy Rea
273:President
112:Edited by
106:Ralf Bode
1721:M.Y.O.B.
1604:Don Roos
1337:AllMovie
1202:26 April
623:Nominee
589:Time Out
505:Time Out
438:Don Roos
222:Don Roos
194:Language
120:Music by
76:Starring
53:Don Roos
1346:at the
1285:July 5,
626:Result
593:Variety
525:in the
512:Variety
470:Release
295:funeral
197:English
186:Country
163: (
1724:(2000)
1705:(2018)
1697:(2008)
1689:(1996)
1681:(1995)
1673:(1992)
1665:(1992)
1646:(2009)
1638:(2005)
1630:(2000)
1627:Bounce
1622:(1998)
1562:(1999)
1554:(1996)
1546:(1994)
1538:(1994)
1530:(1992)
1522:(1992)
1514:(1989)
1506:(1988)
1498:(1987)
1490:(1983)
1482:(1983)
1474:(1981)
1466:(1980)
1458:(1979)
1450:(1979)
1442:(1977)
1434:(1975)
1426:(1974)
1418:(1973)
1410:(1973)
1402:(1972)
1258:5 July
931:
617:Award
422:Wilson
262:Dallas
727:Notes
629:Ref.
1326:IMDb
1287:2021
1260:2021
1252:HFPA
1204:2022
929:ISBN
778:2022
770:BBFC
686:Won
420:and
322:Cast
256:Plot
232:and
1335:at
1324:at
795:at
565:in
492:in
482:On
388:as
299:FBI
1748::
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167:)
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