Knowledge (XXG)

Love in a Village

Source 📝

42: 767: 369:
equivalent situation. He also avoids his impending marriage by posing as a gardener in the Justice's household. Rosetta and Thomas meet and soon fall in love. However, both of their families are determined to make them marry their intended future spouses. Just as all seems hopeless, Sir William arrives and reveals that the young lovers have in fact been betrothed to each other the whole time.
195:
was received enthusiastically at its premiere and became one of Arne's more popular operas, enjoying 40 performances in its first season alone. The work's success began a vogue for pastiche opera in England that lasted well into the 19th century. The opera has subsequently been revived numerous
368:
The heroine of the story, Rosetta, is fearful of her impending marriage to a man she has never met. Worried that she will be miserable, she runs away from home and acquires a position as a chambermaid in the home of Justice Woodcock. Meanwhile, the son of Sir William Meadows, Thomas, is in an
819: 125:. A pastiche, the work contains 42 musical numbers of which only five were newly composed works by Arne. The other music is made up of 13 pieces borrowed from Arne's earlier stage works, a new overture was by 208:. The opera was first published in 1763, but without recitative or librettos. A copy of the full score, which is partly in the composer’s hand, also survives and is in the collection of the library at the 220:, particularly for the aria "The traveller benighted" which has several challenging passages containing wide vocal leaps, fast runs, and trills. 212:. Most of the music displays a simple and lyrical nature with the exception of the music for Rosetta. Rosetta, a role written for Arne's lover 631: 809: 649: 814: 804: 770: 579: 41: 205: 624: 161: 134: 130: 332: 799: 209: 789: 753: 617: 672: 138: 696: 293: 217: 157: 146: 67: 55: 746: 280: 197: 171: 166: 101: 79: 739: 712: 688: 150: 142: 794: 267: 252: 213: 319: 47: 783: 345: 180: 175: 51: 680: 664: 306: 118: 29: 640: 196:
times, both during Arne's lifetime and after. A notable revival occurred at the
122: 33: 720: 126: 153: 247: 201: 262: 178:
in London on 8 December 1762. One of its best known songs is the
613: 609: 567: 377: 820:
Opera world premieres at the Theatre Royal, Covent Garden
58:
as Hawthorn, and John Dunstall as Hodge in Act 1, Scene 2
731: 656: 86: 73: 63: 23: 121:in three acts that was composed and arranged by 625: 129:, and 23 songs by other composers, including 8: 632: 618: 610: 566:ed. L. Macy (Accessed February 16, 2009), 40: 20: 532:Hence with cares, complaints and frowning 418:The honest heart whose thoughts are clear 562:John A. Parkinson: "Love in a Village", 227: 558: 556: 554: 550: 487:In love should there meet a fond pair 7: 586:. L'Almanacco di Gherardo Casaglia 502:The world is a well furnished table 454:Let rakes and libertines resigned 14: 391:Hope, thou nurse of young desire 766: 765: 505:‘Tis not wealth, it is not birth 442:We women like poor Indians trade 409:Still in hopes to get the better 204:in 1928, using an adaptation by 478:Was ever poor fellow so plagued 466:Oh how shall I in language weak 427:How happy were my days till now 475:My Dolly was the fairest thing 457:How blest the maid whose bosom 237:Premiere Cast, 8 December 1762 1: 517:How much superior beauty awes 484:Since Hodge proves ungrateful 430:I pray ye gentles list to me 406:Gentle youth, ah! Tell me why 170:. The opera premiered at the 149:, albeit with new texts. The 520:When we see a lover languish 424:Cupid God of soft persuasion 403:O had I been by fate decreed 239:(Conductor: - Thomas Arne) 810:Plays by Isaac Bickerstaffe 603:(London: John Walsh, 1763). 472:Oons! Neighbour ne’er blush 836: 578:Casaglia, Gherardo (2005). 511:If ever a fond inclination 469:Young I am and sore afraid 445:Think my fairest how delay 763: 647: 523:All I with her obtaining 514:A plague of those wenches 460:In vain I ev’ry art essay 91:8 December 1762 39: 28: 412:There was a jolly miller 815:English-language operas 508:The traveller benighted 490:Well, come let us hear 421:Well, well, say no more 400:When once love’s subtle 451:When I follow’d a lass 415:Let gay ones and great 394:Whence can you inherit 210:Royal College of Music 805:Operas by Thomas Arne 568:(subscription access) 102:Covent Garden theatre 54:as Justice Woodcock, 46:1767 oil painting by 754:A-Hunting We Will Go 650:List of compositions 448:Believe me dear aunt 352:Sir William Meadows 216:, requires a gifted 16:Opera by Thomas Arne 526:If ever I’m catched 564:Grove Music Online 481:Cease gay seducers 218:coloratura soprano 158:Isaac Bickerstaffe 68:Isaac Bickerstaffe 777: 776: 747:Soft Flowing Avon 705:Love in a Village 601:Love in a Village 582:Love in a Village 541: 540: 397:My heart’s my own 361: 360: 339:Justice Woodcock 287:Farmer Hawthorne 281:Isabella Mattocks 198:Lyric Hammersmith 193:Love in a Village 167:The Village Opera 114:Love in a Village 110: 109: 80:The Village Opera 24:Love in a Village 827: 769: 768: 740:Rule, Britannia! 713:The Fairy Prince 689:Thomas and Sally 634: 627: 620: 611: 604: 597: 591: 589: 576: 570: 560: 463:Begone, I agree 378: 228: 98: 96: 44: 21: 835: 834: 830: 829: 828: 826: 825: 824: 780: 779: 778: 773: 759: 727: 652: 643: 638: 608: 607: 598: 594: 587: 577: 573: 561: 552: 547: 542: 375: 366: 268:George Mattocks 259:Thomas Meadows 253:Charlotte Brent 238: 226: 214:Charlotte Brent 206:Alfred Reynolds 190: 162:Charles Johnson 106: 105: 99: 94: 92: 59: 17: 12: 11: 5: 833: 831: 823: 822: 817: 812: 807: 802: 797: 792: 782: 781: 775: 774: 764: 761: 760: 758: 757: 750: 743: 735: 733: 729: 728: 726: 725: 717: 709: 701: 693: 685: 677: 669: 660: 658: 654: 653: 648: 645: 644: 639: 637: 636: 629: 622: 614: 606: 605: 592: 571: 549: 548: 546: 543: 539: 538: 534: 533: 530: 529:Go naughty man 527: 524: 521: 518: 515: 512: 509: 506: 503: 493: 492: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 443: 433: 432: 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 376: 374: 371: 365: 362: 359: 358: 356: 353: 349: 348: 343: 340: 336: 335: 330: 327: 323: 322: 320:Cecilia Davies 317: 314: 310: 309: 304: 301: 297: 296: 291: 288: 284: 283: 278: 275: 271: 270: 265: 260: 256: 255: 250: 245: 241: 240: 235: 232: 225: 222: 189: 186: 160:, is based on 108: 107: 100: 90: 88: 84: 83: 75: 71: 70: 65: 61: 60: 48:Johann Zoffany 45: 37: 36: 32:(pastiche) by 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 832: 821: 818: 816: 813: 811: 808: 806: 803: 801: 800:Ballad operas 798: 796: 793: 791: 788: 787: 785: 772: 762: 755: 751: 748: 744: 741: 737: 736: 734: 730: 723: 722: 718: 715: 714: 710: 707: 706: 702: 699: 698: 694: 691: 690: 686: 683: 682: 678: 675: 674: 670: 667: 666: 662: 661: 659: 655: 651: 646: 642: 635: 630: 628: 623: 621: 616: 615: 612: 602: 596: 593: 585: 583: 575: 572: 569: 565: 559: 557: 555: 551: 544: 537: 531: 528: 525: 522: 519: 516: 513: 510: 507: 504: 501: 500: 499: 498: 494: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 440: 439: 438: 434: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 386: 385: 384: 380: 379: 372: 370: 363: 357: 354: 351: 350: 347: 346:Edward Shuter 344: 341: 338: 337: 334: 333:John Dunstall 331: 328: 325: 324: 321: 318: 315: 312: 311: 308: 305: 302: 299: 298: 295: 292: 289: 286: 285: 282: 279: 276: 273: 272: 269: 266: 264: 261: 258: 257: 254: 251: 249: 246: 243: 242: 236: 233: 230: 229: 223: 221: 219: 215: 211: 207: 203: 199: 194: 187: 185: 183: 182: 181:Miller of Dee 177: 176:Covent Garden 173: 169: 168: 164:’s 1729 play 163: 159: 155: 152: 148: 144: 140: 136: 132: 128: 124: 120: 116: 115: 103: 89: 85: 82: 81: 76: 72: 69: 66: 62: 57: 53: 52:Edward Shuter 49: 43: 38: 35: 31: 27: 22: 19: 719: 711: 704: 703: 695: 687: 679: 671: 663: 600: 595: 588:(in Italian) 581: 574: 563: 535: 496: 495: 436: 435: 382: 381: 367: 355:spoken role 342:spoken role 307:Michael Dyer 192: 191: 179: 165: 119:ballad opera 113: 112: 111: 78: 30:Ballad opera 18: 790:1762 operas 732:Other works 641:Thomas Arne 234:Voice type 172:Royal Opera 123:Thomas Arne 34:Thomas Arne 784:Categories 721:The Cooper 697:Artaxerxes 599:Based on: 294:John Beard 127:C. F. Abel 95:1762-12-08 77:Johnson's 64:Librettist 56:John Beard 139:Geminiani 771:Category 756:" (1777) 749:" (1769) 742:" (1740) 388:Overture 364:Synopsis 316:soprano 313:Margery 300:Eustace 277:soprano 274:Lucinde 244:Rosetta 154:libretto 143:Giordani 104:, London 87:Premiere 74:Based on 50:showing 545:Sources 248:soprano 188:History 151:English 147:Galuppi 93: ( 795:Operas 724:(1772) 716:(1771) 708:(1762) 700:(1762) 692:(1760) 684:(1754) 676:(1740) 673:Alfred 668:(1738) 657:Operas 536: 329:tenor 326:Hodge 303:tenor 290:tenor 202:London 145:, and 131:Bishop 681:Eliza 665:Comus 497:Act 3 437:Act 2 383:Act 1 373:Arias 263:tenor 231:Role 224:Roles 156:, by 135:Boyce 117:is a 200:in 786:: 553:^ 184:. 174:, 141:, 137:, 133:, 752:" 745:" 738:" 633:e 626:t 619:v 590:. 584:" 580:" 97:)

Index

Ballad opera
Thomas Arne

Johann Zoffany
Edward Shuter
John Beard
Isaac Bickerstaffe
The Village Opera
Covent Garden theatre
ballad opera
Thomas Arne
C. F. Abel
Bishop
Boyce
Geminiani
Giordani
Galuppi
English
libretto
Isaac Bickerstaffe
Charles Johnson
The Village Opera
Royal Opera
Covent Garden
Miller of Dee
Lyric Hammersmith
London
Alfred Reynolds
Royal College of Music
Charlotte Brent

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.