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275:'s version of the story, the scene is set while Pygmalion is at the temple of Aphrodite, praying for forgiveness for the years he has shunned her and begging for a wife as perfect as his marble woman. In his absence, Aphrodite appears in the studio to impart life to Galatea. In physical terms, the painting shows little difference between the two women: the same, unattainable facial expression; the marble colouring; the
194:) echo the curious women peering in through his doorway. All five seem fluid, languorous and unself-conscious. Pygmalion, looking above the proliferation of ankles, thighs and buttocks reflected on the floor and pedestal in front of him, is pondering his next creation. His gaze ignores the women around him as he sees in his mind a statue of the perfect female.
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in a classical
Venusian stance. However, unlike the three statues and two living women in the first picture above, Galatea appears embarrassedly conscious of her nudity – in the act of attempting to cover herself. Pygmalion, despite his contempt for the local women, deliberately created her nude and
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is identified by the presence of doves and roses – symbols commonly linked with the goddess – and the water at her feet, reminiscent of her birth, fully formed, from the sea. This also represents
Galatea's birth, fully formed, as a woman. In a scene that is strongly evocative of
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The BM&AG also has a photogravure of this picture, from a leather bound portfolio of 91 photogravures of original paintings. The folio is signed by Edward Burne-Jones' son, Philip. The one shown at the
Birmingham Art Gallery is one of an edition 200, purchased in 1900.
215:
In this second picture, Pygmalion's perfect woman is revealed. Playing God, he has created woman and now stands back to admire her, holding the cold chisel against his face as though scared to touch his creation again. The sculptor's expression is softer than
620:, was at its height. Although Burne-Jones thought he already had the perfect woman, in his wife Georgie, he was unable to prevent himself from longing for his model and muse, Maria, in a violent internal conflict. See also the artist's biography on
304:, the goddess adds colour and sensuality to Pygmalion's austere studio and Galatea's soft flesh. The rich-colour drapery, wrapped suggestively around an intricately carved pole at left, is noticeably absent from the other images in the series.
650:, that the head of Pygmalion in Series Two was modelled by W.A.S. Benson in the 1870s. While Antonio Corsi sat as the model for Series One. In Series One, there are four sculptural figures in the background representing the Four Seasons or
238:. Although Pygmalion is seen looking, rather than touching, the various tools around the base of the statue show how much work he has done to bring the statue to this finished state. In creating Galatea, he has used a hard
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Pygmalion is seen here in his studio, pondering his lonely life, having chosen to remain celibate in disgust at what he saw as the debauched lifestyles of the local women. The statues behind him (in emulation of the
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375:(1863), this second attempt at portraying the tale of Pygmalion and Galatea has become regarded as one of the artist's most important works. It was exhibited at
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series. This first series, which dates back to 1867–1870, used harsher tones, darker colours and less fluid lines – as may be seen in the
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stature. Ironically, their interlaced arms and
Aphrodite's penetrating gaze emulate the intertwined women, so despised by Pygmalion, in
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765:, Cornell University Press. (A wide-ranging survey of 'living statues' in literature and the arts) (1992).
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The first series was painted between 1868 and 1870, when Burne-Jones' affair with his pupil, the painter
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When
Pygmalion returns home, he finds that his statue has come to life and humbles himself at her feet.
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below. This second version, despite being painted in oils, has the sheen and soft tones of chalk.
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A Converted
British Family Sheltering a Christian Missionary from the Persecution of the Druids
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As seen above right (1st image), this is the first of four paintings in the artist's second
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in 1879, thereby establishing Burne-Jones as one of the leading artists in the burgeoning
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which was completed between 1875 and 1878. The two collections may be seen below, in the
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Most of the series was based on an episode from
William Morris' cycle of epic poems,
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99 cm × 76.3 cm (39 in × 30.0 in)
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The Last Pre-Raphaelite: Edward Burne-Jones and the
Victorian Imagination
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The Last Pre-Raphaelite: Edward Burne-Jones and the
Victorian Imagination
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Most scholars agree, based on an excerpt from
Georgiana Burne-Jones's
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This was not Burne-Jones' only series of pictures: others include
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138:. This article deals with an appraisal of the second series.
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frieze. Although not imbued with the depth and texture of
839:
Analysis of The Soul Attains-part of the Pygmalion series
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as well as an almost transparent, soft-bristled brush.
267:, 2nd Series, H.143.7 cm x W.116.8 cm (1878)
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Pygmalion and Galatea: The History of a Narrative in
723:, Faber and Faber (2011), Ch. 5ff. Cf. also C. Wood,
321:, 2nd Series, H.99.4 cm x W.76.6 cm (1878)
211:, 2nd Series, H.98.7 cm x W.76.3 cm (1878)
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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654:; in Series Two, there are only three, now the
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785:Edward Burne-Jones, Victorian artist-dreamer
692:Edward Burne-Jones: Victorian Artist-Dreamer
255:Pygmalion and Galatea III: The Godhead Fires
164:The story tells of Pygmalion, a sculptor of
816:Pygmalion and the Image – The Godhead Fires
199:Pygmalion and Galatea II: The Hand Refrains
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309:Pygmalion and Galatea IV: The Soul Attains
186:had written his own version of the story.
148:Pygmalion and Galatea I: The Heart Desires
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36:Pygmalion and the Image: The Heart Desires
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397:pencil on paper study for the work is in
1607:The Finding of the Saviour in the Temple
1105:Tristram and Isoude stained glass panels
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560:List of paintings by Edward Burne-Jones
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349:series (1885–1890), which was based on
182:, although by the time of this series,
27:Painting series by Edward Burne-Jones
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1504:Our English Coasts ('Strayed Sheep')
136:Birmingham Museum & Art Gallery
1469:Christ in the House of His Parents
948:The Last Sleep of Arthur in Avalon
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2070:Pygmalion, ou La Statue de Chypre
1668:King Cophetua and the Beggar Maid
972:King Cophetua and the Beggar Maid
100:Birmingham Museum and Art Gallery
2400:Paintings based on Metamorphoses
830:Over 2,000 Pre-Raphaelite images
694:, Yale University Press (1998),
679:List of Metamorphoses characters
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363:), and Burne-Jones' spectacular
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1090:Angela Thirkell (granddaughter)
788:, Yale University Press (1998).
300:painting on the ceiling of the
134:, and the second housed at the
130:, the first being now owned by
2183:Pygmalion and the Image series
2131:Galatea, or Pygmalion Reversed
2123:Pygmalion; or, The Statue Fair
1648:Pygmalion and the Image series
828:Pre-Raphaelite Online Resource
763:The Dream of the Moving Statue
18:Pygmalion and the Image Series
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1518:Paolo and Francesca da Rimini
795:, Phoenix Illustrated (1997).
727:, Phoenix Illustrated (1997).
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1398:John Roddam Spencer Stanhope
1323:Robert Braithwaite Martineau
1080:Georgiana Burne-Jones (wife)
677:, as well as the respective
223:In spite of his scorning of
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834:BM&AG collection online
399:The New Art Gallery Walsall
338:The New Art Gallery Walsall
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1413:Algernon Charles Swinburne
1157:Pre-Raphaelite Brotherhood
1095:Pre-Raphaelite Brotherhood
172:. It was first related in
1725:The Roses of Heliogabalus
1348:Valentine Cameron Prinsep
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772:, Faber and Faber (2011).
232:now takes on the role of
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2390:Paintings of Greek myths
1710:The Legend of Briar Rose
1539:The Awakening Conscience
1196:Frederic George Stephens
1191:William Michael Rossetti
1085:Philip Burne-Jones (son)
980:The Legend of Briar Rose
227:, Pygmalion has created
48:1st painting, 2nd series
1895:Rossetti and His Circle
1836:Marie Spartali Stillman
1423:John William Waterhouse
1408:John Melhuish Strudwick
1403:Marie Spartali Stillman
1273:Charles Allston Collins
1040:(1857–1859) (co-artist)
923:Pygmalion and the Image
915:The Beguiling of Merlin
483:Pygmalion and the Image
109:Pygmalion and the Image
1497:The Light of the World
1433:William Lindsay Windus
1181:Dante Gabriel Rossetti
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2189:Pygmalion and Galatea
2096:Pygmalion and Galatea
1642:A Vision of Fiammetta
1546:The Hireling Shepherd
1258:Georgiana Burne-Jones
1115:Maria Zambaco (model)
1063:Holy Grail tapestries
1056:Adoration of the Magi
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575:Pygmalion and Galatea
569:Pygmalion (mythology)
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115:Pygmalion and Galatea
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1313:Edward Robert Hughes
1278:Frank Cadogan Cowper
1223:Lawrence Alma-Tadema
1176:John Everett Millais
932:The Wheel of Fortune
907:Love Among the Ruins
807:The Pygmalion Series
775:Parry, Linda (ed.),
673:'s mythology in his
635:The Earthly Paradise
168:, the birthplace of
2051:Die schöne Galathée
1919:Desperate Romantics
1781:The Lady of Shalott
1717:The Lady of Shalott
1661:Cymon and Iphigenia
1628:The Shadow of Death
1580:Oxford Union murals
1525:The Last of England
1483:Ecce Ancilla Domini
1428:William James Webbe
1171:William Holman Hunt
1038:Oxford Union murals
899:The Merciful Knight
565:Galatea (mythology)
377:Sir Coutt Lindsay's
372:The Merciful Knight
2289:One Touch of Venus
2247:Fall Out Toy Works
2215:A Mulher Invisível
2139:One Touch of Venus
1689:Dante and Beatrice
1353:Christina Rossetti
1293:Henry Treffry Dunn
1253:Edward Burne-Jones
1228:George Price Boyce
875:Edward Burne-Jones
755:English Literature
385:Aesthetic Movement
359:(as retold by the
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58:Edward Burne-Jones
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1343:Joseph Noel Paton
1318:Frederic Leighton
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988:The Garden of Pan
940:The Golden Stairs
884:List of paintings
823:BM&AG website
758:, Ashgate (2001).
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516:The Hand Refrains
501:The Heart Desires
459:The Godhead Fires
444:The Hand Refrains
429:The Heart Desires
381:Grosvenor Gallery
281:The Heart Desires
265:The Godhead Fires
218:The Heart Desires
209:The Hand Refrains
142:The second series
132:Lord Lloyd Webber
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1703:The Magic Circle
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1283:Evelyn De Morgan
1248:Richard Burchett
1243:Lucy Madox Brown
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120:Pre-Raphaelite
118:series by the
103:
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55:
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2209:
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2198:
2191:
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2178:
2174:
2168:
2167:
2163:
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2136:
2133:
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2128:
2125:
2124:
2120:
2119:
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2113:
2106:
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2098:
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2078:
2072:
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2067:
2066:
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2060:
2053:
2052:
2048:
2045:
2044:
2043:Il Pigmalione
2040:
2037:
2036:
2032:
2029:
2028:
2024:
2021:
2020:
2016:
2015:
2013:
2009:
2003:
2000:
1998:
1995:
1994:
1992:
1988:
1984:
1983:
1982:Metamorphoses
1978:
1974:
1973:
1965:
1960:
1958:
1953:
1951:
1946:
1945:
1942:
1930:
1928:
1924:
1922:
1921:(2009 series)
1920:
1916:
1914:
1913:(1975 series)
1912:
1908:
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1879:
1875:
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1868:
1862:
1859:
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1854:
1852:
1849:
1847:
1846:Maria Zambaco
1844:
1842:
1841:Alexa Wilding
1839:
1837:
1834:
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1829:
1827:
1824:
1822:
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1675:The Day Dream
1672:
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1625:
1623:
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1621:Beata Beatrix
1618:
1616:
1615:
1614:Morgan le Fay
1611:
1609:
1608:
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1601:
1597:
1595:
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1587:
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1578:
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1574:Bocca Baciata
1571:
1569:
1568:
1567:Autumn Leaves
1564:
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1511:The Scapegoat
1508:
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1399:
1396:
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1391:
1389:
1386:
1384:
1383:James Smetham
1381:
1379:
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1373:Thomas Seddon
1371:
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1326:
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1311:
1309:
1308:Arthur Hughes
1306:
1304:
1303:Henry Holiday
1301:
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782:Wildman, S.,
781:
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675:Metamorphoses
672:
666:
663:
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649:
643:
640:
636:
630:
627:
623:
619:
618:Maria Zambaco
613:
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598:Metamorphoses
594:
591:
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588:W. S. Gilbert
585:
584:
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388:
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179:Metamorphoses
175:
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129:
125:
121:
117:
116:
111:
110:
101:
98:
94:
90:
86:
83:oil on canvas
82:
78:
66:
62:
59:
56:
52:
45:
40:
37:
33:
30:
19:
2345:
2311:
2303:
2297:My Fair Lady
2295:
2287:
2279:
2271:
2263:
2245:
2240:Mr Simigdáli
2238:
2231:
2213:
2187:
2182:
2164:
2147:My Fair Lady
2145:
2137:
2129:
2121:
2102:
2094:
2086:
2068:
2049:
2041:
2033:
2025:
2017:
1980:
1970:
1926:
1918:
1910:
1902:
1893:
1884:Hogarth Club
1876:
1861:Ruth Herbert
1851:Dorothy Dene
1826:Annie Miller
1787:
1780:
1772:
1765:
1758:
1751:
1746:Flaming June
1744:
1737:
1730:
1723:
1719:(Waterhouse)
1716:
1708:
1701:
1694:
1687:
1680:
1673:
1666:
1659:
1652:
1647:
1640:
1633:
1626:
1619:
1612:
1605:
1598:
1591:
1584:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1523:
1516:
1509:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1452:post-period)
1450:(period and
1418:Henry Wallis
1298:William Dyce
1268:John Collier
1213:artists and
1054:
1018:
1010:
1002:
996:The Nativity
994:
986:
978:
970:
962:
954:
946:
938:
930:
922:
921:
913:
905:
897:
815:
809:at BM&AG
806:
792:
784:
776:
769:
762:
752:
751:Essaka, J.,
732:
724:
720:
715:
703:
695:
691:
690:S. Wildman,
686:
674:
665:
656:Three Graces
647:
642:
634:
629:
612:
596:
586:, a play by
581:
573:
545:
530:
515:
500:
486:
482:
481:
480:
473:
458:
443:
428:
414:
410:
409:
408:
389:
370:
364:
354:
344:
342:
333:
324:
318:
308:
295:
292:Michelangelo
285:
280:
270:
264:
254:
233:
222:
217:
214:
208:
198:
192:Three Graces
188:
177:
163:
154:
152:
147:
114:
113:
108:
107:
106:
35:
29:
2313:Ruby Sparks
2233:Pintosmalto
2002:Propoetides
1929:(2014 film)
1905:(1967 film)
1898:(1922 book)
1856:Fanny Eaton
1831:Jane Morris
1821:Sophie Gray
1767:Lady Godiva
1654:The Beloved
1593:Roman Widow
1586:Lady Lilith
1445:well-known
1363:Emma Sandys
1358:John Ruskin
1211:Associated
1160:(paintings)
1065:(1891–1894)
983:(1885–1890)
959:(1882–1898)
951:(1881–1898)
943:(1876–1880)
935:(1875–1883)
927:(1875–1878)
918:(1872–1877)
819:, BM&AG
793:Burne-Jones
761:Gross, K.,
725:Burne-Jones
476:, 1868–1870
461:, 1868–1870
446:, 1868–1870
431:, 1868–1870
395: 1870
2364:Categories
2225:Literature
2200:Television
2158:Video game
2035:Pimmalione
1990:Characters
1927:Effie Gray
1816:Effie Gray
1635:Proserpine
1553:April Love
1233:John Brett
1048:Tapestries
791:Wood, C.,
746:References
332:Study for
88:Dimensions
2305:Mannequin
2281:Pygmalion
2104:Pygmalion
2088:Pygmalion
2027:Pygmalion
2019:Pigmalion
1972:Pygmalion
891:Paintings
648:Memorials
622:BM&AG
411:Pygmalion
287:Aphrodite
277:Amazonian
225:Aphrodite
170:Aphrodite
2192:(Gérôme)
1878:The Germ
964:The Mill
554:See also
297:Creation
96:Location
2324:Related
2166:Galatea
2115:Musical
1997:Galatea
1870:Related
1490:Mariana
1462:Ophelia
1215:figures
1073:Related
405:Gallery
229:Galatea
159:Gallery
128:Gallery
122:artist
69: (
2350:(1998)
2341:Gynoid
2316:(2012)
2308:(1987)
2300:(1964)
2292:(1948)
2284:(1938)
2276:(1921)
2268:(1898)
2150:(1956)
2142:(1943)
2134:(1883)
2126:(1872)
2107:(1912)
2099:(1871)
2091:(1762)
2062:Ballet
2046:(1816)
2038:(1809)
2030:(1779)
2022:(1748)
1799:Models
1783:(Hunt)
1732:Lilith
1059:(1890)
1031:Murals
1023:(1896)
1015:(1891)
1007:(1890)
999:(1887)
991:(1886)
975:(1884)
967:(1882)
925:series
910:(1873)
902:(1863)
696:passim
548:, 1878
533:, 1878
518:, 1878
503:, 1878
244:chisel
240:mallet
235:voyeur
166:Cyprus
80:Medium
54:Artist
2011:Opera
1975:from
1560:Found
1447:works
1443:Some
652:Horae
605:Notes
336:, in
2257:Film
2080:Play
1977:Ovid
1753:Hope
1532:Work
1020:Hope
739:Gr12
671:Ovid
669:See
593:Ovid
567:and
379:new
273:Ovid
248:file
246:and
174:Ovid
71:1875
67:1875
64:Year
2176:Art
1979:'s
1739:Eos
708:Cf.
595:'s
294:'s
271:In
176:'s
75:–78
2366::
401:.
392:c.
390:A
387:.
283:.
242:,
2210:"
2206:"
1963:e
1956:t
1949:v
1149:e
1142:t
1135:v
867:e
860:t
853:v
698:.
681:.
637:.
624:.
73:)
20:)
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