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his exploration in Paris, stand out against the spring-like pale green in the background. La Mousmé's outfit is a blend of modern and traditional. Her outfit is certainly modern. The bright colors of skirt and jacket are of the southern region of Arles. Regarding Van Gogh's painting of her features, his greatest attention is focused on the girls face, giving her the coloring of a girl from Arles, but with a
Japanese influence. The young lady's posture mimics that of the oleander. The flowering oleander, like the girl, is in the blossoming stage of life.
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permission, she sat one afternoon in which he completed the painting. He smoked continually on his pipe as he worked, and thanked her for sitting very still. She was very proud to sit for the painting she described as a "symphony in blue". Van Gogh thought she was sixteen, but she was just thirteen years of age at the time. Adeline sat just once, but three paintings were made of her:
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machines. In a traditional pose of mothers and new babies, Augustine is holding her baby upright, supporting the baby's back by her right arm and steadying the baby's midsection with her left hand. Marcelle, whose face is directed outward, is more active and engages the audience. Van Gogh used heavy outlines in blue around the images of mother and baby.
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There was the great difficulty of keeping it clear, and of getting space between the trunks standing at different distances - and the place and relative bulk of those trunks change with the perspective - to make it so that one can breathe and walk around in it, and to make you smell the fragrance of the wood."
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For a time, Van Gogh seemed to improve. He began to paint at such a steady pace, there was barely space in his room for all the finished paintings. From May until his death on July 29, Van Gogh made about 70 paintings, more than one a day, and many drawings.." Van Gogh painted buildings around the
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Van Gogh Museum says of Millet's influence on Van Gogh: "Millet's paintings, with their unprecedented depictions of peasants and their labors, mark a turning point in 19th-century art. Before Millet, peasant figures were just one of many elements in picturesque or nostalgic scenes. In Millet's work,
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Van Gogh's use of color is intended to be symbolic. The audience is drawn in by his use of contracting patterns and colors that bring in an energy and intensity to the work. Complementary shades of blue and orange, a stylistic deviation from colors of
Impressionist paintings that he acquired during
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Van Gogh painted the family of postman Joseph Roulin in the winter of 1888, every member more than once. The family included Joseph Roulin, the postman, his wife
Augustine and their three children. Van Gogh described the family as "really French, even if they look like Russians." Over the course of
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he remarked at how much he enjoyed the work and explains how he wishes to trigger the audience's senses and how they may experience the painting: "The other study in the wood is of some large green beech trunks on a stretch of ground covered with dry sticks, and the little figure of a girl in white.
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To his sister he wrote, "I should like to paint portraits which appear after a century to people living then as apparitions. By which I mean that I do not endeavor to achieve this through photographic resemblance, but my means of our impassioned emotions -- that is to say using our knowledge and our
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with perfect timing. Theo's wife, Jo, was pregnant with their child, so it had special meaning to the family. In addition Van Gogh was still saddened by recent seizure episodes that impacted his mental clarity. Rather than vibrant colors, here he used softer shades of yellow, green and blue. The
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in southern France, on 10 July 1877, and died on 4 June 1922. When his father had to answer to letters, he served as his secretary. When his portrait was painted, Camille was eleven years of age. The Van Gogh Museum painting shows
Camille's head and shoulders. Yellow brush strokes behind him are
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Augustine holds baby
Marcelle who was born in July, 1888. The mother, relaxed and her face in a shadow, is passive. We can see by the size of Augustine's sloping shoulders, arm, and hands that she worked hard to take care of her family. For instance, there were no modern conveniences like washing
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During his time in Auvers, Van Gogh rented a room at the inn of Arthur Ravoux, whose sixteen-year-old daughter sat for three paintings. Van Gogh depicts
Adeline, rather than a photographic resemblance, with "impassioned aspects" of contemporary life through the "modern taste for color." Van Gogh
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Of painting portraits, Van Gogh wrote: "in a picture I want to say something comforting as music is comforting. I want to paint men and women with that something of the eternal which the halo used to symbolize, and which we seek to communicate by the actual radiance and vibration of our coloring."
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Adeline Ravoux was asked sixty-six years later what she remembered of Van Gogh. Before he painted her portrait, van Gogh had only made polite exchanges of conversation with
Adeline. One day, though, he asked her if she would be pleased if he were to do her portrait. After obtaining her parents
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Marcelle Roulin, the youngest child, was born on 31 July 1888, and four months old, when Van Gogh made her portraits. She was painted three times by herself and twice on her mother’s lap. The three works show the same head and shoulders image of
Marcelle with her chubby cheeks and arms against a
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Van Gogh saw "something deeper, more intimate, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning." Infants which represented "rebirth and immortality" to Van Gogh and lightened his mood. When he had the opportunity, Van Gogh enjoyed painting
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To symbolize the closeness of mother and baby, he used adjacent colors of the color wheel, green, blue and yellow in this work. The vibrant yellow background creates a warm glow around mother and baby, like a very large halo. Of his use of color, Van Gogh wrote: "instead of trying to reproduce
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He once said that it's the only thing that "excites me to the depths of my soul, and which makes me feel the infinite more than anything else." Painting children, in particular represented rebirth and the infinite. Over his career Van Gogh did not make many paintings of children, but those he
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work depicts Armand in what are likely his best clothes: an elegant fedora, vivid yellow coat, black waistcoat and tie. Armand's manner seems a bit sad, or perhaps bored by sitting. His figure fills the picture plane giving the impression that he is a confident, masculine young man.
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just a few weeks, he painted the
Augustine and the children several times. The reason for multiple works was partly so that the Roulin's could have a painting of each family member, so that with these pictures and others, their bedroom became a virtual "museum of
523:, some of the most recognizable of Van Gogh's paintings, were created in this time. He worked continuously to keep up with his ideas for paintings. This is likely one of Van Gogh's happier periods of life. He is confident, clear-minded and seemingly content.
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Van Gogh, known for his landscapes, seemed to find painting portraits his greatest ambition. He said of portrait studies, "the only thing in painting that excites me to the depths of my soul, and which makes me feel the infinite more than anything else."
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Neither she nor her parents appreciated Van Gogh's style and were disappointed that it was not true to life. Yet, even though
Adeline was a young girl at the time, pictures of her as a young woman showed that van Gogh painted her as she would become.
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wrote to his brother: “Last week I did a portrait of a girl about sixteen, in blue against a blue background, the daughter of the people with whom I am staying. I have given her this portrait, but I made a variation of it for you, a size 15 canvas."
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greatly influenced Van Gogh, both for the subject matter and the style of flat patterns of colors without shadow. In the two years from 1886 through 1888 he spent working in Paris, Van Gogh explored the various genres, creating his own unique style.
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a well-dressed Japanese girl. He wrote in a letter to his brother: "It took me a whole week...but I had to reserve my mental energy to do the mousmé well. A mousmé is a Japanese girl—Provençal in this case—twelve to fourteen years old."
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green background. When Johanna van Gogh, pregnant at the time, saw the painting, she wrote: "I like to imagine that ours will be just as strong, just as beautiful – and that his uncle will one day paint his portrait!" A version titled
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exactly what I have before my eyes, I use color... to express myself more forcibly." The work contains varying brushstrokes, some straight, some turbulent - which allow us to see the movement of energy "like water in a rushing stream."
530:, he wrote, "Painting as it is now, promises to become more subtle - more like music and less like sculpture - and above all, it promises color." As a means of explanation, Vincent explains that being like music means being comforting.
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The second work, with his body slightly turned aside and his eyes looking down, appears to be a sad young man. Even the angle of the hat seems to indicate sadness. Both museum paintings were made on large canvas, 65 x 54 cm.
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Theo wrote Van Gogh: "The copies after Millet are perhaps the best things you have done yet, and induce me to believe that on the day you turn to painting compositions of figures, we may look forward to great surprises."
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completed were special to him. During the ten years of Van Gogh's career as a painter, from 1881 to 1890, his work changed and grew richer, particularly in how he used color and techniques symbolically or evocatively.
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In a slightly different pose or aspect, Adeline appears against a background of roses, portions of a still life of roses (F595) that he completed just a few days prior to this painting. This painting is owned by the
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as a shy, somber man. While his personality would never change, he emerged artistically into what one critic described as a "singing bird". Although Van Gogh had been influenced by his cousin
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204:. His goal at that time was to paint them as he saw them and based upon his emotional response to them. His early works of peasants were in muted tones. As he was influenced by
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Camille seems to be staring off in space. His arm is over the back of a chair, mouth gaped open, possibly lost in thought. This was the larger of the two works made of Camille.
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Van Gogh reached a point around 1885 when he was looking to free himself physically, emotionally and artistically from the gray colors of his art and life, moving away from
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As much as Van Gogh liked to paint portraits of people, there were few opportunities for him to pay or arrange for models for his work. He found a bounty in the work of
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for the dramatic effect. Each family member clothes are bold primary colors and van Gogh used contrasting colors in the background to intensify the impact of the work.
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picture depicts the father, having put down his tools, holding his arms outstretched for his child's first steps. The mother protectively guides the child's movement.
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of the south". Retreating from the city, he hoped that his time in Arles would evoke in his work the simple, yet dramatic expression of Japanese art. Inspired by
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2251:, SDU Uitgeverij, The Hague 1990, pp. 1878-79 (No. 779); 1957-58 (Nr. 816) - both letters, written in French, are hitherto only published in Dutch translation.
189:. He described the works of Millet and Breton of religious significance, "something on high." Referring to painting of peasants Van Gogh wrote to his brother
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In addition to the mother-daughter works where Marcelle is visible, Van Gogh also created several works where Augustine rocked her unseen cradle by a string.
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where he produced some of his best work. His paintings represented different aspects of ordinary life, such as portraits of members of the Roulin family and
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Van Gogh enjoyed painting portraits when he had available models. Possibly the greatest impact to his paintings of children came out of the friendship with
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Van Gogh's works depict a serious young man who at the time the paintings were made had left his parents’ home, working as a blacksmith's apprentice. The
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Letter of Joseph Roulin to Vincent van Gogh, 24 October 1889; see Van Crimpen & Berends-Alberts (1990), pp. 1957-58 (Nr. 816) - see previous note.
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Armand Roulin, the eldest son, was born on 5 May 1871 in Lambesc, and died on 14 November 1945. He was 17 years of age when portrayed by Van Gogh.
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in Auvers and was under the care and supervision of Dr. Gachet with whom he grew to have a close relationship, "something like another brother."
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His early works were earth-toned and dull. After a transformative period in Paris, Van Gogh embarked on his most prolific periods starting in
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the girl is overshadowed by the immense oak trees. The painting may be reminiscent for Van Gogh of the times in his youth he fled to the
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Letters of Joseph Roulin to Vincent van Gogh, 22 May and 24 October 1889; see Van Crimpen, Han & Berends-Alberts, Monique:
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depicts happy life of a rural family: father, mother and child. Here the image seems bathed in yellow light like that of the
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to develop, as author Albert Lubin describes, a more "imaginative, colorful art that suited him much better."
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For the sitting, Adeline was dressed in a blue dress, the background was blue and her hair ribbon was blue.
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modern taste for color as a means of arriving at the expression and the intensification of the character."
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is one of twenty-one paintings that Van Gogh made in Saint-RĂ©my that were "translations" of the work of
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Van Gogh made a copy of the original painting for his brother, with slightly different shades of blue.
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104:. During those times his work became more colorful and more reflective of influences, such as
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This was a decided transition in approach to paintings from his earlier works influenced by
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1682:. Brusells: Mercatorfonds with Van Gogh Museum and Museum of Modern Art. pp. 12, 25.
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The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin
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individual men and women became heroic and real. Millet was the only major artist of the
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Van Gogh, V & Leeuw, R (1997) . van Crimpen, H & Berends-Albert, M. (eds.).
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Monet to DalĂ: Impressionist and Modern Masterworks from the Cleveland Museum of Art
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partly for her pregnancy and made use of the opportunity to paint her infant boy.
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40.5 cm Ă— 32.5 cm (15.9 in Ă— 12.8 in)
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2612:"Theo van Gogh. Letter to Vincent van Gogh. Written 3 May 1890 in Saint-RĂ©my"
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La Mousmé, Sitting in a Cane Chair, Half-Figure (with a branch of oleander)
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1858:"Letter from Vincent van Gogh to Theo van Gogh, The Hague, 20 August 1882"
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence
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177:" that greatly influenced Van Gogh began in the 1840s with the works of
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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112:. Japonism influences are understood in the painting of a young girl,
2700:. London and other locations: Penguin Group. pp. 488, 490, 491.
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Additional information about the painting is found in the audio clip.
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and the use of complementary colors, his style changed dramatically.
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Stranger on the Earth: A Psychological Biography of Vincent van Gogh
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Stranger on the Earth: A Psychological Biography of Vincent van Gogh
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Stranger on the Earth: A Psychological Biography of Vincent van Gogh
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evocative of the sun. The very similar painting resides at the
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1993:
The Arts Entwined: Music and Painting in the Nineteenth Century
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van Gogh, V, van Heugten, S, Pissarro, J, Stolwijk, C (2008).
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Additional information in "Teacher Resources" and audio clip.
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never to return. He moved to Paris to live with his brother
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2467:. London and other locations: Penguin Books. p. F604.
193:: "How shall I ever manage to paint what I love so much?"
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Paintings of Saint-RĂ©my-de-Provence by Vincent van Gogh
1605:"Portrait of Madame Augustine Roulin and Baby Marcelle"
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After leaving the south of France, Van Gogh's brother,
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who was not interested in 'pure' landscape painting."
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Portrait of Madame Augustine Roulin and Baby Marcelle,
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Nineteenth-Century European Art: A Topical Dictionary
2510:. Cranbury: Associated University Press. p. 99.
2308:. Toronto: University of Toronto Press. p. 185.
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Portrait of Madame Augustine Roulin and Baby Marcelle
2274:. University of California Press. pp. 108–110.
1746:. Milwaukee, WI: World Almanac Library. p. 24.
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1888, Private Collection, ZĂĽrich, Switzerland (F536)
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Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
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A Girl in the Street, Two Coaches in the Background
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A Girl in the Street, Two Coaches in the Background
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3733:Agostina Segatori Sitting in the Café du Tambourin
3705:View of Paris from Vincent's Room in the Rue Lepic
3518:Congregation Leaving the Reformed Church in Nuenen
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1996:. New York: Garland Publishing. pp. 177–178.
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1525:. Cleveland: Cleveland Museum of Art. p. 67.
2641:. Alexandria, VA, USA: Time-Life Books. pp.
1972:. Alexandria, VA, USA: Time-Life Books. pp.
1725:. Alexandria, VA, USA: Time-Life Books. pp.
4789:Paintings of Auvers-sur-Oise by Vincent van Gogh
1938:. United States: Da Capo Press. pp. 74–75.
818:The Schoolboy with Uniform Cap (Camille Roulin),
278:1881, Black chalk and watercolor, reportedly at
4036:A Meadow in the Mountains: Le Mas de Saint-Paul
3884:Memory of the Garden at Etten (Ladies of Arles)
2728:. National Gallery of Art. 2011. Archived from
2485:. The Metropolitan Museum of Art. December 2008
2389:. Minneapolis Institute of Arts. Archived from
2154:. National Gallery of Art. 2011. Archived from
1560:. National Gallery of Art. 2011. Archived from
451:, coming to Paris meant that he was exposed to
2537:. University of California Press. p. 17.
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733:Camille Roulin, the middle child, was born in
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2927:Paintings of children, Vincent van Gogh serie
2479:"Vincent van Gogh: First Steps, after Millet"
2190:
2188:
2186:
2184:
2182:
2106:
2104:
1047:In May 1889 Van Gogh voluntarily entered the
932:was painted Van Gogh in 1888 while living in
299:August 1882, Oil on paper mounted on canvas,
116:Among others, he was inspired by the work of
8:
3019:Nazi looting of artworks by Vincent van Gogh
2029:. Van Gogh Museum. 2005–2011. Archived from
1766:: CS1 maint: multiple names: authors list (
1702:: CS1 maint: multiple names: authors list (
4243:Peasant Woman Against a Background of Wheat
4106:View of the Asylum and Chapel of Saint-RĂ©my
3595:Head of an Old Farmer's Wife in a White Hat
2419:. The Metropolitan Museum of Art. 2000–2011
2363:. The Metropolitan Museum of Art. 2000–2011
4652:"Vincent and the Doctor" (2010 TV episode)
3641:Skull of a Skeleton with Burning Cigarette
3372:
2954:
2940:
2932:
2050:
2048:
2017:
2015:
2013:
1959:
1957:
1955:
1312:June–July, 1890, Private Collection (F785)
435:, a Parisian art dealer. Van Gogh entered
27:
18:
2295:
2293:
2291:
1985:
1983:
1644:
1642:
1640:
1599:
1597:
1595:
1593:
1443:Portrait of Adeline Ravoux (Half-Figure),
1083:Theo had sent the photograph of Millet's
667:1888, Oil on Canvas, Fondation Socindec,
3493:Three Figures near a Canal with Windmill
2689:
2687:
2685:
2263:
2261:
2259:
2257:
1256:is part of a private collection (F784).
4794:Series of paintings by Vincent van Gogh
4336:Meadows near Rijswijk and the Schenkweg
4043:A Road at Saint-Remy with Female Figure
3384:Beach at Scheveningen in Stormy Weather
2895:Van Gogh's Table: At the Auberge Ravoux
2887:
2885:
2883:
2881:
2810:. Kröller-Müller Museum. Archived from
1856:van Gogh, V (2011). Harrison, R (ed.).
1514:
1512:
1510:
1506:
1349:The Little Arlesienne (Head of a Girl),
1209:developed a plan for Van Gogh to go to
16:Series of paintings by Vincent van Gogh
4779:Paintings of Arles by Vincent van Gogh
3726:Imperial Fritillaries in a Copper Vase
2436:
2434:
2330:"Girl with Ruffled Hair (The Mudlark)"
1759:
1695:
1622:
1575:
1378:June, 1890, Private collection, (F787)
1328:The Little Arlesienne (Head of a Girl)
1213:with a letter of introduction for Dr.
948:and Japanese artwork, Vincent painted
337:are both part of private collections.
134:and the many paintings of his family.
4285:Prisoners' Round (after Gustave Doré)
4187:Landscape with a Carriage and a Train
3951:Valley with Ploughman Seen from Above
2898:. New York: Artisan. pp. 51–52.
2664:. Westport: Greenwood Press. p.
2306:Antimodernism and Artistic Experience
1548:
1546:
1544:
1542:
1458:June, 1890, Private Collection (F769)
1105:1890, Oil on canvas, 72.4 x 91.1 cm,
1003:Girl with Ruffled Hair (The Mudlark),
883:Young Man with a Cap (Armand Roulin),
766:1888, Oil on Canvas, 40.5 X 32.5 cm,
7:
3856:A Lane in the Public Garden at Arles
1679:Van Gogh and the Colors of the Night
1229:, portraits, and the nearby fields.
1029:Girl with Ruffled Hair (The Mudlark)
1022:Girl with Ruffled Hair (The Mudlark)
386:Peasant Woman with Child on Her Lap,
3842:The Painter on the Road to Tarascon
3444:Landscape with a Church at Twilight
2614:. van Gogh, J (trans.). WebExhibits
2357:"Heilbrunn Timeline of Art History"
2201:. Mariner Books. pp. 213–214.
2023:"Portrait of Marcelle Roulin, 1888"
1864:. van Gogh, J (trans.). WebExhibits
1787:. Mariner Books. pp. 195–196.
914:The Roulin Family (Van Gogh series)
847:1888, Museum Folkwang, Essen (F492)
640:1888, Oil on Canvas, 35 X 24.5 cm,
335:Peasant Woman with Child on Her Lap
4505:Monastery of Saint-Paul de Mausole
3666:Vase with White and Red Carnations
2229:. Philadelphia Museum of Art. 2011
2056:"Portrait of Camille Roulin, 1888"
1611:. Philadelphia Museum of Art. 2011
1398:was made in June, 1890 in Auvers.
470:). His circle of friends included
375:, 1882, Private Collection (F1068)
241:Of a study that Van Gogh made for
14:
4824:Collection of the Van Gogh Museum
3958:View of Arles, Flowering Orchards
3912:Arles: View from the Wheat Fields
3898:Interior of a Restaurant in Arles
3634:Peasant Woman Digging Up Potatoes
3101:Still life paintings, Netherlands
2637:The World of Van Gogh (1853-1890)
2483:Heilbrunn Timeline of Art History
1968:The World of Van Gogh (1853-1890)
1809:"Boy Cutting Grass with a Sickle"
1721:The World of Van Gogh (1853-1890)
1497:List of works by Vincent van Gogh
1137:Evening: The Watch, after Millet,
1031:resides at Musée des Beaux-Arts,
264:Woods to escape from his family.
4250:Still Life: Vase with Pink Roses
4166:Doctor Gachet's Garden in Auvers
2920:
2361:Thematic Essay, Vincent van Gogh
1519:Cleveland Museum of Art (2007).
1368:
1341:
1129:
1114:
1095:
1027:Another painting from this time
995:
970:
875:
852:
837:
810:
783:
756:
680:
657:
630:
607:
580:
360:, 1882, Private Collection (F13)
276:Boy Cutting Grass with a Sickle,
4408:Old Vineyard with Peasant Woman
4328:Boy Cutting Grass with a Sickle
4299:Landscape at Auvers in the Rain
4029:Self-Portrait with Bandaged Ear
3828:Portrait of the Artist's Mother
3786:Still Life: Vase with Oleanders
3241:DĂ©coration for the Yellow House
2998:The Letters of Vincent van Gogh
2754:Two Fillettes (Two Young Girls)
2697:The Letters of Vincent van Gogh
2465:The Letters of Vincent van Gogh
2249:De brieven van Vincent van Gogh
1889:. Da Capo Press. pp. 5–6.
1740:van Gogh, G, Bassil, A (2004).
1445:1890, Private Collection (F768)
1299:1890, Private Collection (F784)
388:1885, Private Collection (F149)
230:Boy Cutting Grass with a Sickle
4459:Torso of Venus and a Landscape
4451:Portrait of a Man in a Top Hat
4344:The 'Laakmolen' near The Hague
4271:Wheatfield Under Thunderclouds
4078:Green Wheat Field with Cypress
3532:Landscape with Pollard Willows
3525:The Parsonage Garden at Nuenen
3355:Lost works by Vincent van Gogh
2126:. Mariner Books. p. 216.
2087:. Mariner Books. p. 212.
1990:Morton, M; Schmunk, P (2000).
1107:The Metropolitan Museum of Art
747:The Schoolboy with Uniform Cap
619:The Metropolitan Museum of Art
592:The Philadelphia Museum of Art
320:1882, Private Collection (F8a)
234:made in 1881, is owned by the
1:
4758:Van Gogh immersive experience
4704:Theo van Gogh (film director)
4392:Drawbridge in Nieuw-Amsterdam
3329:Saint-Paul Asylum, Saint-RĂ©my
2413:"Olive Trees, 1889, van Gogh"
2383:"Olive Trees, 1889, Van Gogh"
1655:. Da Capo Press. p. 15.
936:, which Van Gogh dubbed "the
864:Museum Boijmans Van Beuningen
549:Augustine and Marcelle Roulin
4530:Portrait of Vincent van Gogh
4236:Blossoming Chestnut Branches
4152:Thatched Cottages and Houses
4092:The Ravine of the Peyroulets
3072:Van Gogh's family in his art
2591:. Van Gogh Museum. 2005–2011
2565:. Van Gogh Museum. 2005–2011
2559:"Night (after Millet), 1889"
2223:"Portrait of Camille Roulin"
2062:. Van Gogh Museum. 2005–2011
1233:Portraits of Little Children
665:Portrait of Marcelle Roulin,
638:Portrait of Marcelle Roulin,
615:Mother Roulin with Her Baby,
555:Philadelphia Museum of Art's
526:In a letter to his brother,
4352:Church Pew with Worshippers
4050:Enclosed Field with Peasant
4022:Self-portrait without beard
3821:Starry Night Over the RhĂ´ne
3719:A Woman Walking in a Garden
3588:Avenue of Poplars at Sunset
3581:Avenue of Poplars in Autumn
3141:Still life paintings, Paris
2892:Leaf, A; Lebain, F (2001).
2834:"Young Man with Cornflower"
2804:"Portrait of a Young Woman"
1862:Letters of Vincent van Gogh
1469:Portrait of Adeline Ravoux,
1456:Portrait of Adeline Ravoux,
791:Portrait of Camille Roulin,
764:Portrait of Camille Roulin,
427:In 1886, Van Gogh left the
413:Act of Sitting Little Girl,
4845:
4738:(1978, revised 1989; "JH")
4384:Landscape with Wheelbarrow
4257:Portrait of Adeline Ravoux
4138:Road with Cypress and Star
4071:Wheat Field with Cypresses
3758:Madame Roulin and Her Baby
3546:Cart with Red and White Ox
3391:Girl in White in the Woods
3210:Copies by Vincent van Gogh
3109:Old Church Tower at Nuenen
1629:: CS1 maint: postscript (
1582:: CS1 maint: postscript (
1376:Young Man with Cornflower,
1103:First Steps, after Millet,
959:
911:
860:Portrait of Armand Roulin,
845:Portrait of Armand Roulin,
822:Museu de Arte de Sao Paulo
795:Philadelphia Museum of Art
740:Philadelphia Museum of Art
340:Van Gogh was attracted to
248:Girl in White in the Woods
22:Portrait of Camille Roulin
4578:Vincent and Theo van Gogh
4538:The Painter of Sunflowers
3613:Still Life with Straw Hat
3458:Footbridge across a Ditch
3065:Peasant Character Studies
2866:. Cleveland Museum of Art
2442:"The Therapy of Painting"
1395:Young Man with Cornflower
1387:Young Man with Cornflower
476:Henri de Toulouse-Lautrec
26:
4730:Jacob Baart de la Faille
4490:Van Gogh House (Drenthe)
3479:Farm with Stacks of Peat
3217:Langlois Bridge at Arles
2784:. Van Gogh Gallery. 2011
2332:. Van Gogh Gallery. 2011
1913:. Van Gogh Gallery. 2011
1811:. Van Gogh Gallery. 2011
1225:town of Auvers, such as
4694:Johanna van Gogh-Bonger
4435:Marsh with Water Lilies
4229:The Town Hall at Auvers
3740:Red Cabbages and Garlic
3712:Portrait of Père Tanguy
3698:Wheat Field with a Lark
3360:Display at Les XX, 1890
3336:Auvers size 30 canvases
3133:Le Moulin de la Galette
2302:"Van Gogh in the South"
1837:. Kröller-Müller Museum
1473:Cleveland Museum of Art
1424:Cleveland Museum of Art
984:National Gallery of Art
982:, 1888, Oil on canvas,
717:National Gallery of Art
692:National Gallery of Art
447:, as well as the great
4799:19th-century portraits
4159:Portrait of Dr. Gachet
3965:Portrait of Doctor Rey
3933:Orchard with Cypresses
3560:Water Mill at Opwetten
3430:Farmhouses Among Trees
2585:"Jean-François Millet"
1484:
1459:
1446:
1313:
1300:
1287:
1005:Musée des Beaux-Arts,
820:early December, 1888,
424:
389:
376:
361:
321:
308:
287:
90:Paintings of Children.
4829:Paintings of children
4585:"Vincent" (1971 song)
4500:Kröller-Müller Museum
4360:Woman on Her Deathbed
4278:Wheatfield with Crows
4113:The Large Plane Trees
3926:Farmhouse in Provence
3863:Falling Autumn Leaves
3814:Café Terrace at Night
3659:Vase with Red Poppies
3627:Peasant Woman Digging
3281:Paintings of Children
3203:Trees and Undergrowth
3034:Lost Arles sketchbook
2929:at Wikimedia Commons
2762:. Musée d'Orsay. 2006
2722:"Girl in White, 1890"
1467:
1454:
1441:
1353:Kröller-Müller Museum
1332:Kröller-Müller Museum
1322:The Little Arlesienne
1308:
1295:
1266:
1252:. Another version of
793:1888, Oil on Canvas,
690:1888, Oil on Canvas,
411:
384:
369:
354:
316:
301:Kröller-Müller Museum
295:
280:Kröller-Müller Museum
274:
258:The Girl in the Woods
236:Kröller-Müller Museum
120:which he emulated in
4732:(1928 and 1970; "F")
4368:Landscape with Trees
4201:The Church at Auvers
4180:White House at Night
3919:Sunset at Montmajour
3567:Water Mill at Kollen
3451:Landscape with Dunes
3093:Water Mill at Gennep
2656:Strieter, T (1999).
2589:Permanent Collection
2563:Permanent Collection
2300:Jessup, ed. (2001).
2195:Gayford, M (2008) .
2120:Gayford, M (2008) .
2081:Gayford, M (2008) .
2060:Permanent Collection
2027:Permanent Collection
1911:"Van Gogh Paintings"
1781:Gayford, M (2008) .
1227:The Church at Auvers
1074:Jean-François Millet
463:, and Japanese art (
179:Jean-François Millet
118:Jean-François Millet
3765:Landscape with Snow
3029:Cultural depictions
2633:Wallace, R (1969).
2610:Harrison, R (ed.).
2504:Maurer, N (1999) .
1964:Wallace, R (1969).
1717:Wallace, R (1969).
946:Madame Chrysanthème
521:sunflower paintings
404:Parisian influences
126:Evening: The Watch.
4666:At Eternity's Gate
4639:Vincent in Brixton
4599:Vincent & Theo
4376:Peatery in Drenthe
4145:At Eternity's Gate
3539:Cart with Black Ox
3472:A Wind-Beaten Tree
3423:Cows in the Meadow
3265:Flowering Orchards
3163:Outskirts of Paris
2864:Collections Online
2840:. Van Gogh Gallery
2838:Van Gogh Paintings
2732:on August 30, 2016
2694:Leeuw, R (1997) .
1932:Lubin, A (1996) .
1883:Lubin, A (1996) .
1649:Lubin, A (1996) .
1485:
1460:
1447:
1314:
1310:Child with Orange,
1301:
1288:
1175:Evening: The Watch
1165:Like the painting
1160:Evening: The Watch
507:Van Gogh moved to
425:
390:
377:
362:
322:
318:Girl in the Woods,
309:
288:
4766:
4765:
4753:The Vincent Award
4714:Johannes Stricker
4315:
4314:
4264:Plain near Auvers
4215:Farms near Auvers
4208:Daubigny's Garden
3905:A Lane near Arles
3620:The Potato Eaters
3574:Village at Sunset
3257:Hospital in Arles
3249:The Roulin Family
2925:Media related to
2905:978-1-57965-315-6
2531:Zemel, C (1997).
2444:. Van Gogh Museum
2393:on March 21, 2012
2268:Zemel, C (1997).
2208:978-0-618-99058-0
2133:978-0-618-99058-0
2094:978-0-618-99058-0
1794:978-0-618-99058-0
1689:978-0-87070-736-0
1558:Postimpressionism
1532:978-0-940717-89-3
1489:
1488:
1318:
1317:
1109:, New York (F668)
1049:Saint-Paul asylum
1033:La Chaux-de-Fonds
1007:La Chaux-de-Fonds
394:
393:
372:Sien Nursing Baby
326:
325:
218:the Roulin family
83:
82:
4836:
4646:The Yellow House
4522:Vincent van Gogh
4427:87 Hackford Road
4173:Houses at Auvers
4000:The Starry Night
3972:Crab on its Back
3877:The Red Vineyard
3835:Bedroom in Arles
3807:Van Gogh's Chair
3800:The Yellow House
3465:Marshy Landscape
3373:
2987:List of drawings
2963:Vincent van Gogh
2956:
2949:
2942:
2933:
2924:
2910:
2909:
2889:
2876:
2875:
2873:
2871:
2860:"Adeline Ravoux"
2856:
2850:
2849:
2847:
2845:
2830:
2824:
2823:
2821:
2819:
2814:on July 22, 2011
2800:
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1842:
1831:"Girl in a wood"
1827:
1821:
1820:
1818:
1816:
1805:
1799:
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1772:
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1765:
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1743:Vincent Van Gogh
1737:
1731:
1730:
1724:
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1372:
1345:
1330:is found at the
1259:
1258:
1238:Two Young Girls,
1207:Camille Pissarro
1133:
1118:
1099:
999:
974:
879:
856:
841:
814:
787:
760:
721:Washington, D.C.
696:Washington, D.C.
684:
661:
634:
611:
584:
472:Camille Pissarro
347:
346:
267:
266:
86:Vincent van Gogh
40:Vincent van Gogh
31:
19:
4844:
4843:
4839:
4838:
4837:
4835:
4834:
4833:
4819:1890s paintings
4814:1880s paintings
4769:
4768:
4767:
4762:
4741:
4718:
4672:
4540:(1888 painting)
4524:(1886 painting)
4509:
4495:Maison Van Gogh
4485:Van Gogh Museum
4473:
4414:
4311:
4118:
3938:
3745:
3678:
3646:
3600:
3498:
3410:
3364:
3289:The Wheat Field
3273:Almond Blossoms
3044:
3038:
3024:Posthumous fame
2965:
2960:
2918:
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2906:
2891:
2890:
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2827:
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2159:
2148:"Roulin's Baby"
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2033:on May 16, 2013
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1564:on May 10, 2011
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1390:
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1325:
1268:Two Young Girls
1235:
1211:Auvers-sur-Oise
1199:
1197:Auvers-sur-Oise
1187:Barbizon School
1163:
1156:
1155:
1154:
1153:
1152:
1141:Van Gogh Museum
1139:October, 1889,
1134:
1126:
1125:
1119:
1111:
1110:
1100:
1067:
1045:
1025:
1018:
1017:
1016:
1015:
1014:
1000:
992:
991:
988:Washington D.C.
975:
964:
923:
916:
902:Museum Folkwang
895:
890:
889:
888:
887:
886:
880:
872:
871:
857:
849:
848:
842:
834:
833:
815:
807:
806:
788:
780:
779:
768:Van Gogh Museum
761:
731:
715:resides at the
708:
706:Marcelle Roulin
703:
702:
701:
700:
699:
685:
677:
676:
662:
654:
653:
642:Van Gogh Museum
635:
627:
626:
612:
604:
603:
585:
551:
513:southern France
505:
417:Van Gogh Museum
406:
297:Girl in a Wood,
226:
214:
171:
162:
153:
140:
102:Auvers-sur-Oise
88:enjoyed making
74:Van Gogh Museum
17:
12:
11:
5:
4842:
4840:
4832:
4831:
4826:
4821:
4816:
4811:
4809:1889 paintings
4806:
4804:1888 paintings
4801:
4796:
4791:
4786:
4781:
4771:
4770:
4764:
4763:
4761:
4760:
4755:
4749:
4747:
4743:
4742:
4740:
4739:
4733:
4726:
4724:
4720:
4719:
4717:
4716:
4711:
4706:
4701:
4699:Andries Bonger
4696:
4691:
4686:
4680:
4678:
4674:
4673:
4671:
4670:
4662:
4658:Loving Vincent
4654:
4649:
4643:
4635:
4627:
4619:
4611:
4607:Vincent and Me
4603:
4595:
4587:
4582:
4574:
4566:
4558:
4550:
4542:
4534:
4526:
4517:
4515:
4511:
4510:
4508:
4507:
4502:
4497:
4492:
4487:
4481:
4479:
4475:
4474:
4472:
4471:
4467:Head of a Girl
4463:
4455:
4447:
4439:
4431:
4430:(1873 or 1874)
4422:
4420:
4416:
4415:
4413:
4412:
4404:
4396:
4388:
4380:
4372:
4364:
4356:
4348:
4340:
4332:
4323:
4321:
4317:
4316:
4313:
4312:
4310:
4309:
4302:
4295:
4288:
4281:
4274:
4267:
4260:
4253:
4246:
4239:
4232:
4225:
4218:
4211:
4204:
4197:
4190:
4183:
4176:
4169:
4162:
4155:
4148:
4141:
4134:
4126:
4124:
4120:
4119:
4117:
4116:
4109:
4102:
4095:
4088:
4081:
4074:
4067:
4060:
4053:
4046:
4039:
4032:
4025:
4018:
4010:
4003:
3996:
3989:
3982:
3975:
3968:
3961:
3954:
3946:
3944:
3940:
3939:
3937:
3936:
3929:
3922:
3915:
3908:
3901:
3894:
3887:
3880:
3873:
3866:
3859:
3852:
3845:
3838:
3831:
3824:
3817:
3810:
3803:
3796:
3793:The Night Café
3789:
3782:
3775:
3768:
3761:
3753:
3751:
3747:
3746:
3744:
3743:
3736:
3729:
3722:
3715:
3708:
3701:
3694:
3686:
3684:
3680:
3679:
3677:
3676:
3673:The Kingfisher
3669:
3662:
3654:
3652:
3648:
3647:
3645:
3644:
3637:
3630:
3623:
3616:
3608:
3606:
3602:
3601:
3599:
3598:
3591:
3584:
3577:
3570:
3563:
3556:
3553:Lane in Autumn
3549:
3542:
3535:
3528:
3521:
3514:
3506:
3504:
3500:
3499:
3497:
3496:
3489:
3482:
3475:
3468:
3461:
3454:
3447:
3440:
3433:
3426:
3418:
3416:
3412:
3411:
3409:
3408:
3401:
3394:
3387:
3379:
3377:
3370:
3366:
3365:
3363:
3362:
3357:
3352:
3344:Double-squares
3339:
3333:
3325:
3317:
3309:
3301:
3293:
3285:
3277:
3269:
3261:
3253:
3245:
3237:
3233:Boats du RhĂ´ne
3229:
3225:Saintes-Maries
3221:
3213:
3207:
3199:
3191:
3183:
3175:
3167:
3159:
3156:Self portraits
3153:
3145:
3137:
3129:
3121:
3113:
3105:
3097:
3089:
3081:
3075:
3069:
3061:
3055:
3048:
3046:
3040:
3039:
3037:
3036:
3031:
3026:
3021:
3016:
3011:
3009:Auberge Ravoux
3006:
3001:
2994:
2989:
2984:
2979:
2973:
2971:
2967:
2966:
2961:
2959:
2958:
2951:
2944:
2936:
2917:
2916:External links
2914:
2912:
2911:
2904:
2877:
2851:
2825:
2795:
2782:"Two Children"
2773:
2760:Index of Works
2743:
2726:The Collection
2713:
2706:
2681:
2674:
2648:
2625:
2602:
2576:
2550:
2543:
2523:
2516:
2496:
2470:
2455:
2430:
2404:
2374:
2343:
2321:
2314:
2287:
2280:
2253:
2240:
2214:
2207:
2178:
2169:
2158:on May 8, 2009
2152:The Collection
2139:
2132:
2112:
2100:
2093:
2073:
2044:
2009:
2002:
1979:
1951:
1944:
1924:
1902:
1895:
1875:
1848:
1822:
1800:
1793:
1773:
1752:
1732:
1709:
1688:
1668:
1661:
1636:
1589:
1538:
1531:
1505:
1503:
1500:
1493:
1490:
1487:
1486:
1461:
1448:
1428:
1427:
1419:
1416:
1403:
1402:Adeline Ravoux
1400:
1389:
1384:
1374:
1367:
1366:
1347:
1340:
1339:
1338:
1337:
1336:
1324:
1319:
1316:
1315:
1302:
1289:
1234:
1231:
1219:Auberge Ravoux
1198:
1195:
1162:
1157:
1135:
1128:
1127:
1120:
1113:
1112:
1101:
1094:
1093:
1092:
1091:
1090:
1066:
1061:
1044:
1041:
1024:
1019:
1001:
994:
993:
976:
969:
968:
967:
966:
965:
960:Main article:
928:also known as
922:
917:
912:Main article:
894:
891:
881:
874:
873:
858:
851:
850:
843:
836:
835:
816:
809:
808:
789:
782:
781:
762:
755:
754:
753:
752:
751:
730:
729:Camille Roulin
727:
707:
704:
688:Roulin's Baby,
686:
679:
678:
663:
656:
655:
636:
629:
628:
613:
606:
605:
586:
579:
578:
577:
576:
575:
550:
547:
541:Van Gogh used
504:
501:
405:
402:
392:
391:
378:
363:
324:
323:
310:
289:
243:Girl in a Wood
225:
222:
213:
210:
170:
167:
161:
158:
152:
151:Convey comfort
149:
139:
136:
81:
80:
71:
67:
66:
63:
59:
58:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
4841:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4795:
4792:
4790:
4787:
4785:
4782:
4780:
4777:
4776:
4774:
4759:
4756:
4754:
4751:
4750:
4748:
4744:
4737:
4734:
4731:
4728:
4727:
4725:
4721:
4715:
4712:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4684:Theo van Gogh
4682:
4681:
4679:
4675:
4669:
4667:
4663:
4661:
4659:
4655:
4653:
4650:
4647:
4644:
4642:
4640:
4636:
4634:
4632:
4628:
4626:
4624:
4620:
4618:
4616:
4612:
4610:
4608:
4604:
4602:
4600:
4596:
4594:
4592:
4588:
4586:
4583:
4581:
4580:(1963 statue)
4579:
4575:
4573:
4571:
4567:
4565:
4563:
4562:Lust for Life
4559:
4557:
4555:
4551:
4549:
4547:
4546:Lust for Life
4543:
4541:
4539:
4535:
4533:
4531:
4527:
4525:
4523:
4519:
4518:
4516:
4512:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4482:
4480:
4476:
4469:
4468:
4464:
4461:
4460:
4456:
4453:
4452:
4448:
4445:
4444:
4440:
4437:
4436:
4432:
4429:
4428:
4424:
4423:
4421:
4417:
4410:
4409:
4405:
4402:
4401:
4397:
4394:
4393:
4389:
4386:
4385:
4381:
4378:
4377:
4373:
4370:
4369:
4365:
4362:
4361:
4357:
4354:
4353:
4349:
4346:
4345:
4341:
4338:
4337:
4333:
4330:
4329:
4325:
4324:
4322:
4318:
4308:
4307:
4303:
4301:
4300:
4296:
4294:
4293:
4289:
4287:
4286:
4282:
4280:
4279:
4275:
4273:
4272:
4268:
4266:
4265:
4261:
4259:
4258:
4254:
4252:
4251:
4247:
4245:
4244:
4240:
4238:
4237:
4233:
4231:
4230:
4226:
4224:
4223:
4219:
4217:
4216:
4212:
4210:
4209:
4205:
4203:
4202:
4198:
4196:
4195:
4194:Girl in White
4191:
4189:
4188:
4184:
4182:
4181:
4177:
4175:
4174:
4170:
4168:
4167:
4163:
4161:
4160:
4156:
4154:
4153:
4149:
4147:
4146:
4142:
4140:
4139:
4135:
4133:
4132:
4128:
4127:
4125:
4121:
4115:
4114:
4110:
4108:
4107:
4103:
4101:
4100:
4096:
4094:
4093:
4089:
4087:
4086:
4082:
4080:
4079:
4075:
4073:
4072:
4068:
4066:
4065:
4061:
4059:
4058:
4054:
4052:
4051:
4047:
4045:
4044:
4040:
4038:
4037:
4033:
4031:
4030:
4026:
4024:
4023:
4019:
4017:
4015:
4014:Self-portrait
4011:
4009:
4008:
4004:
4002:
4001:
3997:
3995:
3994:
3990:
3988:
3987:
3983:
3981:
3980:
3976:
3974:
3973:
3969:
3967:
3966:
3962:
3960:
3959:
3955:
3953:
3952:
3948:
3947:
3945:
3941:
3935:
3934:
3930:
3928:
3927:
3923:
3921:
3920:
3916:
3914:
3913:
3909:
3907:
3906:
3902:
3900:
3899:
3895:
3893:
3892:
3888:
3886:
3885:
3881:
3879:
3878:
3874:
3872:
3871:
3867:
3865:
3864:
3860:
3858:
3857:
3853:
3851:
3850:
3849:Les Alyscamps
3846:
3844:
3843:
3839:
3837:
3836:
3832:
3830:
3829:
3825:
3823:
3822:
3818:
3816:
3815:
3811:
3809:
3808:
3804:
3802:
3801:
3797:
3795:
3794:
3790:
3788:
3787:
3783:
3781:
3780:
3776:
3774:
3773:
3769:
3767:
3766:
3762:
3760:
3759:
3755:
3754:
3752:
3748:
3742:
3741:
3737:
3735:
3734:
3730:
3728:
3727:
3723:
3721:
3720:
3716:
3714:
3713:
3709:
3707:
3706:
3702:
3700:
3699:
3695:
3693:
3692:
3691:Poppy Flowers
3688:
3687:
3685:
3681:
3675:
3674:
3670:
3668:
3667:
3663:
3661:
3660:
3656:
3655:
3653:
3649:
3643:
3642:
3638:
3636:
3635:
3631:
3629:
3628:
3624:
3622:
3621:
3617:
3615:
3614:
3610:
3609:
3607:
3603:
3597:
3596:
3592:
3590:
3589:
3585:
3583:
3582:
3578:
3576:
3575:
3571:
3569:
3568:
3564:
3562:
3561:
3557:
3555:
3554:
3550:
3548:
3547:
3543:
3541:
3540:
3536:
3534:
3533:
3529:
3527:
3526:
3522:
3520:
3519:
3515:
3513:
3512:
3508:
3507:
3505:
3501:
3495:
3494:
3490:
3488:
3487:
3483:
3481:
3480:
3476:
3474:
3473:
3469:
3467:
3466:
3462:
3460:
3459:
3455:
3453:
3452:
3448:
3446:
3445:
3441:
3439:
3438:
3434:
3432:
3431:
3427:
3425:
3424:
3420:
3419:
3417:
3413:
3407:
3406:
3402:
3400:
3399:
3395:
3393:
3392:
3388:
3386:
3385:
3381:
3380:
3378:
3374:
3371:
3369:Oil paintings
3367:
3361:
3358:
3356:
3353:
3350:
3349:
3345:
3340:
3337:
3334:
3331:
3330:
3326:
3323:
3322:
3318:
3315:
3314:
3310:
3307:
3306:
3302:
3299:
3298:
3294:
3291:
3290:
3286:
3283:
3282:
3278:
3275:
3274:
3270:
3267:
3266:
3262:
3259:
3258:
3254:
3251:
3250:
3246:
3243:
3242:
3238:
3235:
3234:
3230:
3227:
3226:
3222:
3219:
3218:
3214:
3211:
3208:
3205:
3204:
3200:
3197:
3196:
3192:
3189:
3188:
3184:
3181:
3180:
3176:
3173:
3172:
3168:
3165:
3164:
3160:
3157:
3154:
3151:
3150:
3146:
3143:
3142:
3138:
3135:
3134:
3130:
3127:
3126:
3122:
3119:
3118:
3114:
3111:
3110:
3106:
3103:
3102:
3098:
3095:
3094:
3090:
3087:
3086:
3082:
3079:
3076:
3073:
3070:
3067:
3066:
3062:
3059:
3056:
3053:
3050:
3049:
3047:
3041:
3035:
3032:
3030:
3027:
3025:
3022:
3020:
3017:
3015:
3012:
3010:
3007:
3005:
3002:
3000:
2999:
2995:
2993:
2990:
2988:
2985:
2983:
2982:List of works
2980:
2978:
2975:
2974:
2972:
2968:
2964:
2957:
2952:
2950:
2945:
2943:
2938:
2937:
2934:
2930:
2928:
2923:
2915:
2907:
2901:
2897:
2896:
2888:
2886:
2884:
2882:
2878:
2865:
2861:
2855:
2852:
2839:
2835:
2829:
2826:
2813:
2809:
2805:
2799:
2796:
2783:
2777:
2774:
2761:
2757:
2755:
2747:
2744:
2731:
2727:
2723:
2717:
2714:
2709:
2707:9780140446746
2703:
2699:
2698:
2690:
2688:
2686:
2682:
2677:
2675:0-313-29898-X
2671:
2667:
2662:
2661:
2652:
2649:
2644:
2639:
2638:
2629:
2626:
2613:
2606:
2603:
2590:
2586:
2580:
2577:
2564:
2560:
2554:
2551:
2546:
2544:9780520088498
2540:
2536:
2535:
2527:
2524:
2519:
2517:0-8386-3749-3
2513:
2509:
2508:
2500:
2497:
2484:
2480:
2474:
2471:
2466:
2459:
2456:
2443:
2437:
2435:
2431:
2418:
2414:
2408:
2405:
2392:
2388:
2384:
2378:
2375:
2362:
2358:
2352:
2350:
2348:
2344:
2331:
2325:
2322:
2317:
2315:0-8020-8354-4
2311:
2307:
2303:
2296:
2294:
2292:
2288:
2283:
2281:9780520088498
2277:
2273:
2272:
2264:
2262:
2260:
2258:
2254:
2250:
2244:
2241:
2228:
2224:
2218:
2215:
2210:
2204:
2200:
2199:
2191:
2189:
2187:
2185:
2183:
2179:
2173:
2170:
2157:
2153:
2149:
2143:
2140:
2135:
2129:
2125:
2124:
2116:
2113:
2107:
2105:
2101:
2096:
2090:
2086:
2085:
2077:
2074:
2061:
2057:
2051:
2049:
2045:
2032:
2028:
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2003:0-8153-3156-8
1999:
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1945:0-306-80726-2
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1896:0-306-80726-2
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1753:0-8368-5602-3
1749:
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1729:, 14, 21, 30.
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1662:0-306-80726-2
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1298:
1297:Two Children,
1294:
1290:
1285:
1281:
1277:
1276:Musée d'Orsay
1273:
1272:Two Children,
1269:
1265:
1261:
1260:
1257:
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1247:
1246:Musée d'Orsay
1243:
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1208:
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1176:
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1169:the painting
1168:
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903:
898:
893:Armand Roulin
892:
884:
878:
869:
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861:
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827:
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723:
722:
718:
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713:Roulin's Baby
705:
697:
693:
689:
683:
674:
673:Liechtenstein
670:
666:
660:
651:
647:
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639:
633:
624:
623:New York City
620:
616:
610:
601:
597:
593:
589:
583:
574:
572:
568:
567:Émile Bernard
562:
559:
556:
548:
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531:
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484:Émile Bernard
481:
477:
473:
469:
468:
462:
458:
454:
453:Impressionism
450:
449:Dutch masters
446:
442:
438:
434:
430:
422:
418:
415:Spring 1886,
414:
410:
403:
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206:Impressionism
203:
199:
198:Dutch masters
194:
192:
188:
184:
180:
176:
173:The "peasant
169:Peasant genre
168:
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159:
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150:
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144:
137:
135:
133:
132:Joseph Roulin
128:
127:
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115:
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106:Impressionism
103:
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79:
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68:
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57:Oil on canvas
56:
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48:
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34:
30:
25:
20:
4689:Wil van Gogh
4665:
4657:
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4625:(1990 opera)
4622:
4614:
4606:
4598:
4590:
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4572:(1956 opera)
4569:
4561:
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4548:(1934 novel)
4545:
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4529:
4521:
4465:
4457:
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4441:
4433:
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4406:
4400:Breton Women
4398:
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4320:Watercolours
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4007:The Gardener
4005:
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3870:L'Arlésienne
3868:
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3313:Wheat Fields
3311:
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3187:Japonaiserie
3185:
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3125:Wheat Fields
3123:
3115:
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3099:
3091:
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2863:
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2812:the original
2807:
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2776:
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2562:
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2482:
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2421:. Retrieved
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2391:the original
2386:
2377:
2365:. Retrieved
2360:
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2324:
2305:
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2248:
2243:
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2226:
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2156:the original
2151:
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2059:
2035:. Retrieved
2031:the original
2026:
1992:
1967:
1934:
1927:
1915:. Retrieved
1905:
1885:
1878:
1866:. Retrieved
1861:
1851:
1839:. Retrieved
1834:
1825:
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1608:
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1562:the original
1557:
1521:
1495:
1468:
1455:
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1409:
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1393:
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1386:
1375:
1348:
1327:
1326:
1321:
1309:
1296:
1271:
1267:
1254:Two Children
1253:
1244:is owned by
1242:Two Children
1241:
1240:also called
1237:
1236:
1223:
1200:
1191:
1183:
1174:
1170:
1167:First Steps,
1166:
1164:
1159:
1136:
1122:
1102:
1084:
1082:
1077:
1069:
1068:
1063:
1046:
1028:
1026:
1021:
1002:
977:
955:
949:
945:
929:
925:
924:
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907:
899:
896:
882:
859:
844:
817:
803:Pennsylvania
799:Philadelphia
790:
763:
746:
744:
732:
724:
712:
709:
687:
664:
637:
614:
600:Pennsylvania
596:Philadelphia
587:
563:
557:
552:
540:
532:
525:
516:
506:
480:Paul Gauguin
464:
461:Pointillists
445:Hague School
426:
412:
395:
385:
370:
355:
339:
334:
328:
327:
317:
296:
275:
257:
255:
246:
242:
240:
228:
227:
215:
195:
183:Jules Breton
172:
163:
154:
145:
141:
129:
125:
121:
113:
95:
89:
84:
4736:Jan Hulsker
4723:Cataloguers
4709:Anton Mauve
4668:(2018 film)
4660:(2017 film)
4648:(2007 film)
4641:(2003 play)
4633:(1991 film)
4617:(1990 film)
4609:(1990 film)
4601:(1990 film)
4593:(1987 film)
4564:(1956 film)
4556:(1948 film)
4306:Poppy Field
4085:The Diggers
3437:Bulb Fields
3321:Butterflies
3305:Olive Trees
3284:(1888–1890)
3276:(1888–1890)
3212:(1887–1890)
3206:(1887–1890)
3198:(1887–1889)
3158:(1886–1889)
3128:(1885–1890)
3088:(1883–1885)
3074:(1881–1888)
3068:(1881–1885)
3060:(1881–1890)
3052:Early works
2227:Collections
1609:Collections
1554:"La Mousmé"
1471:June 1890,
1361:Netherlands
1215:Paul Gachet
1205:and artist
1179:Holy Family
1149:Netherlands
1123:First Steps
1085:First Steps
1078:First Steps
1070:First Steps
1064:First Steps
1037:Switzerland
1011:Switzerland
950:La Mousmé,
942:Pierre Loti
776:Netherlands
650:Netherlands
488:Paul Signac
441:Anton Mauve
429:Netherlands
305:Netherlands
224:Netherlands
122:First Steps
4773:Categories
4514:Portrayals
4292:Tree Roots
4131:The Siesta
3993:Lilac Bush
3891:Les Arènes
3779:The Zouave
3195:Sunflowers
3149:Montmartre
2992:Chronology
2808:Collection
2417:Collection
2387:Collection
2110:Letter xxx
1835:Collection
1502:References
1121:Detail of
1080:painting.
1053:Saint-RĂ©my
1043:Saint-RĂ©my
571:provenance
536:modern art
517:La Mousmé
457:Symbolists
200:, such as
187:modern art
114:La Mousmé.
62:Dimensions
4064:Cypresses
3979:Two Crabs
3772:La Mousmé
3398:Lying Cow
3332:(1889–90)
3324:(1889–90)
3268:(1888–89)
3260:(1888–89)
3252:(1888–89)
3152:(1886–87)
3144:(1886–87)
3117:Amsterdam
3112:(1884–85)
3104:(1884–85)
3080:(1882–83)
3058:Portraits
3054:(1881–82)
3043:Groups of
2977:Biography
2870:April 13,
2844:April 12,
2818:April 13,
2788:April 13,
2766:April 13,
2736:March 21,
2618:April 12,
2595:April 14,
2569:April 14,
2489:April 13,
2448:March 25,
2423:March 25,
2397:March 25,
2367:March 25,
2336:April 13,
2233:April 13,
2162:April 13,
2066:April 13,
2037:April 13,
1917:April 13,
1868:April 12,
1841:April 13,
1815:April 13,
1762:cite book
1698:cite book
1615:April 13,
1568:March 20,
1477:Cleveland
1145:Amsterdam
979:La Mousmé
962:La Mousmé
944:'s novel
926:La Mousmé
920:La Mousmé
868:Rotterdam
826:Sao Paulo
772:Amsterdam
646:Amsterdam
492:Hiroshige
421:Amsterdam
202:Rembrandt
138:Portraits
78:Amsterdam
4631:Van Gogh
4570:Van Gogh
4554:Van Gogh
4419:Drawings
4222:The Cows
3511:Two Rats
3171:Asnières
3085:Cottages
1625:cite web
1578:cite web
1492:See also
1057:Provence
1039:(F535).
742:(F537).
467:Japonism
443:and the
110:Japonism
70:Location
4746:Related
4623:Vincent
4591:Vincent
4478:Museums
3348:Squares
3342:Auvers
2970:General
2643:162–163
1357:Otterlo
1013:(F535).
805:(F537).
735:Lambesc
675:(F441a)
519:. The
496:Hokusai
284:Otterlo
262:Zundert
160:Infants
4677:Family
4615:Dreams
4532:(1887)
4470:(1888)
4462:(1887)
4454:(1882)
4446:(1882)
4443:Sorrow
4438:(1881)
4411:(1890)
4403:(1888)
4395:(1883)
4387:(1883)
4379:(1883)
4371:(1883)
4363:(1883)
4355:(1882)
4347:(1882)
4339:(1882)
4331:(1881)
4016:(1889)
3986:Irises
3351:(1890)
3338:(1890)
3316:(1889)
3308:(1889)
3300:(1889)
3297:Reaper
3292:(1889)
3244:(1888)
3236:(1888)
3228:(1888)
3220:(1888)
3190:(1887)
3182:(1887)
3174:(1887)
3166:(1887)
3136:(1886)
3120:(1885)
3096:(1884)
3004:Health
2902:
2704:
2672:
2541:
2514:
2312:
2278:
2205:
2130:
2091:
2000:
1942:
1893:
1791:
1750:
1686:
1659:
1529:
1483:(F786)
1363:(F518)
1351:1890,
1286:(F783)
1284:France
1274:1890,
1151:(F647)
990:(F431)
870:(F493)
862:1888,
832:(F665)
830:Brazil
778:(F538)
698:(F440)
652:(F441)
625:(F491)
617:1888,
602:(F490)
423:(F215)
398:Nuenen
286:(F851)
212:Models
165:them.
54:Medium
36:Artist
3179:Seine
3045:works
3014:Death
1976:, 69.
1280:Paris
1250:Paris
1171:Night
1051:near
938:Japan
934:Arles
669:Vaduz
590:1888
543:color
509:Arles
503:Arles
437:Paris
175:genre
98:Arles
4123:1890
4057:Rain
3943:1889
3750:1888
3683:1887
3651:1886
3605:1885
3503:1884
3415:1883
3376:1882
3346:and
3078:Sien
2900:ISBN
2872:2011
2846:2011
2820:2011
2790:2011
2768:2011
2738:2011
2702:ISBN
2670:ISBN
2620:2011
2597:2011
2571:2011
2539:ISBN
2512:ISBN
2491:2011
2450:2011
2425:2011
2399:2011
2369:2011
2338:2011
2310:ISBN
2276:ISBN
2235:2011
2203:ISBN
2164:2011
2128:ISBN
2089:ISBN
2068:2011
2039:2011
1998:ISBN
1940:ISBN
1919:2011
1891:ISBN
1870:2011
1843:2011
1817:2011
1789:ISBN
1768:link
1748:ISBN
1704:link
1684:ISBN
1657:ISBN
1631:link
1617:2011
1584:link
1570:2011
1527:ISBN
1481:Ohio
1392:The
1203:Theo
528:Theo
494:and
465:see
433:Theo
342:Sien
333:and
307:(F8)
191:Theo
124:and
108:and
49:1888
46:Year
4099:Ivy
1270:or
1173:or
1055:in
745:In
719:in
553:In
511:in
256:In
245:or
4775::
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