Knowledge (XXG)

Paisan

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358:, an American patrol makes its way to a village at night. Only one of the Americans speaks Italian. Local girl Carmela, who wants to find the whereabouts of her brother and father, agrees to guide the patrol past a German minefield to the seaside. While one of the patrol, Joe, is assigned to keep an eye on Carmela in a castle ruin, the others inspect the area. Despite the language barrier, Joe starts to overcome Carmela's distance. When he is shot by a German sniper, Carmela hides him in the basement of the building. Upon the discovery that Joe has died, she takes his rifle and starts shooting at the enemy. When the Americans return, they find Joe's body and assume Carmela killed him. The last scene shows the dead Carmela lying at the bottom of the cliffs, having been shot by the German patrol. 386:, takes Fred, a drunken American soldier, to the room where she serves her customers. He is not interested in her services and tells her of his futile search for a young woman he met and fell in love with shortly after the liberation of the city six months earlier. As he describes the woman, Francesca realises that she is the woman; both of them have changed so much in the short time that has passed that they do not recognise each other. When Fred falls asleep, Francesca slips out, asking the landlady to give Fred a piece of paper with her address on it when he awakes, and leaves. The next day, Fred finds the paper in his pocket and throws it away, telling a comrade it was a prostitute's address. While Francesca waits for him in vain, he leaves the city with his unit. 443:. They rescue two downed British airmen. On their return to the Italian family who supported them, they find that these have been executed by the Germans. Later, the Allied soldiers and the partisans get involved in a gunfight and are captured by the enemy. A German officer explains to the captives his country's motives for the war, and that it will not stop before having built a new and lasting civilization. The partisans are summarily executed the next day, and the American prisoners shot when they try to interfere. The film closes with a voice-over narration (which opens each episode), stating, "This happened in the winter of 1944. By the beginning of Spring, the war was over." 427:. Captain Bill Martin, who is the only one of the chaplains who speaks Italian, acts as interpreter. The monks are dismayed to learn from Martin that only he is a Catholic; his two colleagues are a Protestant and a Jew. When the guests and their hosts sit down to supper, Martin observes that the monks have nothing on their plates. He inquires and learns that the monks have decided to fast in the hope of gaining the favour of Heaven to convert the other two to their faith. Despite the rule that meals have to be taken in silence, Martin holds a speech in which he expresses his appreciation for having found his peace again which he had believed to be lost in the tribulations of war. 370:. An orphaned street urchin named Pasquale happens upon Joe, a drunk African-American soldier who is about to become the victim of a robbery. When the police arrive, Pasquale runs away with Joe, who tells him of his war experiences. After Joe falls asleep, Pasquale takes his boots. The next day, Joe, who turns out to be a 575:
Rossellini's cast consisted of known and unknown professional actors, and of amateurs like Carmela Sazio in the first episode or the friars in the fifth episode. Filming often took place in locations which stood in for the episode's settings: The scenes with American tanks arriving in Rome was shot
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have been blown up, stalling the Allied advance. American nurse Harriet learns that the leader of the partisans, "Lupo", is an artist whom she knew in Florence before the war. She teams up with partisan Massimo, a man desperate for news of his family, and enters the embattled city through the
580:, while many interior shots supposedly set in Florence were shot in Rome. Also, the voices of many actors did not match the required local dialect. Sazio, a Sicilian girl in the script, spoke with Neapolitan accent and had to be dubbed, as did the friars, whose monastery was located near 2716: 2709: 2702: 29: 1688: 2725: 661:
Film historians and critics who pointed out the film's importance in later years include JĂłse Luis Guarner, who titled it "a masterpiece of neorealism as well as one of the peaks of film history,"
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on 18 September 1946 and was released in Italian cinemas on 10 December the same year. It was released in the US by Mayer-Burstyn in an English subtitled version running 90 minutes in 1947.
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and Allan James Thomas, although acknowledging its status in film history, remarked upon the film's sentimentality and a lack of thematic coherence and causality regarding its content.
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chose it as the key film to demonstrate the importance of Italian neorealism, emphasising its grasp of reality through an amalgam of documentary technique and fiction.
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questioned the exaltation of the monks and their intolerance towards the non-Catholic chaplains in the monastery episode, a view which was shared by critics
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listed it among the "39 Essential Foreign Films for a Young Filmmaker" and included it in his "Top 10" list for the Criterion Collection.
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and four American players, Dots Johnson, Gar Moore, Harriet White and Dale Edmonds. The screenplay was based on scripts and stories by
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titled it "a milestone in the expressiveness of the screen" which achieves a "tremendous naturalness" through its
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Biltereyst, Daniel; Treveri Gennari, Daniela, eds. (2015). "Triple Alliance for Catholic Neorealism".
536:, Rossellini was able to obtain funding from Italian and American investors with the help of producer 419:
Three American military chaplains are welcomed to stay the night at a Roman Catholic monastery in the
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river, between Italian partisans and the Germans and their fascist allies. All the bridges except the
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was a term used by Italians and American servicemen during the liberation of Italy, derived from the
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as the film which convinced him to become a director himself. On the other hand, reviewers like
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Fellini's Eternal Rome: Paganism and Christianity in the Films of Federico Fellini
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A restored version of the film was released in the US on Blu-ray and DVD by
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is freed, but fierce fighting continues in the other half, across the
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Hollywood Italians: Dagos, Palookas, Romeos, Wise Guys, and Sopranos
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New York Film Critics Circle Award for Best Foreign Language Film
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are operating behind German lines with Italian partisans in the
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Marrone, Gaetana; Somigli, Luca; Puppa, Paolo, eds. (2007).
910:"Ecco i cento film italiani da salvare Corriere della Sera" 804:
The Foreign Film Renaissance on American Screens, 1946–1973
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The Allies invade mainland Italy and capture the port of
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and received numerous national and international prizes.
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in the South but supposed to be set in Northern Italy.
1263:(Seventh Edition 1999 ed.). Penguin Books. 1998. 467:
Alfonsino Bovino as Pasquale (credited as Alfonsino)
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Geiger also supplied Rossellini with raw 382:Francesca, a young prostitute in liberated 3629:Films with screenplays by Federico Fellini 2717: 2703: 2695: 1689: 1675: 1667: 1651: 1344: 1330: 1322: 1129: 1127: 1017:Catalog of Copyright Entries: Third Series 763: 761: 759: 757: 755: 753: 751: 749: 747: 648:Academy Award for Best Original Screenplay 500:Father Vincenzo Carrella as friar guardian 27: 18: 3128:Women on the Verge of a Nervous Breakdown 506:Sergeant Elmer Feldman as Jewish chaplain 503:Captain Owen Jones as Protestant chaplain 458:Benjamin Emanuel as Sarge (first episode) 1138:. The H. W. Wilson Company. p. 962. 856:. Oxford University Press. p. 438. 3579:Films about Italian resistance movement 797: 795: 793: 791: 789: 743: 698: 435:In December 1944, three members of the 3554:Italian Campaign of World War II films 879: 877: 875: 873: 455:Robert Van Loon as Joe (first episode) 333:In 2008, the film was included in the 1208:from the original on February 7, 2015 1110:. Bloomsbury Publishing. p. 24. 1085:. Taylor & Francis. p. 182. 949: 947: 335:Italian Ministry of Cultural Heritage 7: 3544:Films directed by Roberto Rossellini 852:Nowell-Smith, Geoffrey, ed. (1996). 3108:The Decline of the American Empire 1175:Brody, Richard (25 January 2010). 1055:Crowther, Bosley (30 March 1948). 989:MacCabe, Colin (26 January 2010). 854:The Oxford History of World Cinema 644:New York Film Critics Circle Award 616:Venice International Film Festival 597:Venice International Film Festival 515:Roberto Van Loel as German officer 328:Venice International Film Festival 14: 3574:Films about prostitution in Italy 1714:I Am a Fugitive from a Chain Gang 1481:(segment: "Ingrid Bergman", 1953) 1204:. Open Culture. 15 October 2014. 954:Thomas, Allan James (July 2009). 3639:Films scored by Renzo Rossellini 1582:The Taking of Power by Louis XIV 1457:(segment: "Envie, L'Envy", 1952) 938:The Films of Roberto Rossellini 772:. University of Toronto Press. 16:1946 film by Roberto Rossellini 3624:Films about race and ethnicity 2095:They Shoot Horses, Don't They? 1577:(segment: "Illibatezza", 1963) 1489:(segment: "Napoli 1943", 1954) 1462:The Machine to Kill Bad People 1136:World Film Directors, Volume 2 768:Wagstaff, Christopher (2007). 354:During the Allied invasion of 1: 3539:Italian black-and-white films 3469:The Worst Person in the World 1149:Dave Kehr (26 October 1985). 991:"Paisan: More Real Than Real" 827:Bondanella, Peter E. (2004). 339:100 Italian films to be saved 3649:1940s English-language films 3549:1940s Italian-language films 3339:4 Months, 3 Weeks and 2 Days 1975:The Bridge on the River Kwai 1106:Carrera, Alessandro (2018). 326:. The film premiered at the 3604:Films set in Emilia-Romagna 2055:The Eleanor Roosevelt Story 1965:Around the World in 80 Days 542:Italian resistance movement 512:Achille Siviero as Cigolani 3680: 3659:Italian multilingual films 3644:Italian World War II films 3389:Blue Is the Warmest Colour 2681:Killers of the Flower Moon 2085:The Shoes of the Fisherman 2075:Far from the Madding Crowd 1614:L'etĂ  di Cosimo de' Medici 1446:The Flowers of St. Francis 1249:. Routledge. p. 1474. 1228:"Martin Scorsese's Top 10" 936:Bondanella, Peter (1993). 658:and, later, Pio Baldelli. 210:10 December 1946 2501:Good Night, and Good Luck 1834:None But the Lonely Heart 1784:Confessions of a Nazi Spy 1664: 1360: 831:. Continuum. p. 36. 638:and casting of unknowns. 322:during the late stage of 26: 3654:1940s multilingual films 3559:Italian neorealist films 3534:Films about anti-fascism 3038:The Tree of Wooden Clogs 2344:The Silence of the Lambs 1035:The Criterion Collection 995:The Criterion Collection 724:, equivalent to Italian 614:Although awarded at the 604:The Criterion Collection 452:Carmela Sazio as Carmela 278:100 million Lire (Italy) 3529:Italian anthology films 3088:A Sunday in the Country 2982:The Shop on Main Street 2182:All the President's Men 1985:The Old Man and the Sea 1518:Giovanna d'Arco al rogo 726: 720: 710: 491:as the Major's daughter 485:Renzo Avanzo as Massimo 464:as Joe (second episode) 3609:Films set in the 1940s 3429:BPM (Beats per Minute) 2521:No Country for Old Men 1754:Mr. Deeds Goes to Town 1134:Wakeman, John (1987). 497:as Captain Bill Martin 300: 3634:1940s political films 3599:Films set in Florence 3178:Farewell My Concubine 3168:Raise the Red Lantern 2972:Juliet of the Spirits 2611:Manchester by the Sea 2511:Letters from Iwo Jima 2390:Sense and Sensibility 2065:A Man for All Seasons 1734:It Happened One Night 1454:The Seven Deadly Sins 636:actuality photography 530:After the success of 394:The southern half of 3614:Films about religion 3569:Films about fascists 3269:In the Mood for Love 3010:No Award (1969–1977) 2780:No Award (1941–1945) 1534:General Della Rovere 1390:The Man with a Cross 802:Balio, Tino (2010). 610:Reception and legacy 509:Dale Edmonds as Dale 303:) is a 1946 Italian 3664:1940s Italian films 3589:Films set in Naples 3584:Films set in Sicily 3329:The Lives of Others 3279:And Your Mother Too 3238:All About My Mother 3078:Fanny and Alexander 3028:Bread and Chocolate 2591:A Most Violent Year 2531:Slumdog Millionaire 2314:Mississippi Burning 2264:Terms of Endearment 1824:The Ox-Bow Incident 1794:The Grapes of Wrath 1261:Time Out Film Guide 1234:. January 29, 2014. 316:Liberation of Italy 196:Metro-Goldwyn-Mayer 3188:Three Colours: Red 2601:Mad Max: Fury Road 2551:The Social Network 2334:Dances with Wolves 2324:Driving Miss Daisy 2294:A Room with a View 2274:A Passage to India 1915:A Place in the Sun 1526:India: Matri Bhumi 1430:Germany, Year Zero 1354:Roberto Rossellini 1352:Films directed by 1295:TCM Movie Database 1061:The New York Times 632:The New York Times 421:Appenine mountains 372:military policeman 312:Roberto Rossellini 94:Roberto Rossellini 40:Roberto Rossellini 3619:Films about Nazis 3594:Films set in Rome 3564:Italian war films 3506: 3505: 3500: 3499: 3489:Anatomy of a Fall 3208:The White Balloon 3068:Time Stands Still 3048:My American Uncle 2962:That Man from Rio 2927:Hiroshima My Love 2692: 2691: 2671:Top Gun: Maverick 2491:Finding Neverland 2420:Gods and Monsters 2410:L.A. Confidential 2304:Empire of the Sun 2192:The Turning Point 1945:On the Waterfront 1814:In Which We Serve 1648: 1647: 1606:Agostino d'Ippona 1494:Where Is Freedom? 1486:Mid-Century Loves 1232:www.criterion.com 595:premiered at the 554:Marcello Pagliero 476:Gar Moore as Fred 310:film directed by 288: 287: 63:Marcello Pagliero 3671: 3493: 3483: 3473: 3463: 3453: 3443: 3433: 3423: 3413: 3403: 3393: 3383: 3373: 3363: 3353: 3343: 3333: 3323: 3313: 3303: 3293: 3283: 3273: 3252: 3242: 3232: 3222: 3212: 3202: 3192: 3182: 3172: 3162: 3152: 3142: 3132: 3122: 3118:My Life as a Dog 3112: 3102: 3092: 3082: 3072: 3062: 3052: 3042: 3032: 3011: 3006: 2996: 2986: 2976: 2966: 2956: 2946: 2941: 2931: 2921: 2911: 2901: 2891: 2881: 2871: 2861: 2851: 2841: 2837:Miracle in Milan 2831: 2821: 2811: 2801: 2797:To Live in Peace 2791: 2781: 2776: 2772:The Baker's Wife 2766: 2756: 2746: 2719: 2712: 2705: 2696: 2685: 2675: 2665: 2655: 2645: 2635: 2625: 2615: 2605: 2595: 2585: 2575: 2571:Zero Dark Thirty 2565: 2555: 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858:ISBN 833:ISBN 808:ISBN 774:ISBN 669:and 447:Cast 400:Arno 384:Rome 345:Plot 3399:Ida 3098:Ran 2581:Her 1315:at 1304:at 1282:at 708:or 630:of 576:in 437:OSS 337:’s 3515:: 3479:EO 2952:8½ 2377:/ 2261:/ 2235:/ 2158:/ 1230:. 1179:. 1153:. 1126:^ 1059:. 1033:. 993:. 975:^ 958:. 946:^ 928:^ 912:. 887:. 872:^ 788:^ 746:^ 673:. 665:, 564:, 560:, 556:, 552:, 299:: 2718:e 2711:t 2704:v 1690:e 1683:t 1676:v 1345:e 1338:t 1331:v 1216:. 1190:. 1164:. 1120:. 1095:. 1070:. 1044:. 1004:. 969:. 922:. 898:. 866:. 841:. 816:. 782:. 295:( 216:)

Index


Roberto Rossellini
Sergio Amidei
Federico Fellini
Marcello Pagliero
Alfred Hayes
Vasco Pratolini
Klaus Mann
Rod E. Geiger
Dots Johnson
Maria Michi
Harriet White
William Tubbs
Otello Martelli
Eraldo Da Roma
Renzo Rossellini
Metro-Goldwyn-Mayer
Italian
neorealist
war drama
Roberto Rossellini
Liberation of Italy
Allied forces
World War II
Venice International Film Festival
Italian Ministry of Cultural Heritage
100 Italian films to be saved
Sicily
Naples
military policeman

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