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Bianchi is registered in 1620 as engraver at the
Academy of Fine Arts at the Ambrosiana in Milan. He then worked, almost exclusively, for the most famous Milanese printers and publishers, especially for GB Bidelli, Malatesta, Ponzio: his engravings were accurate and diligent, even if the incisor sign
125:, Frà Molina, GC Storer, A. Storm. He signed "Bianchi G. P. made", "Blanc.", "Blancus" "Io. Pau Blancus", etc., often followed by the indication "Mediolanensis" or "in Milan". The variety of his prints bear witness to the vast range of interests and relationships he had with the society of his time.
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around 1590 and here he worked as an engraver, draftsman and, perhaps, a painter. He was also cartographic engraver and editor "in the name of Balla"; active in 1617 and again in 1654.
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is often uncertain, lists twenty-four of them, drawn from drawings by
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This article about an
Italian painter born in the 17th century is a
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Dictionary of
Painters and Engravers, Biographical and Critical
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144:"- Dizionario Biografico degli Italiani - Volume 10 (1968)"
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