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Kraków Bishops Palace

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835: 902:. The palace was built between 1645 and 1650, and its construction had cost the equivalent of 30 villages. The property was owned by the Tarło family until 1842, and changed its owners several times in the following years. After a fire in the mid-19th century the palace turned into a ruin. Legend has it that during the banquet furnished by bishop Jakub Zadzik in his newly built palace in Kielce, the host rejected the invitation of Jan Aleksander Tarło, saying "I'm not staying in huts" and offended Tarło said – "I invite Your Excellency to Piekoszów for two years, to the same palace as Your Excellency have here". 48: 547: 887: 411: 637: 815: 555: 362:, the palace complex with adjacent buildings was transferred to the Świętokrzyskie Museum, followed by the September 18, 1971, grand opening of the first two expositions: one on the ground floor, called the Nine Centuries of Kielce; and, on the second floor: the Gallery of Historic Interiors. In 1975, in recognition of its contribution to the development of culture, the facility was given the rank of the National Museum by the Minister of Culture and Art. 729: 866:. The construction was completed in 1644, and the Chapel of the Assumption of the Blessed Virgin Mary sponsored by the starosta of Kielce – Stanisław Czechowski was erected. The new church was consecrated two years later, on April 6, 1646, by bishop Piotr Gembicki. In 1725 bishop Konstanty Felicjan Szaniawski founded the present high altar, side altars, 236: 805:
In 1789, after the taking over of the bishops estates by the civil authorities, part of the garden plots was allocated to the officials, the staircase leading from the palace to the garden was rebuilt and the original layout of the garden was obliterated. The 17th-century geometrical garden with a
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The original 17th–18th-century palace complex includes also the Collegiate Church, the Holy Trinity Church and a seminary. The Collegiate Church was established in 1171 by bishop Gideon (Gedko) together with the collegiate's chapter and a parish. The original hewn stone church was built in the
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The nature of the interior of the palace is based on its original function. The ground floor was occupied by officials of the episcopal court, guards and servants. The main entrance through the arcade loggia lead to the vast hall (now divided), from where the vaulted corridors lead to the side
617:(1830–1851) was painted by Aleksander Rycerski, who in the years 1861–1863 carried out a refurbishment of the upper frieze. The dining room lead to the most distinguished suites – the "Bishops apartment" on the left and the "Senator apartment" on the right. The rooms were adorned with carved, 577:
built to the design of Sebastiano Sala, treasury and so-called stove depths, on the other side there were rooms for the clergy. The upper dining room is one of the most impressive of the palace's interiors covering approximately 200 m (240 sq yd) and a height of 6.8 m
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After the nationalization of bishop's estates in 1789, the palace was the seat of various institutions – the Main Directorate of Mining (1816–1827) and the country's first technical university – Mining Academy and later the seat of the Kielce province authorities (1867–1914). During the
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The first mention of the Holy Trinity Church dates from 1602. In 1638 bishop Jakub Zadzik established the hospital rectory church of the Holy Trinity. Soon afterwards a stone church was built accompanied by a timber building of a
680:). Such decoration soon become the main feature of the representative chambers of the noble residences, town halls and even merchant houses. Among a dozen ceilings documented in sources only two preserved – in Gdańsk and Kielce. 1821: 509:
towers covered with openwork helmets and connected with the main building by walls topped obelisks, with gates leading to the smaller courtyards. Formerly the walls were also adorned with statues of the Swedish and
573:(first floor). Tripartite arrangement of the rooms is determined by the great hall at the front, the dining room at the back and residential apartments on the sides. The great hall was sided from the south with a 601:
The upper parts of the walls are covered with a painted frieze, while the spaces between the windows are filled with 17th-century portraits of the Cracow bishops – Jakub Zadzik and his successor
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the 17th-century cupolas on the towers, removed in the 19th century, were restored. The interior space was reconstructed – the 18th-century ceilings were removed exposing beam ceilings and
204:. The architecture of the palace constitutes a unique mélange of Polish and Italian traditions and reflects political ambitions of its founder. Currently the palace houses a branch of the 1806: 854:. The interior has many monuments, including one of the most important monuments of the Renaissance art in Poland – the tomb of Elżbieta of Krzycki Zebrzydowska, mother of bishop 609:
and coat of arms (same as on the facade). The other walls were covered with a painted effigies of the Cracow bishops – 35 busts of bishops from Paweł of Przemanków (1266–1292) to
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in 1638 with portraits of king Władysław IV, bishop Zadzik, other dignitaries and a group of dissenters. The background scene is a vast landscape of a town with a church (
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The permanent exhibits at the museum include Western European painting from 17th to 18th century, the Polish painting from 17th to 20th century, applied arts, archeology,
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in 1624, was an inspiration for the palace in Kielce, whereas the Kielce palace was imitated by many magnate families in their residencies (e.g. Tarło Palace in
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with the collegiate and a seminary of the Holy Trinity Church, funded by the bishop Konstanty Felicjan Szaniawski. The garden was embellished with French-style
266:. The design of the palace is attributed to Tommaso Poncino of Lugano (ca. 1570–1659), author of numerous works of sacred and secular architecture in Kraków, 1786: 108: 1761: 894:
The structure had a large influence on contemporary architecture immediately after its completion. The founder of one of the most significant imitation in
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ceilings, patterned after such in the Palazzo Ducale, appeared in Poland in the early 17th century initially in the interiors of royal residences (
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of the seasons. Just like in the next room, the walls were covered with a green-golden fabric, the marble portal and floor were recreated.
1791: 1414:(in Polish). A Journal from the Radical Reformation. A Testimony to Biblical Unitarianism, Vol. 4, No. 3. pp. 22–57. Archived from 947: 486: 232:. The structure, erected between 1637 and 1644, was covered with a high-storey twin roofs and accomplished with towers on the corners. 1766: 370: 1771: 1686: 1651: 1378: 1322: 1060: 966: 344:. In the years 1919–1939 and 1945–1970 the palace housed the Provincial Office. The structure was converted into a museum in 1971. 279: 748:
gardens created within the walls. The axis of the garden was the extension of the palace's axis, leading from the loggia into a
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Tomasz Poncino (ok. 1590-1659): architekt pałacu Kieleckiego (Tommaso Poncino (ca. 1590-1659): architect of the Kielce palace)
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Initially, before the palace was a courtyard enclosed by walls with ceremonial gateway from the city, the rear garden, called
1117: 827:. The church was enlarged in the 16th, in the first half of the 17th century (1632–1635) and after 1719 forming a three-nave 1407: 752:, roofed by a green dome, and the gunpowder tower. The central terrace with herbs and seasonal flowers was surrounded by 683:
The ceiling in the antechamber located next to the bedroom-study is adorned with the Bishop Zadzik family crests (Korab,
101: 47: 301:. One of the bastions was later converted into a gunpowder tower. The whole complex including the Collegiate Church, 636: 613:(1632–1634) dating back from the first half of the 17th century. The lower row of 16 portraits from Jakub Zadzik to 1816: 394: 647: 359: 353: 205: 32: 1586: 688: 382: 895: 427: 886: 626: 546: 305:, palace, garden and tower was aligned with a Bernardine Monastery on Karczówka hill (established 1624–1628). 824: 700: 606: 410: 275: 193: 899: 490: 337: 1314:
Dzieje budownictwa i architektury na ziemiach Polski (The history of building and architecture in Poland)
1273: 658:, bedroom-study and a study. The antechamber adjacent to the dining room area was once decorated with a 531:(treasurer), treasury, lockers and storage facilities, while the right was reserved for the marshal and 474: 263: 312:. One-storey wings were erected on both sides of the courtyard, one of them was connected by an indoor 258:, towers and interior layout refers to the royal residences dating back the 1620s and 1630s, including 763:
In the following centuries the mannerist garden arrangement was maintained. The symmetrical geometric
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The main accent of the flat facade of the palace is the central loggia adorned with pillars of black
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The point of reference for the early-17th-century bishops' residencies in Poland were royal palaces.
386: 74: 1476: 1239: 684: 614: 814: 482: 455: 447: 423: 554: 454:. The palace in Kielce was built in accordance with "the principles of Italian symmetry" wrote 1682: 1660: 1647: 1374: 1318: 1056: 1017: 962: 851: 692: 643:, the central painting of a plafond, visible: bishop Jakub Zadzik, king Władysław IV Vasa and 622: 511: 451: 431: 419: 378: 302: 259: 209: 565:
and renowned art collector, is one of the most valuable paintings in the palace's collection.
625:, an Italian painter active in Poland since 1598, who participated in the decoration of the 610: 562: 390: 374: 1559: 916: 842:
The Baroque main altar, made by Antoni Frączkiewicz, was decorated with a painting of the
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church, who taught the equality and brotherhood of all people. In the corners are visible
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The palace was expanded in the 18th century and converted into a French-style residence
1118:"Dawny Pałac Biskupów Krakowskich w Kielcach (Former Cracow Bishops' Palace in Kielce)" 602: 539:
was vaulted. The vaults in the loggias and in the north-west alcove were adorned with
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because it combined a square building with a central loggia, with side towers as in
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Since the beginning the palace accompanied by a small decorative garden, called
655: 366: 1444: 1213: 728: 799: 753: 749: 713: 583: 317: 1737: 1724: 123: 110: 595: 535:(mayor). The chambers were covered with a simple beam ceilings, part of the 528: 515: 478: 473:, which correspond to the first floor windows of the great hall. The loggia 294: 463: 369:, armoury and others. Especially interesting are the works of Italian-born 267: 221: 875: 874:. He has also started the construction of the sacristy and established a 863: 828: 791: 768: 764: 587: 532: 229: 621:
frame ceilings filled with oil paintings, created in Kraków workshop of
1187: 695:), the central painting of the plafond depicts the parliamentary scene 659: 618: 506: 502: 494: 329: 325: 298: 290: 806:
central portion surrounded by an apple orchard, was restored in 2003.
871: 783: 779: 775: 745: 710: 644: 630: 574: 540: 470: 443: 341: 321: 271: 255: 244: 201: 197: 94: 84: 1481:"Kielce: Przebudowa baszty prochowej i ogrodu włoskiego przy pałacu" 1706: 1317:(in Polish). Instytut Wydawniczy Związków Zawodowych. p. 434. 598:, monkey, deer), landscape scenes and geometric-floral decoration. 885: 833: 813: 787: 772: 727: 635: 591: 579: 553: 545: 409: 313: 235: 234: 847: 466:. Steep roofs, towers and decorations are Dutch style features. 373:(Giambattista Lampi, known as Jan Chrzciciel Lampi in Polish), 1640:
Fedorowicz, J.K.; Bogucka, Maria; Samsonowicz, Henryk (1982),
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ambassadors. The space under the cornices is decorated with a
224:(Cracow) bishops in the city of Kielce, was founded by bishop 505:. The sides of the rectangular structure were finished with 569:
The ceremonial staircase lead from the front loggia on the
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1644 establishments in the Polish–Lithuanian Commonwealth
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A. Kwaśnik-Gliwińska; M. Pieniążek-Samek; M. Rupniewska.
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and consecrated in 1728 by Konstanty Felicjan Szaniawski
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courtyards. The left side of the palace was occupied by
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A Republic of nobles: studies in Polish history to 1864
1612:"Podzamcze Piekoszowskie – sobowtór kieleckiego pałacu" 358:
In 1971, by the resolution of the Provincial Branch of
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crest) and Cracow chapter (Aaron – Three Crowns), and
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Museum History with links to Departments and Exhibits
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Neil Wilson; Tom Parkinson; Richard Watkins (2005).
170: 165: 155: 147: 139: 100: 90: 80: 66: 61: 29: 1507: 1505: 1503: 1501: 662:depicting the scene of the 1634 treaty ending the 1438: 1436: 1434: 1432: 912:List of mannerist structures in Southern Poland 590:scenes (continents, seasons, months) symbolic ( 52:Main façade as seen from the Collegiate Church. 1471: 1469: 1467: 1465: 1356:. University of California Press. p. 111. 1807:Art museums and galleries established in 1975 1240:"Dawny Pałac Biskupów Krakowskich w Kielcach" 1163:"Dawny Pałac Biskupów Krakowskich w Kielcach" 1044: 1042: 1040: 760:(secret garden), a place only for the owner. 578:(7.4 yd). The ceiling is composed of 21 8: 1665:: CS1 maint: multiple names: authors list ( 1581: 1579: 1554: 1552: 1550: 1353:Venetian Painted Ceilings of the Renaissance 1393: 1157: 1155: 1153: 1151: 988: 26: 1337: 1142: 1681:(in Polish), National Museum in Kielce, 941: 939: 937: 935: 933: 931: 890:Tarło Palace in Podzamcze Piekoszowskie. 802:for the cultivation of seedling plants. 1194:(in Polish). Muzeum Narodowe w Kielcach 1112: 1110: 1108: 1106: 1104: 1102: 1100: 1098: 1096: 1094: 1092: 927: 654:The bishops apartment consisted of two 446:(1487–1489) according to conception of 1658: 1311:Witold Krassowski (1995). "Volume 4". 1090: 1088: 1086: 1084: 1082: 1080: 1078: 1076: 1074: 1072: 182:Palace of the Kraków Bishops in Kielce 18:Palace of the Kraków Bishops in Kielce 1782:Museums in Świętokrzyskie Voivodeship 1513:"par. Katedralna – Wniebowzięcia NMP" 1297:Kwartalnik architektury i urbanistyki 838:Holy Trinity Church, built 1640–1644. 818:Collegiate Church, rebuilt 1632–1635. 481:with coats of arms of bishop Zadzik ( 190:Pałac Biskupów Krakowskich w Kielcach 40:Pałac Biskupów Krakowskich w Kielcach 7: 1052:The monuments of Polish architecture 778:and dwarf fruit trees were planted ( 703:?) and the departure of the Arians ( 559:Portrait of Felice Zacchia Rondinini 434:). This type of palace was known as 430:, 1645–1650 and Radziwiłł Palace in 332:were erected in the palace complex. 1787:Art museums and galleries in Poland 582:beams and 1017 boards covered with 1762:Buildings and structures in Kielce 371:Johann Baptist von Lampi the Elder 254:Its symmetrical, tripartite plan, 25: 1266:"Podzamcze Piekoszowskie – Pałac" 324:, coach houses, riding school, a 1777:Mannerist architecture in Poland 1373:. Companion Guides. p. 51. 293:, all surrounded by a wall with 46: 1300:. PWN. 1976. pp. 310, 321. 1049:Bartłomiej Kaczorowski (1998). 1003:"The Malopołska Upland, Kielce" 948:"The Malopołska Upland, Kielce" 406:Exterior of the Bishops' Palace 146: 1016:. Lonely Planet. p. 218. 961:. Lonely Planet. p. 171. 790:). There were also buildings: 487:Polish–Lithuanian Commonwealth 247:depicting the Judgment of the 1: 1812:1975 establishments in Poland 1370:The companion guide to Venice 794:, fighouse, two greenhouses, 208:with an important gallery of 30:Palace of the Kraków Bishops 1797:Registered museums in Poland 1220:. Muzeum Narodowe w Kielcach 414:Garden façade of the palace. 1802:Museums established in 1975 1675:Karpowicz, Mariusz (2002), 1272:(in Polish). Archived from 767:were enriched with rows of 1838: 1792:National museums of Poland 1715:Article with photo gallery 1540:The architecture of Poland 898:was Jan Aleksander Tarło, 697:The Judgment of the Arians 605:, kings Sigismund III and 351: 1767:Baroque palaces in Poland 1707:National Museum in Kielce 1587:"Podzamcze Piekoszowskie" 917:List of palaces in Poland 354:National Museum in Kielce 348:National Museum in Kielce 57: 45: 38: 1772:Houses completed in 1644 477:were crowned with stone 243:; detail of the ceiling 39: 896:Podzamcze Piekoszowskie 561:, daughter of Cardinal 166:Design and construction 1543:. Praeger. p. 26. 1406:Marian Hillar (1994). 1350:Adrian Wilson (1968). 891: 839: 819: 737: 651: 648:Stanisław Koniecpolski 566: 551: 550:Interior of the palace 415: 251: 230:Great Crown Chancellor 189: 1738:50.86917°N 20.62750°E 1560:"Holy Trinity Church" 1055:. WSiP. p. 108. 1001:Neal Bedford (2008). 900:voivode of Sandomierz 889: 837: 817: 731: 639: 557: 549: 422:constructed for king 413: 405: 238: 220:The residence of the 124:50.86917°N 20.62750°E 1616:www.powiat.kielce.pl 1367:Hugh Honour (1997). 1270:www.babajaga.info.pl 923:Notes and references 856:Andrzej Zebrzydowski 669:Treaty of Stuhmsdorf 664:Polish-Muscovite War 641:Treaty of Stuhmsdorf 395:Stanisław Wyspiański 387:Aleksander Gierymski 310:entre cour et jardin 140:Construction started 1734: /  1537:Brian Knox (1971). 1477:Polish Press Agency 744:, referring to the 120: /  67:Architectural style 62:General information 1743:50.86917; 20.62750 1517:diecezja.kielce.pl 892: 840: 820: 738: 709:), members of the 652: 567: 552: 456:Szymon Starowolski 448:Baldassare Peruzzi 440:Villa Poggio Reale 424:Sigismund III Vasa 416: 278:as well as in the 252: 129:50.86917; 20.62750 1817:Episcopal palaces 1023:978-1-74104-479-9 852:Szymon Czechowicz 758:giardino segretto 623:Tommaso Dolabella 458:in his 1652 book 452:Sebastiano Serlio 280:Holy Cross region 194:bishops of Kraków 178: 177: 16:(Redirected from 1829: 1749: 1748: 1746: 1745: 1744: 1739: 1735: 1732: 1731: 1730: 1727: 1713: 1705: 1691: 1670: 1664: 1656: 1627: 1626: 1624: 1623: 1608: 1602: 1601: 1599: 1598: 1583: 1574: 1573: 1571: 1570: 1556: 1545: 1544: 1534: 1528: 1527: 1525: 1524: 1509: 1496: 1495: 1493: 1492: 1473: 1460: 1459: 1457: 1456: 1440: 1427: 1426: 1424: 1423: 1412:www.socinian.org 1403: 1397: 1391: 1385: 1384: 1364: 1358: 1357: 1347: 1341: 1335: 1329: 1328: 1308: 1302: 1301: 1291: 1285: 1284: 1282: 1281: 1264:Roman Mirowski. 1261: 1255: 1254: 1252: 1251: 1236: 1230: 1229: 1227: 1225: 1210: 1204: 1203: 1201: 1199: 1184: 1178: 1177: 1175: 1174: 1159: 1146: 1140: 1134: 1133: 1131: 1129: 1124:on March 4, 2010 1114: 1067: 1066: 1046: 1035: 1034: 1032: 1030: 1011: 998: 992: 986: 980: 979: 977: 975: 956: 943: 825:Romanesque style 810:Other structures 718:personifications 615:Karol Skórkowski 611:John Albert Vasa 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Index

Palace of the Kraków Bishops in Kielce
National Museum

Mannerist
early Baroque
Kielce
Poland
Coordinates
50°52′09″N 20°37′39″E / 50.86917°N 20.62750°E / 50.86917; 20.62750
Jakub Zadzik
Polish
bishops of Kraków
Kielce
Poland
National Museum
Polish paintings
Kraków
Jakub Zadzik
Great Crown Chancellor

Jakub Zadzik
fresco
Arians
loggias
Ujazdów Castle
Villa Regia
Łowicz
Warsaw
Bright Mountain
Holy Cross region

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