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460:) which was part of the side stables designed and built by Filippo Juvarra after the completion of the central complex of the building. This space was therefore used for the carriages and coaches and to house horses during the hunts. Here today stands the original statue of Stupinigi's deer created by Francesco Ladatte in 1766 which overlooked the dome of the central hall. It was placed in this room in 1992 and the top of the dome was replaced with a modern bronze copy. The sculpture is surrounded by carved wooden bas-relief portraits commissioned by
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432:, made of precious materials such as lacquers, porcelains, gilded stuccos, mirrors and roots that today extend on an area of about 31,000 square meters, while 14,000 are occupied by adjacent buildings, 150,000 by the park and 3,800 by the external flowerbeds; Overall, there are 137 rooms and 17 galleries. Among the fine furniture made for the building should be mentioned those of the carver Giuseppe Maria Bonzanigo, Pietro Piffetti and Luigi Prinotto. The building preserves decorations by the Venetian painters Giuseppe and Domenico Valeriani, by
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571:. At the apex of the four pillars that support the dome of the hall, just below the large fresco, there are four monochromatic medallions representing similar episodes related to the same deity. The works for the realization of such frescoes began already on March 8, ending in 1733. Juvarra imposed a quadrature scheme on the two brothers so as not to ruin his complex overall design.
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The first room, decorated with a very special rococo style, is decorated with stucco and mirrors from the walls to the ceiling, designed by
Giovanni Pietro Pozzo in 1766 with the help of Michele Antonio Rapous in the realization of the boiserie. The chandelier dating back to the 1940s is more ancient
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to Turin. The garden of the hunting lodge and the surrounding hunting estate are clearly distinguished in
Stupinigi: the complex, in fact, is part of a large geometric garden, characterized by a continuous succession of flowerbeds, parterres and avenues. This park, bordered by a wall and intersected
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The central hall, the core of the building, was the first idea of
Juvarra to be completed and the focus around which its entire building complex was developed. The room consists of a large oval-shaped room culminating in a dome enclosed by a vaulted ceiling. The hall was completed in 1730 and on 10
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After
Juvarra left, his idea to place large sculptural groups of dogs and deer in the large windows of the salon was abandoned, so as not to excessively limit the splendid perspective view that is still enjoyed looking outwards. The project was entrusted to Giuseppe Marocco, who envisioned the
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The core nucleus consists of a large central oval hall from which the four wings depart, which the royal apartments and those for guests. The large double-height oval hall with balconies concave-convex, is covered by dome surmounted by the statue of the "Cervo", by
Francesco Ladatte. With the
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The room of greater consistency for size and style in the apartments of the Duke of
Chiablese is undoubtedly the gambling hall, a large space intended for the leisure of the court inserted into a rectangular hall with rounded corners and two large niches on the sides more short. The ceiling,
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by long avenues, was designed by the French gardener
Michael Benard in 1740. The hunting park, or estate, was instead constituted by the vast area of almost 1,700 hectares that extended outside the fenced park and which had been expropriated by Emmanuel Philibert in 1563 from the
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thirty-six wooden fans (appliques) with deer heads that show off themselves on the walls of the hall. From the same period are the gilded wood inlays of the balustrade of the singers in the upper part of the hall and the paracamels painted by the
Lombard
385:. Stupinigi has the most important collection of Piedmontese furniture, including works by Turin's three most famous Royal cabinet-makers – Giuseppe Maria Bonzanigo, Pietro Piffetti and Luigi Prinotti. Some of the sculptures of hunting figures are by
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plan – four angled wings project from the oval-shaped main hall. The extensions resulted in separate pavilions linked by long angled galleries and a long octagonal forecourt enclosed by wings, extended forwards in two further entrance courts.
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entrusted the direction of the work to
Giovanni Tommaso Prunotto, who provided for the expansion of the building starting from the sketches left by Juvarra, thus trying to safeguard the complex play of lights and shapes. The interior is in
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688:, it has an area of 17.32 km (6.7 sq mi) that includes a part of the region's original lowland forest, where visitors can admire some rare plant species no longer widely found elsewhere. Wildlife includes
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The salon, steeped in its structure and in the decorations characteristic of the eighteenth century, also attracted the attention of several contemporaries who were able to see it personally as the French engraver
468:. In the first library and then in the second library one can find the change of taste in the mid-eighteenth century when the stables area was reduced to make room for a library sandwiched with shelves designed by
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Also called "Appartamento di
Levante" (as opposed to the specular Appartamento di Ponente), the set of rooms was enlarged under the direction of Benedetto Alfieri in the 18th century to accommodate the rooms of
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and its formal park continued to be extended, at first by Juvarra's assistant, Giovanni Tommaso Prunotto, then by numerous North Italian architects, such as Ignazio Birago di Borgaro, Ludovico Bo,
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was appointed governor of Piedmont. The room, small in size, contains a beautiful marble bathtub, decorated with bas-reliefs representing the imperial insignia with the Napoleonic eagle.
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game table with a precious chessboard inlaid with ebony and ivory, as well as a desk with refined ivory figures inlaid from the beginning of the 18th century. Noteworthy are also the
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and is decorated with sculptures of wrought iron birds. The Cabinet of Pauline Bonaparte owes its fame to the fact that it was made to equip in current forms by
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motifs of the walls that play the role of an elegant frame for the game furniture inside the room: a mid-eighteenth century drawing room, a
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Today, the Palace of Stupinigi houses the Museo di Arte e Ammobiliamento, a museum of the arts and furnishings, some original to the
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The original purpose of the hunting lodge is symbolized by the bronze stag perched at the apex of the stepped roof of its central
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to the palace through a tree-lined avenue that runs alongside farms and stables and other old dependencies of the building.
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Voyage d'un François en Italie, fait dans les années 1765 & 1766 [by J.J. Le Français de Lalande]
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and the porcelain present in this environment that are well suited to the exotic decoration of the complex.
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Stupinigi was the preferred building to be used for celebrations and dynastic weddings by members of the
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and painted in blue, ivory and gold, accompanied by allegories of the arts and sciences painted by
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brothers Giuseppe and Domenico Valeriani a large fresco on the vault, depicting the Triumph of
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Since 1992, woods and agricultural land surrounding Stupinigi have been preserved as the
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The entrance to the complex gives access to the vast area of the Galleria dei Ritratti (
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Ancient and Primeval Beech Forests of the Carpathians and Other Regions of Europe
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list. Built as a royal hunting lodge in the early 18th century, it is located in
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The hunting park that belonged to a branch of the House of Savoy was given to
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decorated by Giovanni Pietro Pozzo in 1765, incorporates the same exotic and
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592:(1733). Also worthy of note are the four marble busts made in 1773 by
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Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale
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The original castle was owned until 1418 by the Acaja line of the
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Lodovico Bò (1721-1800). Misuratore, soprastante, architetto
377:, others brought from the former Savoy family residences of
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Juvarra called upon a team of decorators, many of them from
2001:
Buildings and structures in the Metropolitan City of Turin
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Venetian Works of Defence between 15th and 17th centuries
436:, and by the Viennese Christan Wehrlin. The frescoes by
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The plan of the building is defined by the four arms of
362:, married Charles Philippe, Count of Artois, brother of
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City of Vicenza and the Palladian Villas of the Veneto
680:. Included in the communal territories of Nichelino,
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for 'hunting residence' of Stupinigi) is one of the
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Longobards in Italy, Places of Power (568–774 A.D.)
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Castelvecchio di Stupinigi: storia e trasformazioni
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399:was active as a decorative painter at the palace.
277:in 1563, when the ducal capital was moved from
873:Lalande, Joseph Jérôme Le Français de (1769).
1754:
1365:Great Spa Towns of Europe - Montecatini Terme
1099:
929:
738:Roberto, Baffert; Francesco Fenoglio (1998).
296:The new palace was designed by the architect
8:
567:with game or wreaths of flowers, flanked by
555:February 1731 the king commissioned to the
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1896:Royal Palace of La Granja de San Ildefonso
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1747:
1739:
1646:Prehistoric pile dwellings around the Alps
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648:in 1563, when he moved the capital of the
292:Detail of the vaulting of the Central Hall
29:
640:) in the Royal Villa of Stupinigi, 1827.
1458:Cilento and Vallo di Diano National Park
1303:Padua's fourteenth-century fresco cycles
904:Pages by the Park Authority on Parks.it
782:
1991:Residences of the Royal House of Savoy
1188:Residences of the Royal House of Savoy
249:, 10 km (6 mi) southwest of
224:Residences of the Royal House of Savoy
2006:Art museums and galleries in Piedmont
844:Dictionary of Pastellists Before 1800
269:, and it was sold to marquis Rolando
197:
187:
178:
7:
2031:Houses completed in the 18th century
803:A Chronology of Western Architecture
1350:Basilica of Saint Francis of Assisi
742:. Cavallermaggiore: Centro Stampa.
2046:18th-century architecture in Italy
805:, (Dover Publications, 2010), 151.
495:Prince Benedetto, Duke of Chablais
480:Apartment of the Duke of Chiablese
25:
1868:(involvement, early 18th century)
646:Emmanuel Philibert, Duke of Savoy
273:in 1493. It was then acquired by
2011:Decorative arts museums in Italy
1890:Palazzina di caccia of Stupinigi
1786:(original project, 17th century)
1777:Churches and religious buildings
1547:Archaeological Area of Agrigento
1032:Palazzina di caccia of Stupinigi
998:
856:Cochin, Charles Nicolas (1758).
464:and originally intended for the
216:Palazzina di caccia of Stupinigi
102:
95:
69:
62:
45:
39:Palazzina di caccia di Stupinigi
33:Palazzina di caccia of Stupinigi
2016:Historic house museums in Italy
1927:(1734–1735, partially realized)
1886:(project and façade, 1716–1721)
1808:Basilica of Sant'Andrea, Mantua
1220:Santa Maria delle Grazie, Milan
789:Or, literally, 'little palace'.
526:Hall of Mirrors and Cabinet of
360:Princess Maria Theresa of Savoy
1904:(reconstruction project, 1735)
1635:Sanctuary of Monte Sant'Angelo
1225:Vineyard Landscape of Piedmont
879:(in French). pp. 298–299.
840:Profile of Anna Caterina Gilli
1:
1115:World Heritage Sites in Italy
2036:Rococo architecture in Italy
1981:1731 establishments in Italy
1207:Rock Drawings in Valcamonica
337:Polissena of Hesse-Rotenburg
1798:(reconstruction, 1715–1730)
678:Parco naturale di Stupinigi
575:Frescoes of the upper vault
116:Palazzina di caccia (Italy)
2067:
1862:(project of theater, 1709)
1841:Chapel of Saint Joseph in
1784:Sant'Antonio Abate, Chieri
757:Carlo, Balma Mion (2007).
726:List of Baroque residences
304:('hunting residence') for
245:, a suburb of the town of
228:Metropolitan City of Turin
182:UNESCO World Heritage Site
174:UNESCO World Heritage Site
2041:Filippo Juvarra buildings
1860:Palazzo della Cancelleria
1832:San Girolamo della Carità
1681:
1354:Etruscan Necropolises of
996:
594:Giovanni Battista Bernero
438:Vittorio Amedeo Cignaroli
387:Giovanni Battista Bernero
208:
56:
44:
37:
1986:Houses completed in 1731
1892:(original project, 1729)
1866:Royal Palace of Aranjuez
1453:Castel del Monte, Apulia
1215:of Piedmont and Lombardy
894:Page at Piemonte on line
816:"Palazzina di Stupinigi"
83:Location within Piedmont
38:
1796:San Filippo Neri, Turin
1792:(completion, 1715–1718)
1719:with 17 other countries
1576:Villa Romana del Casale
1566:Necropolis of Pantalica
1501:Royal Palace of Caserta
1298:Orto botanico di Padova
1289:Torre della Ghirlandina
761:. Trento: UNI Service.
1925:Royal Palace of Madrid
1919:Royal Palace of Lisbon
1902:Royal Palace of Madrid
1505:Aqueduct of Vanvitelli
1385:Piazza del Duomo, Pisa
965:Castello del Valentino
641:
614:Charles-Nicolas Cochin
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489:
293:
1961:(cardinal and patron)
1955:(architecture master)
1949:(architecture master)
1898:(intervention, 1730s)
1884:Palazzo Madama, Turin
1790:Santa Cristina, Turin
1621:Campello sul Clitunno
1293:Piazza Grande, Modena
985:Royal Palace of Turin
631:
582:
487:
448:are also noteworthy.
442:Gian Battista Crosato
291:
1942:Baroque architecture
1880:(intervention, 1716)
1874:(intervention, 1716)
1308:Porticoes of Bologna
1074:Reggia di Valcasotto
1022:Castle of Moncalieri
899:Visiting information
499:Charles Emmanuel III
446:Carlo Andrea Van Loo
425:Charles Emmanuel III
317:Charles Emmanuel III
239:World Heritage Sites
157:44.99500°N 7.60389°E
86:Show map of Piedmont
51:Façade of the palace
2051:Charles X of France
2021:Museums in Piedmont
1996:Palaces in Piedmont
1843:Santa Teresa, Turin
1830:Antamoro Chapel in
1810:(dome design, 1732)
1802:Basilica of Superga
1671:Peschiera del Garda
1617:Temple of Clitumnus
1602:Cividale del Friuli
1070:Castle of Racconigi
397:Anna Caterina Gilli
368:Charles X of France
302:palazzina di caccia
153: /
129:General information
110:Palazzina di caccia
77:Palazzina di caccia
18:Palace of Stupinigi
1921:(1719, unrealized)
1814:Sanctuary of Oropa
1509:San Leucio Complex
990:Villa della Regina
659:Pallavicini family
642:
585:
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462:Victor Emmanuel II
409:St. Andrew's Cross
391:Mostra del Barocco
321:Victor Amadeus III
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275:Emmanuel Philibert
2026:Parks in Piedmont
1968:
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1953:Francesco Fontana
1878:Palace of Venaria
1853:Secular buildings
1736:
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1639:Monte Sant'Angelo
1552:Barumini nuraghes
1470:Certosa di Padula
1162:Monte San Giorgio
1081:
1080:
1052:Province of Cuneo
1042:Palace of Venaria
1037:Castle of Mandria
1009:Province of Turin
975:Palazzo Chiablese
970:Palazzo Carignano
768:978-88-6178-060-6
590:Giovanni Crivelli
536:Pauline Bonaparte
528:Pauline Bonaparte
470:Benedetto Alfieri
466:Moncalieri Castle
423:from Turin, King
383:Palace of Venaria
379:Moncalieri Castle
358:. Here, in 1773,
333:Benedetto Alfieri
306:Victor Amadeus II
267:Lords of Piedmont
212:
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162:44.99500; 7.60389
119:Show map of Italy
16:(Redirected from
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1872:Castle of Rivoli
1763:
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1285:Modena Cathedral
1193:Rhaetian Railway
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1027:Castle of Rivoli
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818:. Archived from
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544:Camillo Borghese
458:Portrait Gallery
300:to be used as a
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1494:Historic Centre
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298:Filippo Juvarra
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1889:
1838:, 1708–1709)
1816:(Royal Gate)
1607:Castelseprio
1443:Amalfi Coast
1420:Villa d'Este
1212:
1183:Cinque Terre
1167:Porto Venere
1031:
875:
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824:. Retrieved
820:the original
810:
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739:
716:and others.
710:white storks
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636:(donated to
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1804:(1717–1731)
1715:Switzerland
1687:Switzerland
1637:located at
1628:located at
1626:Santa Sofia
1619:located at
1585:Countrywide
1571:Val di Noto
1475:Herculaneum
1438:Alberobello
1415:Val d'Orcia
1213:Sacri Monti
608:and Napea.
520:chinoiserie
403:Description
271:Pallavicino
160: /
135:Coordinates
1975:Categories
1728:Montenegro
1557:Mount Etna
1448:Appian Way
1276:Conegliano
1237:Monferrato
1203:Landscapes
1157:Sabbioneta
945:Residences
826:2005-10-04
777:References
632:Fritz the
145:44°59′42″N
1691:with the
1666:Palmanova
1630:Benevento
1360:Tarquinia
1356:Cerveteri
1261:Dolomites
1247:Northeast
1123:Northwest
686:Orbassano
667:Orbassano
663:Nichelino
557:Bolognese
375:palazzina
364:Louis XVI
325:palazzina
247:Nichelino
243:Stupinigi
199:Reference
148:7°36′14″E
1711:Slovenia
1693:Holy See
1562:Syracuse
1480:Oplontis
1370:Florence
1272:Prosecco
1255:Aquileia
1171:Palmaria
862:. Paris.
720:See also
682:Candiolo
671:Candiolo
654:Chambéry
624:The park
540:Napoleon
512:oriental
452:Entrance
393:(1963).
381:and the
279:Chambéry
190:Criteria
27:Building
1935:Related
1824:Chapels
1724:Croatia
1707:Germany
1699:Austria
1661:Bergamo
1612:Spoleto
1597:Brescia
1529:Islands
1514:Pompeii
1462:Paestum
1338:Central
1313:Ravenna
1266:Ferrara
1201:Bernina
1195:in the
1179:Tinetto
842:at the
732:Sources
694:weasels
421:Juvarra
348:saltire
257:History
226:in the
220:Italian
1845:(1725)
1713:, and
1703:France
1489:Naples
1410:Urbino
1390:Pienza
1346:Assisi
1323:Verona
1318:Venice
1229:Langhe
1197:Albula
1153:Mantua
909:Photos
765:
746:
602:Pomona
569:nymphs
323:, the
313:Venice
236:UNESCO
203:823bis
1722:with
1697:with
1685:with
1466:Velia
1430:South
1405:Siena
1233:Roero
1148:Ivrea
1136:Genoa
957:Turin
698:foxes
652:from
606:Naiad
598:Ceres
565:putti
561:Diana
413:Turin
319:and
283:Turin
251:Turin
232:Italy
1726:and
1564:and
1507:and
1482:and
1464:and
1395:Rome
1358:and
1348:and
1291:and
1259:The
1235:and
1177:and
1175:Tino
1155:and
763:ISBN
744:ISBN
684:and
669:and
444:and
344:dome
331:and
214:The
1274:di
281:to
1977::
1709:,
1705:,
1701:,
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1468:,
1460:,
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1199:/
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1107:e
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937:e
930:t
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846:.
829:.
771:.
752:.
218:(
20:)
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