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807:), insofar as it houses an auditorium. This hall "was flanked by two square towers over 80 meters high. On either side, two long curvilinear wings extended the façade to 430 meters"; two pavilions join the festival hall, and these wings, to create a visual transition between the main hall and the slender wings. The two wings were each 200 meters long, and formed two galleries (the Passy wing and the Paris wing) punctuated by two intermediate pavilions and terminated by a head pavilion: architect Gabriel Davioud said that these two head pavilions, surmounted by a slate dome with golden edges, should be "massive enough to stop the eye at the extremities, and yet not fight with the central mass which constitutes the raison d'être of the whole". Conference rooms were installed in the wings, which, on the garden side, featured a portico supported by marble columns along its entire length - including the party room -, freely open to the public; these galleries were soon equipped with lighting and, in the case of the party room, were later closed with glass windows.
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521:. It was the result of a competition, whose requirements included a 10,000-seat festival hall and exhibition galleries; 94 teams entered the competition, but the Davioud-Bourdais project had in fact already been selected. The design features two semicircular wings linked by a circular central section flanked by two towers, in the Moorish or neo-Byzantine style; on the square side, the gable is "Flemish-style", although other commentators refer less to the orientalism of the project than to a whimsical style, now typical of all world's fairs since London's
943:) was performed for the first time. The hall became known as a venue for organ concerts, then recitals, although its poor reputation for sound and technique (too much room for the organ, lack of dressing rooms, no stage clearances, almost impossible to modulate lighting, difficult to evacuate in the event of a disaster, etc.) eventually scared off both prestigious and popular orchestras, making it difficult to fill given its size. At the 1878 Exposition Universelle, the average audience was 3,000, for a hall that could hold 4,600. In 1920, stage director
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686:, the site was already referred to as the "vieux Trocadéro" (the old Trocadéro). As early as 1932, it was the subject of speculation as to its future, in preparation for the 1937 International Exhibition, thanks to a "competition of ideas": while the first project envisaged the exhibition taking place outside Paris, a study published the following year mentioned for the first time the demolition of the palace and the organization of the event on a Champ-de-Mars/Trocadéro axis. In the autumn of 1933,
1519:: the towers "bearing at their summit a monumental belvedere, surmounted by a gilded dome, reminiscent of the Giralda and the tower of the Palazzo Vecchio in Florence, the buildings of the Exposition Universelle in the distance, in and out of Paris; similar to the bell towers that call Christians to temples, the minarets that announce prayer in the East, and the belfries that once assembled citizens in the public square, the crowd to the spectacle of the peaceful struggle of nations".
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744:. Also preserved are the "curvilinear metal trusses in the cut sheet metal of the framework", visible in the museum's molding gallery. The demolition of the two towers was delayed by the difficulty of finding workers who were not afraid of heights, and by union demands that the 80 workers on the job "obtain payment of the customary hourly supplement for dangerous work, and the strict application of the eight-hour working day". During the
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building is a sort of incoherent ruin. On top of the walls and frameworks still standing, the workers, silhouetted against the sky, sing and gesticulate. The more numerous workers below are trying to kill time. Sitting on piles of materials, most converse animatedly. Others are dozing under the trees. Still others, around an improvised conductor, try their hand at the chorus. Some hold out a tin trunk to passers-by".
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not been designed to last that long. Draughts from the galleries and acoustics in the main hall had also been a recurring problem since the building's construction, despite several attempts to remedy the situation. In fact, it was the architecture of the hall itself that was lacking. This conclusion led the architects to opt for the demolition of the village hall while retaining the two wings in 1937.
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governor of the
Rambouillet estate; its link with the King of Rome is also stronger, as it is linked to the very essence of the project, whereas the link between Rambouillet and Napoleon's son corresponds to a very short period in the construction history of Jacques-Jean Thévenin. The town of Rambouillet uses the name "Palais du Roi de Rome" for reasons of prestige and tourism.
963:. Its location, far from working-class neighborhoods, and the nature of the hall, which was not very conducive to theater, led to a scaling back of these ambitions, despite a few successes, before becoming an empty shell: "when Gémier died in 1933, the Théâtre national populaire was no more than an empty title, a bad garage for shows without prestige".
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378:, having proposed a monument to Liberty in 1848, envisaged a "monumental lighthouse or fountain" at the center of a circular square housing the imperial palace and ministerial buildings. In 1868, Hector Horeau proposed a new project for a colossal statue of "intelligent France enlightening the world". But none of this came to fruition.
269:, it was not intended to outlast the event; although the building was eventually preserved for some sixty years, it was widely criticized for its architectural style, its progressive dilapidation, and the poor acoustics of its main hall, which was soon deserted by orchestras. It was dismantled in 1935 in preparation for the
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920:(it was upgraded when it was transferred). Despite its 66 stops, 72 registers, 1,470 pipes, and 32 feet, it is not the largest organ in France, but rather the first concert organ installed in the country. The instrument was first transferred to the modern-day Palais de Chaillot, before moving permanently to
1040:). The large cascading pool was surrounded by four gold-coated cast-iron animal statues (an elephant, a rhinoceros, an ox and a horse). On the Place du Trocadéro side, a series of statues were planned for the gable wall, but their absence from the palace photographs suggests that they were never built.
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enthused that the 1937 exhibition had "the merit of liberating one of the most beautiful sites in Paris by demolishing the central building that had both damaged and obstructed it". In addition, the public reacted against the dilapidated ornamentation, which, planned for the 1878 exhibition only, had
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described it as follows: "12 crossbeams were joined at their feet by a belt of sheet metal and angle irons that prevented them from spreading apart. They were joined at the top by a 15-meter-diameter ring designed to support the large lantern. The total height of these frames was 25 meters, bringing
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declared: "the Trocadéro auditorium is appalling. It is a convention hall and not a theater : the surest way to kill young actors is to have them perform in this hall, which only a few singers can resist". After 1878, apart from organ concerts, the hall was mainly used for political and republican
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Architects
Jacques Carlu, Louis-Hippolyte Boileau and Léon Azéma were commissioned to design the project. They chose to "interweave" the wings of the old palace by "doubling them with a new gallery on the Seine side", but to demolish the auditorium and the two towers and replace them with a simple
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noted: "If you want to get a good idea of the
Exposition Universelle as a whole, the best way is to stand at the central point of the Trocadéro Palace, in the middle of the circular gallery overlooking the gilded statues of the five parts of the world. From there, the panorama is magnificent". For
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trio, who planned to permanently camouflage the palace so as to preserve the wings (originally, the two towers were also to remain). What was to become the old Palais du Trocadéro thus survived in part, with the surface area gained on the garden-side wings increasing the floor area from 17,000 to
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The "Palais du Roi de Rome" at
Rambouillet is in fact a private mansion dating from the reign of Louis XVI, refurbished under the First Empire. The Chaillot project corresponds more closely to the palace built between 1784 and 1785 by the architect Jacques-Jean Thévenin for the Duc d'Angiviller,
1535:, from the second floor of the Eiffel Tower, during the Tower's illumination: "The crowd at the Trocadero is immense. The Trocadero stretches out before us, opening its luminous arms, enlarged by the colored girandoles, through which we hear the waterfall flowing with a clear, harmonious sound".
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The Trocadéro Palace was never intended to go beyond the exhibition stage, but in the end, it remained, due to its much higher cost than originally projected (twelve million gold francs instead of seven and a half million, which subsequently led the City of Paris to withdraw from the project, in
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They were then carefully cut into pieces and stored until 1945 in the suburbs of Paris, then until 1973 in the basement of the Palais de Tokyo, then in the Abbey of Saint-Riquier in the Somme, a reserve of the Musée Guimet and the Musée
National des Arts et Traditions Populaires; they have been
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noted: "The thousand or so workers on the exhibition site, like their comrades in the factories and stores, crossed their arms. But, happier than the other strikers, they are out in the fresh air, with the pleasant green gardens surrounding the Trocadéro to stretch out in. This half-demolished
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Work on the Trocadéro Palace took place between
November 1876 and June 1878; in 1877, the square was renamed "Place du Trocadéro", while in July of the same year, "the two-story portico of the central body was completed, while the walls delimiting the high windows were being added". Given the
810:"On the Trocadéro Palace side, a Flemish-inspired stepped gable wall was used to house the stage wall of the palace's large concert hall. In the projected state, an elevator and a spiral staircase gave the public access to the top of each of the towers with which it was flanked", although an
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artiste wrote of the first official concert presented in the hall: it was "truly grandiose , with a richness bordering on prodigality. Full as it was on
Thursday, the hall offered a fairy-tale view. Almost all the gentlemen were in ceremonial dress, the ladies displaying grace, flowers, and
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plaster under the porticoes and Jura marble on the columns of the vestibules at the head pavilions. Some floors feature mosaics, created by the same company responsible for the mosaics at the Opéra
Garnier. Other unusual features included glass paving stones and stained-glass windows.
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resources available at the time, workers still had to maneuver on "wooden scaffolding erected as a framework". In
October, the roof began to be laid and the waterfall bed was dug out of the mine (the waterfall descends from the central body to the gardens in the form of a
690:, Minister of Education, who was then overseeing the field of Culture, supported a project to build a Cité des musées in place of the palace, "centered on a vast esplanade both open and covered by a gigantic 190-meter-wide portico, punctuated by 23 columns".
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nevertheless championed the project, but died in 1879. The press and other personalities mocked the building, such as the humorist
Touchatout, who compared the statue overhanging the dome of the Assembly Hall to a "fly on the lid of a soup tureen", or
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and the Eiffel Tower), the Trocadéro Palace was the subject of numerous and recurring criticisms in the decades following its construction: the disdain of architects and writers, a style deemed obsolete, and the faulty acoustics of the assembly hall.
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diamonds... It's a fine place to be . We just think that the serious question of acoustics needs further study, and we're not the only ones to think so". The auditorium's roof is supported by a metal framework 50 meters in diameter;
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the 1900 exhibition, the pavilions of the French colonies and protectorates were set up in the palace gardens, and the Iéna bridge was "widened with wooden sidewalks" (it was completely enlarged in 1935, from 14 to 35 meters).
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1512:: "It's Assyrian, or Moorish, or Byzantine, but it's high . This is not the style of any period, although it is the style of all schools. The silhouette with its two minarets resembles a huge dunce's cap with two big ears".
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At the time, it was the largest hall in Paris (twice the size of the Garnier opera house). It was accessible from the Place du Trocadéro, after passing through a vestibule lit by a glass roof. The hall was decorated by
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A temporary triumphal arch was erected and the foundation stone laid for a military barracks, which was never built. The obelisk that was also to be built in the middle of the hill never got beyond the planning stage.
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989:, a specialist in Parisian gardens and staging waterfalls, is responsible for the exterior spaces. The gardens were organized around a cascading fountain. They feature a dozen statues, including four animals -
344:, a building intended to be the residence of his son (one month before the latter's birth). It was to be the center of an imperial administrative and military city. The architects in charge of the project were
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However, the top of the hill remained uncultivated until it was leveled to create the Place du Roi de Rome (Place du Trocadéro) in 1869, and the land below until the Trocadéro gardens were laid out in 1876.
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While the general structure of the wings and certain underpinnings were preserved (notably the underground galleries designed by Viollet-le-Duc, which remain), the ornaments were removed and relocated.
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41,000 m, the walls, and columns being covered on the street side by stone slabs, the interior by partitions and the floor mosaics by a new covering. The new village hall will now be built underground.
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1526:: "What substantially redeems the obesity of the palace in the center of the plan is the height of the two towers with which it is flanked. When a man is fat, he seems less so if he is tall".
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Since the construction of the Trocadéro Palace and well afterwards, contemporaries have commented on the building's style, expressing astonishment, indignation or, on the contrary, praise:
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Numerous sculptures adorned the Trocadéro Palace, notably on the garden side of the building and in the park. Six allegories of the continents bordered the terrace overlooking the gardens (
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However, as economic difficulties piled up, the French government opted to "camouflage" the old palace, a less costly solution. Eight projects were selected in January 1935, won by the
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noted in its issue for the second half of 1936: "A blow to the Trocadéro arcades: built to last for centuries, the old palace will have been demolished after fifty-seven years".
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to his Spanish throne. The Trocadéro site thus refers to a French military victory. In 1826, during a re-enactment of this feat of arms in a military parade for the French king
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615:. From 1880, a popular observatory, founded by Léon Jaubert, was set up here. Between 1878 and 1925, an Indochinese museum, the result of discoveries made by explorer
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1087:"The thirty monumental stone statues personifying the sciences, arts, and techniques that crowned the high terrace of the Great Hall scattered across France, from
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compared "this incoherent palace to the belly of a hydropic woman lying with her head down, raising in the air two skinny legs shod with gold mule stockings".
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The location of the Trocadéro Palace has witnessed a succession of buildings and architectural projects. Originally, the site was part of the former estate of
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The palace's huge, semicircular hall could accommodate 4,600 people (compared with the 10,000 originally planned), and was used for concerts and conferences.
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Kéléren, "Des lapins de Garenne aux soldats des Bourbons (Les singuliers avatars de la Colline de Chaillot)", article published on page 15 of the weekly
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Three of the four monumental animal statues that surrounded the Trocadéro fountain also found their way onto the Orsay forecourt at the same time:
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of the Exposition Universelle: "Contemporary architecture has found its Pantheon. It's now a given: the nineteenth century has an architecture".
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in 1823, leaving the choice of architecture to the purchasers of the plots. In 1839, Camille Moret designed a tomb for Napoleon I, and in 1841,
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system had been planned but never implemented. At the time, these two towers, topped with gilded domes, were the tallest in France (those of
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esplanade, on the "Eiffel Tower-École Militaire axis", while a "new theater hall built under this square". The style of the new palace is "
406:, the site's layout was used to depict the battle: the hill of Chaillot represented the "Trocadéro fort" and was to be "conquered" from the
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in 1824, the "villa Trocadéro" is an urban planning project centered on a semi-circular square, organized around the commemoration of the
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394:. On 31 August 1823, it was taken by the French expeditionary corps commanded by the Duke of Angoulême, who had been sent by his uncle,
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Isabelle Baguelin, "La céramique: la redécouverte d'un vitrail de l'exposition universelle de 1878 au musée des Monuments français",
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statues that once adorned the façade of the Palais du Trocadéro were reinstalled in 1985 on the Musée d'Orsay esplanade, along the
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called up for the construction of a "formidable hall for public meetings and solemnities". The palace was designed by architects
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Unlike other Parisian monuments that were initially decried, but quickly accepted by elites and the general public (such as the
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From the mid-1860s onwards, the Chaillot hill underwent "earthworks and levelling" to provide a panoramic view of the
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wrote: "Why, on a fine day, detach one's eyes from the Trocadero, whose giraffe-necked towers are reminiscent of the
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As early as 1876, there was talk of developing the site for the 1878 Exposition Universelle. The program for the
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1362:(actually a bull), it has been in Nîmes since 1937, on Jean-Jaurès boulevard. Contrary to a persistent legend,
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The statues of the continents (originally in cast iron, gilded) and those of the animals are now on the
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Paris 1937. Cinquantenaire de l'Exposition internationale des arts et des techniques de la vie moderne
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456:. Panoramic view of the central part of the exhibition (Archives nationales - F/12/11919 - Pièce 11).
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The Trocadéro Palace and its fountain during the 1900 Exposition Universelle, seen from the gardens.
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Madame de Talleyrand Workroom on 5 October 1914, charity ladies offering a meal and work to women.
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monumentalist". The surface area of the new palace was increased from 17,000 m to 41,000 m.
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The Trocadéro Palace was a building whose use is not necessarily in keeping with its name (
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The palace was eventually demolished and replaced by the Palais de Chaillot, built for the
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568:, whose installations were mainly located on the Champ-de-Mars (the most notable being the
517:'s 1864 project for a 10,000-person hall, the Orphéon, which was to have been built on the
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in Paris were only 66 meters high). Many commentators associate them architecturally with
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2703:, Paris, Cité de l'architecture et du patrimoine and Archives nationales, 2011, 140 p. (
666:, who referred to the palace as "the belly of a lying hydropic woman", while the writer
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even proposed erecting the Emperor's tomb here, before the remains were moved to the
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Digital reconstruction of the former Trocadéro Palace on DVD (included in the book).
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L'Architecture, Journal hebdomadaire de la société centrale des architectes français
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A glass roof from the palace depicting the history of ceramics is on display at the
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Alphand's gardens were replaced in 1937 when the new Palais de Chaillot was built.
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572:, also initially built on a temporary basis). On 15 April 1889, a supplement to
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Plan of the exhibition pavilions in the palace gardens for the 1900 exhibition.
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The palace was home to the Musée des Monuments Français, created in 1879 by
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inspiration dating from the second half of the 19th century. Located in the
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the height of the top of the lantern above the first floor to 57 meters".
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2031:Éric Biétry-Rivierre, "Une collection inestimable sauvée... à Morangis",
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2423:"À Troyes, l'art du vitrail a désormais son musée, le premier de France"
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View of the Seine with the Trocadéro Palace in the distance, by painter
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1350:(16th arrondissement), before being restored the following year at the
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association conventions, such as the Fête des Écoles on 13 July 1880.
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1065:(wrongly presented as a bull), which is in the bullfighting town of
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proposed the addition of a colossal 30-metre statue of the Emperor.
1143:. It has been on display in Square Bayard since the summer of 1936.
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1021:- facing the Seine and the Champ-de-Mars palace built opposite by
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1770:, Kent (Ohio)/London, Kent State University Press, 1993, 251 p. (
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As Befits a Legend : Building a Tomb for Napoleon, 1840-1861
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and, in the background, the Trocadéro Palace, late 19th century.
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L'expédition d'Espagne 1823 : De la guerre selon la Charte
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1878: journalist Gabriel Lafaille expressed his delight in the
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Christmas party 1932 in the grand hall of the Trocadéro Palace.
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Cité de l'architecture et du patrimoine / Aristéas / Actes Sud
2634:, Délégation à l'action artistique de la Ville de Paris, 1981.
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North America, South America, Oceania, Africa, Asia and Europe
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A Meeting in the Royal Danish Academy of Sciences and Letters
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La France sous les traits de l'Harmonie accueille les Nations
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The architects chose to play with polychrome colors, such as
623:, with the exception of 624 plaster casts from the temple of
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The Trocadéro Palace appears in Claude Autant-Lara's films
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French President Patrice de Mac Mahon inaugurates the 1878
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Claire Bommelaer, "L'art du vitrail se déploie à Troyes",
1732:, Paris, Presses Universitaires de Rennes, 2013, 350 p. (
1717:
Un projet de Napoléon Ier : le Palais du roi de Rome
595:; in the foreground, the pavilions of the invited powers.
981:
A dirigible flying over the Trocadéro gardens, 1908–1909
674:
spoke of Moorish "abominations" and modernist architect
2683:
Le Trocadéro: les métamorphoses d'une colline de Paris
1477:
The Trocadéro Palace and its gardens in a painting by
868:, who painted the large frieze overhanging the stage:
603:, and the first Paris ethnographic museum, founded by
27:
Building in Paris built for the 1878 Paris Exposition
2678:, 4 July 1937, illustrated with a drawing by Pellos;
305:
Artist's conception of what the construction of the
3663:
3603:
3552:
3531:
3266:
3172:
3151:
3103:
3006:
2936:
2892:
2860:
2846:
560:Alongside this, the Palais du Trocadéro hosted the
207:
196:
188:
180:
172:
167:
159:
145:
135:
127:
88:
74:
2761:Entry in a dictionary or general encyclopedia:
1593:The Extraordinary Adventures of Adèle Blanc-Sec
2648:, Liège/Bruxelles, Mardaga/IFA, 1985, 240 p. (
487:Concours pour l'Exposition Universelle of 1878
3487:
3459:
3387:
3350:
3305:
3208:
3053:
2824:
2689:Ory, Pascal (2006). "Le palais de Chaillot".
2632:Gabriel Davioud, architecte, 1824-1881, Paris
2541:"L'incroyable histoire du "taureau" de Nîmes"
904:concert held at the Trocadéro Palace in 1903.
883:On 8 June 1878, a journalist from the weekly
8:
3731:Demolished buildings and structures in Paris
2867:Visitandines de Chaillot Convent (1651–1794)
2324:
2322:
2320:
1346:. From 1935 to 1985, they were exhibited at
1179:adorned the pediment of the palace. Renamed
410:, from where the French "troops" set off (a
46:
2663:, t. 2, éditions de Minuit, 1985, 1583 p. (
2626:Les Expositions universelles de 1855 à 1939
3215:
3201:
3193:
3060:
3046:
3038:
2831:
2817:
2809:
2394:La Roche-sur-Yon municipal archives, 5M16.
59:
45:
2661:Dictionnaire historique des rues de Paris
611:. The Trocadéro gardens were designed by
3736:Former buildings and structures in Paris
2330:"Statues sur le parvis du musée d'Orsay"
2196:
2194:
2043:
2041:
1927:
1925:
1923:
1921:
1908:
1906:
1904:
1867:
1865:
1863:
1705:. Paris: ed. Goupil et cie. p. 137.
3279:
2980:Cité de l'Architecture et du Patrimoine
2693:. Les grands témoins de l'architecture.
2605:Les expositions universelles, 1851-1900
2405:Le Figaro, supplement Le Figaro et vous
1669:
1629:
1382:
1221:
1183:, it now stands in Place de la Marine,
1162:
244:Convent of the Visitandines de Chaillot
3726:Moorish Revival architecture in France
3443:The Seine at Port-Marly, Piles of Sand
3337:
3318:
2421:Marie Blanchardon (21 December 2022).
2015:
2013:
2000:
1998:
1751:Les Fêtes royales sous la restauration
273:, to make way for a new building, the
3325:The Proclamation of Dušan's Law Codex
3292:
2950:Musée national des Monuments Français
2929:Gare of Trocadéro (abandoned project)
1827:
1825:
1823:
1025:for the 1878 Exposition Universelle.
926:organ of the Auditorium Maurice-Ravel
390:, which defended the Spanish port of
214:Musée national des Monuments Français
7:
2235:
2233:
2181:
2179:
2177:
2175:
2173:
2171:
2169:
2120:
2118:
2116:
1961:
1959:
1957:
1944:
1942:
1940:
1850:
1848:
1846:
1844:
1095:) for Ethnography and Chemistry, to
724:Palace stained-glass window removed.
670:declared "Down with the Trocadéro!"
386:The name "Trocadéro" comes from the
340:decided to build on the site of the
2357:, 14th, No. 12, 23 March 1901.
2311:
2287:
2275:
2263:
2224:
2212:
2200:
2083:
2071:
2059:
2047:
1989:
1931:
1912:
1895:
1883:
1871:
1681:
1679:
1677:
1675:
1673:
1380:), did not come from the Trocadéro.
1340:le rhinocéros, le cheval à la herse
481:Construction of the palace in 1878.
3419:Greece on the Ruins of Missolonghi
3381:Struggle of the Two Natures in Man
2701:Du Trocadéro au palais de Chaillot
1061:forecourt, except for that of the
25:
3721:Buildings and structures in Paris
2944:Musée d'Ethnographie du Trocadéro
1719:, Neuilly-sur-Seine, 1955, p. 41.
1200:The Statues of the Six Continents
329:, which was destroyed during the
3611:Chemin de fer de Petite Ceinture
2920:Statue équestre du Maréchal Foch
2747:Entertainment-related resource:
1799:. Vol. 8. pp. 225–226.
1614:(2009) and in the animated film
1423:
1404:
1385:
1348:Place de la Porte-de-Saint-Cloud
1319:
1300:
1281:
1262:
1243:
1224:
1192:
1165:
787:Promenade with colonnades, 1889.
350:Pierre-François-Léonard Fontaine
262:), as well as conference rooms.
3493:The Exhibit of American Negroes
3069:1889 Paris Universal Exposition
2614:, April 2005, pp. 131–139;
1007:Le Jeune éléphant pris au piège
638:(comparative sculpture museum).
3451:Palace of Agriculture and Food
3407:A Cotton Office in New Orleans
918:church of Notre-Dame-d'Auteuil
562:Exposition Universelle of 1889
355:Another project, envisaged by
1:
3716:Exposition Universelle (1889)
3711:Exposition Universelle (1878)
3706:Exposition Universelle (1900)
3455:Palace of Diverse Industries
3115:Palace of Various Industries
2603:Linda Aimone and Carlo Olmo,
840:Organ of the Trocadéro Palace
444:Exposition Universelle (1878)
414:fort was built on the hill).
321:'s comrade-in-arms. In 1651,
3027:16th arrondissement of Paris
2962:Théâtre national de Chaillot
2914:Parvis des droits de l'homme
2793:Old engravings and postcards
2483:Jeune éléphant pris au piège
2380:Mettre un nom sur une statue
1412:Jeune éléphant pris au piège
1048:Disposal of dismantled parts
636:Musée des Monuments Français
256:Musée des Monuments Français
3544:Paris 1900 chess tournament
2968:Musée national de la Marine
2407:, 23 December 2022, p. 30 (
1813:Cours élémentaire de dessin
1139:was awarded to the town of
1082:Jardin des Serres d'Auteuil
738:1937 specialized exhibition
593:1900 Exposition Universelle
583:Controversial museum palace
462:1867 Exposition Universelle
361:recent victory at Trocadéro
271:1937 Exposition Universelle
267:1878 Exposition Universelle
3752:
3684:Verset laïque et somptueux
3437:Portrait of Alphonse Leroy
2871:Palace of the King of Rome
2764:Gran Enciclopèdia Catalana
1608:(2021), in the video game
1080:. The 14 mascarons in the
970:
957:Théâtre national populaire
848:The assembly hall in 1879.
837:
713:
634:An exhibition room at the
552:from the Trocadéro Palace.
441:
342:Palace of the King of Rome
307:Palace of the King of Rome
297:Palace of the King of Rome
294:
36:
29:
3483:Palace of Social Economy
3425:Haymaking in the Auvergne
3230:
3075:
2997:Paris Aquarium - Cinéaqua
2617:Bertrand Lemoine (dir.),
2334:paris1900.lartnouveau.com
1832:Françoise Boudon (1978).
1757:, no 4, 1955, p. 210-216.
1452:The Seine, Trocadéro and
1443:Contemporary perspectives
325:founded a convent of the
323:Henrietta Maria of France
212:
70:
58:
51:
3514:The Defense of the Sampo
2755:Music-related resource:
2676:Jeunesse-Magazine no. 27
2612:Histoire de l'art, no 56
2598:Expositions universelles
2593:Bibliography and sources
1356:Saint-Rémy-les-Chevreuse
474:by a granite staircase.
315:Maréchal de Bassompierre
252:gardens of the same name
52:
30:Not to be confused with
3523:Royal Pavilion of Spain
3413:Le Déjeuner sur l'herbe
1793:Adolphe Napoléon Didron
1515:1878: palace architect
1397:Henri-Alfred Jacquemart
1019:Henri Alfred Jacquemart
676:Georges-Henri Pingusson
309:would have looked like.
3677:Paris Exposition, 1900
3023:Fort Louis (Trocadéro)
2974:Cinémathèque Française
2628:, Paris, Ramsay, 1982;
1797:Annales archéologiques
1766:Michael Paul Driskel,
1599:Diary of a Chambermaid
1587:A Very Long Engagement
1529:1888: a journalist at
1508:1878: a journalist at
1494:
1482:
1470:
1435:Pierre Louis Rouillard
1202:, now in front of the
1033:
1003:Pierre Louis Rouillard
982:
924:, where it became the
914:Aristide Cavaillé-Coll
905:
860:
849:
800:
788:
746:general strike of 1936
733:
725:
655:
639:
596:
553:
550:Exposition Universelle
541:
519:Place du Château d'Eau
482:
457:
454:Exposition Universelle
436:Exposition Universelle
398:of France, to restore
310:
3633:Gare du Champ de Mars
3369:The Little White Girl
3224:1900 Paris Exposition
2937:Museums and Monuments
2912:Human Rights Square (
2731:Fontaine du Trocadéro
2685:, Paris, Belin, 2005;
2607:, Paris, Belin, 1993;
2451:"Alfred Jacquemart -
1811:Antoine Étex (1859).
1488:
1476:
1450:
1374:Parc Georges-Brassens
1236:Alexandre Schoenewerk
1177:Léon François Chervet
1032:The fountain in 1900.
1031:
980:
967:Gardens and ornaments
900:Poster for a popular
899:
858:
847:
794:
786:
731:
723:
653:
633:
601:Eugène Viollet-le-Duc
590:
547:
539:
513:, and, above all, by
480:
451:
376:sculptor Antoine Étex
304:
3539:1900 Summer Olympics
3509:Pavilion of Finland
2905:Jardins du Trocadéro
2736:Rue de Lille (Paris)
2727:Jardins du Trocadéro
2698:Esprit(s) des lieux:
2646:Le nouveau Trocadéro
2511:"Pierre Rouillard -
2481:"Emmanuel Fremiet -
2035:, 6 May 2013, p. 32.
1703:Napoléon et son fils
1647:restored since 2002.
1503:Journal hebdomadaire
1293:Ernest-Eugène Hiolle
1109:Industrie forestière
1084:were not dismantled.
999:Le Cheval à la Herse
973:Jardins du Trocadéro
937:Symphonie avec orgue
816:Notre-Dame Cathedral
607:, forerunner of the
557:favor of the State.
260:Musée d'Ethnographie
154:Moorish architecture
112:48.86222°N 2.28833°E
37:For other uses, see
3357:Colonel Thomas Cass
3331:The Takovo Uprising
3014:Battle of Trocadero
2873:(abandoned project)
2772:Authority records:
2659:Jacques Hillairet,
2578:Esprit(s) des lieux
2566:Esprit(s) des lieux
2367:Esprit(s) des lieux
2300:Esprit(s) des lieux
2252:Esprit(s) des lieux
2240:Esprit(s) des lieux
2186:Esprit(s) des lieux
2161:Esprit(s) des lieux
2149:Esprit(s) des lieux
2137:Esprit(s) des lieux
2125:Esprit(s) des lieux
2108:Esprit(s) des lieux
2096:Esprit(s) des lieux
2020:Esprit(s) des lieux
2005:Esprit(s) des lieux
1978:Esprit(s) des lieux
1966:Esprit(s) des lieux
1949:Esprit(s) des lieux
1855:Esprit(s) des lieux
1728:Emmanuel Larroche,
1686:Esprit(s) des lieux
1544:Joris-Karl Huysmans
1479:Jules Ernest Renoux
1378:15th arrondissement
1255:Alexandre Falguière
941:Symphony with organ
933:Camille Saint-Saëns
664:Joris-Karl Huysmans
424:Hôtel des Invalides
357:Antoine-Marie Peyre
240:16th arrondissement
108: /
53:Palais du Trocadéro
48:
18:Palais du Trocadéro
3590:Pont Alexandre III
3585:Passerelle Debilly
3344:Out into the World
3159:Decauville railway
3120:Fontaine Bartholdi
3111:Palace of Machines
3089:and esplanade des
3019:Isla del Trocadero
2909:Trocadéro Fountain
2893:Other Amenagements
2883:Palais de Chaillot
2722:Palais de Chaillot
2644:Isabelle Gournay,
1749:Françoise Waquet,
1568:In popular culture
1510:La Revue de France
1495:
1483:
1471:
1289:L'Amérique du Nord
1274:Eugène Delaplanche
1034:
983:
906:
861:
850:
801:
789:
734:
726:
716:Palais de Chaillot
710:Palace destruction
656:
640:
597:
591:The palace at the
554:
542:
497:, inspired by the
483:
464:facilities on the
458:
400:King Ferdinand VII
338:Emperor Napoleon I
336:In February 1811,
311:
275:Palais de Chaillot
248:Place du Trocadéro
203:and Jules Bourdais
32:Palais de Chaillot
3693:
3692:
3604:Urban development
3472:Palace of Optics
3363:The Great God Pan
3254:Bois de Vincennes
3190:
3189:
3035:
3034:
2986:École de Chaillot
2925:Trocadéro station
2709:978-2-86000-351-3
2513:Cheval à la herse
2384:William Chevillon
2278:, pp. 94–95.
2086:, pp. 56–57.
2074:, pp. 55–56.
2062:, pp. 51–52.
1738:978-2-7535-2766-9
1522:1878: art critic
1467:Fondation Bemberg
1431:Cheval à la herse
1352:Coubertin foundry
1308:L'Amérique du Sud
1072:Seven of Rodin's
931:It was here that
859:The organ in 1878
688:Anatole de Monzie
365:Duke of Angoulême
331:French Revolution
242:of Paris, on the
220:
219:
117:48.86222; 2.28833
16:(Redirected from
3743:
3671:Lafayette dollar
3505:Trocadéro Palace
3491:
3489:
3463:
3461:
3404:
3402:
3391:
3389:
3375:The Medicine Man
3354:
3352:
3341:
3339:
3328:first version -
3322:
3320:
3309:
3307:
3299:Sad Inheritance!
3296:
3294:
3283:
3281:
3244:, esplanade des
3217:
3210:
3203:
3194:
3143:Trocadéro Palace
3126:Imperial Diamond
3062:
3055:
3048:
3039:
2956:Musée de l'Homme
2877:Trocadéro Palace
2833:
2826:
2819:
2810:
2694:
2681:Frédéric Seitz,
2581:
2575:
2569:
2563:
2557:
2555:
2553:
2551:
2537:
2531:
2529:
2527:
2525:
2507:
2501:
2499:
2497:
2495:
2477:
2471:
2469:
2467:
2465:
2447:
2441:
2439:
2437:
2435:
2418:
2412:
2401:
2395:
2392:
2386:
2376:
2370:
2364:
2358:
2352:
2346:
2344:
2342:
2340:
2326:
2315:
2309:
2303:
2297:
2291:
2285:
2279:
2273:
2267:
2261:
2255:
2249:
2243:
2237:
2228:
2222:
2216:
2210:
2204:
2198:
2189:
2183:
2164:
2158:
2152:
2146:
2140:
2134:
2128:
2122:
2111:
2105:
2099:
2093:
2087:
2081:
2075:
2069:
2063:
2057:
2051:
2045:
2036:
2029:
2023:
2017:
2008:
2002:
1993:
1987:
1981:
1975:
1969:
1963:
1952:
1946:
1935:
1929:
1916:
1910:
1899:
1893:
1887:
1881:
1875:
1869:
1858:
1852:
1839:
1837:
1829:
1818:
1816:
1808:
1802:
1800:
1789:
1783:
1764:
1758:
1747:
1741:
1726:
1720:
1713:
1707:
1706:
1695:
1689:
1683:
1657:
1654:
1648:
1644:
1638:
1634:
1561:Certosa di Pavia
1463:Stanislas Lépine
1456:, seen from the
1454:Pont de Grenelle
1427:
1416:Emmanuel Frémiet
1408:
1389:
1323:
1304:
1285:
1266:
1247:
1228:
1196:
1169:
1141:La Roche-sur-Yon
1101:Loire-Atlantique
1089:Ligny-en-Barrois
1011:Emmanuel Frémiet
609:Musée de l'Homme
396:King Louis XVIII
363:in Spain by the
327:Visitation order
291:Initial projects
224:Trocadéro Palace
123:
122:
120:
119:
118:
113:
109:
106:
105:
104:
101:
63:
49:
47:Trocadéro Palace
21:
3751:
3750:
3746:
3745:
3744:
3742:
3741:
3740:
3696:
3695:
3694:
3689:
3659:
3599:
3595:Rue de l'Avenir
3548:
3527:
3486:
3477:Great Telescope
3458:
3399:
3386:
3349:
3336:
3317:
3304:
3291:
3278:
3262:
3248:, banks of the
3226:
3221:
3191:
3186:
3168:
3147:
3099:
3071:
3066:
3036:
3031:
3002:
2932:
2888:
2856:
2842:
2837:
2744:
2718:
2688:
2671:), p. 574;
2641:
2600:
2595:
2590:
2585:
2584:
2576:
2572:
2564:
2560:
2549:
2547:
2545:nemausensis.com
2539:
2538:
2534:
2523:
2521:
2509:
2508:
2504:
2493:
2491:
2479:
2478:
2474:
2463:
2461:
2449:
2448:
2444:
2433:
2431:
2420:
2419:
2415:
2402:
2398:
2393:
2389:
2377:
2373:
2365:
2361:
2353:
2349:
2338:
2336:
2328:
2327:
2318:
2310:
2306:
2298:
2294:
2286:
2282:
2274:
2270:
2262:
2258:
2250:
2246:
2238:
2231:
2223:
2219:
2211:
2207:
2199:
2192:
2184:
2167:
2159:
2155:
2147:
2143:
2135:
2131:
2123:
2114:
2106:
2102:
2094:
2090:
2082:
2078:
2070:
2066:
2058:
2054:
2046:
2039:
2030:
2026:
2018:
2011:
2003:
1996:
1988:
1984:
1976:
1972:
1964:
1955:
1947:
1938:
1930:
1919:
1911:
1902:
1894:
1890:
1882:
1878:
1870:
1861:
1853:
1842:
1831:
1830:
1821:
1810:
1809:
1805:
1791:
1790:
1786:
1765:
1761:
1748:
1744:
1727:
1723:
1714:
1710:
1699:Frédéric Masson
1697:
1696:
1692:
1684:
1671:
1666:
1661:
1660:
1655:
1651:
1645:
1641:
1635:
1631:
1626:
1570:
1517:Gabriel Davioud
1481:(date unknown).
1445:
1438:
1428:
1419:
1409:
1400:
1390:
1364:Isidore Bonheur
1334:
1331:Mathurin Moreau
1324:
1315:
1305:
1296:
1286:
1277:
1267:
1258:
1248:
1239:
1229:
1207:
1197:
1188:
1170:
1161:
1148:Cité du Vitrail
1050:
987:Adolphe Alphand
975:
969:
951:In April 1920,
890:Gabriel Davioud
866:Charles Lameire
842:
836:
781:
776:
718:
712:
684:interwar period
617:Louis Delaporte
613:Adolphe Alphand
585:
515:Baron Haussmann
507:Palazzo Vecchio
491:Gabriel Davioud
446:
440:
384:
346:Charles Percier
299:
293:
288:
283:
201:Gabriel Davioud
116:
114:
110:
107:
102:
99:
97:
95:
94:
81:
66:
54:
42:
35:
28:
23:
22:
15:
12:
11:
5:
3749:
3747:
3739:
3738:
3733:
3728:
3723:
3718:
3713:
3708:
3698:
3697:
3691:
3690:
3688:
3687:
3680:
3673:
3667:
3665:
3661:
3660:
3658:
3657:
3656:
3655:
3645:
3640:
3635:
3630:
3625:
3624:
3623:
3613:
3607:
3605:
3601:
3600:
3598:
3597:
3592:
3587:
3582:
3577:
3572:
3567:
3562:
3556:
3554:
3550:
3549:
3547:
3546:
3541:
3535:
3533:
3529:
3528:
3526:
3525:
3520:
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2991:Passy Cemetery
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2743:
2742:External links
2740:
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2519:musee-orsay.fr
2502:
2489:musee-orsay.fr
2472:
2459:musee-orsay.fr
2442:
2413:
2396:
2387:
2371:
2369:, 2011, p. 62.
2359:
2347:
2316:
2304:
2302:, 2011, p. 22.
2292:
2280:
2268:
2256:
2254:, 2011, p. 68.
2244:
2242:, 2011, p. 24.
2229:
2217:
2205:
2190:
2188:, 2011, p. 11.
2165:
2163:, 2011, p. 26.
2153:
2151:, 2011, p. 74.
2141:
2139:, 2011, p. 80.
2129:
2127:, 2011, p. 61.
2112:
2110:, 2011, p. 82.
2100:
2098:, 2011, p. 66.
2088:
2076:
2064:
2052:
2037:
2024:
2022:, 2011, p. 64.
2009:
2007:, 2011, p. 42.
1994:
1982:
1980:, 2011, p. 20.
1970:
1968:, 2011, p. 16.
1953:
1951:, 2011, p. 14.
1936:
1917:
1900:
1888:
1876:
1859:
1857:, 2011, p. 12.
1840:
1836:. p. 143.
1819:
1803:
1784:
1759:
1755:Revue des Arts
1742:
1740:), p. 195-196.
1721:
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1564:
1552:La Prisonnière
1547:
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1520:
1513:
1506:
1491:Henri Rousseau
1444:
1441:
1440:
1439:
1429:
1422:
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1372:, in front of
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1159:Statue gallery
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1133:Adolphe Itasse
1085:
1078:Parc de Sceaux
1070:
1049:
1046:
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959:, directed by
874:Antonin Mercié
835:
832:
780:
777:
775:
772:
711:
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659:Viollet-le-Duc
644:Palais Garnier
584:
581:
523:Crystal Palace
495:Jules Bourdais
439:
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388:Trocadéro fort
383:
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265:Built for the
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3641:
3639:
3638:Gare de Javel
3636:
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3626:
3622:
3621:Le Train Bleu
3619:
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3259:
3255:
3251:
3247:
3243:
3239:
3238:Champ de Mars
3236:
3233:
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3225:
3218:
3213:
3211:
3206:
3204:
3199:
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3083:Champ de Mars
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3007:Miscellaneous
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2853:Chaillot Hill
2852:
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2687:
2684:
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2673:
2670:
2669:2-7073-1054-9
2666:
2662:
2658:
2655:
2654:2-87009-211-3
2651:
2647:
2643:
2642:
2638:
2633:
2630:
2627:
2623:
2620:
2616:
2613:
2609:
2606:
2602:
2601:
2597:
2592:
2587:
2580:, 2011, p. 54
2579:
2574:
2571:
2568:, 2011, p. 28
2567:
2562:
2559:
2546:
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2533:
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2490:
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2428:leparisien.fr
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2323:
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2317:
2314:, p. 49.
2313:
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2296:
2293:
2290:, p. 99.
2289:
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2277:
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2265:
2260:
2257:
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2241:
2236:
2234:
2230:
2227:, p. 44.
2226:
2221:
2218:
2215:, p. 46.
2214:
2209:
2206:
2202:
2197:
2195:
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2187:
2182:
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2176:
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2092:
2089:
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2080:
2077:
2073:
2068:
2065:
2061:
2056:
2053:
2050:, p. 50.
2049:
2044:
2042:
2038:
2034:
2028:
2025:
2021:
2016:
2014:
2010:
2006:
2001:
1999:
1995:
1992:, p. 35.
1991:
1986:
1983:
1979:
1974:
1971:
1967:
1962:
1960:
1958:
1954:
1950:
1945:
1943:
1941:
1937:
1933:
1928:
1926:
1924:
1922:
1918:
1915:, p. 36.
1914:
1909:
1907:
1905:
1901:
1898:, p. 34.
1897:
1892:
1889:
1886:, p. 33.
1885:
1880:
1877:
1874:, p. 37.
1873:
1868:
1866:
1864:
1860:
1856:
1851:
1849:
1847:
1845:
1841:
1835:
1834:Hector Horeau
1828:
1826:
1824:
1820:
1814:
1807:
1804:
1798:
1794:
1788:
1785:
1781:
1777:
1776:0-87338-484-9
1773:
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1735:
1731:
1725:
1722:
1718:
1712:
1709:
1704:
1700:
1694:
1691:
1688:, 2011, p. 7.
1687:
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1577:
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1567:
1562:
1558:
1557:Marcel Proust
1554:
1553:
1548:
1545:
1541:
1537:
1534:
1533:
1528:
1525:
1524:Charles Blanc
1521:
1518:
1514:
1511:
1507:
1504:
1500:
1499:
1498:
1492:
1487:
1480:
1475:
1468:
1465:, 1880-1885,
1464:
1460:
1459:
1458:Quai de Javel
1455:
1449:
1442:
1436:
1432:
1426:
1421:
1417:
1413:
1407:
1402:
1398:
1394:
1393:Le rhinocéros
1388:
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1361:
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1237:
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1227:
1222:
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1218:
1214:
1205:
1204:Musée d'Orsay
1201:
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1079:
1075:
1071:
1068:
1064:
1060:
1059:Musée d'Orsay
1056:
1055:
1054:
1047:
1045:
1043:
1039:
1030:
1026:
1024:
1023:Léopold Hardy
1020:
1016:
1015:Le Rhinocéros
1012:
1008:
1004:
1000:
996:
992:
988:
979:
974:
966:
964:
962:
961:Firmin Gémier
958:
954:
953:Pierre Rameil
949:
946:
942:
938:
934:
929:
927:
923:
919:
915:
911:
908:It housed an
903:
898:
894:
891:
886:
881:
879:
875:
871:
867:
857:
853:
846:
841:
834:Assembly hall
833:
831:
828:
823:
821:
817:
813:
808:
806:
798:
793:
785:
778:
773:
771:
769:
766:The magazine
764:
762:
761:neo-classical
756:
753:
752:
751:Petit Journal
747:
743:
739:
730:
722:
717:
709:
707:
704:
700:
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469:
468:
463:
455:
450:
445:
437:
433:
431:
427:
425:
421:
415:
413:
409:
408:Champ-de-Mars
405:
401:
397:
393:
389:
381:
379:
377:
374:In 1858, the
372:
370:
369:Hector Horeau
366:
362:
358:
353:
351:
347:
343:
339:
334:
332:
328:
324:
320:
316:
308:
303:
298:
290:
285:
280:
278:
276:
272:
268:
263:
261:
257:
253:
249:
245:
241:
237:
236:neo-Byzantine
233:
229:
225:
215:
211:
206:
202:
199:
195:
191:
187:
183:
179:
175:
171:
166:
162:
158:
155:
151:
148:
144:
141:
138:
134:
130:
126:
121:
93:
91:
87:
84:
80:
77:
73:
69:
62:
57:
50:
44:
40:
33:
19:
3682:
3675:
3648:Métro Line 1
3643:Hôtel Régina
3628:Gare d'Orsay
3616:Gare de Lyon
3565:Eiffel Tower
3512:
3504:
3500:Petit Palais
3441:
3435:
3429:
3423:
3417:
3411:
3405:
3392:
3379:
3373:
3367:
3361:
3355:
3342:
3329:
3323:
3310:
3297:
3284:
3274:Grand Palais
3179:
3164:Eiffel Tower
3142:
3118:
2999:(since 2006)
2996:
2993:(since 1820)
2985:
2982:(since 2007)
2970:(since 1943)
2964:(since 1937)
2958:(since 1937)
2952:(since 1879)
2919:
2913:
2885:(since 1935)
2876:
2762:
2748:
2700:
2697:
2690:
2682:
2675:
2660:
2645:
2631:
2625:
2624:Pascal Ory,
2618:
2611:
2604:
2577:
2573:
2565:
2561:
2548:. Retrieved
2544:
2535:
2522:. Retrieved
2518:
2512:
2505:
2492:. Retrieved
2488:
2482:
2475:
2462:. Retrieved
2458:
2452:
2445:
2432:. Retrieved
2426:
2416:
2404:
2399:
2390:
2383:
2374:
2366:
2362:
2354:
2350:
2337:. Retrieved
2333:
2307:
2299:
2295:
2283:
2271:
2259:
2251:
2247:
2239:
2220:
2208:
2203:, p. 45
2185:
2160:
2156:
2148:
2144:
2136:
2132:
2124:
2107:
2103:
2095:
2091:
2079:
2067:
2055:
2032:
2027:
2019:
2004:
1985:
1977:
1973:
1965:
1948:
1934:, p. 38
1891:
1879:
1854:
1833:
1815:. p. 3.
1812:
1806:
1796:
1787:
1782:), p. 54-55.
1767:
1762:
1754:
1750:
1745:
1729:
1724:
1716:
1715:Roger Wahl,
1711:
1702:
1693:
1685:
1652:
1642:
1632:
1615:
1611:The Saboteur
1609:
1603:
1597:
1591:
1585:
1579:
1573:
1571:
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1369:Les Taureaux
1367:
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1217:rue de Lille
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990:
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869:
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851:
827:Pompeian red
824:
809:
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797:Eiffel Tower
774:Architecture
767:
765:
757:
749:
742:an esplanade
735:
692:
681:
672:Julien Green
657:
641:
621:Musée Guimet
598:
573:
570:Eiffel Tower
559:
555:
549:
527:
486:
484:
465:
459:
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435:
428:
420:Bonapartists
416:
412:papier-mâché
385:
373:
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335:
312:
264:
246:between the
230:building of
223:
221:
168:Construction
43:
3575:Grande Roue
3553:Attractions
3181:Esclarmonde
3152:Attractions
3136:Iron Church
2976:(1963-2005)
2946:(1878–1937)
2879:(1876–1934)
2757:MusicBrainz
2409:read online
1780:read online
1312:Aimé Millet
1119:, and even
1117:Agriculture
1076:are in the
1042:La Renommée
902:Mimi Pinson
878:La Renommée
668:André Billy
605:Ernest Hamy
472:Pont d'Iéna
467:Rive Gauche
382:"Trocadéro"
216:(1882–1937)
160:Current use
115: /
90:Coordinates
3700:Categories
3394:Melancolie
3131:Iron House
2453:Rhinocéros
2434:12 January
1664:References
1575:Love Story
1344:l'éléphant
1213:Continents
1181:Amphitrite
1173:Navigation
1129:Navigation
1127:) for the
1103:) for the
971:See also:
838:See also:
714:See also:
442:See also:
295:See also:
189:Demolished
100:48°51′44″N
3653:entrances
3580:Mareorama
3560:Cinéorama
3267:Pavilions
3246:Invalides
3242:Trocadéro
3104:Pavilions
3091:Invalides
3087:Trocadéro
2861:Buildings
2840:Trocadéro
2750:Carthalia
2639:Trocadéro
2033:Le Figaro
1617:Ballerina
1549:1927: In
1538:1889: In
1358:. As for
1327:L'Océanie
1270:L'Afrique
1113:Botanique
1105:Sculpture
1074:mascarons
985:Engineer
945:Lugné-Poe
912:built by
768:La Nature
575:Le Figaro
525:in 1851.
404:Charles X
197:Architect
176:1876–1878
163:Destroyed
131:80 metres
128:Elevation
103:2°17′18″E
39:Trocadéro
2900:Chaillot
2788:WorldCat
2716:See also
2588:Appendix
2550:23 March
2524:23 March
2494:23 March
2464:23 March
2339:25 March
2312:Ory 2006
2288:Ory 2006
2276:Ory 2006
2264:Ory 2006
2225:Ory 2006
2213:Ory 2006
2201:Ory 2006
2084:Ory 2006
2072:Ory 2006
2060:Ory 2006
2048:Ory 2006
1990:Ory 2006
1932:Ory 2006
1913:Ory 2006
1896:Ory 2006
1884:Ory 2006
1872:Ory 2006
1795:(1848).
1701:(1904).
1620:(2016).
1602:(2015),
1596:(2010),
1590:(2004),
1584:(1949),
1578:(1943),
1540:Certains
1532:Le Temps
1232:L'Europe
1115:and the
1063:Le Boeuf
885:Le Monde
820:minarets
812:elevator
531:fountain
511:Florence
438:building
319:Henry IV
258:and the
250:and the
228:eclectic
150:Eclectic
146:Genre(s)
3431:La Loge
2804:archive
2796:archive
2768:archive
1493:(1910).
1360:Le bœuf
1125:Hérault
991:Le Bœuf
699:Boileau
682:In the
503:Seville
499:Giralda
281:History
232:Moorish
226:was an
208:Tenants
75:Address
3664:Others
3532:Events
3517:fresco
3312:Spring
3173:Others
2707:
2667:
2652:
2382:", on
1774:
1736:
1605:Eiffel
1251:L'Asie
1152:Troyes
1137:Uranie
1111:, the
1107:, the
1097:Nantes
805:palace
779:Palace
625:Angkor
505:, the
181:Opened
140:Palace
83:France
3258:Paris
3250:Seine
3095:Paris
1624:Notes
1093:Meuse
1067:Nîmes
910:organ
703:Azéma
695:Carlu
452:1878
434:1878
392:Cadiz
173:Built
79:Paris
3475:The
3464:The
3401:C.FR
3252:and
3234:Site
3079:Site
2847:Area
2781:data
2774:VIAF
2705:ISBN
2665:ISBN
2650:ISBN
2552:2020
2526:2020
2496:2020
2466:2020
2436:2023
2341:2021
1772:ISBN
1734:ISBN
1581:Gigi
1342:and
1211:The
1185:Agde
1121:Agde
1013:and
922:Lyon
795:The
566:1900
564:and
493:and
348:and
286:Past
234:and
222:The
192:1935
184:1878
152:and
136:Type
3388:INT
2785:GND
2777:BnF
2378:. "
1563:?".
1433:by
1414:by
1395:by
1366:'s
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1291:by
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1234:by
1175:by
1150:in
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993:by
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509:in
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3460:US
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3351:US
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3306:GB
3293:ES
3280:DK
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2332:.
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