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Trocadéro Palace

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545: 449: 807:), insofar as it houses an auditorium. This hall "was flanked by two square towers over 80 meters high. On either side, two long curvilinear wings extended the façade to 430 meters"; two pavilions join the festival hall, and these wings, to create a visual transition between the main hall and the slender wings. The two wings were each 200 meters long, and formed two galleries (the Passy wing and the Paris wing) punctuated by two intermediate pavilions and terminated by a head pavilion: architect Gabriel Davioud said that these two head pavilions, surmounted by a slate dome with golden edges, should be "massive enough to stop the eye at the extremities, and yet not fight with the central mass which constitutes the raison d'être of the whole". Conference rooms were installed in the wings, which, on the garden side, featured a portico supported by marble columns along its entire length - including the party room -, freely open to the public; these galleries were soon equipped with lighting and, in the case of the party room, were later closed with glass windows. 1448: 729: 631: 1283: 1321: 1194: 1302: 1264: 1245: 1226: 792: 588: 1029: 61: 1486: 537: 845: 784: 302: 651: 1474: 521:. It was the result of a competition, whose requirements included a 10,000-seat festival hall and exhibition galleries; 94 teams entered the competition, but the Davioud-Bourdais project had in fact already been selected. The design features two semicircular wings linked by a circular central section flanked by two towers, in the Moorish or neo-Byzantine style; on the square side, the gable is "Flemish-style", although other commentators refer less to the orientalism of the project than to a whimsical style, now typical of all world's fairs since London's 943:) was performed for the first time. The hall became known as a venue for organ concerts, then recitals, although its poor reputation for sound and technique (too much room for the organ, lack of dressing rooms, no stage clearances, almost impossible to modulate lighting, difficult to evacuate in the event of a disaster, etc.) eventually scared off both prestigious and popular orchestras, making it difficult to fill given its size. At the 1878 Exposition Universelle, the average audience was 3,000, for a hall that could hold 4,600. In 1920, stage director 478: 1167: 856: 978: 686:, the site was already referred to as the "vieux Trocadéro" (the old Trocadéro). As early as 1932, it was the subject of speculation as to its future, in preparation for the 1937 International Exhibition, thanks to a "competition of ideas": while the first project envisaged the exhibition taking place outside Paris, a study published the following year mentioned for the first time the demolition of the palace and the organization of the event on a Champ-de-Mars/Trocadéro axis. In the autumn of 1933, 1519:: the towers "bearing at their summit a monumental belvedere, surmounted by a gilded dome, reminiscent of the Giralda and the tower of the Palazzo Vecchio in Florence, the buildings of the Exposition Universelle in the distance, in and out of Paris; similar to the bell towers that call Christians to temples, the minarets that announce prayer in the East, and the belfries that once assembled citizens in the public square, the crowd to the spectacle of the peaceful struggle of nations". 721: 1387: 1425: 1406: 744:. Also preserved are the "curvilinear metal trusses in the cut sheet metal of the framework", visible in the museum's molding gallery. The demolition of the two towers was delayed by the difficulty of finding workers who were not afraid of heights, and by union demands that the 80 workers on the job "obtain payment of the customary hourly supplement for dangerous work, and the strict application of the eight-hour working day". During the 755:
building is a sort of incoherent ruin. On top of the walls and frameworks still standing, the workers, silhouetted against the sky, sing and gesticulate. The more numerous workers below are trying to kill time. Sitting on piles of materials, most converse animatedly. Others are dozing under the trees. Still others, around an improvised conductor, try their hand at the chorus. Some hold out a tin trunk to passers-by".
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not been designed to last that long. Draughts from the galleries and acoustics in the main hall had also been a recurring problem since the building's construction, despite several attempts to remedy the situation. In fact, it was the architecture of the hall itself that was lacking. This conclusion led the architects to opt for the demolition of the village hall while retaining the two wings in 1937.
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governor of the Rambouillet estate; its link with the King of Rome is also stronger, as it is linked to the very essence of the project, whereas the link between Rambouillet and Napoleon's son corresponds to a very short period in the construction history of Jacques-Jean Thévenin. The town of Rambouillet uses the name "Palais du Roi de Rome" for reasons of prestige and tourism.
963:. Its location, far from working-class neighborhoods, and the nature of the hall, which was not very conducive to theater, led to a scaling back of these ambitions, despite a few successes, before becoming an empty shell: "when Gémier died in 1933, the Théâtre national populaire was no more than an empty title, a bad garage for shows without prestige". 897: 378:, having proposed a monument to Liberty in 1848, envisaged a "monumental lighthouse or fountain" at the center of a circular square housing the imperial palace and ministerial buildings. In 1868, Hector Horeau proposed a new project for a colossal statue of "intelligent France enlightening the world". But none of this came to fruition. 269:, it was not intended to outlast the event; although the building was eventually preserved for some sixty years, it was widely criticized for its architectural style, its progressive dilapidation, and the poor acoustics of its main hall, which was soon deserted by orchestras. It was dismantled in 1935 in preparation for the 630: 920:(it was upgraded when it was transferred). Despite its 66 stops, 72 registers, 1,470 pipes, and 32 feet, it is not the largest organ in France, but rather the first concert organ installed in the country. The instrument was first transferred to the modern-day Palais de Chaillot, before moving permanently to 1040:). The large cascading pool was surrounded by four gold-coated cast-iron animal statues (an elephant, a rhinoceros, an ox and a horse). On the Place du Trocadéro side, a series of statues were planned for the gable wall, but their absence from the palace photographs suggests that they were never built. 678:
enthused that the 1937 exhibition had "the merit of liberating one of the most beautiful sites in Paris by demolishing the central building that had both damaged and obstructed it". In addition, the public reacted against the dilapidated ornamentation, which, planned for the 1878 exhibition only, had
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described it as follows: "12 crossbeams were joined at their feet by a belt of sheet metal and angle irons that prevented them from spreading apart. They were joined at the top by a 15-meter-diameter ring designed to support the large lantern. The total height of these frames was 25 meters, bringing
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declared: "the Trocadéro auditorium is appalling. It is a convention hall and not a theater : the surest way to kill young actors is to have them perform in this hall, which only a few singers can resist". After 1878, apart from organ concerts, the hall was mainly used for political and republican
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Architects Jacques Carlu, Louis-Hippolyte Boileau and Léon Azéma were commissioned to design the project. They chose to "interweave" the wings of the old palace by "doubling them with a new gallery on the Seine side", but to demolish the auditorium and the two towers and replace them with a simple
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noted: "If you want to get a good idea of the Exposition Universelle as a whole, the best way is to stand at the central point of the Trocadéro Palace, in the middle of the circular gallery overlooking the gilded statues of the five parts of the world. From there, the panorama is magnificent". For
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trio, who planned to permanently camouflage the palace so as to preserve the wings (originally, the two towers were also to remain). What was to become the old Palais du Trocadéro thus survived in part, with the surface area gained on the garden-side wings increasing the floor area from 17,000 to
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The "Palais du Roi de Rome" at Rambouillet is in fact a private mansion dating from the reign of Louis XVI, refurbished under the First Empire. The Chaillot project corresponds more closely to the palace built between 1784 and 1785 by the architect Jacques-Jean Thévenin for the Duc d'Angiviller,
1535:, from the second floor of the Eiffel Tower, during the Tower's illumination: "The crowd at the Trocadero is immense. The Trocadero stretches out before us, opening its luminous arms, enlarged by the colored girandoles, through which we hear the waterfall flowing with a clear, harmonious sound". 556:
The Trocadéro Palace was never intended to go beyond the exhibition stage, but in the end, it remained, due to its much higher cost than originally projected (twelve million gold francs instead of seven and a half million, which subsequently led the City of Paris to withdraw from the project, in
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They were then carefully cut into pieces and stored until 1945 in the suburbs of Paris, then until 1973 in the basement of the Palais de Tokyo, then in the Abbey of Saint-Riquier in the Somme, a reserve of the Musée Guimet and the Musée National des Arts et Traditions Populaires; they have been
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noted: "The thousand or so workers on the exhibition site, like their comrades in the factories and stores, crossed their arms. But, happier than the other strikers, they are out in the fresh air, with the pleasant green gardens surrounding the Trocadéro to stretch out in. This half-demolished
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Work on the Trocadéro Palace took place between November 1876 and June 1878; in 1877, the square was renamed "Place du Trocadéro", while in July of the same year, "the two-story portico of the central body was completed, while the walls delimiting the high windows were being added". Given the
810:"On the Trocadéro Palace side, a Flemish-inspired stepped gable wall was used to house the stage wall of the palace's large concert hall. In the projected state, an elevator and a spiral staircase gave the public access to the top of each of the towers with which it was flanked", although an 887:
artiste wrote of the first official concert presented in the hall: it was "truly grandiose , with a richness bordering on prodigality. Full as it was on Thursday, the hall offered a fairy-tale view. Almost all the gentlemen were in ceremonial dress, the ladies displaying grace, flowers, and
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plaster under the porticoes and Jura marble on the columns of the vestibules at the head pavilions. Some floors feature mosaics, created by the same company responsible for the mosaics at the Opéra Garnier. Other unusual features included glass paving stones and stained-glass windows.
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resources available at the time, workers still had to maneuver on "wooden scaffolding erected as a framework". In October, the roof began to be laid and the waterfall bed was dug out of the mine (the waterfall descends from the central body to the gardens in the form of a
690:, Minister of Education, who was then overseeing the field of Culture, supported a project to build a Cité des musées in place of the palace, "centered on a vast esplanade both open and covered by a gigantic 190-meter-wide portico, punctuated by 23 columns". 544: 661:
nevertheless championed the project, but died in 1879. The press and other personalities mocked the building, such as the humorist Touchatout, who compared the statue overhanging the dome of the Assembly Hall to a "fly on the lid of a soup tureen", or
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and the Eiffel Tower), the Trocadéro Palace was the subject of numerous and recurring criticisms in the decades following its construction: the disdain of architects and writers, a style deemed obsolete, and the faulty acoustics of the assembly hall.
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diamonds... It's a fine place to be . We just think that the serious question of acoustics needs further study, and we're not the only ones to think so". The auditorium's roof is supported by a metal framework 50 meters in diameter;
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the 1900 exhibition, the pavilions of the French colonies and protectorates were set up in the palace gardens, and the Iéna bridge was "widened with wooden sidewalks" (it was completely enlarged in 1935, from 14 to 35 meters).
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At the time, it was the largest hall in Paris (twice the size of the Garnier opera house). It was accessible from the Place du Trocadéro, after passing through a vestibule lit by a glass roof. The hall was decorated by
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A temporary triumphal arch was erected and the foundation stone laid for a military barracks, which was never built. The obelisk that was also to be built in the middle of the hill never got beyond the planning stage.
1320: 1301: 737: 270: 1263: 989:, a specialist in Parisian gardens and staging waterfalls, is responsible for the exterior spaces. The gardens were organized around a cascading fountain. They feature a dozen statues, including four animals - 344:, a building intended to be the residence of his son (one month before the latter's birth). It was to be the center of an imperial administrative and military city. The architects in charge of the project were 1225: 429:
However, the top of the hill remained uncultivated until it was leveled to create the Place du Roi de Rome (Place du Trocadéro) in 1869, and the land below until the Trocadéro gardens were laid out in 1876.
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While the general structure of the wings and certain underpinnings were preserved (notably the underground galleries designed by Viollet-le-Duc, which remain), the ornaments were removed and relocated.
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41,000 m, the walls, and columns being covered on the street side by stone slabs, the interior by partitions and the floor mosaics by a new covering. The new village hall will now be built underground.
728: 3285: 1526:: "What substantially redeems the obesity of the palace in the center of the plan is the height of the two towers with which it is flanked. When a man is fat, he seems less so if he is tall". 1497:
Since the construction of the Trocadéro Palace and well afterwards, contemporaries have commented on the building's style, expressing astonishment, indignation or, on the contrary, praise:
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Numerous sculptures adorned the Trocadéro Palace, notably on the garden side of the building and in the park. Six allegories of the continents bordered the terrace overlooking the gardens (
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However, as economic difficulties piled up, the French government opted to "camouflage" the old palace, a less costly solution. Eight projects were selected in January 1935, won by the
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noted in its issue for the second half of 1936: "A blow to the Trocadéro arcades: built to last for centuries, the old palace will have been demolished after fifty-seven years".
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to his Spanish throne. The Trocadéro site thus refers to a French military victory. In 1826, during a re-enactment of this feat of arms in a military parade for the French king
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compared "this incoherent palace to the belly of a hydropic woman lying with her head down, raising in the air two skinny legs shod with gold mule stockings".
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The location of the Trocadéro Palace has witnessed a succession of buildings and architectural projects. Originally, the site was part of the former estate of
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The palace's huge, semicircular hall could accommodate 4,600 people (compared with the 10,000 originally planned), and was used for concerts and conferences.
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Kéléren, "Des lapins de Garenne aux soldats des Bourbons (Les singuliers avatars de la Colline de Chaillot)", article published on page 15 of the weekly
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Three of the four monumental animal statues that surrounded the Trocadéro fountain also found their way onto the Orsay forecourt at the same time:
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of the Exposition Universelle: "Contemporary architecture has found its Pantheon. It's now a given: the nineteenth century has an architecture".
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in 1823, leaving the choice of architecture to the purchasers of the plots. In 1839, Camille Moret designed a tomb for Napoleon I, and in 1841,
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system had been planned but never implemented. At the time, these two towers, topped with gilded domes, were the tallest in France (those of
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esplanade, on the "Eiffel Tower-École Militaire axis", while a "new theater hall built under this square". The style of the new palace is "
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in 1824, the "villa Trocadéro" is an urban planning project centered on a semi-circular square, organized around the commemoration of the
1405: 1131: ». The Keystone photo agency noted before their dismantling that they seemed to be "taking one last look at Paris before leaving". 3207: 1386: 394:. On 31 August 1823, it was taken by the French expeditionary corps commanded by the Duke of Angoulême, who had been sent by his uncle, 1424: 3418: 3380: 1598: 844: 2961: 2610:
Isabelle Baguelin, "La céramique: la redécouverte d'un vitrail de l'exposition universelle de 1878 au musée des Monuments français",
2668: 2653: 1775: 916:, with a case designed by Raulin and Dumas. Inaugurated on 8 August 1878, by Alexandre Guilmant, it was originally intended for the 60: 2823: 1215:
statues that once adorned the façade of the Palais du Trocadéro were reinstalled in 1985 on the Musée d'Orsay esplanade, along the
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called up for the construction of a "formidable hall for public meetings and solemnities". The palace was designed by architects
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Unlike other Parisian monuments that were initially decried, but quickly accepted by elites and the general public (such as the
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From the mid-1860s onwards, the Chaillot hill underwent "earthworks and levelling" to provide a panoramic view of the
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wrote: "Why, on a fine day, detach one's eyes from the Trocadero, whose giraffe-necked towers are reminiscent of the
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As early as 1876, there was talk of developing the site for the 1878 Exposition Universelle. The program for the
322: 477: 3522: 3513: 1362:(actually a bull), it has been in Nîmes since 1937, on Jean-Jaurès boulevard. Contrary to a persistent legend, 855: 254:, it comprised a 4,600-seat auditorium extended on either side by two curved wings, each housing a museum (the 2792: 1466: 1457: 977: 658: 600: 2904: 2726: 1396: 1292: 1073: 1018: 972: 917: 901: 698: 675: 387: 251: 530: 1586: 1574: 1434: 1254: 1002: 932: 522: 399: 2955: 608: 356: 3356: 2730: 1616: 1373: 1057:
The statues of the continents (originally in cast iron, gilded) and those of the animals are now on the
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Paris 1937. Cinquantenaire de l'Exposition internationale des arts et des techniques de la vie moderne
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The Trocadéro Palace and its fountain during the 1900 Exposition Universelle, seen from the gardens.
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Madame de Talleyrand Workroom on 5 October 1914, charity ladies offering a meal and work to women.
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monumentalist". The surface area of the new palace was increased from 17,000 m to 41,000 m.
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The Trocadéro Palace was a building whose use is not necessarily in keeping with its name (
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The palace was eventually demolished and replaced by the Palais de Chaillot, built for the
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in Paris were only 66 meters high). Many commentators associate them architecturally with
683: 616: 612: 506: 490: 345: 200: 3627: 375: 2703:, Paris, Cité de l'architecture et du patrimoine and Archives nationales, 2011, 140 p. ( 666:, who referred to the palace as "the belly of a lying hydropic woman", while the writer 3130: 2990: 1490: 1311: 667: 643: 3699: 3637: 3245: 3237: 3125: 3090: 3082: 2787: 1604: 1556: 1523: 909: 694: 620: 423: 422:
even proposed erecting the Emperor's tomb here, before the remains were moved to the
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Digital reconstruction of the former Trocadéro Palace on DVD (included in the book).
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L'Architecture, Journal hebdomadaire de la société centrale des architectes français
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A glass roof from the palace depicting the history of ceramics is on display at the
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Alphand's gardens were replaced in 1937 when the new Palais de Chaillot was built.
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Plan of the exhibition pavilions in the palace gardens for the 1900 exhibition.
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The palace was home to the Musée des Monuments Français, created in 1879 by
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inspiration dating from the second half of the 19th century. Located in the
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the height of the top of the lantern above the first floor to 57 meters".
2899: 2031:Éric Biétry-Rivierre, "Une collection inestimable sauvée... à Morangis", 1531: 1066: 811: 510: 391: 337: 3192: 2423:"À Troyes, l'art du vitrail a désormais son musée, le premier de France" 1489:
View of the Seine with the Trocadéro Palace in the distance, by painter
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association conventions, such as the Fête des Écoles on 13 July 1880.
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proposed the addition of a colossal 30-metre statue of the Emperor.
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As Befits a Legend : Building a Tomb for Napoleon, 1840-1861
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and, in the background, the Trocadéro Palace, late 19th century.
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L'expédition d'Espagne 1823 : De la guerre selon la Charte
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1878: journalist Gabriel Lafaille expressed his delight in the
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Christmas party 1932 in the grand hall of the Trocadéro Palace.
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Cité de l'architecture et du patrimoine / Aristéas / Actes Sud
2634:, Délégation à l'action artistique de la Ville de Paris, 1981. 2621:, Paris, Institut français d'architecture/Paris-Musées,, 1987; 1038:
North America, South America, Oceania, Africa, Asia and Europe
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A Meeting in the Royal Danish Academy of Sciences and Letters
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La France sous les traits de l'Harmonie accueille les Nations
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The architects chose to play with polychrome colors, such as
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The Trocadéro Palace appears in Claude Autant-Lara's films
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French President Patrice de Mac Mahon inaugurates the 1878
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Claire Bommelaer, "L'art du vitrail se déploie à Troyes",
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Un projet de Napoléon Ier : le Palais du roi de Rome
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A dirigible flying over the Trocadéro gardens, 1908–1909
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spoke of Moorish "abominations" and modernist architect
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Le Trocadéro: les métamorphoses d'une colline de Paris
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The Trocadéro Palace and its gardens in a painting by
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Building in Paris built for the 1878 Paris Exposition
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Artist's conception of what the construction of the
3663: 3603: 3552: 3531: 3266: 3172: 3151: 3103: 3006: 2936: 2892: 2860: 2846: 560:Alongside this, the Palais du Trocadéro hosted the 207: 196: 188: 180: 172: 167: 159: 145: 135: 127: 88: 74: 2761:Entry in a dictionary or general encyclopedia: 1593:The Extraordinary Adventures of Adèle Blanc-Sec 2648:, Liège/Bruxelles, Mardaga/IFA, 1985, 240 p. ( 487:Concours pour l'Exposition Universelle of 1878 3487: 3459: 3387: 3350: 3305: 3208: 3053: 2824: 2689:Ory, Pascal (2006). "Le palais de Chaillot". 2632:Gabriel Davioud, architecte, 1824-1881, Paris 2541:"L'incroyable histoire du "taureau" de Nîmes" 904:concert held at the Trocadéro Palace in 1903. 883:On 8 June 1878, a journalist from the weekly 8: 3731:Demolished buildings and structures in Paris 2867:Visitandines de Chaillot Convent (1651–1794) 2324: 2322: 2320: 1346:. From 1935 to 1985, they were exhibited at 1179:adorned the pediment of the palace. Renamed 410:, from where the French "troops" set off (a 46: 2663:, t. 2, éditions de Minuit, 1985, 1583 p. ( 2626:Les Expositions universelles de 1855 à 1939 3215: 3201: 3193: 3060: 3046: 3038: 2831: 2817: 2809: 2394:La Roche-sur-Yon municipal archives, 5M16. 59: 45: 2661:Dictionnaire historique des rues de Paris 611:. The Trocadéro gardens were designed by 3736:Former buildings and structures in Paris 2330:"Statues sur le parvis du musée d'Orsay" 2196: 2194: 2043: 2041: 1927: 1925: 1923: 1921: 1908: 1906: 1904: 1867: 1865: 1863: 1705:. Paris: ed. Goupil et cie. p. 137. 3279: 2980:Cité de l'Architecture et du Patrimoine 2693:. Les grands témoins de l'architecture. 2605:Les expositions universelles, 1851-1900 2405:Le Figaro, supplement Le Figaro et vous 1669: 1629: 1382: 1221: 1183:, it now stands in Place de la Marine, 1162: 244:Convent of the Visitandines de Chaillot 3726:Moorish Revival architecture in France 3443:The Seine at Port-Marly, Piles of Sand 3337: 3318: 2421:Marie Blanchardon (21 December 2022). 2015: 2013: 2000: 1998: 1751:Les Fêtes royales sous la restauration 273:, to make way for a new building, the 3325:The Proclamation of Dušan's Law Codex 3292: 2950:Musée national des Monuments Français 2929:Gare of Trocadéro (abandoned project) 1827: 1825: 1823: 1025:for the 1878 Exposition Universelle. 926:organ of the Auditorium Maurice-Ravel 390:, which defended the Spanish port of 214:Musée national des Monuments Français 7: 2235: 2233: 2181: 2179: 2177: 2175: 2173: 2171: 2169: 2120: 2118: 2116: 1961: 1959: 1957: 1944: 1942: 1940: 1850: 1848: 1846: 1844: 1095:) for Ethnography and Chemistry, to 724:Palace stained-glass window removed. 670:declared "Down with the Trocadéro!" 386:The name "Trocadéro" comes from the 340:decided to build on the site of the 2357:, 14th, No. 12, 23 March 1901. 2311: 2287: 2275: 2263: 2224: 2212: 2200: 2083: 2071: 2059: 2047: 1989: 1931: 1912: 1895: 1883: 1871: 1681: 1679: 1677: 1675: 1673: 1380:), did not come from the Trocadéro. 1340:le rhinocéros, le cheval à la herse 481:Construction of the palace in 1878. 3419:Greece on the Ruins of Missolonghi 3381:Struggle of the Two Natures in Man 2701:Du Trocadéro au palais de Chaillot 1061:forecourt, except for that of the 25: 3721:Buildings and structures in Paris 2944:Musée d'Ethnographie du Trocadéro 1719:, Neuilly-sur-Seine, 1955, p. 41. 1200:The Statues of the Six Continents 329:, which was destroyed during the 3611:Chemin de fer de Petite Ceinture 2920:Statue équestre du Maréchal Foch 2747:Entertainment-related resource: 1799:. Vol. 8. pp. 225–226. 1614:(2009) and in the animated film 1423: 1404: 1385: 1348:Place de la Porte-de-Saint-Cloud 1319: 1300: 1281: 1262: 1243: 1224: 1192: 1165: 787:Promenade with colonnades, 1889. 350:Pierre-François-Léonard Fontaine 262:), as well as conference rooms. 3493:The Exhibit of American Negroes 3069:1889 Paris Universal Exposition 2614:, April 2005, pp. 131–139; 1007:Le Jeune éléphant pris au piège 638:(comparative sculpture museum). 3451:Palace of Agriculture and Food 3407:A Cotton Office in New Orleans 918:church of Notre-Dame-d'Auteuil 562:Exposition Universelle of 1889 355:Another project, envisaged by 1: 3716:Exposition Universelle (1889) 3711:Exposition Universelle (1878) 3706:Exposition Universelle (1900) 3455:Palace of Diverse Industries 3115:Palace of Various Industries 2603:Linda Aimone and Carlo Olmo, 840:Organ of the Trocadéro Palace 444:Exposition Universelle (1878) 414:fort was built on the hill). 321:'s comrade-in-arms. In 1651, 3027:16th arrondissement of Paris 2962:Théâtre national de Chaillot 2914:Parvis des droits de l'homme 2793:Old engravings and postcards 2483:Jeune éléphant pris au piège 2380:Mettre un nom sur une statue 1412:Jeune éléphant pris au piège 1048:Disposal of dismantled parts 636:Musée des Monuments Français 256:Musée des Monuments Français 3544:Paris 1900 chess tournament 2968:Musée national de la Marine 2407:, 23 December 2022, p. 30 ( 1813:Cours élémentaire de dessin 1139:was awarded to the town of 1082:Jardin des Serres d'Auteuil 738:1937 specialized exhibition 593:1900 Exposition Universelle 583:Controversial museum palace 462:1867 Exposition Universelle 361:recent victory at Trocadéro 271:1937 Exposition Universelle 267:1878 Exposition Universelle 3752: 3684:Verset laïque et somptueux 3437:Portrait of Alphonse Leroy 2871:Palace of the King of Rome 2764:Gran Enciclopèdia Catalana 1608:(2021), in the video game 1080:. The 14 mascarons in the 970: 957:Théâtre national populaire 848:The assembly hall in 1879. 837: 713: 634:An exhibition room at the 552:from the Trocadéro Palace. 441: 342:Palace of the King of Rome 307:Palace of the King of Rome 297:Palace of the King of Rome 294: 36: 29: 3483:Palace of Social Economy 3425:Haymaking in the Auvergne 3230: 3075: 2997:Paris Aquarium - Cinéaqua 2617:Bertrand Lemoine (dir.), 2334:paris1900.lartnouveau.com 1832:Françoise Boudon (1978). 1757:, no 4, 1955, p. 210-216. 1452:The Seine, Trocadéro and 1443:Contemporary perspectives 325:founded a convent of the 323:Henrietta Maria of France 212: 70: 58: 51: 3514:The Defense of the Sampo 2755:Music-related resource: 2676:Jeunesse-Magazine no. 27 2612:Histoire de l'art, no 56 2598:Expositions universelles 2593:Bibliography and sources 1356:Saint-Rémy-les-Chevreuse 474:by a granite staircase. 315:Maréchal de Bassompierre 252:gardens of the same name 52: 30:Not to be confused with 3523:Royal Pavilion of Spain 3413:Le Déjeuner sur l'herbe 1793:Adolphe Napoléon Didron 1515:1878: palace architect 1397:Henri-Alfred Jacquemart 1019:Henri Alfred Jacquemart 676:Georges-Henri Pingusson 309:would have looked like. 3677:Paris Exposition, 1900 3023:Fort Louis (Trocadéro) 2974:Cinémathèque Française 2628:, Paris, Ramsay, 1982; 1797:Annales archéologiques 1766:Michael Paul Driskel, 1599:Diary of a Chambermaid 1587:A Very Long Engagement 1529:1888: a journalist at 1508:1878: a journalist at 1494: 1482: 1470: 1435:Pierre Louis Rouillard 1202:, now in front of the 1033: 1003:Pierre Louis Rouillard 982: 924:, where it became the 914:Aristide Cavaillé-Coll 905: 860: 849: 800: 788: 746:general strike of 1936 733: 725: 655: 639: 596: 553: 550:Exposition Universelle 541: 519:Place du Château d'Eau 482: 457: 454:Exposition Universelle 436:Exposition Universelle 398:of France, to restore 310: 3633:Gare du Champ de Mars 3369:The Little White Girl 3224:1900 Paris Exposition 2937:Museums and Monuments 2912:Human Rights Square ( 2731:Fontaine du Trocadéro 2685:, Paris, Belin, 2005; 2607:, Paris, Belin, 1993; 2451:"Alfred Jacquemart - 1811:Antoine Étex (1859). 1488: 1476: 1450: 1374:Parc Georges-Brassens 1236:Alexandre Schoenewerk 1177:Léon François Chervet 1032:The fountain in 1900. 1031: 980: 967:Gardens and ornaments 900:Poster for a popular 899: 858: 847: 794: 786: 731: 723: 653: 633: 601:Eugène Viollet-le-Duc 590: 547: 539: 513:, and, above all, by 480: 451: 376:sculptor Antoine Étex 304: 3539:1900 Summer Olympics 3509:Pavilion of Finland 2905:Jardins du Trocadéro 2736:Rue de Lille (Paris) 2727:Jardins du Trocadéro 2698:Esprit(s) des lieux: 2646:Le nouveau Trocadéro 2511:"Pierre Rouillard - 2481:"Emmanuel Fremiet - 2035:, 6 May 2013, p. 32. 1703:Napoléon et son fils 1647:restored since 2002. 1503:Journal hebdomadaire 1293:Ernest-Eugène Hiolle 1109:Industrie forestière 1084:were not dismantled. 999:Le Cheval à la Herse 973:Jardins du Trocadéro 937:Symphonie avec orgue 816:Notre-Dame Cathedral 607:, forerunner of the 557:favor of the State. 260:Musée d'Ethnographie 154:Moorish architecture 112:48.86222°N 2.28833°E 37:For other uses, see 3357:Colonel Thomas Cass 3331:The Takovo Uprising 3014:Battle of Trocadero 2873:(abandoned project) 2772:Authority records: 2659:Jacques Hillairet, 2578:Esprit(s) des lieux 2566:Esprit(s) des lieux 2367:Esprit(s) des lieux 2300:Esprit(s) des lieux 2252:Esprit(s) des lieux 2240:Esprit(s) des lieux 2186:Esprit(s) des lieux 2161:Esprit(s) des lieux 2149:Esprit(s) des lieux 2137:Esprit(s) des lieux 2125:Esprit(s) des lieux 2108:Esprit(s) des lieux 2096:Esprit(s) des lieux 2020:Esprit(s) des lieux 2005:Esprit(s) des lieux 1978:Esprit(s) des lieux 1966:Esprit(s) des lieux 1949:Esprit(s) des lieux 1855:Esprit(s) des lieux 1728:Emmanuel Larroche, 1686:Esprit(s) des lieux 1544:Joris-Karl Huysmans 1479:Jules Ernest Renoux 1378:15th arrondissement 1255:Alexandre Falguière 941:Symphony with organ 933:Camille Saint-Saëns 664:Joris-Karl Huysmans 424:Hôtel des Invalides 357:Antoine-Marie Peyre 240:16th arrondissement 108: /  53:Palais du Trocadéro 48: 18:Palais du Trocadéro 3590:Pont Alexandre III 3585:Passerelle Debilly 3344:Out into the World 3159:Decauville railway 3120:Fontaine Bartholdi 3111:Palace of Machines 3089:and esplanade des 3019:Isla del Trocadero 2909:Trocadéro Fountain 2893:Other Amenagements 2883:Palais de Chaillot 2722:Palais de Chaillot 2644:Isabelle Gournay, 1749:Françoise Waquet, 1568:In popular culture 1510:La Revue de France 1495: 1483: 1471: 1289:L'Amérique du Nord 1274:Eugène Delaplanche 1034: 983: 906: 861: 850: 801: 789: 734: 726: 716:Palais de Chaillot 710:Palace destruction 656: 640: 597: 591:The palace at the 554: 542: 497:, inspired by the 483: 464:facilities on the 458: 400:King Ferdinand VII 338:Emperor Napoleon I 336:In February 1811, 311: 275:Palais de Chaillot 248:Place du Trocadéro 203:and Jules Bourdais 32:Palais de Chaillot 3693: 3692: 3604:Urban development 3472:Palace of Optics 3363:The Great God Pan 3254:Bois de Vincennes 3190: 3189: 3035: 3034: 2986:École de Chaillot 2925:Trocadéro station 2709:978-2-86000-351-3 2513:Cheval à la herse 2384:William Chevillon 2278:, pp. 94–95. 2086:, pp. 56–57. 2074:, pp. 55–56. 2062:, pp. 51–52. 1738:978-2-7535-2766-9 1522:1878: art critic 1467:Fondation Bemberg 1431:Cheval à la herse 1352:Coubertin foundry 1308:L'Amérique du Sud 1072:Seven of Rodin's 931:It was here that 859:The organ in 1878 688:Anatole de Monzie 365:Duke of Angoulême 331:French Revolution 242:of Paris, on the 220: 219: 117:48.86222; 2.28833 16:(Redirected from 3743: 3671:Lafayette dollar 3505:Trocadéro Palace 3491: 3489: 3463: 3461: 3404: 3402: 3391: 3389: 3375:The Medicine Man 3354: 3352: 3341: 3339: 3328:first version - 3322: 3320: 3309: 3307: 3299:Sad Inheritance! 3296: 3294: 3283: 3281: 3244:, esplanade des 3217: 3210: 3203: 3194: 3143:Trocadéro Palace 3126:Imperial Diamond 3062: 3055: 3048: 3039: 2956:Musée de l'Homme 2877:Trocadéro Palace 2833: 2826: 2819: 2810: 2694: 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gallery 1157: 1156: 1155: 1144: 1133:Adolphe Itasse 1085: 1078:Parc de Sceaux 1070: 1049: 1046: 968: 965: 959:, directed by 874:Antonin Mercié 835: 832: 780: 777: 775: 772: 711: 708: 659:Viollet-le-Duc 644:Palais Garnier 584: 581: 523:Crystal Palace 495:Jules Bourdais 439: 432: 388:Trocadéro fort 383: 380: 292: 289: 287: 284: 282: 279: 265:Built for the 218: 217: 210: 209: 205: 204: 198: 194: 193: 190: 186: 185: 182: 178: 177: 174: 170: 169: 165: 164: 161: 157: 156: 147: 143: 142: 137: 133: 132: 129: 125: 124: 92: 86: 85: 76: 72: 71: 68: 67: 64: 56: 55: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3748: 3737: 3734: 3732: 3729: 3727: 3724: 3722: 3719: 3717: 3714: 3712: 3709: 3707: 3704: 3703: 3701: 3686: 3685: 3681: 3679: 3678: 3674: 3672: 3669: 3668: 3666: 3662: 3654: 3651: 3650: 3649: 3646: 3644: 3641: 3639: 3638:Gare de Javel 3636: 3634: 3631: 3629: 3626: 3622: 3621:Le Train Bleu 3619: 3618: 3617: 3614: 3612: 3609: 3608: 3606: 3602: 3596: 3593: 3591: 3588: 3586: 3583: 3581: 3578: 3576: 3573: 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3056: 3051: 3049: 3044: 3043: 3040: 3028: 3025: 3022: 3020: 3017: 3015: 3012: 3011: 3009: 3007:Miscellaneous 3005: 2998: 2995: 2992: 2989: 2987: 2984: 2981: 2978: 2975: 2972: 2969: 2966: 2963: 2960: 2957: 2954: 2951: 2948: 2945: 2942: 2941: 2939: 2935: 2928: 2926: 2923: 2921: 2918: 2915: 2911: 2908: 2906: 2903: 2901: 2898: 2897: 2895: 2891: 2884: 2881: 2878: 2875: 2872: 2869: 2866: 2865: 2863: 2859: 2853:Chaillot Hill 2852: 2851: 2849: 2845: 2841: 2834: 2829: 2827: 2822: 2820: 2815: 2814: 2811: 2805: 2802: 2799: 2797: 2794: 2791: 2789: 2786: 2782: 2778: 2775: 2771: 2769: 2766: 2765: 2760: 2758: 2754: 2752: 2751: 2746: 2745: 2741: 2737: 2734: 2732: 2728: 2725: 2723: 2720: 2719: 2715: 2710: 2706: 2702: 2699: 2696: 2692: 2687: 2684: 2680: 2677: 2673: 2670: 2669:2-7073-1054-9 2666: 2662: 2658: 2655: 2654:2-87009-211-3 2651: 2647: 2643: 2642: 2638: 2633: 2630: 2627: 2623: 2620: 2616: 2613: 2609: 2606: 2602: 2601: 2597: 2592: 2587: 2580:, 2011, p. 54 2579: 2574: 2571: 2568:, 2011, p. 28 2567: 2562: 2559: 2546: 2542: 2536: 2533: 2520: 2516: 2514: 2506: 2503: 2490: 2486: 2484: 2476: 2473: 2460: 2456: 2454: 2446: 2443: 2430: 2429: 2428:leparisien.fr 2424: 2417: 2414: 2410: 2406: 2400: 2397: 2391: 2388: 2385: 2381: 2375: 2372: 2368: 2363: 2360: 2356: 2351: 2348: 2335: 2331: 2325: 2323: 2321: 2317: 2314:, p. 49. 2313: 2308: 2305: 2301: 2296: 2293: 2290:, p. 99. 2289: 2284: 2281: 2277: 2272: 2269: 2266:, p. 39. 2265: 2260: 2257: 2253: 2248: 2245: 2241: 2236: 2234: 2230: 2227:, p. 44. 2226: 2221: 2218: 2215:, p. 46. 2214: 2209: 2206: 2202: 2197: 2195: 2191: 2187: 2182: 2180: 2178: 2176: 2174: 2172: 2170: 2166: 2162: 2157: 2154: 2150: 2145: 2142: 2138: 2133: 2130: 2126: 2121: 2119: 2117: 2113: 2109: 2104: 2101: 2097: 2092: 2089: 2085: 2080: 2077: 2073: 2068: 2065: 2061: 2056: 2053: 2050:, p. 50. 2049: 2044: 2042: 2038: 2034: 2028: 2025: 2021: 2016: 2014: 2010: 2006: 2001: 1999: 1995: 1992:, p. 35. 1991: 1986: 1983: 1979: 1974: 1971: 1967: 1962: 1960: 1958: 1954: 1950: 1945: 1943: 1941: 1937: 1933: 1928: 1926: 1924: 1922: 1918: 1915:, p. 36. 1914: 1909: 1907: 1905: 1901: 1898:, p. 34. 1897: 1892: 1889: 1886:, p. 33. 1885: 1880: 1877: 1874:, p. 37. 1873: 1868: 1866: 1864: 1860: 1856: 1851: 1849: 1847: 1845: 1841: 1835: 1834:Hector Horeau 1828: 1826: 1824: 1820: 1814: 1807: 1804: 1798: 1794: 1788: 1785: 1781: 1777: 1776:0-87338-484-9 1773: 1769: 1763: 1760: 1756: 1752: 1746: 1743: 1739: 1735: 1731: 1725: 1722: 1718: 1712: 1709: 1704: 1700: 1694: 1691: 1688:, 2011, p. 7. 1687: 1682: 1680: 1678: 1676: 1674: 1670: 1663: 1653: 1650: 1643: 1640: 1633: 1630: 1623: 1621: 1619: 1618: 1613: 1612: 1607: 1606: 1601: 1600: 1595: 1594: 1589: 1588: 1583: 1582: 1577: 1576: 1567: 1562: 1558: 1557:Marcel Proust 1554: 1553: 1548: 1545: 1541: 1537: 1534: 1533: 1528: 1525: 1524:Charles Blanc 1521: 1518: 1514: 1511: 1507: 1504: 1500: 1499: 1498: 1492: 1487: 1480: 1475: 1468: 1465:, 1880-1885, 1464: 1460: 1459: 1458:Quai de Javel 1455: 1449: 1442: 1436: 1432: 1426: 1421: 1417: 1413: 1407: 1402: 1398: 1394: 1393:Le rhinocéros 1388: 1383: 1381: 1379: 1375: 1371: 1370: 1365: 1361: 1357: 1353: 1349: 1345: 1341: 1332: 1328: 1322: 1317: 1313: 1309: 1303: 1298: 1294: 1290: 1284: 1279: 1275: 1271: 1265: 1260: 1256: 1252: 1246: 1241: 1237: 1233: 1227: 1222: 1220: 1218: 1214: 1205: 1204:Musée d'Orsay 1201: 1195: 1190: 1186: 1182: 1178: 1174: 1168: 1163: 1158: 1153: 1149: 1145: 1142: 1138: 1134: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1086: 1083: 1079: 1075: 1071: 1068: 1064: 1060: 1059:Musée d'Orsay 1056: 1055: 1054: 1047: 1045: 1043: 1039: 1030: 1026: 1024: 1023:Léopold Hardy 1020: 1016: 1015:Le Rhinocéros 1012: 1008: 1004: 1000: 996: 992: 988: 979: 974: 966: 964: 962: 961:Firmin Gémier 958: 954: 953:Pierre Rameil 949: 946: 942: 938: 934: 929: 927: 923: 919: 915: 911: 908:It housed an 903: 898: 894: 891: 886: 881: 879: 875: 871: 867: 857: 853: 846: 841: 834:Assembly hall 833: 831: 828: 823: 821: 817: 813: 808: 806: 798: 793: 785: 778: 773: 771: 769: 766:The magazine 764: 762: 761:neo-classical 756: 753: 752: 751:Petit Journal 747: 743: 739: 730: 722: 717: 709: 707: 704: 700: 696: 691: 689: 685: 680: 677: 673: 669: 665: 660: 652: 648: 645: 637: 632: 628: 626: 622: 618: 614: 610: 606: 602: 594: 589: 582: 580: 577: 576: 571: 567: 563: 558: 551: 546: 538: 534: 532: 526: 524: 520: 516: 512: 508: 504: 500: 496: 492: 488: 479: 475: 473: 469: 468: 463: 455: 450: 445: 437: 433: 431: 427: 425: 421: 415: 413: 409: 408:Champ-de-Mars 405: 401: 397: 393: 389: 381: 379: 377: 374:In 1858, the 372: 370: 369:Hector Horeau 366: 362: 358: 353: 351: 347: 343: 339: 334: 332: 328: 324: 320: 316: 308: 303: 298: 290: 285: 280: 278: 276: 272: 268: 263: 261: 257: 253: 249: 245: 241: 237: 236:neo-Byzantine 233: 229: 225: 215: 211: 206: 202: 199: 195: 191: 187: 183: 179: 175: 171: 166: 162: 158: 155: 151: 148: 144: 141: 138: 134: 130: 126: 121: 93: 91: 87: 84: 80: 77: 73: 69: 62: 57: 50: 44: 40: 33: 19: 3682: 3675: 3648:Métro Line 1 3643:Hôtel Régina 3628:Gare d'Orsay 3616:Gare de Lyon 3565:Eiffel Tower 3512: 3504: 3500:Petit Palais 3441: 3435: 3429: 3423: 3417: 3411: 3405: 3392: 3379: 3373: 3367: 3361: 3355: 3342: 3329: 3323: 3310: 3297: 3284: 3274:Grand Palais 3179: 3164:Eiffel Tower 3142: 3118: 2999:(since 2006) 2996: 2993:(since 1820) 2985: 2982:(since 2007) 2970:(since 1943) 2964:(since 1937) 2958:(since 1937) 2952:(since 1879) 2919: 2913: 2885:(since 1935) 2876: 2762: 2748: 2700: 2697: 2690: 2682: 2675: 2660: 2645: 2631: 2625: 2624:Pascal Ory, 2618: 2611: 2604: 2577: 2573: 2565: 2561: 2548:. Retrieved 2544: 2535: 2522:. Retrieved 2518: 2512: 2505: 2492:. Retrieved 2488: 2482: 2475: 2462:. Retrieved 2458: 2452: 2445: 2432:. Retrieved 2426: 2416: 2404: 2399: 2390: 2383: 2374: 2366: 2362: 2354: 2350: 2337:. Retrieved 2333: 2307: 2299: 2295: 2283: 2271: 2259: 2251: 2247: 2239: 2220: 2208: 2203:, p. 45 2185: 2160: 2156: 2148: 2144: 2136: 2132: 2124: 2107: 2103: 2095: 2091: 2079: 2067: 2055: 2032: 2027: 2019: 2004: 1985: 1977: 1973: 1965: 1948: 1934:, p. 38 1891: 1879: 1854: 1833: 1815:. p. 3. 1812: 1806: 1796: 1787: 1782:), p. 54-55. 1767: 1762: 1754: 1750: 1745: 1729: 1724: 1716: 1715:Roger Wahl, 1711: 1702: 1693: 1685: 1652: 1642: 1632: 1615: 1611:The Saboteur 1609: 1603: 1597: 1591: 1585: 1579: 1573: 1571: 1550: 1539: 1530: 1509: 1502: 1496: 1451: 1430: 1411: 1392: 1369:Les Taureaux 1367: 1359: 1343: 1339: 1337: 1326: 1307: 1288: 1269: 1250: 1231: 1217:rue de Lille 1212: 1210: 1199: 1180: 1172: 1136: 1128: 1116: 1112: 1108: 1104: 1062: 1051: 1041: 1037: 1035: 1014: 1006: 998: 995:Auguste Caïn 990: 984: 950: 936: 930: 907: 884: 882: 877: 869: 862: 851: 827:Pompeian red 824: 809: 802: 797:Eiffel Tower 774:Architecture 767: 765: 757: 749: 742:an esplanade 735: 692: 681: 672:Julien Green 657: 641: 621:Musée Guimet 598: 573: 570:Eiffel Tower 559: 555: 549: 527: 486: 484: 465: 459: 453: 435: 428: 420:Bonapartists 416: 412:papier-mâché 385: 373: 354: 335: 312: 264: 246:between the 230:building of 223: 221: 168:Construction 43: 3575:Grande Roue 3553:Attractions 3181:Esclarmonde 3152:Attractions 3136:Iron Church 2976:(1963-2005) 2946:(1878–1937) 2879:(1876–1934) 2757:MusicBrainz 2409:read online 1780:read online 1312:Aimé Millet 1119:, and even 1117:Agriculture 1076:are in the 1042:La Renommée 902:Mimi Pinson 878:La Renommée 668:André Billy 605:Ernest Hamy 472:Pont d'Iéna 467:Rive Gauche 382:"Trocadéro" 216:(1882–1937) 160:Current use 115: / 90:Coordinates 3700:Categories 3394:Melancolie 3131:Iron House 2453:Rhinocéros 2434:12 January 1664:References 1575:Love Story 1344:l'éléphant 1213:Continents 1181:Amphitrite 1173:Navigation 1129:Navigation 1127:) for the 1103:) for the 971:See also: 838:See also: 714:See also: 442:See also: 295:See also: 189:Demolished 100:48°51′44″N 3653:entrances 3580:Mareorama 3560:Cinéorama 3267:Pavilions 3246:Invalides 3242:Trocadéro 3104:Pavilions 3091:Invalides 3087:Trocadéro 2861:Buildings 2840:Trocadéro 2750:Carthalia 2639:Trocadéro 2033:Le Figaro 1617:Ballerina 1549:1927: In 1538:1889: In 1358:. As for 1327:L'Océanie 1270:L'Afrique 1113:Botanique 1105:Sculpture 1074:mascarons 985:Engineer 945:Lugné-Poe 912:built by 768:La Nature 575:Le Figaro 525:in 1851. 404:Charles X 197:Architect 176:1876–1878 163:Destroyed 131:80 metres 128:Elevation 103:2°17′18″E 39:Trocadéro 2900:Chaillot 2788:WorldCat 2716:See also 2588:Appendix 2550:23 March 2524:23 March 2494:23 March 2464:23 March 2339:25 March 2312:Ory 2006 2288:Ory 2006 2276:Ory 2006 2264:Ory 2006 2225:Ory 2006 2213:Ory 2006 2201:Ory 2006 2084:Ory 2006 2072:Ory 2006 2060:Ory 2006 2048:Ory 2006 1990:Ory 2006 1932:Ory 2006 1913:Ory 2006 1896:Ory 2006 1884:Ory 2006 1872:Ory 2006 1795:(1848). 1701:(1904). 1620:(2016). 1602:(2015), 1596:(2010), 1590:(2004), 1584:(1949), 1578:(1943), 1540:Certains 1532:Le Temps 1232:L'Europe 1115:and the 1063:Le Boeuf 885:Le Monde 820:minarets 812:elevator 531:fountain 511:Florence 438:building 319:Henry IV 258:and the 250:and the 228:eclectic 150:Eclectic 146:Genre(s) 3431:La Loge 2804:archive 2796:archive 2768:archive 1493:(1910). 1360:Le bœuf 1125:Hérault 991:Le Bœuf 699:Boileau 682:In the 503:Seville 499:Giralda 281:History 232:Moorish 226:was an 208:Tenants 75:Address 3664:Others 3532:Events 3517:fresco 3312:Spring 3173:Others 2707:  2667:  2652:  2382:", on 1774:  1736:  1605:Eiffel 1251:L'Asie 1152:Troyes 1137:Uranie 1111:, the 1107:, the 1097:Nantes 805:palace 779:Palace 625:Angkor 505:, the 181:Opened 140:Palace 83:France 3258:Paris 3250:Seine 3095:Paris 1624:Notes 1093:Meuse 1067:Nîmes 910:organ 703:Azéma 695:Carlu 452:1878 434:1878 392:Cadiz 173:Built 79:Paris 3475:The 3464:The 3401:C.FR 3252:and 3234:Site 3079:Site 2847:Area 2781:data 2774:VIAF 2705:ISBN 2665:ISBN 2650:ISBN 2552:2020 2526:2020 2496:2020 2466:2020 2436:2023 2341:2021 1772:ISBN 1734:ISBN 1581:Gigi 1342:and 1211:The 1185:Agde 1121:Agde 1013:and 922:Lyon 795:The 566:1900 564:and 493:and 348:and 286:Past 234:and 222:The 192:1935 184:1878 152:and 136:Type 3388:INT 2785:GND 2777:BnF 2378:. 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Index

Palais du Trocadéro
Palais de Chaillot
Trocadéro

Paris
France
Coordinates
48°51′44″N 2°17′18″E / 48.86222°N 2.28833°E / 48.86222; 2.28833
Palace
Eclectic
Moorish architecture
Gabriel Davioud
Musée national des Monuments Français
eclectic
Moorish
neo-Byzantine
16th arrondissement
Convent of the Visitandines de Chaillot
Place du Trocadéro
gardens of the same name
Musée des Monuments Français
Musée d'Ethnographie
1878 Exposition Universelle
1937 Exposition Universelle
Palais de Chaillot
Palace of the King of Rome

Palace of the King of Rome
Maréchal de Bassompierre
Henry IV

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