304:
260:
280:
237:
31:
176:
in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This is introduced in the
Basilica Palladiana in Vicenza, where it is used on both storeys; this feature was less often copied. Here the openings are not
143:
that has given the window its alternative name of the
Venetian window; it is also known as a Serlian window. Whatever the name or the origin, this form of window has probably become one of the most enduring features of Palladio's work seen in the later architectural styles evolved from Palladianism.
201:
that unifies the motif, is not
Palladian, though Burlington seems to have assumed it was so, in using a drawing in his possession showing three such features in a plain wall (see illustration of Claydon House right). Modern scholarship attributes the drawing to
259:
303:
279:
342:
Parada LĂłpez de
Corselas, Manuel (2015). La serliana en el Imperio Romano: paradigma de la arquitectura del poder: una lectura de la arquitectura y la iconografĂa arquitectĂłnica romanas. Roma: L'Erma di Bretschneider.
486:
214:
for his brother-in-law Lord Bruce (since remodelled). Kent picked it up in his designs for the Houses of
Parliament, and it appears in Kent's executed designs for the north front of
236:
110:
varied the design by substituting columns for the two inner pilasters. To describe its origin as being either
Palladian or Venetian is not accurate; the motif was first used by
116:
189:
suggests that the omission of the doubled columns may be allowed, but "the term "Palladian motif" should be confined" to cases where the larger order is present.
120:
expounding the ideals of
Vitruvius and Roman architecture, this arched window is flanked by two lower rectangular openings, a motif that first appeared in the
458:
82:
were inspired by
Hellenistic and Roman examples which are part of the classical tradition and related to prestige and sacredness.
424:
511:
506:
474:
370:
51:
172:
or "Palladio motif" is
Palladio's elaboration of this, normally used in a series. It places a larger or
103:
243:
128:
136:
312:(begun 1757), here the Venetian window in the central bay is surrounded by a unifying blind arch
58:(1475–1554) did not invent it, the window features largely in the work of the Italian architect
470:
463:
203:
90:
The
Venetian window consists of an arched central light, symmetrically flanked by two shorter
55:
501:
266:
211:
169:
157:
149:
145:
107:
67:
207:
111:
59:
30:
106:
supporting the semicircular arch that tops the central light. In the library at Venice,
453:
222:
186:
121:
495:
323:
309:
286:
294:
215:
35:
17:
270:
173:
153:
99:
382:"The earliest example of the revived Venetian window in England", Lees-Milne,
198:
95:
91:
63:
182:
127:
Palladio used the motif extensively, most notably in the arcades of the
247:
132:
251:
178:
140:
114:
and later mentioned by Serlio in his seven-volume architectural book
29:
148:, its first appearance in Britain was in the remodeled wings of
197:
A variant, in which the motif is enclosed within a relieving
206:. Burlington employed the motif in 1721 for an elevation of
50:) is a large tripartite window which is a key element in
139:. It is perhaps this extensive use of the motif in the
265:
Pair of Palladian windows on wings of south front of
152:, London, where the immediate source was actually in
273:, the earliest appearance of the element in Britain
185:might replace columns, as in other contexts. Sir
285:A Venetian window, with blind sides, designed by
94:. Each sidelight is flanked by two columns or
8:
487:Crank Out & Casement Windows Comparison
135:. It is also a feature of his entrance to
117:Tutte l'opere d'architettura et prospetiva
160:rather than drawn from Palladio himself.
250:, with Palladian window openings to the
335:
232:
459:The Classical Language of Architecture
7:
365:Andrea Palladio, Caroline Constant.
177:strictly windows, as they enclose a
70:is an elaborated version. Both the
25:
356:(series "Architect and Society")
302:
278:
258:
235:
38:in Norfolk, England, c. 1734-64
429:The Ipswich Society Newsletter
66:of his early career. The true
1:
371:Princeton Architectural Press
102:. The entablatures serve as
62:(1508–1580) and is almost a
413:James Lees-Milne 1962:133f.
352:Ackerman, Jaaes S. (1994).
528:
443:Great Houses of Britain
423:Gayland, Robin (2018).
512:Architectural elements
507:Palladian architecture
98:and topped by a small
52:Palladian architecture
39:
445:, London, 1978, p.125
384:The Earls of Creation
293:1647, south front of
33:
431:(210, January 2018).
297:, Wiltshire, England
225:is another variant.
244:Basilica Palladiana
129:Basilica Palladiana
34:Venetian window at
441:Nicholson, Nigel,
395:Summerson, 129-130
367:The Palladio Guide
137:Villa Forni Cerato
40:
464:Thames and Hudson
425:"Ipswich Windows"
124:of ancient Rome.
56:Sebastiano Serlio
46:(also known as a
27:Tripartite window
18:Palladian windows
16:(Redirected from
519:
462:, 1980 edition,
446:
439:
433:
432:
420:
414:
411:
405:
402:
396:
393:
387:
380:
374:
363:
357:
350:
344:
340:
306:
282:
267:Burlington House
262:
242:A corner of the
239:
212:Savernake Forest
170:Palladian window
164:Palladian window
158:Whitehall Palace
150:Burlington House
146:James Lees-Milne
122:triumphal arches
80:Palladian window
68:Palladian window
21:
527:
526:
522:
521:
520:
518:
517:
516:
492:
491:
483:
454:Summerson, John
450:
449:
440:
436:
422:
421:
417:
412:
408:
403:
399:
394:
390:
381:
377:
364:
360:
351:
347:
341:
337:
332:
320:
313:
307:
298:
283:
274:
263:
254:
240:
231:
195:
166:
156:'s designs for
112:Donato Bramante
88:
72:Venetian window
60:Andrea Palladio
44:Venetian window
28:
23:
22:
15:
12:
11:
5:
525:
523:
515:
514:
509:
504:
494:
493:
490:
489:
482:
481:External links
479:
478:
477:
448:
447:
434:
415:
406:
404:Summerson, 130
397:
388:
375:
373:, 1993. p. 42.
358:
345:
334:
333:
331:
328:
327:
326:
319:
316:
315:
314:
308:
301:
299:
284:
277:
275:
264:
257:
255:
241:
234:
230:
227:
223:Ipswich window
208:Tottenham Park
194:
191:
187:John Summerson
165:
162:
87:
84:
76:Serlian window
48:Serlian window
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
524:
513:
510:
508:
505:
503:
500:
499:
497:
488:
485:
484:
480:
476:
472:
468:
465:
461:
460:
455:
452:
451:
444:
438:
435:
430:
426:
419:
416:
410:
407:
401:
398:
392:
389:
385:
379:
376:
372:
368:
362:
359:
355:
349:
346:
339:
336:
329:
325:
324:Venetian door
322:
321:
317:
311:
310:Claydon House
305:
300:
296:
292:
288:
287:Isaac de Caus
281:
276:
272:
268:
261:
256:
253:
249:
245:
238:
233:
228:
226:
224:
219:
217:
213:
209:
205:
200:
192:
190:
188:
184:
180:
175:
171:
163:
161:
159:
155:
151:
147:
144:According to
142:
138:
134:
130:
125:
123:
119:
118:
113:
109:
105:
101:
97:
93:
85:
83:
81:
77:
73:
69:
65:
61:
57:
53:
49:
45:
37:
32:
19:
467:World of Art
466:
457:
442:
437:
428:
418:
409:
400:
391:
383:
378:
366:
361:
353:
348:
338:
295:Wilton House
290:
220:
216:Holkham Hall
196:
167:
126:
115:
89:
79:
75:
71:
47:
43:
41:
36:Holkham Hall
386:, 1962:100.
271:Westminster
174:giant order
154:Inigo Jones
100:entablature
54:. Although
496:Categories
475:0500201773
330:References
199:blind arch
92:sidelights
289:(d.1648)
183:Pilasters
108:Sansovino
96:pilasters
64:trademark
469:series,
354:Palladio
318:See also
204:Scamozzi
193:Variants
86:Overview
78:and the
502:Windows
248:Vicenza
229:Gallery
133:Vicenza
104:imposts
473:
252:loggia
179:loggia
141:Veneto
291:circa
471:ISBN
221:The
168:The
210:in
181:.
131:in
74:or
498::
456:,
427:.
369:.
269:,
246:,
218:.
42:A
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
