Knowledge (XXG)

Pansori

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1707: 4186: 1531:'s reign and at the beginning of his schedule, Pansori was the fruit of Pansori. On the other hand, after Wonggeuk became popular after Wongaksa Temple, Pansori began to sprout. As the master singers of each region moved in and out of each other, pansori's yupa gradually lost its distinctiveness. The famous singers who were active during this period include Park Ki-hong, Kim Chang-hwan, Kim Chae-man, Song Man-gap, Lee Dong-baek, Yu Gong-ryul, Jeon Do-seong, Kim Chang-ryong, Yoo Seong-jun, and Jeong-ryul. Five of these master singers are called five master singers. 1650: 1576:"Pansori" is one of Korea's unique art forms that convey theatrical effects to those who see it as a sound in line with Gosu's drumming while clowns holding Hapjukseon in one hand beautifully and mixing all kinds of broadness. Just as there must be a script for the play to be staged, there must be a Pansori editorial before that to make Pansori sound by clowns, and the document that records the Pansori editorial is called the Pansori Changbon. In other words, in pansori, Changbon has the characteristics of a play in a play. 1671: 1638: 1687: 1512:, outstanding masters came out to form various groups in pansori, including Kwon Sam-deuk, Hwanghaecheon, Songheungrok, Bangmanchun, Yeom Gye-dal, Moheunggap, Kim Gye-cheol, Gosogwan, Sin Man-yeop, Song Gwang-rok, and Judeokgi. Eight of these are called eight people. The names of these master singers are also seen in Shin Jae-hyo's "The Clown." From this time on, a "sori clown" focusing on sound appeared, distinguishing it from a traditional "aniri clown" focusing on "aniri." 391: 1580:
clowns. For example, "Song Man-gap Changbon" refers to the Pansori document sung by Song Man-gap. However, Song Man-gap is not his own creative work. Of course, it may be the work of a clown himself, but it is usually built by an outstanding scholar or supporter. Because most clowns had no writing skills. Thus, the established versions are usually oral transcriptions, which have been inherited from later generations, or were built by civil servants for certain clowns.
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reasoning that pansori came from the reading voice that some argue is vain. Since clowns are folk singers, it would be right to say that they assimilated various folk songs based on the rhythm of these mugas and completed them. However, even if the song was originally adopted at the time of its establishment, it would have refined it in the process of transmission and developed a new style as a pansori, which seems to be the result of this effort.
3493: 1622:, "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court. 3001: 25: 534:"Pansori" as a musical term originated independently from the term "pannol" (pannoreum). Likewise, the literary form of this form of pansori is also called pansori. It is therefore necessary to distinguish between pansori as a musical term and pansori as a literary term, but it is still appropriate to use the term "pansori" to refer to sijo. 1547:
Following them, Jeong Soon-im, Kim Soo-yeon, Kim Young-ja, Inancho, Jeong Hoe-seok, and Yoon Jin-cheol were designated as third-generation national intangible cultural assets. In addition, there are numerous master singers such as Yoo Soo-jeong, Wang Ki-chul, Chae Soo-jeong, Yoo Mi-ri, Lee Ju-eun, Yeom Kyung-ae, and Jang Moon-hee.
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program, which includes Orthodox Pansori. The performances take place on well-known theater stages, recalling the excitement of older times of court and market entertainment. On the other side, dramatic platforms raise the performers above the audience. In the past, Pansori gave equal importance to the performers and the audience.
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of epic poetry created by the collaboration of literature and music was of any people. This is a common medieval literary form from the 10th century to the 14th and 5th centuries, and Korean pansori is characterized by novels formed by letters first, and this pansori form was characterized by the 18th century.
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Heungboga's lessons underscore the pitfalls of human avarice. Heungbo's aid to a swallow with a broken leg pays off. His wicked brother, too, breaks a swallow's leg and does lovely things, but he pays for his actions. In this song, morality and goodness are praised, while wickedness is punished. This
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Pansori's style originated from the division of relations and regions of origin, with the establishment of the flow, singing and theory of each song over a long period of time, leading to the formation of several small branches that diverged from the great stem. Pansori's style was largely classified
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In Europe, there was also a group of minstrel poets after the Middle Ages. In France, the matrimonial poem "changson de geste" was sung by monks in non-Latin slang (lingua romana) for pilgrims, and romance was also developed in the form of singing for several people in squares and salons. This form
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Chunhyang relates the tale of a girl who was born into a humble household but transformed herself after marrying the governor's son. She subsequently rejected and resisted another governor's pressure. The narrative concludes with her husband rescuing her when she demonstrates the purity, love, and
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The original version of Pansori is sometimes produced in various ways during the transmission process. In other words, there is a slight (sometimes significant) variation in the content of the book, which has been handed down for hundreds of years to this day. For example, the early "Chunhyangga"
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corresponded to the heyday of pansori. Famous singers such as Park Yu-jeon, Park Man-soon, Lee Il-chi, Kim Se-jong, Song Woo-ryong, Jeong Start-up, Jung Chun-pung, Kim Chang-rok, Jang Ja-baek, Kim Chan-up, and Lee Chang-yoon came out to lead Pansori to a highly artistic level. They formed various
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Western performing arts first made their way to Korea in the late nineteenth century. Jeong Du-won brought Western music concept to Korea for the first time in 1632. He became familiar with Western music via the teachings of Chinese Catholic priests. Lee Eun-Dol, the first Korean to study western
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Simcheongga emphasizes filial piety, chastity, and fortitude. Simcheong was freed by the King of the Sea as a compassion act, and she met and married the king of her realm, whom she had sacrificed herself to restore his sight. When she organizes a blind party, she stumbles across his father. Her
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Dongpyeonje was based on Unbong, Gurye, Sunchang, and Heungdeok areas, which are east of the Seomjingang River, and it is magnificent and vigorous, and features a simple display of natural volume without any finesse. Aniri has not developed for a long time, has little application, and is a sound
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After the death of the first generation of national intangible cultural assets, Jo Sang-hyeon, Park Song-hee, Song Soon-seop, Seongwuhyang, Sung Chang-soon, Oh Jeong-sook, Han Nong-seon, Namhae-seong, Shin Yeong-hee, and Kim Il-gu were designated as second generation intangible cultural assets.
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Later master singers include Park Nok-ju, Kim Yeon-soo, Jeong Gwang-soo, Kim Yeo-ran, Park Cho-wol, Kim So-hee, Park Bong-sul, Park Dong-jin, Jung Kwon-jin, Han Seung-ho, Han Ae-soon, and Jang Young-chan. They are trying to revive the disappearing pansori, but they are in danger of disappearing
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Therefore, it is the Muga of Hongpae Gosa, Seongjo, and Antaek, which are called by this southern clown, that is, the theory that pansori was produced in the clowns of Chungcheong-do. This is a problem that needs to be further clarified in the future, but even from this, it can be seen that the
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Even if the original version of Pansori is the original copy of Dongil genealogy, many versions are gradually derived. As the first literature on the twelve yards of pansori, Song Man-jae's "Gwanwoohee" is currently cited, and there is no way to know which clown it belonged to before the 1810s
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However, there is a great feature in the Pansori version that plays do not have, which is that plays can be performed by anyone, while there is a specific version of the Pansori version for clowns. These windows are called "famous" and are distinguished from "unknown" versions without specific
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Touristic Pansori is a term that refers to renowned Pansori singers doing short acts of the traditional Pansori performance with other kinds of music, such as religious music. Often, the many short performances have nothing in common, like when court music or religious dances are combined with
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Orthodox Pansori performances in well-known places and on traditional theater stages are commonplace. Tradition-based theater and full-length performances in one of the many recognized specialty sectors of Orthodox Pansori are all included within the government of Korea's cultural conservation
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Junggoje is another style, where the sound begins at a medium tone and starts flat at a relatively low voice when the window is opened, increases the middle, and lowers the voice when the limit is reached. It is clear that the sound is high and low, so you can hear it clearly, and the tune is
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Seopyeonje refers to the sound of Confucian scholars in Naju, Haenam, and Boseong, west of the Seomjingang River, and is the standard of Park Yu-jeon's legislation. The musical characteristics are mainly used to portray sad and resentful feelings, and to portray sophisticated, colorful, and
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is another important component of the performance that plays drums. As the expression "one Gosu two master singers" is often used, in the soundboard, a singer and a clown lead the game together. The drummer beats the emotional circuit of the song and adds more charm to the performance.
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Pansori. International visitors and visitors from other regions of Korea make up the bulk of the audience. The objective is to make Pansori accessible to a broad audience that is unfamiliar with its norms or with the significance of the tradition to the Korean people.
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Norang Mok means to lightly vocalize and dye the tune, which means to use the decoration or singing method. But master singers are reluctant to do so. Waega-jip Mok means to the use of a tone or temporary listening rather than the general composition of that tone.
717:, etc. It is necessary to value the term "Mori" that appears here. In other words, if you compare Salpuri Gut in Jeolla-do Province, which is called Sinai Gijo, and Do Salmori, Balae in Gyeonggi-do and Chungcheong-do provinces, the sound of goso sung by clowns is 1588:
because there is no technology on the original version. This does not mean that there is a clear record in the post-1810 literature. However, there are several copies or copies of the transcripts held by individuals because they are based on the oral tradition.
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without proper measures from the government and society. Among them, Kim So-hee, Park Cho-wol, Park Bong-sul, Park Nok-ju, Kim Yeon-soo, Jeong Gwang-soo, Kim Yeo-ran, Jeong Gwon-jin, and Han Seung-ho were designated as intangible cultural assets.
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In Pansori, a person's voice quality, singing style, and the type of tune is called by a certain ‘Mok’ and ‘Sung’. Usually, the ‘Mok’ is deeply related to the type of tune and singing, and the ’Sung’ is deeply related to the quality of sound.
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Right behind the five singers were Jang Pan-gae, Yi Sun-yu, Kim Jeong-moon, Park Jung-geun, Gong Chang-sik, Yi Hwa Jung-sun, Im Bo-le, and Gang Jang-won. They played a major role in the Joseon Vocal Research Society, but were swept away by
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The stories described in Pansori all link to a distinct moral issue of people: Chunhyangga, Simcheongga, and Heungboga. Each tale teaches a valuable lesson and illustrates the ancient Koreans' believe in karma in their own unique way.
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has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music,
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A clown sings with a fan in their right hand, and the singing part and the speaking part intersect. The singing part is called "aniri" or "broader" in terms of sound and speech, which is called "applied" or "spacious."
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music at the Japanese Army's staff sergeant school, began coaching bugle bands in Seoul in 1882. Seo Sang's 1884 presentation of Yun's religious music, notably protestant songs, also had a considerable effect.
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describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a
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Noereum sae: Pansori refers to the acting ability to make the audience laugh and cry.* Duneum: It refers to a characteristic part or musical style that is inherited according to Pansori's Confucianism.
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The best singers of Pansori were Uchundae, Kwon Sam-deuk, and Moheung-gap, which appeared in "Guanwoohee" of Song Man-jae, and Hahandam, which appeared in "Gapsin Wanmun", and were from the reign of
230:. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga ( 965: 330: 3051: 529:), but it is not suitable for pure Pansori. Therefore, Changgeukjo is appropriate for the musical term of the song sung in Changgeuk, but it is not appropriate for the form of pansori. 307:
focuses on the trials and tribulations of the characters, commonly without reaching the happy ending because of the contemporary popularity of excerpt performances. The history of
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If Pansori comes from a shaman's husband, a clown, the musical wish should be saved in their connection. The rhythm of the unearned value shared by "Lee Bo-hyung" is as follows:
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as the two major mountains of East and West Pyeonje, and expressing style in Pansori was in line with the classification of Yupa in Sijo, Yeongje, Wanje, and Naepoje.
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is considered to be the 19th century when the genre's popularity increased and its musical techniques became more advanced. During the first half of the 19th century,
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father's sight is restored as a result of her tremendous love and devotion. The song underlines the significance of parents and children developing a solid bond.
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1. Sinawi-Gwon: This is called the "Yukja-baegi-jo" and belongs to the southern part of the Han River in Gyeonggi-do and Chungcheong-do and Jeolla-do provinces.
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was embraced by the upper classes around the mid-18th century. One piece of evidence that supports this belief is that Yu Jin-han, a member of the
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was embraced by the Korean elite during the 19th century. While public interest in the genre temporarily declined in the mid-20th century, today's
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The number of pansori performers has increased substantially in the 21st century, though the genre has struggled to find wide public appeal, and
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Soori Sung refers to the sound quality of a master singer who is a bit rough and hoarse. Examples include Song Man-gap and Jeong Jeong-ryul.
1505:. There must have been a masterpiece of pansori even before Uchundae and Haundam, but it remains only in the literature or is not oralized. 338: 1524:
factions based on the relationship between private affairs and regional delay, and eight of them were selected as the late eight singers.
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material that is carried out by relying on the voice of the neck. Instead of "the Great Leader," they stick together to the rhythm.
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fusion music, a trend that began in the 1990s, has continued in the 21st century, with musicians creating combinations including
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In addition, there is a theory that "Gyeong-dereum" is similar to the rhythm of the northern Gyeonggi Muga's Changbu Taryeong.
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practiced by the ethnic Koreans in China was also nominated as the UNESCO's intangible cultural heritage by the governments of
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Robert C. Provine Collection of recordings of performances originating at the College of Music, Seoul National University
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s performance voice was too hoarse and did not distinguish between male and female to suit the taste of today's people.
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4. Changbu Taryeong ·Noraegarakjo: belong to Muga in northern Gyeonggi Province, Kaesong, Seoul, Cheorwon, and Yangju.
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on the Korean public and performers. In an attempt to suppress Korean culture, the Japanese government often censored
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could have been sung in three hours, but today, the content was greatly added enough to sing eight and a half hours.
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2. Menarizo : This is called an "Sanyuhwa-garak", and "Gyeongsang-do" and "Gangwon-do" provinces belong to it.
3232: 2211: 2102: 1462:: It means that the audience or master speaks "Ulssu" or "good" to create an atmosphere and entertain the audience. 975:
audiences are composed mostly of older people, scholars or students of traditional music, and the elite. However,
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Pansori is a form of musical entertainment that has persisted in Korea from the 17th century to the present day.
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experienced several notable changes. It was more frequently performed indoors and staged similarly to Western
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has been designated as Korea's National Intangible Cultural Heritage No. 5 since 1964. On November 7, 2003,
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Duek-eum :Set the voice: The musical competence of the pansori intestines refers to the completed state.
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Balim: It means to take action according to the rhythm or editorial content. Some people use a fan.
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Pansori masterpiece refers to a person who sings exceptionally well in the intestines of Pansori.
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Grammar and translation issues, presentation is confusing and needs more context and introduction.
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for the first time. The number of female singers grew rapidly, supported by organizations of
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was a concept that was prevalent in both the East and the West during the ancient times.
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Korean P'ansori Singing Tradition: Development, Authenticity, and Performance History
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https://docs.google.com/document/d/1XoOc-96N-RMIZI38wHHUH5jDYZDXin0MuVMR3tk8eY4/edit
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decreasing popularity by the mid-20th century. To help preserve the tradition of
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publics and government are passionate in registering and recognizing many
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differ greatly from the original works. Rather than performing an entire
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Changja: Also known as a singer, it means a person who sings in pansori.
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A related term, "pannoreum," refers to plays such as Sandae-do Gamgeuk (
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Korean Musical Drama: P'ansori and the Making of Tradition in Modernity
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he saw performed in Honam in 1754, indicating that the elite attended
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Pansori performance at the Busan Cultural Center in Busan, South Korea
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Kim, Kee Hyung (2008). "History of Pansori". In Yi, Yong-shik (ed.).
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Gui-myeongchang: Pansori means a person who enjoys a spear properly.
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3. Susimga·Sanyeombuljo: "Pyeongan-do" and "Hwanghae-do" provinces
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is thought to have originated in the late 17th century during the
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Again, the rhythm of Pansori has a tempo from the slow beat of
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Originally a form of folk entertainment for the lower classes,
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in the late 20th century, including the recent canonization of
3968: 2932:. The National Center for Korean Traditional Performing Arts. 2495:, ed. (2004). "Musical Structure and Expressions of Pansori". 1942:
UNLV Theses, Dissertations, Professional Papers, and Capstones
1017:(1993), "Hwimori (1994)" and "The Millennium Studies (2007)". 18: 2877:. International Association for Research in Vietnamese Music. 858:
and also trained the first notable female singers, including
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Masterpieces of the Oral and Intangible Heritage of Humanity
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Pilzer, Joshua D. (2016), "Musics of East Asia II: Korea",
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and pushed by Western music, and Pansori began to retreat.
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Masterpiece of the Oral and Intangible Heritage of Humanity
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Masterpiece of the Oral and Intangible Heritage of Humanity
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In the late 20th century, the sorrowful "Western style" of
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Doseop: Pansori to the middle form of a sing and an aniri.
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A painting depicting a pansori performance, 19th century.
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Preservation and resurgence: late 20th century to present
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stories. Those stories were compiled in Song Man-jae's
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National Center for Korean Traditional Performing Arts
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region eventually became the site of its development.
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UNESCO Representative List of the Intangible Cultural
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states corresponding to the narration of the singer.
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Pansori performance at the Busan Cultural Center in
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Rather than listening quietly, the audience adds a "
134: 120: 104: 99: 1465:Aniri: The Changja talk as usual, not to the beat. 1025:There are five elements for the musical style of 920:In addition to Japanese censorship, the rise of 544:Pansori performances are performed by "Clown", " 3061:UNESCO Oral and Intangible Heritage of Humanity 1560:unity of individuals from many social classes. 1013:There are recent Pansori-themed films such as " 846:Major developments in this period were made by 418:Pansori singer Song Man-gab performing in 1934. 2376:"Traditional Korean music with a modern twist" 828:intended to appeal to the upper class. Purely 212:, the latter of which means "sound." However, 3518: 3045: 2015:Kim, Hyunju; Mastnak, Wolfgang (2016-02-29). 1226:is also used with the appearances of certain 900:was intensified, due to the influence of the 772:Expansion and golden age: 18th–19th centuries 171:genre of musical storytelling performed by a 8: 1359: 1353: 1341: 1331: 1313: 1299: 1277: 1265: 1255: 1245: 1235: 1205: 1199: 1187: 1181: 1175: 1166: 1157: 1151: 1145: 1139: 1101: 1095: 1082: 1076: 1066: 1056: 1050: 1040: 1034: 610: 600: 586: 524: 516: 506: 500: 490: 484: 474: 468: 454: 448: 442: 436: 269: 263: 253: 247: 237: 231: 207: 196: 111: 2403:"Fantastic Concert in Ancient Cave in Jeju" 1931: 1929: 1927: 1925: 1923: 1921: 1919: 1917: 1915: 1319: 1305: 942:the South Korean government declared it an 721:, especially in old Hongpagosa and Antaek. 3525: 3511: 3503: 3052: 3038: 3030: 3025:Isham Memorial Library, Harvard University 2971:Excursions in World Music, Seventh Edition 2518:: CS1 maint: location missing publisher ( 2349:"Kim Tae-yong to direct gugak performance" 1805:(in Korean). The Academy of Korean Studies 1322: appearance, form). The two types of 88: 2032: 1596:Musical storytelling of literatures like 1282:) refers to the method in which words in 591:), were established as the repertoire of 285:overtook the vigorous "Eastern style" of 68:Learn how and when to remove this message 4243:Intangible Cultural Heritage of Humanity 2875:Ca Trù: A Vietnamese Chamber Music Genre 2487: 2485: 2483: 2481: 2479: 2477: 2475: 1860: 1858: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 2021:Voices: A World Forum for Music Therapy 1782: 1633: 16:Korean traditional musical storytelling 2511: 1849: 950:began to be officially recognized as " 668:Relationship between Shaman songs and 425: 79: 2533: 2531: 2529: 1611: 946:in 1964. Additionally, performers of 7: 2322:"Kim Yul-hee blends pansori, reggae" 1977: 1965: 1134:expressed through singing. Types of 908:that referred to the monarchy or to 745:Dynasty. The earliest performers of 339:Yanbian Korean Autonomous Prefecture 303:epics end happily, but contemporary 2295: 2265: 2198: 2186: 2125: 1897:. 延边新闻网. 2013-12-19. Archived from 1870:UNESCO Intangible Cultural Heritage 1486:The best literature of Pansori is " 2307: 2280: 2174: 2162: 786:upper class, recorded the text of 362:living national treasures of Korea 315:, has led to great concern in the 14: 652:Contemporary performances of the 293:began being called the "sound of 190:is compounds of the Korean words 4184: 4011:Pahlevani and zoorkhaneh rituals 3804:Jeju Chilmeoridang Yeongdeunggut 3491: 2999: 2617:Cultural Heritage Administration 1705: 1685: 1669: 1648: 1636: 426:Problems playing this file? See 407: 23: 329:was registered as the UNESCO's 2813:Encyclopedia of Korean Culture 2787:Encyclopedia of Korean Culture 2761:Encyclopedia of Korean Culture 2735:Encyclopedia of Korean Culture 2695:Encyclopedia of Korean Culture 2669:Encyclopedia of Korean Culture 2432:Encyclopedia of Korean Culture 2242:Encyclopedia of Korean Culture 1802:Encyclopedia of Korean Culture 1617: 1360: 1354: 1342: 1332: 1314: 1300: 1278: 1266: 1256: 1246: 1236: 1206: 1200: 1188: 1182: 1176: 1167: 1158: 1152: 1146: 1140: 1102: 1096: 1083: 1077: 1067: 1057: 1051: 1041: 1035: 886:. It was recorded and sold on 835:also became less popular than 611: 601: 587: 525: 517: 507: 501: 491: 485: 475: 469: 455: 449: 443: 437: 270: 264: 254: 248: 238: 232: 208: 197: 112: 1: 2588:"UNESCO - Pansori epic chant" 2374:Sohn, Ji-young (2014-06-10). 2347:Yun, Suh-young (2017-06-14). 1994:(in Chinese). 银川: 宁夏人民教育出版社. 1660:performed by Ahn Suk-seon in 4238:South Korean styles of music 3594:Baul tradition of Bangladesh 2401:Choi, Mun-hee (2018-02-06). 2096:Gorlinski, Virginia (2013). 1422: 1381:Pansori can be divided into 944:Intangible Cultural Property 902:Japanese occupation of Korea 820:into the genre, while using 577:During the 18th century, 12 368:at the government level, as 3138:Bumba-meu-boi from Maranhão 3078:Albanian folk iso-polyphony 2639:"판소리 소리꾼이 내는 '목' 종류는 37 가지" 1712:Pansori performance at the 1407:, depending on the region. 878:In the early 20th century, 874:Decline: early 20th century 839:that combined humorous and 801:performances by this time. 246:), Clown Song, and Geukga ( 203: 192: 185: 153: 141: 127: 43:. The specific problem is: 4264: 2320:Dunbar, Jon (2018-01-31). 2057:"판소리의 관중과 후원자 : 시민극장" 1692:A young Pansori singer in 1568:song teaches people this. 1479:Pansori masterpiece singer 39:to meet Knowledge (XXG)'s 4182: 4121:Tugging rituals and games 3869:Ladkah Buddhist chantings 3729:Gangneung Danoje Festival 3543: 3489: 3068: 2247:Academy of Korean Studies 2034:10.15845/voices.v16i1.816 1087:); and vocal production. 952:living national treasures 930:, and the turmoil of the 896:. And the tragic tone of 508: 492: 476: 456: 271: 255: 239: 164: 87: 82: 4248:Performing arts in Korea 4228:Korean traditional music 4051:Royal ballet of Cambodia 3233:Georgian vocal polyphony 3012:"The Pansori Epic Chant" 2716:"갑신완문(甲申完文) - 한국민족대백과사전" 2239:[Shin Jae-hyo]. 1825: 1795: 1126:also includes the vocal 3844:Koshikijima no Toshidon 3669:Chinese shadow puppetry 2856:(in Korean). 1974-02-25 2501:. Seoul. pp. 31–60 2461:(in Korean). 1993-10-29 2103:Encyclopædia Britannica 1826:국가문화유산포탈 | 한국의 인류무형문화유산 1722:Notable pansori singers 1419:monotonous and simple. 1364:) refers to a style of 1114:, it comparable to the 333:of Korea. In 2011, the 4223:Korean styles of music 4116:Thathera utensil craft 4061:Royal Ancestral Ritual 3664:Chinese seal engraving 3649:Chinese block printing 2953:. Ashgate Publishing. 2453:"판소리물 휘모리 주연에 신인 김정민씨" 1423:Pansori's Mok and Sung 1308: to combine) and 1286:are combined with the 1230:. Some types include: 1138:include: chucheonmok ( 850:researcher and patron 394: 3704:Durga Puja in Kolkata 3659:Chinese paper cutting 3453:The Song of the Sibyl 2947:Um, Haekyung (2013). 2905:Jang, Yeonok (2013). 968:on November 7, 2003. 816:singers incorporated 734:Origins: 17th century 605:) and Jeong No-sik's 393: 4096:Songkran in Thailand 4001:Oku-noto no Aenokoto 3694:Dragon Boat Festival 3644:Chinese architecture 3536:Heritage of Humanity 3103:Ashiqs of Azerbaijan 3008:at Wikimedia Commons 2976:Taylor & Francis 2643:www.koya-culture.com 1990:赵杨 (December 2012). 1866:"Pansori Epic Chant" 1714:Changdeokgung Palace 1508:During the reign of 1415:tantalizing sounds. 1186:); and seolleongje ( 776:It is believed that 764:originated, but the 122:Revised Romanization 50:improve this article 3899:Manipuri Sankirtana 3654:Chinese calligraphy 2911:. Scarecrow Press. 1936:Kang, Bomi (2016). 1895:""80后"夫妻情系中国朝鲜族盘索里" 1021:Elements and styles 934:all contributed to 618:Of the 12 original 548:", and "Audience". 3904:Mangal Shobhajatra 3709:Epic of King Gesar 3562:Akiu no Taue Odori 1980:, p. 126-129. 1831:www.heritage.go.kr 1515:The early days of 1328:daemadi daejangdan 910:Korean nationalism 607:Joseon Changgeuksa 499:) or Changgeukjo ( 395: 4193: 4192: 3919:Mibu no Hana Taue 3779:Hitachi Furyumono 3684:Dainichido Bugaku 3538:/Asia and Pacific 3500: 3499: 3148:Dainichido Bugaku 3004:Media related to 2985:978-1-317-21375-8 2543:www.pansori.or.kr 2298:, pp. 19–26. 2283:, pp. 47–52. 2268:, pp. 14–16. 2001:978-7-5544-0134-7 1392:, in addition to 755:street performers 749:were most likely 413: 299:". All surviving 226:drum played by a 148: 147: 136:McCune–Reischauer 78: 77: 70: 41:quality standards 32:This article may 4255: 4188: 3889:Longquan celadon 3774:Hayachine Kagura 3699:Drametse Ngacham 3527: 3520: 3513: 3504: 3495: 3428:Slovácko Verbuňk 3298:Khorasan Bakhshi 3163:Cante Alentejano 3054: 3047: 3040: 3031: 3003: 2988: 2964: 2943: 2922: 2892: 2891: 2884: 2878: 2873:Norton, Barley. 2871: 2865: 2864: 2862: 2861: 2844: 2838: 2837: 2830: 2824: 2823: 2821: 2820: 2804: 2798: 2797: 2795: 2794: 2778: 2772: 2771: 2769: 2768: 2752: 2746: 2745: 2743: 2742: 2726: 2720: 2719: 2712: 2706: 2705: 2703: 2702: 2686: 2680: 2679: 2677: 2676: 2660: 2654: 2653: 2651: 2650: 2635: 2629: 2628: 2626: 2625: 2608: 2602: 2601: 2599: 2598: 2584: 2578: 2577: 2575: 2574: 2559: 2553: 2552: 2550: 2549: 2535: 2524: 2523: 2517: 2509: 2507: 2506: 2489: 2470: 2469: 2467: 2466: 2449: 2443: 2442: 2440: 2439: 2423: 2417: 2416: 2414: 2413: 2398: 2392: 2391: 2389: 2388: 2381:The Korea Herald 2371: 2365: 2364: 2362: 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4008: 4003: 3998: 3993: 3992: 3991: 3986: 3976: 3971: 3966: 3961: 3956: 3951: 3949:Namsadang Nori 3946: 3941: 3936: 3931: 3926: 3921: 3916: 3911: 3906: 3901: 3896: 3891: 3886: 3881: 3876: 3871: 3866: 3861: 3856: 3851: 3846: 3841: 3836: 3831: 3826: 3821: 3816: 3811: 3806: 3801: 3796: 3791: 3786: 3781: 3776: 3771: 3766: 3761: 3756: 3751: 3746: 3741: 3739:Gióng Festival 3736: 3731: 3726: 3724:Ganggangsullae 3721: 3716: 3711: 3706: 3701: 3696: 3691: 3686: 3681: 3676: 3671: 3666: 3661: 3656: 3651: 3646: 3641: 3636: 3631: 3626: 3621: 3616: 3611: 3606: 3601: 3596: 3591: 3586: 3581: 3574: 3569: 3564: 3559: 3554: 3544: 3541: 3540: 3532: 3530: 3529: 3522: 3515: 3507: 3498: 3497: 3490: 3488: 3486: 3485: 3480: 3475: 3470: 3465: 3460: 3458:Tumba francesa 3455: 3450: 3445: 3440: 3435: 3433:Song of Sana'a 3430: 3425: 3420: 3415: 3410: 3405: 3400: 3395: 3390: 3385: 3383:Qudud Halabiya 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3345: 3340: 3335: 3330: 3325: 3320: 3315: 3310: 3305: 3300: 3295: 3290: 3285: 3280: 3275: 3270: 3265: 3260: 3255: 3250: 3245: 3240: 3235: 3230: 3228:Garifuna music 3225: 3220: 3215: 3210: 3205: 3200: 3195: 3190: 3185: 3180: 3175: 3173:Cantu a tenore 3170: 3165: 3160: 3155: 3150: 3145: 3140: 3135: 3133:Bistritsa Babi 3130: 3125: 3120: 3115: 3110: 3105: 3100: 3095: 3090: 3085: 3080: 3075: 3069: 3066: 3065: 3059: 3057: 3056: 3049: 3042: 3034: 3028: 3027: 3018: 3009: 2995: 2994:External links 2992: 2990: 2989: 2984: 2965: 2960:978-0754662761 2959: 2944: 2938: 2923: 2918:978-0810884625 2917: 2901: 2899: 2896: 2894: 2893: 2879: 2866: 2839: 2825: 2799: 2773: 2747: 2721: 2707: 2681: 2655: 2630: 2603: 2592:ich.unesco.org 2579: 2554: 2525: 2471: 2444: 2418: 2407:Business Korea 2393: 2366: 2339: 2312: 2300: 2285: 2270: 2258: 2228: 2216:KBS Word Radio 2203: 2201:, p. 6-7. 2191: 2179: 2167: 2155: 2139:"민족 문화로서의 판소리" 2130: 2128:, p. 3-4. 2115: 2073: 2048: 2007: 2000: 1982: 1970: 1968:, p. 3-4. 1955: 1911: 1886: 1854: 1852:, p. 171. 1842: 1815: 1781: 1779: 1776: 1775: 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Retrieved 1800: 1769: 1760:Korean music 1748:Ahn Sook-sun 1738:Oh Jeong-suk 1655: 1624: 1602: 1597: 1595: 1586: 1582: 1578: 1575: 1566: 1562: 1558: 1554: 1545: 1541: 1533: 1526: 1514: 1507: 1499:King Jeongjo 1495:King Yeongjo 1492: 1485: 1482: 1434: 1430: 1426: 1417: 1413: 1409: 1380: 1376: 1365: 1349: 1337: 1327: 1323: 1309: 1295: 1283: 1273: 1261: 1251: 1242:jungjungmori 1241: 1231: 1223: 1215: 1195: 1172: 1163: 1135: 1123: 1107: 1091: 1072: 1062: 1046: 1030: 1026: 1024: 1012: 1008: 1004: 995: 987: 980: 976: 972: 970: 964:tradition a 961: 956: 947: 939: 935: 925: 919: 905: 897: 891: 879: 877: 868: 863: 852:Shin Jae-hyo 847: 845: 836: 832: 813: 809: 803: 798: 794: 787: 781: 777: 775: 761: 746: 738: 737: 723: 703:Jungjungmori 692: 689: 686: 683: 680: 677: 674: 669: 661: 657: 653: 651: 619: 617: 606: 596: 592: 582: 576: 570: 561: 554: 550: 543: 533: 434: 401: 383: 373: 365: 360:singers as " 357: 354:South Korean 349: 347: 334: 326: 322: 321: 316: 312: 308: 304: 300: 294: 290: 286: 282: 280: 213: 183: 181: 151: 150: 149: 64: 55: 48:Please help 44: 33: 4161:Yeongsanjae 4071:Saman dance 4056:Regong arts 3989:Uzbekistani 3929:Mosie ramie 3924:Morin khuur 3909:Mazu belief 3864:Koodiyattam 3769:Hansan Mosi 3759:Guqin music 3679:Daimokutate 3639:Chhau dance 3552:Moxibustion 3548:Acupuncture 3478:Xi'an guyue 3468:Vedic chant 3333:Morin khuur 3293:Koodiyattam 3268:Iraqi Maqam 2848:"판소리」창본 간행" 2645:(in Korean) 2620:(in Korean) 2569:(in Korean) 2145:(in Korean) 2063:(in Korean) 1978:Jang (2013) 1966:Jang (2013) 1850:Pilzer 2016 1743:Pak Tongjin 1609:Vietnamese: 1529:King Gojong 1521:King Gojong 1488:Chunhyangga 1397: [ 1394:Dongpyeonje 1386: [ 856:upper class 789:Chunhyangga 647:Jeokbyeokga 632:Simcheongga 627:Chunhyangga 579:song cycles 540:Description 370:Kim Jong Il 319:community. 100:Korean name 52:if you can. 4207:Categories 4146:Xuan paper 4126:Urtiin Duu 4091:Shiraz rug 3879:Lenj boats 3849:Kumbh Mela 3824:Kashan rug 3749:Grand Song 3674:Daemokjang 3634:Cheoyongmu 3629:Chakkirako 3557:Ainu dance 3443:Sutartinės 3438:Sosso Bala 3418:Shashmaqam 3413:Seto Leelo 3303:Kumi odori 3113:Baul music 2898:References 2860:2021-06-19 2819:2021-06-19 2808:"김소희(金素姬)" 2793:2021-06-19 2767:2021-06-19 2756:"장판개(張判盖)" 2741:2021-06-19 2701:2021-06-19 2690:"관우희(觀優戱)" 2675:2021-06-19 2664:"춘향가(春香歌)" 2649:2021-06-19 2624:2021-06-19 2597:2021-06-19 2573:2023-09-10 2548:2023-09-10 2505:2023-01-27 2465:2021-06-19 2438:2021-06-19 2427:"서편제(西便制)" 2412:2018-03-01 2387:2018-03-01 2360:2018-03-01 2333:2018-03-01 2296:Kim (2008) 2266:Kim (2008) 2252:2018-03-01 2237:"신재효(申在孝)" 2222:2018-03-01 2199:Kim (2008) 2187:Kim (2008) 2149:2023-09-10 2126:Kim (2008) 2109:2018-03-01 2098:"P'ansori" 2067:2021-06-19 1905:2018-03-22 1880:2018-02-28 1836:2021-06-15 1809:2018-02-28 1794:"Pansori" 1771:Seopyeonje 1733:Kim So-hee 1510:King Sunjo 1501:of modern 1405:Seopyeonje 1228:characters 1173:aewonseong 1015:Seopyeonje 932:Korean War 843:elements. 818:folk songs 806:golden age 573:repertoire 428:media help 219:Gugwangdae 4106:Taekkyeon 4081:Sbek Toch 3996:Nuad Thai 3854:Kumiodori 3463:Vallenato 3318:Long song 3278:Kgal Laox 2563:"판소리 중고제" 2514:cite book 2308:Um (2013) 2281:Um (2013) 2175:Um (2013) 2163:Um (2013) 2043:1504-1611 1938:"Pansori" 1765:Changgeuk 1694:Edinburgh 1657:Heungbuga 1607:singing ( 1537:Changgeuk 1338:eotbuchim 1324:buchimsae 1274:Buchimsae 1252:jajinmori 1220:emotional 1210:) is the 1164:seoreumjo 1122:, though 1063:buchimsae 936:pansori's 927:changgeuk 793:a famous 715:Ujungmori 707:Jajinmori 695:Jinyangjo 637:Heungbuga 564:Chu-imsae 182:The term 4151:Yamahoko 3964:Nhã nhạc 3934:Mudiyett 3894:Mak yong 3874:Lakalaka 3819:Kalbelia 3572:Angklung 3398:Rebetiko 3353:Nhã nhạc 3158:Candombe 3128:Biyelgee 3083:Angklung 2782:"창극(唱劇)" 1992:《朝鲜民间文学》 1754:See also 1698:Scotland 1383:Junggoje 1288:melodies 1212:rhythmic 1132:emotions 981:pansori- 940:pansori, 830:humorous 826:melodies 719:Jungmori 699:Jungmori 642:Sugungga 467:poetry ( 374:pansori' 142:P'ansori 34:require 4213:Pansori 4111:Ta'zīye 4101:Ssireum 4041:Ramlila 4031:Quan họ 4026:Pungmul 4016:Pansori 3959:Naqqāli 3914:Meshrep 3839:Khoomei 3809:Jultagi 3799:Jamdani 3764:Haenyeo 3734:Gimjang 3614:Bunraku 3604:Bokator 3578:Arirang 3448:Táncház 3378:Quan họ 3373:Pirekua 3368:Pansori 3328:Meshrep 3283:Khuumii 3123:Bigwala 3118:Bećarac 3098:Arirang 3063:: Music 3016:YouTube 3006:Pansori 2929:Pansori 2539:"판소리학회" 2498:Pansori 1700:, 2006. 1680:, 2006. 1664:, 2006. 1630:Gallery 1598:pansori 1460:Chuimse 1366:pansori 1333:대마디 대장단 1296:buchida 1294:words, 1284:pansori 1262:hwimori 1260:); 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Hangul
Revised Romanization
McCune–Reischauer
Korean
Korean
singer
drummer
Gugwangdae
buk
gosu
雜歌
劇歌
唱劇調
han
Masterpiece of the Oral and Intangible Heritage of Humanity
Yanbian Korean Autonomous Prefecture
Tieling
South Korean
living national treasures of Korea
Kim Jong Il
Jingukmyeongsan
media help
筋斗
sijo
時調

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