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260:: D-A-E-B. The rhythmic values are established by the text. Each character has a basic note value, and this is lengthened depending on the punctuation and its position within the phrase. Since a period at the end of a sentence generates a note longer than does a comma in the middle of it, the hierarchy of the textual phrases is reflected in the music.
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Christ always has the longest and lowest notes, creating a stark contrast with the other characters. The pitch center for Christ is E, and it is accompanied by a drone and T-voice in the organ. For the turba, the pitch center is again E. The alto and bass voices, again always playing an M role, are
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style. He eventually finished the work in 1982 and it was published in 1989. Since then, it has been recorded four times, and remains one of his most popular works. In much the same way that Pärt was inspired by medieval music in his creation of tintinnabuli, here too he is inspired by the earliest
283:
Pärt divides the
Evangelist text into four sections (50 phrases each), plus a final concluding section of 10 phrases, for a total of 210. Each section begins with a different solo voice, an instrument then joins it, and this pattern continues until all 8 are sounding. The alto and bass voices and
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coinage, referring to the melody voice in a tintinnabuli configuration); the soprano and tenor voices and violin and cello are always T-voices (again, Hillier's coinage referring to the harmonizing voice). In the case where a T-voice is presented alone, the M-voice is simply implied.
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between G-natural and G-sharp, though the two never sound at the same time. Pilate, like Christ, is accompanied only by the organ, but sings in faster rhythmic values and has a higher
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setting of the text of John 18–19, preceded by a short introduction (Exordio) and followed by a brief conclusion (Conclusio). He uses a baritone soloist for
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309:. Pilate's part is the most unstable in the piece, created in part through the use of an M-voice centered on B and a T-voice centered on F (a
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mirrored, and the soprano and tenor T-voices alternate above and below the M-voices. While both are centered on E, the M-voices use E
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apart) and through the refusal of Pilate to be either a T-voice or M-voice, always alternating between these two roles.
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30:"Passio Domini Nostri Jesu Christi secundum Joannem" redirects here. For other Passions with a similar name, see
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In the last word in a phrase ending with a question mark, each syllable would be medium.
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In the last word of a phrase ending with a comma, the stressed syllable would be medium.
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were foremost in Pärt's mind: all of the musical elements in the piece, from
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125:(The Passion of Our Lord Jesus Christ According to John), also known as the
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175:. The work lasts approximately 70 minutes and is a setting of the
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Fischer, Kurt von (1991). "Zur
Johannes-Passion von Arvo Pärt".
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by Arvo Pärt, Helsinki
Chamber Choir, BIS BIS-2612 SACD (2021).
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by Arvo Pärt, Candomino Choir, Finlandia
Records (2001).
232:, and a Soprano-Alto-Tenor-Bass (SATB) quartet for the
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soloists and choir, oboe, bassoon, violin, cello, organ
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in 1980, he took with him the first sketches for the
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220:settings of the Passion. The St. John Passion is a
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122:Passio Domini Nostri Jesu Christi secundum Joannem
18:Passio Domini Nostri Jesu Christi secundum Joannem
461:. Oxford and New York: Oxford University Press.
343:) and thus linking birth and death of Christ to
487:The New Grove Dictionary of Music and Musicians
325:used the two initial chords of the conclusion (
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191:, plus a brief introduction and conclusion.
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211:which would become the culmination of the
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301:in the T-voices; this makes for striking
244:In composing the work, text setting and
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476:Hillier, Paul (2001). "Arvo Pärt". In
284:oboe and bassoon are always M-voices (
1110:Jesus and the woman taken in adultery
27:1982 musical composition by Arvo Pärt
7:
415:New York City Ballet program notes,
698:Cantus in Memoriam Benjamin Britten
279:Otherwise all syllables are short.
25:
1903:Choral compositions by Arvo Pärt
805:
804:
32:St John Passion (disambiguation)
1615:Pillar New Testament Commentary
367:, ECM New Series 837109 (1988).
1:
766:(unspecified instrumentation)
335:, applying them to the words
1254:The truth will set you free
439:Kirchmusikalisches Jahrbuch
1929:
1841:Ohrid Glagolitic fragments
394:Nils Schweckendiek, dir.,
29:
1877:American Standard Version
1610:Second Apocalypse of John
1196:Disciple whom Jesus loved
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44:
1242:That they all may be one
490:(2nd ed.). London:
1085:Bread of Life Discourse
616:Cecilia, vergine romana
391:, Naxos 8555860 (2003).
1544:Via et veritas et vita
1335:Mary, sister of Martha
1248:Via et veritas et vita
1882:World English Version
1236:Quod scripsi, scripsi
1165:Resurrection of Jesus
1588:Johannine literature
1511:I am (biblical term)
1170:Restoration of Peter
758:(violin & piano)
550:List of compositions
492:Macmillan Publishers
428:Hillier 1997, p. 127
1635:(J. S. Bach, 1724)
1581:John the Evangelist
1571:Johannine community
1537:Resurrectio et Vita
1300:Joseph of Arimathea
1213:Feast of Dedication
1100:Healing a paralytic
1095:Healing a blind man
1872:King James Version
1668:The Gospel of John
1660:The Gospel of John
1605:Apocryphon of John
1526:Gate for the Sheep
1521:Light of the World
1218:"Love one another"
1145:Farewell Discourse
1120:Raising of Lazarus
1105:Healing a sick son
792:Reich Richter Pärt
755:Spiegel im Spiegel
321:American composer
263:Value assignment:
1913:1982 compositions
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375:Johannes Passion,
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209:St. John Passion,
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16:(Redirected from
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1908:Passion settings
1867:Wycliffe Version
1600:Textual variants
1576:John the Apostle
1295:John the Baptist
1186:In the beginning
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652:Adam's Lament
649:
646:
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623:Nunc dimittis
621:
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482:Tyrrell, John
479:
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468:0-19-816550-1
464:
459:
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451:Hillier, Paul
448:
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371:Tauno Satomaa
369:
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348:
346:
345:reincarnation
342:
338:
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333:
328:
327:Qui passus es
324:
323:Eric Whitacre
316:
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19:
1666:
1658:
1655:(Pärt, 1982)
1651:
1650:
1630:
1542:
1535:
1461:Jordan River
1451:Jacob's Well
1290:Jesus Christ
1246:
1234:
1227:
1205:
1130:Foot washing
996:Epilogue: 21
803:
790:
781:Tintinnabuli
761:
753:
745:
739:Instrumental
727:
720:
713:
707:
696:
689:
673:
650:
642:
634:
629:Salve Regina
614:
606:
598:
586:
581:Stabat Mater
569:De profundis
485:
456:
442:
438:
424:
416:
411:
395:
384:
381:Antony Pitts
374:
360:
357:Paul Hillier
340:
336:
332:Lux Aurumque
330:
326:
320:
291:
282:
262:
243:
213:tintinnabuli
208:
198:
132:
127:
126:
121:
120:
119:
73:tintinnabuli
71:
1679:Manuscripts
1671:(2014 film)
1663:(2003 film)
1644:Discography
1624:Adaptations
1593:Holy Spirit
1360:Simon Peter
1150:Crucifixion
1140:Last Supper
715:Tabula Rasa
708:Los Angeles
246:declamation
183:, chapters
62:Album cover
1897:Categories
1857:Greek Text
1566:Authorship
1395:Samaritans
1223:Jesus wept
1160:Empty tomb
674:Polyphonic
663:Orchestral
593:Magnificat
403:References
351:Recordings
297:against E
234:evangelist
218:monophonic
131:or simply
1686:Papyrus 2
1639:Structure
1550:True Vine
1504:" sayings
1456:Jerusalem
1441:Capernaum
1431:Bethsaida
1421:Bethabara
1400:Sanhedrin
1390:Sadducees
1385:Pharisees
1345:Nicodemus
1340:Nathanael
1207:Ecce homo
1125:Anointing
747:Für Alina
729:Lamentate
541:Arvo Pärt
457:Arvo Pärt
317:Reception
307:tessitura
286:Hillier's
240:Structure
143:for solo
141:Arvo Pärt
50:Arvo Pärt
1280:Caiaphas
1014:John 1:1
874:Chapters
810:Category
484:(eds.).
453:(1997).
445:: 133–8.
417:Playbill
383:, dir.,
373:, dir.,
359:, dir.,
341:new-born
295:Phrygian
145:baritone
98:Composed
90:Language
1850:Sources
1559:Related
1476:Samaria
1446:Galilee
1426:Bethany
1370:Zebedee
1320:Malchus
1315:Lazarus
1179:Phrases
1058:20:1–31
774:Related
750:(piano)
691:Fratres
575:Te Deum
396:Passio,
385:Passio,
361:Passio,
311:tritone
205:Austria
201:Estonia
195:History
169:bassoon
135:, is a
106:Scoring
46:Passion
1652:Passio
1491:Sychar
1471:Kidron
1409:Places
1380:Angels
1376:Groups
1365:Thomas
1350:Philip
1325:Martha
1270:Andrew
1263:People
1155:Burial
1071:Events
1006:Verses
882:John 1
655:(2009)
647:(2007)
639:(2004)
631:(2001)
625:(2001)
619:(2000)
611:(1997)
603:(1990)
595:(1989)
589:(1989)
587:Passio
583:(1985)
577:(1984)
571:(1980)
498:
465:
258:fifths
250:rhythm
230:Pilate
157:violin
133:Passio
40:Passio
1466:Judea
1275:Annas
1191:Logos
1053:18:38
859:Bible
564:Summa
337:natum
299:major
254:pitch
226:Jesus
177:Latin
173:organ
165:cello
153:choir
149:tenor
93:Latin
68:Style
1502:I AM
1436:Cana
1416:Ænon
1048:14:6
1043:3:16
496:ISBN
463:ISBN
203:for
187:and
171:and
161:oboe
111:SATB
101:1982
80:Text
1836:128
1831:122
1826:121
1821:120
1816:119
1811:109
1806:108
1801:107
1796:106
252:to
139:by
48:by
1899::
1791:95
1786:93
1781:90
1776:84
1771:80
1766:76
1761:75
1756:66
1751:63
1746:60
1741:59
1736:55
1731:52
1726:45
1721:44
1716:39
1711:36
1706:28
1701:22
1038:42
1034:35
1032:;
1030:33
1026:25
1024:;
1022:23
1020:;
1018:20
989:20
984:19
979:18
974:17
969:16
964:15
959:14
954:13
942:12
937:11
932:10
494:.
480:;
443:75
441:.
347:.
189:19
185:18
167:,
163:,
159:,
155:,
1696:6
1691:5
1500:"
1036:–
1028:–
1016:–
927:9
922:8
917:7
912:6
907:5
902:4
897:3
892:2
866:)
862:(
843:e
836:t
829:v
710:)
706:(
676:)
672:(
533:e
526:t
519:v
506:
504:.
471:.
339:(
34:.
20:)
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