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177:. Cobain described Dougans as "I was well envious of Brian, and he was also a couple of years older, which seemed to be very significant when I was in my late teens. He was very much a guiding force, and he was also extremely charismatic." Dougans was producing music for bands but after dance music became popular in the United Kingdom he began working on tracks like "
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The duo released several tracks under aliases, some of which Cobain felt in retrospect were "admittedly dodgy — but we were always looking for the opportunity to start getting weirder, and gradually we found it." Cobain recalled that the music industry at the time was very aimed towards dance singles
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had the song placed on their list of the top 200 singles from the 1990s, with writer Tom Ewing declaring it "A great example of breakbeat techno's early, optimistic peak, when simply nailing the right vocal sample-- here Lisa
Gerrard of Dead Can Dance-- put you halfway to something memorable."
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294:. Cobain described the sampling choices stating that the "Radio Babylon" bass line was "one of the greatest within the culture" while the bass line in "Papua New Guinea" was "kind of a staccato sampled version." The Dead Can Dance sample came from a
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in
Northwest London. The engineer credited on the "Papua New Guinea" was YAGE, who Cobain described as "semi-fictitious and semi-real" and admitting that it was "kind of an alter-ego for the both of us". The name was derived from
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at the time, while
Dougans and Cobain wanted to make what Cobain described as "big, sprawling, cosmic, ambient rock albums — in other words, concept albums — which would be easy for us."
217:, a vision-inducing drink that is made from a psychoactive jungle vine and plants. Cobain described the development of "Papua New Guinea" as him writing, sequencing and playing the
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sent to a band members' girlfriends collection which she received from a man she had been seeing briefly. Cobain stated that he had "always loved Dead Can Dance but I didn't have
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Garry Cobain later referred to the track as not "the best piece of music I've ever written, but it just hit a mindset". From retrospective reviews and commentary,
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leading him to develop his own music, and that after
Dougans "ran into some trouble", they teamed up to become the group that would develop into
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173:. At the school he met Brian Dougans who was studying sound recording and was also a fan of Factory Records bands like
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Garry Cobain described himself as being "bit of an indie kid" in the mid 1980s, being a fan of the
Manchester-based
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held off releasing it for about 9 months and only released it after "Papua New Guinea" became a hit.
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top-line synth parts live, and doing the same for the strings which were triggered from the
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was developed at Future Sound of London's studio called
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described the track as a "sumptuous, gorgeously emotional rave anthem".
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A Monstrous
Psychedelic Bubble Exploding in Your Mind: Volume 1
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Energy Flash: A Journey
Through Rave Music and Dance Culture
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University of Manchester Institute of Science and Technology
654:"Classic Tracks: Future Sound Of London 'Papua New Guinea'"
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The Far-Out Son of Lung and the Ramblings of a Madman
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467:: CS1 maint: others in cite AV media (notes) (
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652:Buskin, Richard (November 2006).
1515:The Future Sound of London songs
273:Problems playing this file? See
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141:. The single reached #22 on the
317:The song later featured on the
691:Ewing, Tom (August 31, 2010).
598:. December 7, 1991. p. 22
321:for the hybrid animation film
1:
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775:Papua New Guinea Translations
169:This led Cobain going to the
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187:Enterprise Allowance Scheme
131:. It was the group's debut
97:Garry Cobain, Brian Dougans
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832:The Future Sound of London
629:. May 23, 1992. p. 20
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1171:From the Archives Vol. 6
1164:From the Archives Vol. 5
1157:From the Archives Vol. 4
1122:From the Archives Vol. 3
1115:From the Archives Vol. 2
1108:From the Archives Vol. 1
987:The Isness/The Otherness
486:"Future Sound of London"
286:'s "Radio Babylon" with
1319:Principles of Motion EP
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1129:Zeebox 1984-1987 Vol. 1
420:Official Charts Company
388:Official Charts Company
618:"Top 60 Dance Singles"
587:"Top 60 Dance Singles"
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191:Future Sound of London
129:Future Sound of London
41:Future Sound of London
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1439:Papua New Guinea 2001
1432:Stakker Humanoid 2001
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300:that particular album
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1362:Stakker Humanoid '92
1231:Your Body Sub Atomic
911:The Woodlands of Old
676:. Soft Skull Press.
404:Dance Singles Chart
372:Dance Singles Chart
1369:People Livin' Today
897:The San Monta Tapes
463:cite AV media notes
284:Meat Beat Manifesto
1520:1991 debut singles
994:Alice in Ultraland
980:Tales of Ephidrina
664:on March 15, 2018.
247:"Papua New Guinea"
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1143:By Any Other Name
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384:UK Singles Chart
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119:" is a 1991
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869:Accelerator
550:Buskin 2006
312:Accelerator
210:Dollis Hill
206:Accelerator
197:Development
149:Development
138:Accelerator
104:Producer(s)
1510:1991 songs
1504:Categories
1418:My Kingdom
1376:Metropolis
1326:Pulse 3 EP
1305:Pulse 2 EP
1210:Eurotechno
1185:Archived 8
626:Music Week
595:Music Week
574:Ewing 2010
432:References
402:Music Week
370:Music Week
324:Cool World
275:media help
154:Background
1404:Lifeforms
1224:4 Forests
1094:Earthbeat
1076:ISDN Show
963:Albums as
876:Lifeforms
361:Position
341:Pitchfork
331:Reception
1460:Divinity
1397:Expander
672:(2012).
62:Recorded
47:Released
1390:Cascade
1263:Tonight
796:Discogs
781:Discogs
766:Discogs
751:Discogs
736:Discogs
721:Discogs
646:Sources
306:Release
296:mixtape
123:by the
52: (
1270:A.S.T.
1203:Global
680:
358:Chart
348:Charts
133:single
127:group
71:Studio
37:Single
621:(PDF)
590:(PDF)
412:2001
398:1992
380:1992
366:1991
355:Year
229:Music
81:Label
1342:(CD)
1256:Slam
1069:ISDN
678:ISBN
635:2020
604:2020
498:2020
469:link
223:1040
215:Yajé
121:song
109:Yage
65:1991
54:1991
50:1991
794:at
779:at
764:at
749:at
734:at
719:at
425:28
393:22
375:42
39:by
1506::
695:.
656:.
623:.
592:.
506:^
477:^
465:}}
461:{{
440:^
422:)
407:1
390:)
225:.
193:.
145:.
1312:Q
1277:Q
824:e
817:t
810:v
699:.
686:.
637:.
606:.
576:.
552:.
500:.
471:)
418:(
386:(
277:.
265:.
115:"
56:)
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