503:
with critics, he told her she was right. As filming began, Gable felt very uneasy with his role, either unable or unwilling to portray the sensitive nature required to capture the character. Loy later recalled, "I learned about another side of him at that time. He was a man who loved poetry and fine literature, read it, and knew it. He would read poetry to me sometimes during breaks, but he didn't want anyone to know it." One of the many concerns that Gable had about this production was the acting that would be required of him to play out a believable death scene. During the filming of the death scene, Stahl put on mood music to help the actors get into character. Gable loathed the music and complained to
29:
499:. Another issue was how much to alter Gable's appearance to suit the period when the film took place. Fans balked at the idea of Gable wearing a beard as the real Parnell had done, and Gable, whose limit in facial hair was his mustache, agreed with them. He wound up adding only a set of sideburns instead of a beard.
552:
has been labeled the worst film in both Gable's and Loy's long and successful film careers. Loy said of the film later, "Disgruntled fans wrote to the studio by the thousands — they did that in those days. Some of the critics complained that we played against type. We were actors, for God's sake. We
502:
The film was Gable’s pet project. He insisted MGM make the film and wanted Joan
Crawford as his co-star. She correctly thought the story was dull and would not agree to star in it with him. Gable was so upset he refused to speak to her for months. Later, when the film bombed at the box office and
536:
gave the film a mildly poor review, decrying the anodyne and sterilized story and condemning "the Metro-Goldwyn-Mayer dream of how history should have happened". Greene's only concession was that he was well "pleas to think how ... virginal and high-minded" were MGM's dreams.
257:. The movie addresses the sex scandal that destroyed Parnell's political career, but its treatment of the subject is highly sanitized (and fictionalized) in keeping with Hollywood content restrictions at the time.
1237:
403:
1182:
1187:
818:
1222:
1232:
1177:
485:
734:
419:
1217:
1207:
880:
1172:
1040:
1008:
708:
542:
253:
1128:
1212:
1202:
1197:
251:, the famous Irish politician. It was Gable's least successful film and is generally considered his worst, and it is listed in
1104:
680:
1227:
1192:
1144:
1032:
904:
790:
167:
984:
888:
811:
1088:
1064:
1024:
570:
554:
920:
896:
660:
528:
1016:
968:
366:
291:
270:
248:
1056:
804:
460:
375:
357:
1136:
912:
856:
778:
371:
1072:
872:
632:
320:
1167:
1120:
1112:
1096:
944:
668:
643:
558:
490:
348:
315:
240:
156:
574:, but he was persuaded otherwise, and ultimately went on to his greatest success with his role as
568:, Gable vowed never to do a costume drama or biopic again. Its failure made Gable afraid of doing
976:
936:
523:
earned $ 992,000 in the US and Canada and $ 584,000 elsewhere, resulting in a loss of $ 637,000.
495:
442:
131:
730:
1080:
992:
864:
840:
756:
704:
676:
448:
324:
300:
236:
1000:
960:
493:
flipped the assignments as
Crawford did not want to do another costume picture after 1936's
415:
344:
389:
305:
266:
103:
28:
619:
508:
504:
436:
393:
333:
1161:
828:
655:
533:
507:. The next day, when Stahl called for the music to be turned on, a jazzy version of "
476:
454:
424:
380:
55:
39:
783:
952:
848:
575:
399:
384:
362:
338:
329:
311:
108:
796:
698:
928:
430:
353:
287:
244:
141:
121:
93:
772:
480:
296:
98:
767:
761:
603:. Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
750:
618:. Palm Springs, California. July 2, 1937. p. 2 – via
475:
had originally been cast to star Gable and his frequent co-star
800:
700:
The Fifty Worst Movies of All Time (and How They Got That Way)
614:"Myrna Loy And Clark Gable In "Parnall" At Banning Theatre".
543:
The Fifty Worst Films of All Time (and How They Got That Way)
703:(First ed.). Angus & Robertson. p. 288.
546:
by Harry Medved, Randy
Dreyfuss, and Michael Medved.
220:
212:
204:
196:
173:
163:
147:
137:
127:
117:
86:
78:
64:
45:
35:
21:
812:
675:. Oxford University Press. pp. 155–156.
509:I'll Be Glad When You're Dead, You Rascal You
8:
819:
805:
797:
27:
18:
658:(22 July 1937). "Parnell/Call It a Day".
595:
593:
591:
511:", went floating throughout the studio.
587:
540:The film was included in the 1978 book
7:
14:
1238:English-language historical films
265:The life of Irish politician and
254:The Fifty Worst Films of All Time
1183:Films directed by John M. Stahl
1188:American black-and-white films
1:
1223:1930s English-language films
791:AFI Catalog of Feature Films
483:, meanwhile, was to star in
1233:Films scored by William Axt
1178:American biographical films
1254:
433:as House of Commons Member
16:1937 film by John M. Stahl
1218:American historical films
1208:Metro-Goldwyn-Mayer films
835:
519:According to MGM records
26:
1173:1930s biographical films
897:The Child Thou Gavest Me
486:The Last of Mrs. Cheyney
427:as Irish Cop in New York
1105:The Keys of the Kingdom
633:Parnell (1937) Articles
601:The Eddie Mannix Ledger
292:Charles Stewart Parnell
271:Charles Stewart Parnell
249:Charles Stewart Parnell
1213:1930s historical films
1203:Films set in the 1890s
1198:Films set in the 1880s
1145:Oh, You Beautiful Doll
1057:Letter of Introduction
881:The Woman in His House
697:Medved, Harry (1978).
439:as Sir Richard Webster
182:June 4, 1937
74:by Elsie T. Schauffler
1137:Father Was a Fullback
1041:Magnificent Obsession
1009:Strictly Dishonorable
644:Parnell (1937) Trivia
1228:1930s American films
1193:Films set in Ireland
1129:The Walls of Jericho
873:The Woman Under Oath
669:Taylor, John Russell
1121:The Foxes of Harrow
1113:Leave Her to Heaven
1097:The Eve of St. Mark
1065:When Tomorrow Comes
945:Husbands and Lovers
491:Metro-Goldwyn-Mayer
404:Sir Charles Russell
241:Metro-Goldwyn-Mayer
235:is a 1937 American
157:Metro-Goldwyn-Mayer
937:Why Men Leave Home
827:Films directed by
779:TCM Movie Database
571:Gone with the Wind
496:The Gorgeous Hussy
349:The O'Gorman Mahon
132:Frederick Y. Smith
1155:
1154:
1081:Immortal Sergeant
1033:Imitation of Life
993:A Lady Surrenders
921:The Dangerous Age
865:Her Code of Honor
841:The Lincoln Cycle
673:The Pleasure Dome
449:Frank McGlynn Sr.
237:biographical film
228:
227:
1245:
961:The Gay Deceiver
905:The Song of Life
821:
814:
807:
798:
738:
728:
722:
721:
719:
717:
694:
688:
686:
665:
652:
646:
641:
635:
630:
624:
623:
611:
605:
604:
597:
416:Halliwell Hobbes
345:Berton Churchill
308:as Aunt Ben Wood
189:
187:
31:
19:
1253:
1252:
1248:
1247:
1246:
1244:
1243:
1242:
1158:
1157:
1156:
1151:
985:In Old Kentucky
889:Sowing the Wind
831:
825:
747:
742:
741:
729:
725:
715:
713:
711:
696:
695:
691:
683:
667:
666:(reprinted in:
654:
653:
649:
642:
638:
631:
627:
613:
612:
608:
599:
598:
589:
584:
561:all the time."
517:
470:
410:Uncredited cast
396:/ Dr. Gillespie
390:Neil Fitzgerald
306:Edna May Oliver
279:
263:
192:
185:
183:
176:
159:
152:
150:
142:Dr. William Axt
113:
104:Edna May Oliver
73:
71:
60:
52:John Van Druten
17:
12:
11:
5:
1251:
1249:
1241:
1240:
1235:
1230:
1225:
1220:
1215:
1210:
1205:
1200:
1195:
1190:
1185:
1180:
1175:
1170:
1160:
1159:
1153:
1152:
1150:
1149:
1141:
1133:
1125:
1117:
1109:
1101:
1093:
1089:Holy Matrimony
1085:
1077:
1069:
1061:
1053:
1045:
1037:
1029:
1025:Only Yesterday
1021:
1013:
1005:
997:
989:
981:
973:
965:
957:
949:
941:
933:
925:
917:
913:One Clear Call
909:
901:
893:
885:
877:
869:
861:
853:
845:
836:
833:
832:
826:
824:
823:
816:
809:
801:
795:
794:
793:
781:
770:
759:
746:
745:External links
743:
740:
739:
723:
709:
689:
681:
671:, ed. (1980).
656:Greene, Graham
647:
636:
625:
620:Newspapers.com
616:The Desert Sun
606:
586:
585:
583:
580:
555:Blackie Norton
516:
513:
505:Carole Lombard
469:
466:
465:
464:
461:Frank Sheridan
458:
452:
446:
440:
437:Murray Kinnell
434:
428:
422:
407:
406:
397:
387:
378:
369:
360:
351:
342:
336:
327:
325:William O'Shea
318:
309:
303:
294:
278:
275:
262:
259:
226:
225:
222:
218:
217:
214:
210:
209:
206:
202:
201:
198:
194:
193:
191:
190:
179:
177:
174:
171:
170:
165:
164:Distributed by
161:
160:
155:
153:
148:
145:
144:
139:
135:
134:
129:
125:
124:
119:
118:Cinematography
115:
114:
112:
111:
106:
101:
96:
90:
88:
84:
83:
80:
76:
75:
66:
62:
61:
59:
58:
53:
49:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1250:
1239:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1216:
1214:
1211:
1209:
1206:
1204:
1201:
1199:
1196:
1194:
1191:
1189:
1186:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1165:
1163:
1147:
1146:
1142:
1139:
1138:
1134:
1131:
1130:
1126:
1123:
1122:
1118:
1115:
1114:
1110:
1107:
1106:
1102:
1099:
1098:
1094:
1091:
1090:
1086:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1011:
1010:
1006:
1003:
1002:
998:
995:
994:
990:
987:
986:
982:
979:
978:
974:
971:
970:
966:
963:
962:
958:
955:
954:
950:
947:
946:
942:
939:
938:
934:
931:
930:
926:
923:
922:
918:
915:
914:
910:
907:
906:
902:
899:
898:
894:
891:
890:
886:
883:
882:
878:
875:
874:
870:
867:
866:
862:
859:
858:
854:
851:
850:
846:
843:
842:
838:
837:
834:
830:
829:John M. Stahl
822:
817:
815:
810:
808:
803:
802:
799:
792:
789:
787:
786:
782:
780:
776:
775:
771:
769:
765:
764:
760:
758:
754:
753:
749:
748:
744:
736:
732:
731:TCM - Parnell
727:
724:
712:
710:9780207958915
706:
702:
701:
693:
690:
684:
678:
674:
670:
663:
662:
661:Night and Day
657:
651:
648:
645:
640:
637:
634:
629:
626:
621:
617:
610:
607:
602:
596:
594:
592:
588:
581:
579:
577:
573:
572:
567:
562:
560:
556:
551:
547:
545:
544:
538:
535:
534:Graham Greene
531:
530:
529:Night and Day
524:
522:
514:
512:
510:
506:
500:
498:
497:
492:
488:
487:
482:
478:
477:Joan Crawford
474:
467:
462:
459:
456:
455:Lee Strasberg
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
425:Robert Homans
423:
421:
417:
414:
413:
412:
411:
405:
401:
398:
395:
391:
388:
386:
382:
381:Brandon Tynan
379:
377:
373:
372:Byron Russell
370:
368:
364:
361:
359:
355:
352:
350:
346:
343:
341:as Clara Wood
340:
337:
335:
331:
328:
326:
322:
319:
317:
313:
310:
307:
304:
302:
298:
295:
293:
289:
286:
285:
284:
283:
282:Credited cast
276:
274:
272:
268:
260:
258:
256:
255:
250:
246:
242:
238:
234:
233:
224:$ 1.6 million
223:
219:
216:$ 1.5 million
215:
211:
207:
203:
200:United States
199:
195:
181:
180:
178:
172:
169:
166:
162:
158:
154:
146:
143:
140:
136:
133:
130:
126:
123:
120:
116:
110:
107:
105:
102:
100:
97:
95:
92:
91:
89:
85:
82:John M. Stahl
81:
77:
70:
67:
63:
57:
56:S. N. Behrman
54:
51:
50:
48:
44:
41:
40:John M. Stahl
38:
34:
30:
25:
20:
1143:
1135:
1127:
1119:
1111:
1103:
1095:
1087:
1079:
1071:
1063:
1055:
1048:
1047:
1039:
1031:
1023:
1015:
1007:
999:
991:
983:
975:
967:
959:
953:Fine Clothes
951:
943:
935:
927:
919:
911:
903:
895:
887:
879:
871:
863:
855:
849:Wives of Men
847:
839:
784:
773:
762:
751:
726:
714:. Retrieved
699:
692:
672:
659:
650:
639:
628:
615:
609:
600:
576:Rhett Butler
569:
565:
563:
559:Nora Charles
553:couldn't be
549:
548:
541:
539:
527:
526:Writing for
525:
520:
518:
501:
494:
484:
472:
471:
451:as Pat Hogan
409:
408:
400:George Zucco
363:Montagu Love
339:Billie Burke
330:Donald Crisp
321:Alan Marshal
312:Edmund Gwenn
301:Katie O'Shea
281:
280:
264:
252:
239:produced by
231:
230:
229:
175:Release date
109:Edmund Gwenn
68:
1017:Back Street
969:Memory Lane
929:The Wanters
431:Olaf Hytten
354:Donald Meek
323:as Captain
288:Clark Gable
245:Clark Gable
243:, starring
168:Loew's Inc.
122:Karl Freund
94:Clark Gable
79:Produced by
36:Directed by
1168:1937 films
1162:Categories
682:0192812866
582:References
564:Following
468:Production
463:as Sheriff
443:Frank Mayo
420:W.H. Smith
221:Box office
186:1937-06-04
149:Production
46:Written by
857:Suspicion
532:in 1937,
515:Reception
481:Myrna Loy
367:Gladstone
297:Myrna Loy
269:activist
267:Home Rule
128:Edited by
99:Myrna Loy
72:1935 play
1073:Our Wife
768:AllMovie
735:archived
489:(1937).
445:as Judge
316:Campbell
205:Language
138:Music by
87:Starring
65:Based on
1049:Parnell
788:at the
785:Parnell
777:at the
774:Parnell
763:Parnell
752:Parnell
566:Parnell
550:Parnell
521:Parnell
473:Parnell
385:Redmond
232:Parnell
208:English
197:Country
184: (
151:company
69:Parnell
22:Parnell
1148:(1949)
1140:(1949)
1132:(1948)
1124:(1947)
1116:(1945)
1108:(1944)
1100:(1944)
1092:(1943)
1084:(1943)
1076:(1941)
1068:(1939)
1060:(1938)
1052:(1937)
1044:(1935)
1036:(1934)
1028:(1933)
1020:(1932)
1012:(1931)
1004:(1931)
996:(1930)
988:(1927)
980:(1927)
977:Lovers
972:(1926)
964:(1926)
956:(1925)
948:(1924)
940:(1924)
932:(1923)
924:(1923)
916:(1922)
908:(1922)
900:(1921)
892:(1921)
884:(1920)
876:(1919)
868:(1919)
860:(1918)
852:(1918)
844:(1917)
716:16 May
707:
679:
457:as Pat
394:Pigott
358:Murphy
334:Davitt
213:Budget
376:Healy
1001:Seed
757:IMDb
718:2021
705:ISBN
677:ISBN
557:and
277:Cast
261:Plot
766:at
755:at
418:as
402:as
392:as
383:as
374:as
365:as
356:as
347:as
332:as
314:as
299:as
290:as
247:as
1164::
590:^
578:.
479:.
273:.
820:e
813:t
806:v
737:)
733:(
720:.
687:)
685:.
664:.
622:.
188:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
