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Paradise: Love

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236:. With the encouragement of other middle-aged women at the resort, she encounters younger men and has sex with them. At the same time, she worries whether they really find her attractive, and she often expresses concerns about her age, weight and appearance. Although the men profess love for her, some from the first moment they see her, she is wary at first. The men persist, calling her "Schatz" (treasure) and "love," but ultimately they are soliciting her money. The importance of these "sugar mama" tourists is evident when the women leave the resort and are constantly solicited and approached by groups of men who profess their love in German and English. 341:
scene would contain, but no scripted lines, and was constantly reworked during filming. Scenes were shot chronologically to make unexpected turns possible and leave the ending open. As Seidl had difficulties choosing one of the two final candidates for the male lead, he decided to start filming with both and changed the story according to how it played out. In the script, the main character had been an experienced sex tourist, but when Seidl saw the actors interact, he decided to rewrite it as her first time in Kenya, as it would look more credible that way.
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father abandoned her. Over the course of a few scenes, Munga and his relatives manage to pressure her into giving more and more money until her wallet is literally empty. It becomes clear that he is interested entirely in her money, but at the same time, she objectifies him by taking nude photos of him while he sleeps. She eventually loses touch with him and returns to her hotel, later finding him in the sea with the woman he claimed was his sister. She realizes that the woman is actually his wife and confronts him, pulling his hair and slapping him.
399:, that results in memorable, highly convincing naturalistic moments as Teresa discusses her desires and vulnerability with a giggly fellow sex tourist or bitterly confronts the reality of a country where love is a transaction rather than a genuine response of the heart. It also creates a rambling, overlong film that just doesn’t grip sufficiently to overcome the predictability of the story." Leslie Felperin wrote in 340:
Principal photography of the whole three-part project took place between 22 October 2009 and 14 September 2010 in Kenya and Vienna. Everything was shot on location, so that real events could be captured along with the fictitious content. The screenplay contained instructions for what information each
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Teresa tries several times to call her daughter back in Austria, but is consistently unable to reach her. She leaves messages to remind her that she would like to receive a call on her birthday, but never manages to make contact. Teresa's friends hire a male stripper for her birthday, who dances nude
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wrote with his wife Veronika Franz, consisting of six stories about Westerners who travel to developing countries as tourists. Sex tourism became a recurring motif in the script. The project was then reworked to focus more on a single family, and was in that incarnation supposed to be a 130-minute
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was the most elaborated of the three. Seidl considered setting it in other parts of the world where female sex tourism is common, but chose Kenya, and Africa, partially because the colonial history would add another layer to the film. The team traveled in Kenya for two years looking for the right
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She builds a brief relationship with a man named Munga, who has sex with her and introduces her to a woman he claims is his sister. Together, they convince Teresa to give them several thousand shillings (hundreds of Euros) for their relatives in the hospital and for her baby by claiming that his
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Editing of the whole project took one year and a half. Seidl went through many rough cuts of which he thought several were good films, but realised that no matter what, it was going to end up five and a half hours long. He also thought the three different stories weakened each other, instead of
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Later Teresa invites the bartender of her resort into her room and instructs him to kiss her on various body parts, which he does. When she tells him to kiss her genital area, however, he refuses. Angrily, she tells him to get out and cries alone on the bed.
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The film was produced through the director's Austrian company Ulrich Seidl Film, with Germany's Tat Film and France's Société Parisienne as co-producers. Further co-production support came from the broadcasters
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locations. Casting of the lead actress took one year before Margarethe Tiesel won the part. The cast is a mix of professionals and first-time actors; the "Beach Boys" were locals found on the Kenyan beaches.
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is hardly the first film to explore the world of wealthy women and the young studs who service them; it's not even the first to do it in a sex-tourism context, having been beaten to the punch by 2006's
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adheres to methods of working without a traditional script and developing individual scenes from detailed planning and the interaction of professional and non-professional actors. In
329: 416:. But it sure as hell is the dirtiest. ... Repulsive and sublimely beautiful, arguably celebratory and damning of its characters, it's hideous and masterful all at once, 247:
for them. They are disappointed that they do not succeed much in sexually arousing him, despite dancing, taking their clothes off, and touching him all over.
565: 682: 654: 996: 304:, consisting of three parallel stories, each focusing on one family member—two adult sisters and a daughter—searching for paradisiac experiences. 217: 823: 350:
making each other more interesting. The decision was then taken to split the project into three separate films, and release them as a trilogy.
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She meets another man on the beach and begins another sexual relationship, which ends abruptly when he also asks her for money.
1026: 1006: 986: 1011: 317: 194:. The project is an Austrian production with co-producers in Germany and France. It is the first installment in Seidl's 1001: 816: 779: 324:
and Degeto. The project received funding from the Austrian Film Institute, Filmfonds Wien, Land Niederösterreich,
981: 453: 362: 205: 131: 573: 739: 796: 908: 744: 428: 213: 809: 512: 1021: 846: 687: 633: 412: 387: 971: 106: 918: 717: 401: 594: 484: 774: 28: 865: 195: 886: 712: 367: 177: 896: 373: 965: 945: 935: 856: 833: 659: 296: 187: 39: 801: 191: 790: 540: 190:. It tells the story of a 50-year-old Austrian woman who travels to Kenya as a 325: 71: 768: 454:"Paradise: Love in the competition oft the 65. Film festival of Cannes" 229: 198:, a project first conceived as one film with three parallel stories. 233: 321: 805: 655:"Erstmals zwei österreichische Filme im Wettbewerb von Cannes" 785: 377:, are planned to appear at forthcoming film festivals. 332:
and Medien- und Filmgesellschaft Baden-WĂĽrttemberg.
208:. It subsequently screened within such festivals as 572:(in German). Vienna Film Commission. Archived from 159: 151: 141: 113: 95: 87: 77: 63: 55: 45: 35: 21: 361:premiered on 18 May 2012 in competition at the 535: 533: 817: 478: 476: 474: 8: 513:"Paradise – A feature film by Ulrich Seidl" 824: 810: 802: 706: 704: 27: 18: 295:The origin of the film was a screenplay 228:50-year-old Austrian woman Teresa is on 16:2012 drama film directed by Ulrich Seidl 445: 218:New Zealand International Film Festival 7: 365:. The trilogy's other installments, 210:Toronto International Film Festival 186:) is a 2012 drama film directed by 14: 330:National Center of Cinematography 740:"Paradise: Love: Cannes Review" 711:Felperin, Leslie (2012-05-17). 604:. Ulrich Seidl Produktion. 2012 997:Films directed by Ulrich Seidl 1: 485:"Interview with Ulrich Seidl" 738:Rooney, David (2012-05-17). 681:Hunter, Allan (2012-05-17). 300:feature film with the title 266:Inge Maux as Teresa's friend 977:2010s German-language films 653:Staff writer (2012-04-19). 260:Margarethe Tiesel as Teresa 1043: 840: 595:"The Ulrich Seidl Method" 547:. Austrian Film Institute 494:. Ulrich Seidl Produktion 363:65th Cannes Film Festival 206:2012 Cannes Film Festival 26: 992:Films about prostitution 602:Paradise: Love press kit 492:Paradise: Love press kit 1017:Films about vacationing 797:Austrian Film Institute 570:viennafilmcommission.at 483:Philipp, Claus (2012). 745:The Hollywood Reporter 429:The Hollywood Reporter 307:The story that became 263:Peter Kazungu as Munga 214:Maryland Film Festival 181: 1027:Prostitution in Kenya 432:compared the film to 232:in a beach resort in 122:18 May 2012 91:Christof Schertenleib 1007:Films shot in Vienna 987:Austrian drama films 688:Screen International 634:Cannes Film Festival 424:Screen International 422:with sunburn." Also 388:Screen International 132:Cannes Film Festival 1012:Films shot in Kenya 519:. Ulrich Seidl Film 460:. Ulrich Seidl Film 107:Coproduction Office 1002:Films set in Kenya 832:Films directed by 630:festival-cannes.fr 623:"Screenings guide" 436:in their reviews. 405:: "Ulrich Seidl's 104:Ulrich Seidl Film 959: 958: 541:"Paradies: Liebe" 381:Critical response 169: 168: 67:Margarethe Tiesel 1034: 982:2012 drama films 950: 940: 930: 923: 913: 901: 891: 881: 871: 861: 851: 826: 819: 812: 803: 756: 755: 753: 752: 735: 729: 728: 726: 725: 713:"Paradise: Love" 708: 699: 698: 696: 695: 683:"Paradise: Love" 678: 672: 671: 669: 668: 650: 644: 643: 641: 640: 627: 619: 613: 612: 610: 609: 599: 591: 585: 584: 582: 581: 562: 556: 555: 553: 552: 537: 528: 527: 525: 524: 509: 503: 502: 500: 499: 489: 480: 469: 468: 466: 465: 450: 385:Allan Hunter of 204:competed at the 196:Paradise trilogy 129: 127: 31: 19: 1042: 1041: 1037: 1036: 1035: 1033: 1032: 1031: 962: 961: 960: 955: 943: 933: 926: 916: 909:In the Basement 906: 894: 884: 874: 864: 854: 844: 836: 830: 765: 760: 759: 750: 748: 737: 736: 732: 723: 721: 710: 709: 702: 693: 691: 680: 679: 675: 666: 664: 652: 651: 647: 638: 636: 625: 621: 620: 616: 607: 605: 597: 593: 592: 588: 579: 577: 564: 563: 559: 550: 548: 545:filminstitut.at 539: 538: 531: 522: 520: 511: 510: 506: 497: 495: 487: 482: 481: 472: 463: 461: 452: 451: 447: 442: 383: 368:Paradise: Faith 356: 347: 345:Post-production 338: 293: 288: 257: 226: 183:Paradies: Liebe 164: 144: 137: 125: 123: 116: 109: 105: 100: 98: 82: 81:Wolfgang Thaler 70: 68: 50: 17: 12: 11: 5: 1040: 1038: 1030: 1029: 1024: 1019: 1014: 1009: 1004: 999: 994: 989: 984: 979: 974: 964: 963: 957: 956: 954: 953: 952: 951: 941: 924: 914: 904: 903: 902: 892: 882: 862: 852: 841: 838: 837: 831: 829: 828: 821: 814: 806: 800: 799: 792:Paradise: Love 788: 781:Paradise: Love 777: 770:Paradise: Love 764: 763:External links 761: 758: 757: 730: 700: 673: 645: 614: 586: 557: 529: 517:ulrichseidl.at 504: 470: 458:ulrichseidl.at 444: 443: 441: 438: 407:Paradise: Love 382: 379: 374:Paradise: Hope 359:Paradise: Love 355: 352: 346: 343: 337: 334: 309:Paradise: Love 292: 289: 287: 284: 283: 282: 281:Carlos Mkutano 279: 278:Josphat Hamisi 276: 275:Gabriel Mwarua 273: 270: 269:Dunja Sowinetz 267: 264: 261: 256: 253: 225: 222: 202:Paradise: Love 173:Paradise: Love 167: 166: 161: 157: 156: 153: 149: 148: 145: 142: 139: 138: 136: 135: 119: 117: 114: 111: 110: 103: 101: 96: 93: 92: 89: 85: 84: 79: 78:Cinematography 75: 74: 65: 61: 60: 57: 53: 52: 51:Veronika Franz 47: 43: 42: 37: 33: 32: 24: 23: 22:Paradise: Love 15: 13: 10: 9: 6: 4: 3: 2: 1039: 1028: 1025: 1023: 1020: 1018: 1015: 1013: 1010: 1008: 1005: 1003: 1000: 998: 995: 993: 990: 988: 985: 983: 980: 978: 975: 973: 970: 969: 967: 948: 947: 942: 938: 937: 932: 931: 929: 925: 921: 920: 915: 911: 910: 905: 899: 898: 893: 889: 888: 883: 879: 878: 873: 872: 870: 868: 863: 859: 858: 857:Import/Export 853: 849: 848: 843: 842: 839: 835: 827: 822: 820: 815: 813: 808: 807: 804: 798: 794: 793: 789: 787: 783: 782: 778: 776: 772: 771: 767: 766: 762: 747: 746: 741: 734: 731: 720: 719: 714: 707: 705: 701: 690: 689: 684: 677: 674: 662: 661: 656: 649: 646: 635: 631: 624: 618: 615: 603: 596: 590: 587: 576:on 2011-07-06 575: 571: 567: 561: 558: 546: 542: 536: 534: 530: 518: 514: 508: 505: 493: 486: 479: 477: 475: 471: 459: 455: 449: 446: 439: 437: 435: 434:Heading South 431: 430: 425: 421: 420: 415: 414: 413:Heading South 408: 404: 403: 398: 394: 390: 389: 380: 378: 376: 375: 370: 369: 364: 360: 353: 351: 344: 342: 335: 333: 331: 328:, the French 327: 323: 319: 313: 310: 305: 303: 298: 290: 285: 280: 277: 274: 271: 268: 265: 262: 259: 258: 254: 252: 248: 244: 241: 237: 235: 231: 223: 221: 219: 215: 211: 207: 203: 199: 197: 193: 189: 185: 184: 179: 175: 174: 162: 158: 154: 150: 146: 140: 133: 121: 120: 118: 112: 108: 102: 94: 90: 86: 80: 76: 73: 69:Peter Kazungu 66: 62: 58: 54: 48: 44: 41: 38: 34: 30: 25: 20: 944: 934: 928:Wicked Games 927: 917: 907: 895: 885: 876: 875: 866: 855: 845: 834:Ulrich Seidl 791: 786:Dog And Wolf 780: 769: 749:. 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Index


Ulrich Seidl
Inge Maux
Coproduction Office
Cannes Film Festival
German
Ulrich Seidl
sex tourist
Paradise trilogy
2012 Cannes Film Festival
Toronto International Film Festival
Maryland Film Festival
New Zealand International Film Festival
holiday
Kenya
Ulrich Seidl
ORF
Arte
Eurimages
National Center of Cinematography
65th Cannes Film Festival
Paradise: Faith
Paradise: Hope
Screen International
Variety
Heading South
Salo
The Hollywood Reporter
"Paradise: Love in the competition oft the 65. Film festival of Cannes"

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