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Os Paralamas do Sucesso

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269:, and performed in small venues. Their setlist was not quite serious (with songs like "Pingüins, Já Não Os Vejo Pois Não Está na Estação", or "I No Longer See Penguins, Because They're Out of Season"), and they tried to create a name for the band in the same spirit, with the first option being "As Cadeirinhas da Vovó", or "Grandma's Little Chairs". The name "Paralamas do Sucesso" (meaning "Mudflaps of Success") was coined by Bi, and adopted because all three of them thought it was really funny. In the beginning, Herbert was only the guitar player, and the group had two lead singers, Ronel e Naldo, both of whom departed in 1982. 42: 739:, which exposed the social and political realities of Brazil. They went even further with "Luís Inácio (300 Picaretas)", which openly criticized the Brazilian Congress. The band faced tragedy following Herbert's accident but remained cohesive and committed to Brazilian rock. In 2011, the band celebrated 25 years together by re-releasing their most influential album, 727:. Movement toward a more Afro-Brazilian sound was also the result of the explosion of funk, hip-hop, and rap internationally. Os Paralamas are best remembered for their reggae-afrobrazilian-ska beats. Throughout its 30 years of existence, the band has continuously produced successful albums as well as controversial discs, like 552:, at the time a Federal Deputy, that the National Congress was formed by some honored men and 300 quacks. The return to easily understandable songs and the pop genre helped the band's comeback to commercial and critical acclaim. This resulted in the best-selling album of their career, with almost a million copies sold. 284:"Vital e sua Moto", which the band sent to FM station Rádio Fluminense, which was the first to broadcast many bands that would eventually achieve national recognition in Brazil. The song received substantial airplay in the summer of 1983, and the Paralamas made their first major appearance opening for 655:
Herbert eventually woke up from his coma, but was left in a wheelchair and battled long-term difficulties with speaking and playing after the accident. After many years of therapy, Herbert has made significant strides in his recovery, despite the permanent damage done to his brain. Even during this
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in 1986. The album opposed the "manipulation" of the band's first release from its cover (featuring Bi's younger brother in the middle of the woods wearing only a shirt around his waist) and incorporated a bold mixture of reggae, rock and African rhythms. Produced by Liminha (former bass player for
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In 1987 and 1988, Afro-Bahian rhythms began to influence the sound of some of the major Brazilian rock bands, most notably Os Paralamas do Sucesso. This created a break with the influence of English-oriented, North American rock groups that originally inspired Brazilian bands. With this new sound,
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magazine as one of the most influential guitarists in the nation's musical history. Bi Ribeiro was also listed as one of the best bass players in Brazil and João Barone is frequently referred as one of Brazil's top drummers. The band celebrated their 30 years together by going on tour in 2012.
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they were able to criticize foreign, mainstream music while simultaneously creating new opportunities for Brazilian rock groups and a more genuinely Brazil-oriented music. This new sound also followed in the tradition of the politically-influenced artists from the 1960s and 1970s, like
246:. Herbert Vianna and Felipe "Bi" Ribeiro were childhood friends and neighbors in that city. Herbert's father was in the military, while Bi's was a diplomat. In 1977, Herbert went to Rio to attend military school, and met Bi once again. They decided to form a band, Herbert with his 555:
Around the same time, the band invested in overtly produced music videos, for which they won eleven MTV Video Music Brasil Awards between 1995 and 1999. Their first two awards were in 1995 for the video for "Uma Brasileira", winning the Best Pop Video and Viewer's Choice Award.
392:, was released in 1988. It introduced the usage of piano, horns and sampling by the band. The album has both social-political focused songs such as "O Beco" and more introspective tracks, such as "Quase Um Segundo" (thought to be about the end of Vianna's relationship with 684:
On 3 March 2015, ex-drummer Vital Dias died of cancer in Rio de Janeiro. In their official Facebook page, the band published a message by the members, stating that they were sending "our higher thoughts for his wife, children and friends in this difficult time".
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in the song "El Vampiro Bajo El Sol". It was even more experimental than the band's last release, with overly elaborate arrangements, and was completely ignored by radio stations and the general public, selling only 55,000 copies—an all-time low for Paralamas.
652:'s house in Angra dos Reis, Rio de Janeiro. Lucy died instantly in the crash and left Herbert in a coma. The crash became front-page news and the entire country followed Herbert’s fight for survival in the hospital Copa D’Or, in Copacabana, Rio de Janeiro. 475:
After a small break, in which Vianna released his first solo album, the trio returned to live performances, which were sold out although the band was under heavy criticism from the press. In late 1993, Herbert, Bi and Barone spent three months in
359:, recorded from their performance in Montreux. It was the first album to feature the band's constant collaborator, keyboard player João Fera, who still tours with the band today. After Montreux, Paralamas also played in 1937: 743:(1986) and performing in Brazil, Argentina, Uruguay and Venezuela. In 2011, the song "O Calibre" (Longo Caminho-2002) was included in soundtrack of one of the most successful films in Brazil's history, 600:. Instead of playing their biggest hits, they opted instead for a repertoire dominated by lesser-known songs like, "Bora Bora", "Vai Valer", and "Trem da Juventude". The Paralamas also paid homage to 410:, released in the following year, continued in the same vein, featuring cheerful songs with a deep critical social messages like "Perplexo" and poetical/lyrical ones like "Lanterna dos Afogados". 700:, would take part of a tour promoted by the project Nivea Viva!, which takes place every year and takes artists on Brazilian tours. The series of 7 shows will pay tribute to Brazilian rock. 656:
difficult period, his musical talent was not incapacitated and, in October 2002, he began rehearsing with the band again in his home studio. This led to the recording of a new CD titled
460:, was released in 1991. It contained keyboard-driven songs of minor popular appeal, achieving a low sales record for the band, although it featured two successful tracks: "Trac-Trac", a 2568: 640:
Afterwards, Paralamas announced a six-month vacation and a reformulation in the sound of the group after nearly two decades of collaboration. The plans pointed to a new rock album.
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Behague, Gerard. "Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95)." Latin American Music Review 27, no. 1 (Spring/Summer 2006): 79-90.
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The trio rehearsed in the house of Bi's grandmother (which provided inspiration for the song "Vovó Ondina é Gente Fina", or "Grandma Ondina is Really Cool") and in a farm in
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From then on, the Paralamas produced a string of hits, including: "Lourinha Bombril", "Busca Vida", "Ela Disse Adeus", and "O Amor não Sabe Esperar" (a collaboration with
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s tour was a huge success among the public. A series of three performances, recorded in late 1994, was released the next year as the band's second live album,
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versions of their hits, was a huge hit in neighboring countries. They were in high demand for live performances, due to the great success of
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As they were being forgotten in their native Brazil, they were also gaining huge popularity in Argentina. In 1992, their compilation
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song, and "Tendo a Lua". Its failure, however, can also be attributed to the deep economic crisis Brazil went through during the
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directed a documentary honoring the group by sharing interviews with the musicians and their fans, and scenes of live shows at
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On February 4, 2001, tragedy struck the band. A plane carrying Herbert and his wife, Lucy Needham Vianna, crashed en route to
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and Legião Urbana. Two new songs were also featured: "Sincero Breu", and "Um Amor Um Lugar", originally recorded by
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would later join them. They parted ways in 1979, around the time all of them were busy studying for their
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gang", because they lived there and were friends with local bands, Paralamas' proper birthplace was
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The band would dedicate the first half of the 1990s to experimentation. The sixth studio album,
1013:: Best Brazilian Contemporary Pop Album - Multishow Ao Vivo Paralamas Brasil Afora (Nomination) 2449: 2429: 2185: 2151: 2129: 2091: 1864: 1783: 1650: 1628: 1365: 1232: 896: 801: 532: 388: 280:, which became the drummer after he decided to leave the band. Vital would later inspire the 250:
and Bi, which had no musical training whatsoever, with a bass guitar bought during a trip to
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João Fera: keyboards and backing vocals (1987–present), percussion (1987-1993, 2007–present)
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tour was extended until the end of 2000, when the trio released their second compilation,
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featuring four unreleased tracks: "Uma Brasileira" (a collaboration of Herbert with
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is the first of several attempts by the band to self-produce their recordings.
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song), and sold over 700,000 copies. This led the Paralamas to play in the
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In February 2016, it was announced that the band, together with singers
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The Diary of the Class 1976-1986: The History of the Rock of Brasilia
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with rock, but later added horn arrangements and Latin rhythms.
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O Diário da Turma 1976-1986: A História do Rock de Brasília
990:: Best Brazilian Song "Cuide Bem Do Seu Amor" (Nomination) 432:
In 1990, the Paralamas released their first compilation,
967:: Best Music Video - "Aonde Quer Que Eu Va" (Nomination) 621:. It featured songs from all the band's albums (except 292:. It was around that time when they signed a deal with 1389: 1387: 973:: Best Brazilian Song "A Lua Q Eu T Dei" (Nomination) 288:, another popular singer of their generation, in the 2412: 2117: 1953: 1895: 1849: 1754: 1250:(in Portuguese). Photographs by Mauricio Valadares. 353:In 1987, the band released their first live album, 262:tests, but resumed their musical activity in 1981. 168: 164: 152: 148: 130: 126: 116: 106: 75: 60: 55: 32: 633:. The album also included two major hit tracks by 1658:Latin Grammy Award for Best Brazilian Rock Album 1108:: Best Edited Video - "Depois da Queda o Coice" 205:, in the late 1970s. Its members since 1982 are 2569:Latin Grammy Lifetime Achievement Award winners 1493:http://www.paralamasforever.com/curiosidade.htm 1075:1996: Best Video Director - "Lourinha Bombril" 1620:Dicionário Cravo Albin Os Paralamas do Sucesso 1093:1998: Best Video Director - "Ela Disse Adeus" 1931: 1703: 1096:1998: Best Art Direction - "Ela Disse Adeus" 1078:1996: Best Edited Video - "Lourinha Bombril" 217:(drums). In its beginning, the band combined 8: 1487: 1485: 1483: 1481: 1479: 1477: 316:. It spanned the hits "Óculos", "Me Liga", " 274:Universidade Federal Rural do Rio de Janeiro 1099:1998: Best Photography - "Ela Disse Adeus" 662:, with songs composed before the accident. 310:In 1984, they released their second album, 46:Os Paralamas do Sucesso performing live in 1938: 1924: 1916: 1710: 1696: 1688: 1633: 1559: 1557: 1555: 1553: 1551: 1526: 1524: 1522: 1509: 1507: 1470:http://www.paralamasforever.com/grammy.htm 1458:http://www.paralamasforever.com/grammy.htm 1446:http://www.paralamasforever.com/grammy.htm 1434:http://www.paralamasforever.com/grammy.htm 567:) on their next two studio albums, 1996's 29: 1102:1998: Best Pop Video - "Ela Disse Adeus" 1072:: Video of the Year - "Lourinha Bombril" 1066:1995: Viewer's Choice - "Uma Brasileira" 1090:: Video of the Year - "Ela Disse Adeus" 754:. Herbert Vianna was listed in Brazil's 583:sold 250,000 copies in one month, while 1947:Latin Grammy Lifetime Achievement Award 1601:http://www.paralamasforever.com/vmb.htm 1589:http://www.paralamasforever.com/vmb.htm 1577:http://www.paralamasforever.com/vmb.htm 1565:http://www.paralamasforever.com/vmb.htm 1544:http://www.paralamasforever.com/vmb.htm 1532:http://www.paralamasforever.com/vmb.htm 1515:http://www.paralamasforever.com/vmb.htm 1260: 1229:Os Paralamas do Sucesso: Vamo Batê Lata 1195:Mattos Nascimento: trombone (1988-1989) 490:. Released in 1994, the album featured 1179:Bidu Cordeiro: trombone (1997–present) 1176:Monteiro Jr.: saxophone (1989–present) 1050:2006: Best video (top 5) - "Na Pista" 587:sold the equivalent in just one week. 1872:Acústico MTV: Os Paralamas do Sucesso 1198:Demétrio Bezerra: trumpet (1988-2002) 1018:Prêmio Multishow de Música Brasileira 905:Acústico MTV: Os Paralamas do Sucesso 594:invited the band to record the album 327:After a national tour, they released 7: 1222:] (in Portuguese). Conrad. 2001. 1204:Eduardo Lyra: percussion (1993-2007) 1192:George Israel: saxophone (1987-1989) 1189:Leo Gandelman: saxophone (1983-1986) 1063:: Best Pop Video - "Uma Brasileira" 1084:: Video of the Year - "Busca Vida" 272:In 1982, Vital missed a gig at the 2549:Musical groups established in 1977 1201:Senô Bezerra: trombone (1989-1997) 25: 526:Despite low sales for the album, 238:Although considered part of the " 1491:Curiosidades - Prêmio Multishow 677:, which was first available for 446:), that got massive radio play. 40: 681:and only later released on CD. 996:: Best Brazilian Rock Album - 979:: Best Brazilian Rock Album - 956:: Best Brazilian Rock Album - 1: 2554:1977 establishments in Brazil 750:Elite Squad: The Enemy Within 2574:Brazilian reggae rock groups 2280:El Gran Combo de Puerto Rico 1036:2003: Best instrumentalist ( 1026:1999: Best instrumentalist ( 644:An accident, but not the end 413:In 1988 Brazilian filmmaker 296:to record their first album 2022:Richie Ray & Bobby Cruz 704:Influence on Brazilian Rock 536:. It was accompanied by an 386:Their fourth studio album, 2590: 2559:Latin Grammy Award winners 1158:: drums and backing vocals 671:and in 2009 they released 209:(guitar and lead vocals), 2128:/ Las Hermanas Márquez / 1725: 1668: 1655: 1641: 1636: 550:Luiz Inácio Lula da Silva 450:Success in Argentina only 39: 1637:Awards and achievements 1328:"Descanse em paz, Vital" 1246:Dapieve, Arthur (2007). 1146:: lead vocals and guitar 1128:: Best Live Performance 1007:: Legend of Latin Music 506:countries, and featured 502:, which was released in 2564:Musicians from Brasília 2052:Os Paralamas do Sucesso 1719:Os Paralamas do Sucesso 1625:Os Paralamas do Sucesso 1332:Página oficial da banda 1248:Os Paralamas do Sucesso 1227:França, Jamari (2003). 665:In 2005, they released 522:Back to the hit parades 442:of the all-female band 187:Os Paralamas do Sucesso 34:Os Paralamas do Sucesso 27:Brazilian pop rock band 1404:"Paralamas do Sucesso" 1055:MTV Video Music Brasil 480:, where they recorded 367:, becoming popular in 348:Montreux Jazz Festival 189:(also known simply as 56:Background information 2082:María Dolores Pradera 2018:César Camargo Mariano 427:Montreux, Switzerland 396:, the lead singer of 2056:Los Tigres del Norte 350:the following year. 276:and was replaced by 18:Paralamas do Sucesso 2454:Gilberto Santa Rosa 2404:José Luis Rodríguez 2358:José María Napoleón 2108:Marco Antonio Muñiz 1468:Grammy Latino 2007 1456:Grammy Latino 2006 1444:Grammy Latino 2003 1432:Grammy Latino 2000 948:Latin Grammy Awards 363:and toured through 2520:Los Ángeles Azules 2132:/ Joseíto Mateo / 2026:Paloma San Basilio 1896:Compilation albums 1498:2009-05-24 at the 1372:. 23 February 2016 928:Compilation albums 631:Paulo Sérgio Valle 419:Ibirapuera Stadium 50:, in October 2008. 2536: 2535: 2216:Totó la Momposina 2186:Milton Nascimento 2130:Armando Manzanero 1913: 1912: 1686: 1685: 1669:Succeeded by 1651:Charlie Brown Jr. 1366:Rio Grande do Sul 1364:(in Portuguese). 504:Hispanic American 193:) is a Brazilian 184: 183: 16:(Redirected from 2581: 2516:Alejandro Lerner 2464:Myriam Hernández 2426:Martinho da Vila 2388:Lupita D'Alessio 2336:Guadalupe Pineda 2316:Lucecita Benítez 2302:Ricardo Montaner 2212:Roberto Menescal 1988:Generoso Jiménez 1940: 1933: 1926: 1917: 1886:Rock in Rio 1985 1879:Uns Dias ao Vivo 1712: 1705: 1698: 1689: 1642:Preceded by 1634: 1615:Official website 1603: 1597: 1591: 1585: 1579: 1573: 1567: 1561: 1546: 1540: 1534: 1528: 1517: 1511: 1502: 1489: 1472: 1466: 1460: 1454: 1448: 1442: 1436: 1430: 1424: 1423: 1421: 1419: 1410:. 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1644:no winner 1599:VMB 2009 1587:VMB 2008 1575:VMB 1999 1563:VMB 1998 1542:VMB 1997 1530:VMB 1996 1513:VMB 1995 1280:26 August 842:Hey Na Na 802:Bora Bora 794:Selvagem? 741:Selvagem? 613:Unplugged 590:In 1999, 585:Hey Na Na 581:Nove Luas 576:Hey Na Na 570:Nove Luas 528:Severino' 500:Paralamas 492:Brian May 466:Fito Páez 423:São Paulo 402:Bora-Bora 389:Bora-Bora 381:Venezuela 369:Argentina 361:L'Olympia 330:Selvagem? 282:demo song 191:Paralamas 2468:Rita Lee 2430:Emmanuel 2384:José Cid 2198:Toquinho 2014:Graciela 1805:Severino 1798:Os Grãos 1791:Big Bang 1672:Rita Lee 1496:Archived 1336:Facebook 1122:(drums) 826:Severino 818:Os Grãos 810:Big Bang 737:Perplexo 733:Selvagem 729:Alagados 623:Severino 516:Severino 483:Severino 457:Os Grãos 407:Big Bang 344:Tim Maia 318:Meu Erro 240:Brasília 98:pop rock 83:New wave 71:, Brazil 48:Brasília 2476:Yordano 2178:Leo Dan 1904:Arquivo 1342:3 March 1312:3 March 1301:O Globo 1168:Current 1133:Members 936:Arquivo 933:(1990) 918:(2007) 910:(2004) 902:(1999) 894:(1995) 886:(1987) 871:(2017) 863:(2009) 855:(2005) 847:(2002) 839:(1998) 831:(1996) 823:(1994) 815:(1991) 807:(1989) 799:(1988) 791:(1986) 783:(1984) 775:(1983) 435:Arquivo 425:and at 377:Uruguay 252:England 229:History 169:Website 131:Members 2508:Albita 2506:2024: 2494:Simone 2480:2023: 2458:2022: 2424:2021: 2374:2019: 2350:Dyango 2344:2018: 2314:2017: 2292:2016: 2276:Djavan 2262:2015: 2232:2014: 2202:2013: 2172:2012: 2142:2011: 2124:2010: 2090:2009: 2064:2008: 2038:2007: 2008:2006: 2004:Sandro 1982:2005: 1960:2004: 1812:9 Luas 1274:Canal+ 1235:  1184:Former 1152:: bass 943:Awards 834:9 Luas 723:, and 542:Djavan 478:London 379:, and 267:Mendes 219:reggae 117:Labels 76:Genres 61:Origin 2413:2020s 2310:Piero 2118:2010s 1954:2000s 1680:Lobão 1676:Skank 1666:2006 1218:[ 698:Pitty 373:Chile 2420:2020 2370:Yuri 1833:Hoje 1664:2003 1662:2000 1629:IMDb 1420:2008 1378:2016 1344:2015 1314:2015 1282:2015 1233:ISBN 1126:2009 1112:2008 1106:1999 1088:1998 1082:1997 1070:1996 1061:1995 1011:2011 1005:2007 999:Hoje 994:2006 988:2003 977:2003 971:2001 965:2001 954:2000 858:Hoje 735:and 696:and 668:Hoje 629:and 611:The 563:and 221:and 195:rock 176:.com 1627:at 518:). 421:in 400:). 223:ska 178:.br 121:EMI 93:ska 2545:: 2526:/ 2522:/ 2518:/ 2514:/ 2510:/ 2500:/ 2496:/ 2492:/ 2488:/ 2484:/ 2474:/ 2470:/ 2466:/ 2462:/ 2452:/ 2448:/ 2444:/ 2440:/ 2436:/ 2432:/ 2428:/ 2402:/ 2398:/ 2394:/ 2390:/ 2386:/ 2382:/ 2378:/ 2368:/ 2364:/ 2360:/ 2356:/ 2352:/ 2348:/ 2338:/ 2334:/ 2330:/ 2326:/ 2322:/ 2318:/ 2308:/ 2304:/ 2300:/ 2296:/ 2286:/ 2282:/ 2278:/ 2274:/ 2270:/ 2266:/ 2256:/ 2252:/ 2248:/ 2244:/ 2240:/ 2236:/ 2226:/ 2222:/ 2218:/ 2214:/ 2210:/ 2206:/ 2196:/ 2192:/ 2188:/ 2184:/ 2180:/ 2176:/ 2166:/ 2162:/ 2158:/ 2154:/ 2150:/ 2146:/ 2136:/ 2106:/ 2102:/ 2098:/ 2094:/ 2084:/ 2080:/ 2076:/ 2072:/ 2068:/ 2058:/ 2054:/ 2050:/ 2046:/ 2042:/ 2032:/ 2028:/ 2024:/ 2020:/ 2016:/ 2012:/ 2002:/ 1998:/ 1994:/ 1990:/ 1986:/ 1976:/ 1972:/ 1968:/ 1964:/ 1550:^ 1521:^ 1506:^ 1476:^ 1406:. 1386:^ 1368:: 1362:G1 1360:. 1334:. 1330:. 1304:. 1298:. 1271:. 1047:) 1040:) 1030:) 731:, 719:, 715:, 692:, 637:. 579:. 538:EP 429:. 383:. 375:, 371:, 201:, 69:RJ 67:, 1939:e 1932:t 1925:v 1858:D 1711:e 1704:t 1697:v 1422:. 1380:. 1346:. 1316:. 1284:. 1241:. 889:D 752:) 748:( 356:D 20:)

Index

Paralamas do Sucesso
Os Paralamas do Sucesso performing live in Brasília, in October 2008.
Brasília
Seropédica
RJ
New wave
reggae rock
ska
pop rock
EMI
Herbert Vianna
Bi Ribeiro
João Barone
Vital Dias
osparalamas.com.br
rock
Seropédica
Rio de Janeiro
Herbert Vianna
Bi Ribeiro
João Barone
reggae
ska
Brasília
Seropédica
Gibson guitar
England
Vital Dias
vestibular
Mendes

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