298:, the consequence of a "long-awaited pardon, if happens, is not the one expected". Maïwenn says she prefers the forensic term "scanner" to the literary term autobiography. She talks about a fantasized story corresponding to what she would have liked to happen to her and did not have the courage to do in life>.
305:, who plays the heroine's mother, describes the filming as "absolute madness", aggressiveness "distilling an impression of terrible danger", Maïwenn unable to put it "in the exact place of his fantasy" but declares not to have feared "the slaps", because as in love, "desire is never humiliating".
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of self-indulgence, pure and hard narcissism, egotism, half smart, half charmer, who wants to make “a documentary, especially not a fiction”, anticipating the “trial that we will not fail to bring against her”,
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is simply a more offbeat, more elaborate version of his first film, having explicitly admitted the restorative function of the film.
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Gendered Frames, Embodied
Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn
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Gendered Frames, Embodied
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Camille
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For Chloé Laborde, from the Geneva High School of Social Work, in
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491:Pourquoi Maïwenn agace-t-elle autant ?
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613:A Companion to Contemporary French Cinema
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409:(2016) Cybelle H. McFadden, of the
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468:"An evening of Cesar Montano's"
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788:2000s French-language films
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783:Films directed by Maïwenn
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258:of her mother, Lola (
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252:nymphomania
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778:2006 films
772:Categories
661:Forgive Me
577:, Le Monde
565:, Première
553:, Francetv
541:, Allociné
481:, Critikat
383:reality TV
371:Liberation
284:Resilience
278:Influences
256:mythomania
237:incestuous
208:Forgive Me
157:88 minutes
141:2006-11-22
49:Written by
123:SND Films
99:Edited by
666:AllMovie
401:Analysis
395:Télérama
387:Première
375:Le Monde
341:as Nadia
329:as Billy
254:and the
231:Synopsis
170:Language
109:Music by
69:Starring
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703:Maïwenn
435:Polisse
352:Critics
347:as Lola
335:as Paul
315:Maïwenn
288:concept
262:), the
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162:Country
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72:Maïwenn
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758:(2023)
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742:(2015)
734:(2011)
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455:Notes
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