90:, the sound of music (beyond a little rising ground) attracted my attention. I looked forward, and saw the flag of my country waving. Supposing that I was about to meet a military parade, I drove hastily to the side of the road; and, having gained the ascent, I discovered (I supposed) about 40 black men all chained together after the following manner: each of them was handcuffed, and they were arranged in rank and file. A chain perhaps 40 feet long, the size of a fifth-horse-chain, was stretched between the two ranks, to which short chains were joined, which connected with the handcuffs. Behind them were, I suppose, about 30 women, in double rank, the couples tied hand to hand. A solemn sadness sat on every countenance, and the dismal silence of this march of despair was interrupted only by the sound of two violins; yes, as if to add insult to injury, the foremost couple were furnished with a violin a-piece; the second couple were ornamented with cockades, while near the centre waved the republican flag, carried by a hand literally in chains.
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in 1823 in this light: "Anti-slavery visual culture may portray the power of slavery's visual regime, but its ultimate goal is to assert anti-slavery's dominance over the visual field. Within the picture, anti-slavery's visual supremacy is symbolized by the flag. Placed near the center of the image,
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In the summer of 1822, as I returned with my family from a visit to the
Barrens of Kentucky, I witnessed a scene such as I never witnessed before, and such as I hope never to witness again. Having passed through
308:"A key to Uncle Tom's cabin; presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying ..."
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the flag serves as a counter to the slaveholder's whip and provides the viewer another high-flying vantage point with which to identify." In 1835, the
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Abolitionists in the United States would repeatedly return to the image created in the mind by Dickey's description, using it to pair
American
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Letters on
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this group of slaves was the legal property of
Kentucky slave traders named Stone and Kinningham.
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would be thrown overboard and killed by slaves he was transporting, in an incident known as the
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in the minds of their readers and affiliates. Scholar Teresa A. Goddu describes the
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because it was observed and carefully described by Ohio
Presbyterian minister Rev.
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also created an etching depicting the scene, for publication in their journal
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of chained slaves forced to travel overland as part of the interstate
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204:"Concord Presbyterian Church & the Rev. James H. Dickey"
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294:"The Horrific Ordeal of Edward Stone's Slaves"
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274:Notable Kentucky African Americans Database
49:Paris, Kentucky slave coffle of summer 1822
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340:"Anti-Slavery's Panoramic Perspective"
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270:"1826 Enslaved Revolt on Ohio River"
179:National Register of Historic Places
51:is notable among thousands of such
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434:Abolitionism in the United States
444:Slave trade in the United States
147:Mason County, Kentucky slave pen
119:Genius of Universal Emancipation
57:slave trade in the United States
27:Genius of Universal Emancipation
386:"The anti-slavery record v.1-3"
449:History of slavery in Kentucky
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251:. February 2, 1833. p. 2
125:American Anti-Slavery Society
165:In 1826, an Edward Stone of
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202:Feight, Andrew Lee; Ph.D.
429:1822 in the United States
338:Goddu, Teresa A. (2014).
65:flag of the United States
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167:Bourbon County, Kentucky
88:Bourbon County, Kentucky
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171:Ohio River slave revolt
130:The Anti-Slavery Record
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227:Rankin, John (1836).
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16:U.S. forced migration
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95:Rev. James H. Dickey
245:"Rev. John Rankin"
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390:HathiTrust
324:2023-08-26
311:HathiTrust
279:2024-07-27
255:2024-07-27
213:2024-07-28
189:References
177:is on the
102:patriotism
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114:Ben Lundy
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137:See also
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110:woodcut
53:coffles
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344:MELUS
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