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Paris Belongs to Us

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259:, the director of which proves to be GĂ©rard. Because the actress for the part of Marina has not arrived, Anne is asked to read, and she performs well. Afterward she runs into Philip, who recounts long tales in veiled language about sinister interests that have destroyed Juan and may now get GĂ©rard too. 418:
reviewed the film positively: "Rivette’s tightly wound images turn the ornate architecture of Paris into a labyrinth of intimate entanglements and apocalyptic menace; he evokes the fearsome mysteries beneath the surface of life and the enticing illusions that its masterminds, whether human or divine,
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The film opens with literature student Anne who is reading Shakespeare when she hears sounds of distress in the next room. There she finds a Spanish girl who says her brother Juan has been killed by dark forces. Anne then meets with her own brother Pierre, who takes her to a party held by some of his
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liked the film: "Jacques Rivette’s troubled and troubling 1960 account of Parisians in the late 50s remains the most intellectually and philosophically mature, and one of the most beautiful...Few films have more effectively captured a period and milieu; Rivette evokes bohemian paranoia and sleepless
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The story centres on young university student Anne who, through her older brother, meets a group of people haunted by mysterious tensions and fears and the deaths of two of its members. The source of the malaise affecting the group is never explained, leaving viewers to wonder how far it might be an
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The critic Hamish Ford stated: "... for me at least, his debut feature is a perfect film in its way. If the first work of a long career should, at least in the oeuvre-charting rear-vision mirror, offer an appropriately characteristic or even perhaps idiosyncratic entry point into a distinct
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Anne becomes determined to resolve the mystery that is obsessing the lives of the people she met, including a missing music recording by Juan which GĂ©rard had planned to use for his play, and predictions that GĂ©rard might end up dead like Juan. GĂ©rard eventually dies, either by suicide or the
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machinations of an ominous group which according to Philip and Terry is heading for world domination. Terry kills Pierre who is supposedly part of the conspiracy, but later admits that it might exist only in Philip's mind.
252:, gets drunk and later slaps a smartly dressed woman named Terry, accusing her of causing Juan's death by breaking up with him. Terry, who had also been the lover of Philip, is now together with theatre director GĂ©rard. 738: 1338: 1921: 1424: 956: 707: 1931: 1926: 1901: 1440: 670: 643: 511: 297: 84: 244:
Initially bored and knowing nobody, she gradually becomes fascinated by mysterious interactions around her. Juan, a musician and
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Written in 1957, shot from July to November 1958, but not released until 13 December 1961, it was the film critic Rivette's
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refugee, has recently died from a knife wound which some think was a suicide. Philip, an unsteady American refugee from
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for most of the core New Wave era from 1958 to 1968, only completing two more full-length films during this time.
359:, Rivette did not find popularity with his early films, and unlike many of the New Wave directors, he remained at 255:
The next day, Anne meets with a friend who is an aspiring actor, and he takes her to a rehearsal of Shakespeare's
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nights in tiny one-room flats, along with the fragrant, youthful idealism conveyed by the film’s title".
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The film was met by some London film critics with furious incomprehension; however, it was awarded the
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is indeed a perfect 'first' Rivette in its combination of formal daring and conceptual elusiveness."
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As a New Wave characteristic, the film includes cameos for fellow directors
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during the year. It had only a brief commercial run in London.
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as the most original and innovative film introduced at the
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Paris Belongs to Us: Nothing Took Place but the Place
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Award" 403:Jonathan Rosenbaum 349:. Like his fellow 317:Jean-Claude Brialy 1879: 1878: 1673:The Life of Jesus 1543:Two Stage Sisters 1433:Samurai Rebellion 1348:Sutherland Trophy 1314: 1313: 1280:Cahiers du CinĂ©ma 1187:Le Coup du Berger 1069:Philippe de Broca 1003:François Truffaut 974:Cahiers du CinĂ©ma 932: 931: 873:Up, Down, Fragile 857:La Belle Noiseuse 542:Sight & Sound 423:film-world, then 388:Sutherland Trophy 352:Cahiers du cinĂ©ma 332:as Dr. de Georges 323:Jean-Marie Robain 313:as Philip Kaufman 298:Françoise PrĂ©vost 163: 162: 94:Charles L. 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Set in 99:Edited by 16:1961 film 1743:Red Road 1591:Comrades 1527:The Herd 1385:Il Posto 1291:Jump cut 1251:La JetĂ©e 257:Pericles 226:Cold War 209:Pericles 206:'s play 156:Language 107:Music by 75:Starring 1797:Ilo Ilo 1713:Carnage 1262:Related 769:The Nun 679:at the 390:by the 361:Cahiers 355:critic 194:in his 148:Country 125: ( 1872:(2023) 1864:(2022) 1856:(2021) 1848:(2019) 1840:(2018) 1832:(2017) 1824:(2016) 1816:(2015) 1808:(2014) 1800:(2013) 1792:(2012) 1784:(2011) 1776:(2010) 1770:(2009) 1762:(2008) 1759:Tulpan 1754:(2007) 1746:(2006) 1738:(2005) 1732:(2004) 1724:(2003) 1716:(2002) 1708:(2001) 1700:(2000) 1692:(1999) 1684:(1998) 1676:(1997) 1668:(1996) 1662:(1995) 1654:(1994) 1646:(1993) 1638:(1992) 1630:(1991) 1624:(1990) 1616:(1989) 1608:(1987) 1605:Yeelen 1594:(1986) 1586:(1985) 1578:(1984) 1570:(1983) 1562:(1982) 1554:(1981) 1546:(1980) 1538:(1980) 1530:(1979) 1522:(1978) 1516:(1977) 1508:(1976) 1500:(1975) 1492:(1974) 1489:Martha 1484:(1973) 1476:(1972) 1468:(1971) 1460:(1970) 1452:(1969) 1444:(1968) 1436:(1967) 1428:(1966) 1420:(1965) 1412:(1964) 1409:Hamlet 1404:(1963) 1401:Muriel 1396:(1962) 1388:(1961) 1380:(1960) 1372:(1959) 1364:(1958) 1254:(1962) 1246:(1962) 1238:(1962) 1230:(1961) 1222:(1960) 1214:(1959) 1206:(1959) 1198:(1958) 1190:(1956) 925:(2009) 917:(2007) 909:(2003) 901:(2001) 893:(1998) 885:(1995) 876:(1995) 868:(1994) 860:(1991) 852:(1989) 844:(1985) 836:(1984) 828:(1981) 820:(1981) 812:(1976) 809:NoroĂ®t 804:(1976) 801:Duelle 796:(1974) 788:(1971) 780:(1969) 772:(1966) 764:(1960) 756:(1956) 642:  603:7 July 578:7 July 521:7 July 172:French 159:French 151:France 1767:Ajami 1721:Osama 1643:Vacas 1635:Proof 785:Out 1 330:] 311:] 280:] 200:Paris 1861:1976 1837:Girl 666:IMDb 640:ISBN 605:2018 580:2018 551:2022 523:2018 499:2018 477:2018 454:2018 267:Cast 236:Plot 1821:Raw 664:at 412:of 1888:: 1602:/ 596:. 571:. 539:. 514:. 374:, 328:fr 309:fr 278:fr 232:. 174:: 1340:e 1333:t 1326:v 958:e 951:t 944:v 709:e 702:t 695:v 648:. 607:. 582:. 557:. 525:. 170:( 129:)

Index


Jacques Rivette
Jean Gruault
Claude Chabrol
Giani Esposito
Françoise Prévost
French
mystery film
Jacques Rivette
feature-length directorial debut
Paris
Shakespeare
Pericles
alienated
existentialist
Cold War
nuclear annihilation
anti-Franco
McCarthyism
Betty Schneider
fr
François Maistre
Giani Esposito
Françoise Prévost
Daniel Crohem
fr
Jean-Claude Brialy
Jean-Marie Robain
fr
first full-length film

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