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464:, 'parlour music' features melodies which are harmonically-independent or not determined by the harmony. This produces parlour chords, many of them added tone chords if not extended such as the dominant thirteenth, added sixth, and major dominant ninth. Rather, the melodies are organized through parlour modes, variants of the major mode with the third, sixth, and seventh emphasized through
278:, such as Schubert's "Serenade," became part of the parlour repertory. Lyrics written for parlour songs often have sentimental themes, such as love songs or poetic meditations. Fantastical or exuberant themes were also common, as was commentary on incidents and events of the day, such as "Bryan Free Silver March", "Homeless Tonight" or "Shootin' Craps".
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166:, its heyday came in the 19th century, as a result of a steady increase in the number of households with enough resources to purchase musical instruments and instruction in music, and with the leisure time and cultural motivation to engage in recreational music-making. Its popularity faded in the 20th century as the
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in North
America and the British Isles. Songs of this genre became more complex and sophisticated in their melodic and harmonic vocabulary, and in addition to their continuing use in the parlour, they were also often sung in public recitals by professional singers. Characteristic and popular parlour
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As the 19th century wore on, more and more songs were newly composed specifically for use by amateurs at home, and these pieces (written originally as parlour songs, rather than being adapted from other genres) began to develop a style all their own: similar in melodic and harmonic content to
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first published in 1909 by
Chapple Publishing Company of Boston and repeatedly revised and republished for the following several decades. The publisher claimed that this selection of songs "Dear to the American People" was selected from entries submitted by 25,000 people.
267:, became parlour songs, with texts either translated or replaced by new lyrics. Various other genres were also performed in the parlour, including patriotic selections, religious songs, and pieces written for the musical stage. Excerpts from
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such as the mediant-octave mode, which uses the third as a floor and ceiling note, its less common variants the pseudo-phrygian, in which the seventh and often fifth are given prominence, and submediant-octave mode.
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In addition to dissemination as individual pieces of sheet music, parlour songs were also collected into anthologies and sold in this format. The most notable collection was
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thought they were anonymous but later provided royalties to
Stanton. The song typifies the sentimentality of the Victorian and post-Victorian era.
259:, for instance, were traditional (or "folk") tunes supplied with new lyrics by Moore, and many arias from Italian operas, particularly those of
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songs include "Home, Sweet Home," composed by Henry R. Bishop with lyrics by John Howard Payne, "The Old Arm Chair" by
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of the day, but shorter and simpler in structure and making fewer technical demands on singer and accompanist.
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record and radio replaced sheet music as the most common means for the spread of popular music.
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The high point of the parlour song came in the late 19th and early 20th centuries, during the
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677:. (facsimile of original, published in 1909 by The Chappel Publishing Company, Boston).
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310:" and "Come with Thy Sweet Voice Again" are early and elegant examples of the genre.
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Origins of the
Popular Style: The Antecedents of Twentieth-Century Popular Music
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I Love You Truly: A Biographical Novel Based on the Life of Carrie Jacobs-Bond
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382:, and the conscious artistry (including the operatic trilled "r"s) by singer
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374:" (see insets) exemplifies the parlor song. Note the sentimental lyrics by
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which, as the name suggests, is intended to be performed in the
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As described by Peter van der Merwe (1984), in contrast to the
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186:" (1901), a widely selling parlor song. The lyrics were by
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may be too technical for most readers to understand
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479:'s "Turkish March" from "The Ruin of Athens"
625:, Norman, OK: University of Oklahoma Press.
158:of houses, usually by amateur singers and
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445:Learn how and when to remove this message
429:, without removing the technical details.
378:, the plaintive but well matched tune by
77:Learn how and when to remove this message
247:Many of the earliest parlour songs were
40:This article includes a list of general
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472:Some mediant-octave mode examples are:
251:for voice and keyboard of other music.
322:, "When the Swallows Homeward Fly" by
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427:make it understandable to non-experts
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326:, "Kathleen Mavourneen" composed by
653:Yesterdays: Popular Song in America
126:19th-century Europe, North America
46:it lacks sufficient corresponding
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636:"Grace Notes in American History"
623:"Grace Notes in American History"
330:with lyrics by Marion Crawford, "
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289:(1864), a dance inspired by the
238:Problems playing this file? See
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545:The Battle Hymn of the Republic
308:Ah! May the Red Rose Live Alway
1:
604:(New York: iUniverse, 2008),
687:. Oxford: Clarendon Press.
346:(Mrs. Charlotte Barnard), "
342:, "Take Back the Heart" by
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285:The Great Wahoo Polka, by
328:Frederick Nicholls Crouch
514:The Yellow Rose of Texas
489:in Ab, Op.34, no.1 theme
212:"Just Awearyin' for You"
564:Wolfgang Amadeus Mozart
61:more precise citations.
714:Music of North America
372:Just Awearyin' for You
366:, and "The Rosary" by
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184:Just Awearyin' for You
719:19th century in music
709:European music genres
665:Hamm, Charles (ed.).
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681:van der Merwe, Peter
477:Ludwig van Beethoven
113:blackface minstrelsy
497:Colonel Bogey March
462:classical music era
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340:Adelaide A. Proctor
188:Frank Lebby Stanton
380:Carrie Jacobs-Bond
364:Carrie Jacobs-Bond
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192:Carrie Jacobs-Bond
162:. Disseminated as
134:Much 20th century
610:978-0-595-53017-5
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503:John Philip Sousa
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228:Elizabeth Spencer
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16:(Redirected from
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334:" composed by
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304:Stephen Foster
272:minstrel shows
257:Irish Melodies
249:transcriptions
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360:A Perfect Day
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348:Oh Promise Me
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521:Silent Night
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466:modal frames
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391:Heart Songs,
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253:Thomas Moore
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148:parlor music
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667:Heart Songs
459:chord-based
190:. Composer
164:sheet music
59:introducing
18:Parlor song
703:Categories
646:Literature
588:References
531:Tannhäuser
240:media help
168:phonograph
67:March 2010
42:references
435:June 2022
324:Franz Abt
300:art songs
276:art songs
269:blackface
265:Donizetti
117:folk song
683:(1989).
669:, 1983.
655:, 1979.
344:Claribel
226:Sung by
160:pianists
156:parlours
109:art song
533:'s song
421:Please
358:" and "
261:Bellini
230:in 1911
174:History
55:improve
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634:Levy,
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44:, but
576:tune:
487:Waltz
362:" by
350:" by
101:opera
689:ISBN
671:ISBN
657:ISBN
606:ISBN
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370:. "
306:'s "
263:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
