422:, Pathé used a block system to store the information of Master Cylinders and a serial system for the actual commercial pressings. That is, the same ""matrix"" number was first allocated to early 1890s cylinders (with a specific selection), then to a proper Master Cylinder that re-recorded the same selection, and then for the later selections that were recorded on the same Master Cylinder after its musical content became obsolete or damaged and had to be reshaved (which weren't necessarily the same musical selection). As for the stampers, each stamper of both cylinders and disc (independently from the size) has the same serial number (different between both formats), and is more or less sequential, so that media from 1916 and before (before paper labels were introduced) can be more or less easily traced back after obtaining a great enough information about each "snapshot" of the Master Cylinder.
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be made available on multiple formats. The process sometimes resulted in uneven results on the final commercial record, causing a pronounced rumble or other audio artifacts (This rumble was generally undetectable on acoustic wind-up phonographs of the period, but is noticeable on electric and more modern equipment.), and has transformed the company's early discography into one of the most daunting to rebuild.
292:, rather than the usual 75 to 80 rpm. Originally, the groove started on the inside, near the center of the disc, and spiraled out to the edge. In 1916, Pathé changed over to the customary rim-start format, a more nearly normal 80 rpm speed, and paper labels instead of the stamped-in, paint-filled text previously used. Pathé discs were commonly produced in 10 inches (25 cm),
192:. In the mid-1890s, they began selling Edison and Columbia phonographs and accompanying cylinder records. Shortly thereafter, the brothers designed and sold their own phonographs. These incorporated elements of other brands. Soon after, they also started marketing pre-recorded cylinder records. By 1896 the Pathé brothers had offices and
442:. In the following year, these "needle-cut" records were introduced in the United Kingdom and within a few more years they were selling more than the vertical Pathés, even on the continent. Attempts to market the Pathé vertical-cut discs abroad were abandoned in 1925, though they continued to sell in France until 1932.
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inches (22 cm) long were used. The large, fast-spinning cylinders allowed for a greater level of audio fidelity. The various types of commercial Pathé cylinders and discs were then dubbed (or "pantographed") from these masters. This dubbing process enabled copies of the same master recording to
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inches (17 cm), 8 inches (20 cm), and 14 inches (36 cm) discs were also made, as were very large 20 inches (51 cm) discs that played at 120 rpm. Due to their fragility, unwieldiness, and much higher price, the largest sizes were a commercial failure and were not produced for
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After 1927, the company started taking a more modern approach and commenced using the simple system of master and stamper discs that the rest of corporations were using. Finally, after 1929, the company dismantled their entire Master
Cylinder archive and written proof of every selection recorded to
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ball stylus. The advantage of the sapphire ball stylus was its permanence. There was no need to change a needle after every record side. Since most records and phonographs used a different playback method, various attachments were marketed that allowed one to equip a Pathé phonograph to play
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inches (8.9 cm) in diameter and the larger "Stentor" records measured 5 inches (13 cm) in diameter. The "Le Céleste" records, the largest commercial cylinder records manufactured by any phonograph company, measured 5 inches (13 cm) in diameter by 9 inches (23 cm) long.
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Pathé was the first company to make master recordings in a different medium than the final commercial product. In the Pathé recording studios, masters were cut on what was called a "Master
Cylinder", rapidly spinning wax cylinders that measured about 13 inches (33 cm) long and
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In 1920, Pathé introduced a line of "needle-cut" records, at first only for the US market. The needle-cut records were laterally-cut discs designed to be compatible with standard phonographs, and they were labelled
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where other brands were already in widespread use. Although Pathé cylinder records were never popular outside France, their disc records sold successfully in many foreign countries such as the
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In France, Pathé became the largest and most successful distributor of cylinder records and phonographs. These, however, failed to make significant headway in foreign markets such as the
449:. This label became one of the most popular and successful "dime store" labels of the 1920s, and survived beyond the end of the US Pathé label – discontinued in 1930 – right up to 1938.
467:. However, the Pathé and Pathé-Marconi records imprints continued in Italy. In 1931 the label continued as VCM group ('Voce de Maestro - Columbia - Marconiphone').
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in the groove, rather than side-to-side, and the groove was wider than in other companies' records, requiring a special ball-shaped .005-inch-radius (0.13 mm)
268:. They needed to employ several unusual technologies as preventive measures against patent infringement. At first they sold single-sided discs with a recording in
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More specifically, the most important part of the Pathé system was the way master cylinders and their finished product were catalogued; in a way very similar to
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inches (11 cm) in diameter. Beginning in 1913, special "Paradis" cylinders about 8 inches (20 cm) in diameter and
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standard, laterally-cut records. Attachments were also sold to equip a standard phonograph to play Pathé records.
232:. Pathé manufactured cylinder records until approximately 1914. In addition to standard size cylinder records (
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technology, as opposed to the strictly acoustical-mechanical method of recording they used until then.
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In 1894, the Pathé brothers started selling their own phonographs. The earliest Pathé offerings were
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463:. In July 1929, the assets of the American Pathé record company were merged into the newly formed
246:-inch-diameter (57 mm)), Pathé produced several larger styles. The "Salon" records measured
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The vertically cut Pathé discs normally required a special Pathé phonograph equipped with a
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In
December 1928, the French and British Pathé phonograph assets were sold to the British
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The Pathé and Pathé-Marconi labels and catalogue still survive, first as imprints of
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An early Pathé cylinder phonograph from 1898. The design closely mimics that of the
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base. In
October 1906 they started producing discs in the more usual manner with
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662:"Pathé vertical-cut disc record (1905 – 1932) – Museum Of Obsolete Media"
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http://discography.phonomuseum.at/pathe/Talk-GHT-Dresden-Nov2019.pdf
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In
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In mid-1922, Pathé introduced a lower priced label called
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In 1905 the Pathé brothers entered the growing field of
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Early Pathé "Ciment" record label from
Christmas 1905
564:Мир русской грамзаписи. The World of Russian Records
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acquired EMI Italiana in 2013. The film division of
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For the record label of
Shanghai and Hong Kong, see
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180:The Pathé record business was founded by brothers
635:(1 ed.). Los Angeles, CA: Mulholland Press.
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184:and Émile Pathé, then owners of a successful
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629:Copeland, George; Ronald Dethlefson (1999).
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534:Hoffmann, Frank; Howard Ferstler (2005).
515:Pathé Records (Shanghai & Hong Kong)
160:was an international record company and
587:Fabrizio, Timothy; George Paul (2000).
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703:of Pathé (now just a film distributor)
426:finance the company after the crisis.
591:. Atglen PA: Sciffer Publishing Ltd.
288:for playing. The discs rotated at 90
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757:Record labels disestablished in 1928
536:The Encyclopedia of Recorded Sound
474:and now currently EMI's successor
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752:Record labels established in 1894
747:1928 disestablishments in France
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762:Defunct record labels of France
589:Discovering Antique Phonographs
196:not only in Paris, but also in
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742:1894 establishments in France
461:Columbia Graphophone Company
75:; 134 years ago
465:American Record Corporation
320:inches (29 cm) sizes.
105:; 96 years ago
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737:Vertical cut record labels
715:on the Internet Archive's
490:still survives in France.
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707:Pathé cylinder recordings
306:inches (27 cm), and
212:Pathé cylinders and discs
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342:Hungarian Pathé record
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666:www.obsoletemedia.org
500:List of record labels
484:Universal Music Group
420:Berliner Gramophone's
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32:Pathé Records (China)
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230:phonograph cylinders
282:recorded vertically
27:French record label
767:Jazz record labels
476:Parlophone Records
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16:(Redirected from
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650:0-9606646664
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568:. Retrieved
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488:Pathé Frères
480:EMI Italiana
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272:on top of a
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37:Record label
176:Early years
168:, based in
166:phonographs
95:Émile Pathé
726:Categories
709:, from the
672:2018-02-12
570:2018-02-12
521:References
505:Pathé News
478:. In 1967
454:microphone
641:44146208
494:See also
431:sapphire
350:and the
224:"Eagle".
222:Columbia
146:Location
121:Inactive
447:Perfect
401:⁄
387:⁄
364:Germany
329:⁄
315:⁄
301:⁄
278:shellac
255:⁄
241:⁄
182:Charles
108: (
100:Defunct
88:Founder
78: (
70:Founded
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372:Russia
370:, and
335:long.
286:stylus
274:cement
204:, and
198:London
186:bistro
170:France
140:France
118:Status
368:Italy
202:Milan
190:Paris
162:label
150:Paris
126:Genre
64:Pathé
646:ISBN
637:OCLC
593:ISBN
540:ISBN
130:Jazz
110:1928
103:1928
80:1890
73:1890
772:EMI
472:EMI
290:rpm
270:wax
188:in
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