Knowledge (XXG)

Patrick Ascione

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Two distinct esthetic periods characterized his work. During the first, from 1977 to 1987, he placed an emphasis on the ties unifying acousmatic music and painting, ties arising from the use of a common permanent working surface which permitted the painter to directly place his colors on the canvas
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In the second period, from 1987 to the present, following upon this initial preoccupation, he presented the idea of a ‘spatial polyphony’ (a ‘polyphony’ of spaces and not uniquely of sounds). He inaugurated this path in 1989 with Espaces-paradoxes, composed for 16 channels of speakers. The concert
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in the way the composer immediately captures sonorities on 'magnetic tape'. He expressed this analogy and attempted to explore its ramifications in virtually all the works of this period (MĂ©tamorphose d’un jaune citron, 1978, Bleus et formes, 1981...).
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works thus developed have as their objective the mastering and integration of the spatial dimension of the piece from the very beginning of its elaboration in the studio via adequate multi-speaker techniques.
125: 86:(Research institute and coordination acoustics / music). He has pursued his activities independently and has produced a series of pieces, the majority of which have been commissions from the 445: 440: 53: 410: 405: 203: 425: 420: 75: 435: 430: 91: 415: 169: 153: 87: 245:"Primitive", in 50 ans de Musique Ă©lectroacoustique au GRM (Édition Teatro Massimo de Palerme, Italie, novembre 2001) 179: 109:
in Normandy. He participated on international juries for acousmatic composition competitions in France and abroad.
133: 102: 101:, a course of electroacoustic music composition at the Conservatoire of Cherbourg in 2003 by means of the 43: 31: 137: 120:
A number of his pieces have been awarded prizes and mentions in international competitions: Fontaines (
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Patrick Ascione (Paris, France, 1953) began composing in 1976 and shortly after joined the team of the
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Patrick Ascione, janvier 2014, Auditorium St-Germain, Paris. Photo : Didier Allard ©Ina
141: 82:, France) which he left in 1984. At the same time he started composition by computer at 312:"Espaces-Paradoxes" (1989) First electroacoustic music in 16 channels (of loudspeakers) 221: 375: 61: 389: 152:, 1994). He was also a recipient of the ‘LĂ©onard de Vinci Prize’ for Canada from the 121: 98: 380: 370: 47: 39: 225: 149: 129: 214: 35: 27: 229: 83: 60: 52: 23: 220:"Primitive" 50 ans de Musique Ă©lectroacoustique au GRM (Édition 210: 209:"MĂ©tamorphose d'un jaune citron", (Cultures Électroniques, GMEB/ 145: 339:"Figures de style" (suite of 5 « Ascionerie Â») : 76:
Institut International de Musique Electroacoustique de Bourges
242:"Divertissement" Cultures Électroniques (IMEB, France, 2003) 204:
Coproduction Centre Noroit d'Arras et INA/GRM, France, 1989
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He taught acousmatic composition at the Conservatoire of
327:"Holophonie ou la baleine rouge" (1999–2000) 16 channels 336:"Barcarolle pour studio et bande" (2004) 8 real tracks 376:
http://www.cdmc.asso.fr/biographies/a_c/ascione.htm
357:"Fantaisie diabolique" (2012) 8 & 16 channels 330:"Danse de l’Aube" (2000–2002) 8 & 16 channels 202:"Lune Noire" Prix International LĂ©once Petitot' ( 128:, France, 1978); MĂ©tamorphose d’un jaune citron ( 291:"Suite Blanche pour les Temps Nouveaux" (1995) 360:"OpĂ©ra Diabolique" (2014) 8 & 16 channels 170:CinĂ©ma pour l'oreille, MKCD 014, France, 1995 8: 65:Patrick Ascione, 2014. Photo Gaspard Ascione 381:http://www.inagrm.com/deces-patrick-ascione 371:http://www.electrocd.com/en/bio/ascione_pa/ 354:"Ascionerie n°5" (2009) 8 & 16 channels 348:"Ascionerie n°3" (2007) 8 & 16 channels 294:"Cet extrĂȘme silence des couleurs" (1996) 105:, and was active as an instructor in the 351:"Ascionerie n°4" (2002–2007) 8 channels 324:"Couleurs d'espaces" (1993) 16 channels 264:"MĂ©tamorphose d'un Jaune Citron" (1978) 318:"Chants SphĂ©riques" (1991) 16 channels 7: 250:List of Works (stereo, multi-track) 446:21st-century French male musicians 441:20th-century French male musicians 345:"Ascionerie n°2" (2006) 8 channels 342:"Ascionerie n°1" (2006) 8 channels 315:"ArĂšnes-Around" (1990) 16 channels 154:French Minister of Foreign Affairs 92:Institut national de l'audiovisuel 14: 38:, 21 November 2014) was a French 411:21st-century classical composers 406:20th-century classical composers 235:"Lune Noire", A Storm of Drone ( 426:Electroacoustic music composers 421:French male classical composers 166:…MĂ©tamorphose d'un jaune citron 180:empreintes DIGITALes / INA-GRM 88:Groupe de recherches musicales 1: 436:21st-century French composers 431:20th-century French composers 239:, États-Unis, ASP 0966, 1995) 132:, France, 1979); Lune noire ( 94:(Ina-GRM) in Paris (France). 276:"Sur Champ d'Azur" (1984–86) 186:Primitive; Espaces-Paradoxes 282:"Sonnerie de PĂąques" (1987) 192:, INA_E 5012, France, 2002) 16:French composer (1953–2014) 462: 416:French classical composers 333:"ÉniĂšme" (2004) 8 channels 297:"Quantique Musique" (1997) 285:"Aquarelle en Sol" (1987) 303:"Et puis l'oubli" (1998) 279:"Valeurs d'Ombre" (1986) 267:"Bleus et Formes" (1980) 309:"Divertissement" (2001) 306:"BolĂ©ro Picasso" (1999) 255:"Soleil Baroque" (1977) 288:"Lune Noire" (1987–89) 66: 58: 321:"Grands Ciels" (1991) 300:"15 aoĂ»t 1995" (1996) 270:"À la MĂ©moire" (1980) 176:Polyphonie-polychrome 134:Noroit-LĂ©once Petitot 64: 56: 103:DRAC Basse-Normandie 30:, 22 October 1953 - 258:"Fontaines" (1978) 182:, IMED 9522, 1995) 67: 59: 261:"Guernica" (1978) 138:Espaces-Paradoxes 136:, France, 1989); 453: 273:"Orlanda" (1981) 232:, novembre 2001) 461: 460: 456: 455: 454: 452: 451: 450: 386: 385: 367: 252: 217:, France, 1996) 199: 162: 142:Ars Electronica 72: 44:electroacoustic 20:Patrick Ascione 17: 12: 11: 5: 459: 457: 449: 448: 443: 438: 433: 428: 423: 418: 413: 408: 403: 398: 388: 387: 384: 383: 378: 373: 366: 365:External links 363: 362: 361: 358: 355: 352: 349: 346: 343: 340: 337: 334: 331: 328: 325: 322: 319: 316: 313: 310: 307: 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 268: 265: 262: 259: 256: 251: 248: 247: 246: 243: 240: 233: 222:Teatro Massimo 218: 207: 198: 195: 194: 193: 183: 173: 161: 158: 71: 68: 15: 13: 10: 9: 6: 4: 3: 2: 458: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 412: 409: 407: 404: 402: 399: 397: 394: 393: 391: 382: 379: 377: 374: 372: 369: 368: 364: 359: 356: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 296: 293: 290: 287: 284: 281: 278: 275: 272: 269: 266: 263: 260: 257: 254: 253: 249: 244: 241: 238: 234: 231: 227: 223: 219: 216: 212: 208: 205: 201: 200: 196: 191: 187: 184: 181: 177: 174: 171: 167: 164: 163: 159: 157: 155: 151: 147: 143: 139: 135: 131: 127: 123: 118: 114: 110: 108: 104: 100: 95: 93: 89: 85: 81: 77: 69: 63: 55: 51: 49: 45: 41: 37: 33: 29: 25: 21: 197:Compilations 185: 175: 165: 119: 115: 111: 96: 73: 19: 18: 401:2014 deaths 396:1953 births 99:La Rochelle 390:Categories 160:Recordings 122:La DĂ©fense 48:acousmatic 70:Biography 237:Asphodel 156:(1991). 40:composer 32:Calvados 226:Palerme 190:Ina-GRM 150:Austria 130:Bourges 107:CeFEDeM 90:of the 50:music. 230:Italie 215:UNESCO 36:France 28:France 126:SACEM 84:IRCAM 24:Paris 211:CIME 146:Linz 80:IMEB 46:and 224:de 140:, ( 42:of 392:: 228:, 148:, 144:, 34:, 26:, 213:/ 206:) 188:( 178:( 172:) 168:( 124:/ 78:( 22:(

Index

Paris
France
Calvados
France
composer
electroacoustic
acousmatic


Institut International de Musique Electroacoustique de Bourges
IMEB
IRCAM
Groupe de recherches musicales
Institut national de l'audiovisuel
La Rochelle
DRAC Basse-Normandie
CeFEDeM
La DĂ©fense
SACEM
Bourges
Noroit-LĂ©once Petitot
Espaces-Paradoxes
Ars Electronica
Linz
Austria
French Minister of Foreign Affairs
Cinéma pour l'oreille, MKCD 014, France, 1995
empreintes DIGITALes / INA-GRM
Ina-GRM
Coproduction Centre Noroit d'Arras et INA/GRM, France, 1989

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