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The annual dinner at the Royal
Academy will be much duller for his anarchic absence, that tapering six-foot-six frame, topped by a fez, seemingly on the verge of imminent collapse as it swayed and teetered above the throng. And Marylebone has never been the same since the fire in 1999 that destroyed
51:– intending to read classics at university. However, his mother's income was insufficient to fund his further education and after a period working with a north London builders' merchants 18-year-old Procktor was conscripted into the
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in 1963 – a great commercial success that helped confirm his reputation among a wider artistic circle including the theatre and music (he won numerous commissions for pop record sleeves). A year later, Procktor was featured in
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Beginning in 1964, Procktor, Vaughan, Robert Medley amongst others, took part in a drawing group at
Procktor's home which became a "cross-generational gay network".
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his flat and drove him from a neighbourhood he had graced with his hats and trailing scarves, velvet coats and carpet slippers for the last 40 years.
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Despite his homosexual leanings, in 1973 Procktor married a widow, neighbour and restaurateur
Kirsten Benson. She sold her restaurant (Odin's) to
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Procktor was elected a member of the Royal
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Patrick
Procktor in the National Gallery of Australia's Kenneth Tyler Collection
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in return for hospitality. He appeared, as himself, in the 1974 Hockney biopic,
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27:(12 March 1936 – 29 August 2003) was a British painter and printmaker.
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influences, but was also influenced by his travels. He visited Italy,
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Procktor's work, primarily in oils, acrylics and watercolour, drew on
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In 1962 he became a professional artist and had his first show at
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when his father died in 1940. From the age of 10, he attended
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London's new scene : art and culture in the 1960s
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in 1958. There he was influenced by artists including
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Patrick
Procktor, Painter who personified the Sixties
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281:McNay, Michael (3 September 2003).
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195:Marylebone
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