289:, then military governor of Paris. With the help of workers from the aircraft manufacturer Caudron, Arzens started by removing three tons of armament and armor from the aircraft and replacing the nose of the aircraft and the rear turret with more aerodynamic plexiglas profiles. In the fuselage, he installed a bedroom with two sofas, a living-dining room with four folding tables and twelve seats. The divans were made using car seat fabric. A telephone connected the living room to the cockpit. General Koenig made several trips to Morocco and Algeria with the plane, then handed it over to the French ambassador in Germany. Damaged during a landing, the plane was taken into account by the
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and soon gained recognition as a talented artist able at this stage, unusually, to live reasonably well on the sales proceeds from his paintings. This gave him enough time to pursue other interests in the realms of engineering and design. As his life progressed he accumulated a large collection of
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An Arzens-designed "broken nose" style of locomotive for the French
Railways (SNCF), from a family of locomotives built from the late 1960s into the 1970s. Arzens was responsible for the design of French rail locomotives from the 1940s up to the
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and his first commission for them dates from that same year. Arzens was behind the designs of the BB and CC locomotives and their numerous derivatives which would together dominate the French railway network during the 1950s, 1960s and 1970s.
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that he installed in an old
Chrysler and which worked. Robert Peugeot tried the car and was impressed, although hopes that the system might be adopted for the
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Two years later, Arzens came up with an eye-catching and streamlined two-seater cabriolet prototype body built around the chassis of an old
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series. It was one of these, the CC7107, which broke the electric train speed record in 1955. The record would stand until broken by a
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CC7100 series locomotive (CC 7107), with power delivered to all its wheels, achieved various speed records: its
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In 1935, Arzens turned his interests to automobile engineering. He designed and constructed a six-speed
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in 1981. Arzens was also behind the reverse sloping front window characteristic of the "
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Arzens' next automotive one-off appeared in 1942 and was instantly christened "
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his own paintings and gained a reputation for an acute reluctance to sell any.
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came to nothing, possibly because
Peugeot had recently signed a deal with
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on the northern side of the city. As a young man he studied at the
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Toutes les voitures françaises 1940 - 46 (Les années sans salon)
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for an electric locomotive stood unbroken for over 25 years.
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One of his earlier designs was for the smooth fronted
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In 1947 Paul Arzens was placed on the payroll of the
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557:Painting of Paul Arzens: Baie de Bénodet at Artnet
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94:(28 August 1903 – 2 February 1990) was a
527:. Paris: Histoire & collections: 52. 2003.
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163:. The car was christened "La Baleine" (
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16:French industrial designer (1903–1990)
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41:" in front of the Eiffel tower, 1942
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277:In 1944, Paul Arzens converted a
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538:"La forteresse de Koenig".
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37:Paul Arzens in his "
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67:(1990-02-02)
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405:Locomotive
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327:Locomotives
267:from behind
146:Peugeot 402
121: [
92:Paul Arzens
74:Citizenship
25:Paul Arzens
566:Categories
481:References
236:La Baleine
214:La Baleine
107:motor cars
82:Occupation
53:1903-08-28
320:Nez Cassé
165:the whale
474:CC 72084
458:BB 67274
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409:in
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391:CC 40110
373:BB 17067
357:Capitole
222:Mulhouse
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169:Bugattis
359:livree.
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171:of the
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339:1970s.
311:CC7100
96:French
77:France
376:béton
273:Plane
161:Buick
150:Cotal
125:]
114:Paris
136:Cars
105:and
62:Died
47:Born
355:in
315:TGV
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