206:"It is indicative of just how far we've come that a group of talented music students can now offer a livelier, more elegant, professional and stylistically authentic evening of early music than could have been expected from the most erudite performers and scholars of a generation ago. Truly ours is a golden age of musical discovery."
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where he also founded and directed the Mannes
Camerata, an early music ensemble. He was also head of the opera program at that institution with which he was responsible for staging or conducting 12 operas from the Baroque period and six works from the Renaissance period; several of them United States
218:. Splicing together music compositions from the 14th and 15th centuries by multiple composers containing a 'rose theme', the work was constructed to form a narrative based on the medieval
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42:. There he attended a school associated with an Anglican cathedral and was active in the school's chorus through which he developed an appreciation for early music composers like
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with conventions of opera mixed in. This work was staged by the Mannes
College of Music and performed by the Mannes Camerata in 1986. Reviewing this production,
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among others. This opera premiered at the Mannes
College of Music in 1988 and was subsequently revived in New York following Echols death in 1994.
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for the opera stage based around both popular and court music and poetry and drama of the medieval period. The first of these was
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which he described as "a 15th-century music drama". The work was intended to simulate a 15th-century
Burgundian court
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as their editor for contemporary music. He also served as the director of publications and a vice president of
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116:. Not limited to early music, he directed several contemporary American operas at Mannes as well.
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and combined with Pizan's allegory, was staged in a style reminiscent of a
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which was constructed around an allegory by the 15th century
Italian poet
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premieres. Some of these works included the first modern revival of
129:, the executive editor of the Charles Ives Society, and worked for
471:"Classical Music Meets Pop Culture In New Renditions and Revivals"
365:"Review/Opera; Mannes College Troupe Revives an Offenbach Rarity"
413:"Review/Music; 2 Centuries Collaborate On a Tale Of Morality"
26:, music editor and publishing executive, music educator, and
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Also active as an arranger, his choral arrangement of
119:As a writer Echols contributed several articles to
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532:Mannes College The New School for Music faculty
122:The New Grove Dictionary of Music and Musicians
65:, Echols taught courses in early music at the
296:"MUSIC: 2 MEDIEVAL DRAMAS BY MANNES CAMERATA"
50:. He earned a Bachelor of Arts in Music from
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442:"MUSIC REVIEW; An Opera With Roots Medieval"
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22:(1944 — September 25, 1994) was an American
320:"SATIRIC 1649 OPERA, 'GIASONE,' AT MANNES"
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210:Another pastiche developed by Echols was
267:"Paul C. Echols, 50, Musicologist, Dies"
160:on September 25, 1994 at the age of 50.
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180:. This work utilized music composed by
38:Born in California, Echols grew up in
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275:. September 27, 1994. p. B14.
78:,; the United States premieres of
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344:"OPERA: MANNES CAMERATA PERFORMS"
74:'s 13th century medieval drama
363:Allan Kozinn (March 19, 1990).
106:; and the New York premiere of
127:Journal of Early Music America
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507:American conductors (music)
125:. He was the editor of the
54:and a Master of Music from
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542:New York University alumni
537:Musicians from California
522:American opera directors
512:American music educators
168:Echols created several
61:A recognized expert in
527:Duke University alumni
517:American musicologists
389:"In Praise of 'Venus'"
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67:Mannes School of Music
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202:wrote in his review,
16:American Musicologist
440:(October 22, 1994).
387:(January 25, 1988).
294:(January 12, 1986).
149:on their 1995 album
469:(October 7, 1988).
411:(October 7, 1991).
238:Hayne van Ghizeghem
212:Romance of the Rose
164:Opera contributions
156:Echols died from a
56:New York University
476:The New York Times
447:The New York Times
418:The New York Times
370:The New York Times
349:The New York Times
342:(April 30, 1984).
325:The New York Times
301:The New York Times
272:The New York Times
195:The New York Times
178:Christine de Pizan
174:The City of Ladies
397:. pp. 64–65.
394:New York Magazine
316:Michael Kimmelman
151:Sing We Christmas
143:A Christmas Carol
135:G. Schirmer, Inc.
98:Jacques Offenbach
80:Francesco Cavalli
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318:(May 15, 1987).
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182:Guillaume Du Fay
145:was recorded by
113:Venus and Adonis
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72:Adam de la Halle
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40:Havana, Cuba
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24:musicologist
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502:1994 deaths
497:1944 births
158:brain tumor
147:Chanticleer
103:Les bavards
491:Categories
244:References
222:epic poem
220:Old French
94:La Galatea
131:Peermusic
108:John Blow
28:conductor
292:Tim Page
200:Tim Page
170:pastiche
85:Giasone
216:masque
96:, and
184:and
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