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of people in the De Graaff household in London in 1928, at the peak of their musical partnership, with a house recital. Later that evening, Hermann had been the centre of attention during the after-concert soirée that followed and had jokingly started to dance with his own cello in his arms. The people applauded and he continued to spin and dance until he fell and his cello broke to pieces. To bring the evening to a happy ending was their host Jaap de Graaff, patron and protector of the arts, who decided to buy a
Gagliano cello for Hermann, and a Stradivarius violin for Székely.
178:. As the political climate in Berlin for Jews became more and more threatening, he decided to hide his daughter with his non-Jewish sister-in-law in The Netherlands. Hermann moved on to work in Brussels from 1934–1937, and in Paris in 1937-1939, under a false name, and then moved to the south of France where he was hidden in a farmhouse near Toulouse of the French branch of the Weevers family, where he composed three melodies for voice and piano (Ophélie, La Ceinture, Dormeuse) and a violin/cello sonata. The composition of
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108:, who was also his teacher of chamber music. Already during his studies, Hermann was a frequent performer within and outside of the Liszt Academy. He started his international cello career at the age of 16, playing as a soloist music venues in Europe. Hermann felt that there was no need to finish his studies at the Liszt Academy.
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Paul
Hermann Forbidden Music in World War II - Cello concerto, Grand Duo fĂĽr Violine & Cello; Streichtrio; Klaviertrio; Lieder; 4 Epigrammes; Allegro fĂĽr Klavier; Toccata fĂĽr Klavier; Suite fĂĽr Klavier. Performed by Clive Greensmith, Beth Nam, Burkhard Maiss, Bogdan Jianu, Hannah Strijbos, Andrei
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On a visit to
Holland around 1929, Jaap de Graaff suggested for his niece Ada Weevers, who lived in Amersfoort, to go and see Hermann perform in Amsterdam, and when they met, Ada and Hermann fell in love, despite their different cultures, nationalities and religions. The young couple moved to Berlin
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Bäla Bart¢k, Benjamin
Suchoff Essays 1976 - Page 465 80326108X - the first time in Schoenberg 'private performances' in Vienna, a sonata tor cello solo. It was played by one of the young Hungarian cellists, Paul Hermann. This composition embodies an attempt to serve the demands of modern music with
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who drowns in a river, may have been inspired by the tragic drowning of
Hermann’s wife. He found the solitude of his hidden life on the farm hard to cope with, having lost his wife and far away from his daughter, and used to go out to Toulouse from time to time to teach and socialize, accepting the
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During the early years of his career, Hermann used to visit London for recitals and concerts and then would stay at the de Graaff-Bachiene family residence, owned by patrons of the arts. A story about one of these stays survives. Hermann and his friend Zoltán Székely had entertained a large company
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the simplest possible means — a single melodic instrument. I lay stress upon the word modern, for this is a work which, unlike Reger's violin solo sonatas, is not an imitation of Bach's polyphonic style, but presents a wholly new treatment of the ...
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and others. Of his concerts and recordings only the programs remain. Hermann was also heard on the radio, for example
Wireless World 1937 records a broadcast of "Songs You Might Never Have Heard" with Paul Hermann (cello) and
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concentration camp in spring 1944, and then onward to the Baltic States on the Drancy Convoy 73 on 15 May 1944, after which further traces of
Hermann are missing.
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2015 Page 166 1783270594 Review of a performance of the Cello Sonata by Paul
Hermann and Harry Isaacs, at the Contemporary Music Centre, The Times, 11 March 1927.
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family. About his early childhood not much more than an anecdote remains: he was only prepared to study for his piano lessons if for every
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Among the works
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set up the Paul
Hermann Fonds in Hermann's memory which offers scholarships to promising young cellists from the
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from 1915–1919 and developed close relationships, both musical and personal, with his teachers of composition
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No recordings of Hermann as an artist are known to survive, although he often performed recitals, or as a
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changed, most notably for Jews, and became more threatening, he decided to move first of all to
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to the internment camp of Drancy, and on 15 May 1944 he was sent to the Baltic States on the
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from 1937 to 1939, and then on to the south of France. He was deported under the
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This article is about the Jewish Hungarian musician. For the Nazi poet, see
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Hermann was born in Budapest, Hungary, on 27 March 1902 and came from a
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On one such visit to Toulouse, he was indeed picked up during a street
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Banciu, with soprano Irene Maessen Etcetera, DDD, (2CD) 2017
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signature of "Hermann Pál" on one of his music manuscripts
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he prepared, he would receive one cent. He studied at the
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from 1929 to 1934. However, as the political climate in
422:"Zoltán Székely - Notable Alumni - zeneakademia.hu"
242:Grand Duo, pour violon et violoncelle (1929–30)
52:, 27 March 1902 – unknown 1944), also known as
245:Duo pour violon et violoncelle (1920, dédié a
486:"Pal Hermann attended those ISCM concerts..."
469:Székely and Bartók: the story of a friendship
238:, which are all now public domain in Europe.
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543:Jewish emigrants from Nazi Germany to France
286:Paul van Gastel, tenor, Paolo Orlandi, piano
126:Hermann taught cello and composition in the
548:Hungarian civilians killed in World War II
174:Ada died after a drowning accident in the
538:Hungarian Jews who died in the Holocaust
474:Musique dans les Camps de Concentration
457:, Eve Line Blum-Cherchevsky, Besancon,
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553:20th-century Hungarian male musicians
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258:Quatre Épigrammes, pour piano (1934)
234:Paul Hermann left a small number of
128:Musikschule Paul Hindemith Neukölln
32:Es ist fĂĽr uns eine Zeit angekommen
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167:in 1930, and they had a daughter
261:Trois mélodies sur des textes d'
154:, and was not heard of again.
27:Hungarian composer and cellist
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146:régime in February 1944 from
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115:'s cello sonata in 1927 with
104:and composition, first under
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216:Franz Liszt Academy of Music
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78:Franz Liszt Academy of Music
212:Prins Bernhard Cultuurfonds
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387:"Duo for Violin and Cello"
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399:The Music of Frank Bridge
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491:2015-09-24 at the
479:2015-11-17 at the
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365:leosmit.org
297:La Dormeuse
292:La Ceinture
267:Paul Valéry
186:’s beloved
82:BĂ©la BartĂłk
54:Pál Hermann
502:Categories
444:References
432:2015-10-13
305:Recordings
276:"Ophélie"
273:(1934–39)
106:Leo Weiner
98:Lili Kraus
341:Footnotes
326:(piano).
313:with the
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74:Ă©tude
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