65:"The 'Ecole des Pâquis' occurred simply and effortlessly, naturally putting aside any cumbersome conceit and any personal outburst. ...These artists belong to this post-war generation which no longer dreams of superman. The subtleties of their craft come before aesthetic theories. Whenever laziness, alcohol, Bohemia and fiddling don't tempt them, they are capable of efforts far more disciplined than those we have made in the past 30 years. In a nutshell, long live the post-war youth that we have so run down." (
218:. This truism conceals a constant proceeding, highly true to itself and to the craft - which is not a minor achievement given a world where creative activity seems to be more and more confined by concept and word jugglers! Cancelled movement, suspended vibration, objects and figures immobilized in their inmost loneliness, our glance seizes the composition like a wordless poem, a soundless music. The full circle of the creative route is then completed and painting joins its own mystery." (Bernard Zumthor, 1975)
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143:, Sion (Cathedral), Sion (St Ursule's Chapel), Crans-Montana (Parish church), Viège (St Martin's church), Zurich (St Konrad's church), Zurich-Enge (Three-Kings' church), Dubendorf (Maria- Friedenskirche), Lausanne (St Joseph's church), Geneva (Notre-Dame's basilic).
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From 1930 to 1932, Monnier journeyed in India, Indo-China, and Tonkin. In a letter to C. J., Paul
Monnier writes: "I'm wasting my time trying to abolish this job from my life. Painting is my job, my real and only job." (Vizagapatam, June 3, 1931).
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After he returned, Monnier devoted himself to painting and lived successively in Geneva (1932–1936), Sierre Valais (1936–1949), Lausanne (1949–1970) and Geneva again until his death (1970–1982).
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France: Paris, Salon international de l'Art libre; Paris, Salon des
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Spain: Madrid, International
Exhibition of Arts and Crafts.
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France: Le Fayet, Eglise Notre-Dame des Alpes (Architect:
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Switzerland: Geneva; Sion; Sierre; Martigny; Zurich.
139:Switzerland, among more than 60 realisations:
98:Verre de Venise, 54x65 cm, oil on canvas, 1967
249:, Editions de la Baconnière, Neuchâtel, 1938.
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214:"Paul Monnier's work is firstly and mainly
239:, Editions du Cheval Ailé, Genève, 1947.
209:Les tables, 54x65cm, oil on canvas, 1973
49:. From 1924 to 1930, he studied at the
201:, Club des Bibliophiles, Genève, 1944.
117:Mural paintings, stained glass, mosaic
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106:Austria: Salzburg, Kirchliche Kunst.
256:, Editions de la Matze, Sion, 1975.
154:(Lausanne, Notre-Dame du Valentin).
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312:20th-century Swiss male artists
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237:Almanach du Cheval Ailé, 1947
191:, W. Egloff, Fribourg, 1944.
181:, W. Egloff, Fribourg, 1943.
109:USSR: Moscow, Swiss Artists.
90:Italy: Milano, Ve Triennale.
282:20th-century Swiss painters
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233:Paul Monnier, illustrateur
185:Le parcours du Haut-RhĂ´ne
146:Paul Monnier worked with
30:(1907–1982) was a
165:Nourritures valaisannes
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195:Le bazar de la Charité
189:Charles-Albert Cingria
171:, LUF, Fribourg, 1938.
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267:Paul Monnier web site
247:Paul Monnier, peintre
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51:Ecole des Beaux-Arts
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287:Swiss male painters
141:St. Maurice's Abbey
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292:Swiss illustrators
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129:India: Yenubaruvu.
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252:Bernard Zumthor,
243:Maurice Zermatten
229:Humbert Anthonioz
169:Maurice Zermatten
148:Alexandre Cingria
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179:Pierre Courthion
175:Notre ami le Vin
134:Maurice Novarina
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307:1982 deaths
302:1907 births
199:Paul Morand
82:Exhibitions
276:Categories
41:Biography
216:painting
69:, 1929)
35:painter
55:Geneva
235:, in
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