20:
241:. His music criticism has included bylines from New York, London, Paris, Berlin, Vienna, Budapest, San Francisco, Rome, Milan, Venice, Naples, Tokyo, St. Petersburg, Barcelona, Santa Fe, Chicago, Washington, Boston, Houston, Miami, Palm Beach, Beirut, and the Salzburg, Bayreuth, Verona, and Glimmerglass Festivals.
1213:
102:
was published in 2009. The book attacks Soviet arguments and demonstrates the vital commercial elements in
Russian culture, which du Quenoy argues was relatively free before the Revolution of 1917. According to the
452:
Thurston, Gary (2012). "Paul du Quenoy . Stage Fright: Politics and the
Performing Arts in Late Imperial Russia . University Park: Pennsylvania State University Press. 2009. Pp. Xiii, 290. $ 65.00".
1198:
153:
described it as "ably written, balanced, highly detailed, and documented with care ... As such it outdoes existing
Russian efforts." He has also published a volume of selected music criticism.
1203:
157:'s chorus director William Spaulding hailed it as "knowledgeable and accessible," adding that "Paul du Quenoy’s brilliant reviews reveal the timelessness of opera’s core values."
921:
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offers "a detailed counter-argument to teleological readings of the cultural and political situation in late imperial Russia." The book was commended by
1004:"Beau Monde on Empire's Edge: State and Stage in Soviet Ukraine. By Mayhill C. Fowler.Toronto: University of Toronto Press, 2017. Pp. Xvi+282. $ 75.00"
1223:
122:
described it as an "important new contribution to the field" that "should be read by anyone interested in the relationship of politics and the arts."
507:
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Du Quenoy contributes criticism and commentary on art, society, and politics to a variety of publications. His writing has appeared in the
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42:(born November 15, 1977) is an American publisher, critic, historian, and philanthropist. He is President and Publisher of
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214:
55:
182:
83:
1112:
346:“Vladimir Solov’ev in Egypt: The Origins of the ‘Divine Sophia’ in the Development of Russian Religious Philosophy,”
1141:
230:
218:
222:
149:
as a "new angle" with "views that allow for a reexamination of some of the century's biggest controversies."
865:
823:
424:
1188:
104:
949:
304:"In the Most Uncompromising Russian Style: The Russian Repertoire at the Metropolitan Opera, 1910–1947,"
367:“With Allies Like These, Who Needs Enemies?: Russia and the Problem of Italian Entry into World War I,”
210:
59:
24:
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134:
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852:"Articles by Paul du Quenoy | the New Criterion, Musical America Journalist | Muck Rack"
325:“‘It Could Be A Lot Worse:’ Imperial Russian Theatrical Censorship in a Comparative Perspective,"
1023:
984:
726:
687:
568:
551:
Swift, Anthony (2012). "Stage Fright: Politics and the
Performing Arts in Late Imperial Russia".
527:
667:
1090:
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1042:
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741:
586:
395:“Guillaume de Beauplan’s Description de l’Ukraine and its Place in Ukrainian Historiography,”
202:
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388:“The Opiate of the Intellectuals?: Reflections on Communism at the Turn of the Millennium,”
178:
1003:
922:"Where's the Rage? Cherubini's Medea Strikes Out on the Metropolitan Opera's Opening Night"
606:
438:
198:
154:
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for "its devastating command of the historical record." Professor E. Anthony Swift of the
43:
374:“Warlordism à la russe: Baron von Ungern-Sternberg’s Anti-Bolshevik Crusade, 1917–1921,”
587:"Stage Fright: Politics and the Performing Arts in Late Imperial Russia, Paul du Quenoy"
508:"Paul du Quenoy, Stage Fright: Politics and the Performing Arts in Late Imperial Russia"
707:
Through the Years with Prince
Charming: The Collected Music Criticism of Paul du Quenoy
339:“‘Honeymoon to Bayreuth:’ French Appreciations of Richard Wagner in the Interwar Era,”
292:
Through the Years with Prince
Charming: The Collected Music Criticism of Paul du Quenoy
238:
166:
146:
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magazine called it a "rattling good read" and "well-written analysis." His third book,
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318:"Staging Russia: The Russian Repertoire at the Metropolitan Opera, 1943–1972,"
1163:
965:"The Role of Foreign Affairs in the Fall of Nikita Khrushchev in October 1964"
46:, an international non-fiction publisher based in Washington, DC, and London.
19:
1155:
67:
23:
Paul du Quenoy (center) with Their
Imperial Highnesses Prince and Princess
465:
746:
311:“Arabs under Tsarist Rule: The Russian Occupation of Beirut, 1773–1774,”
170:
70:
scholar in Russia. He has received fellowships and other awards from the
28:
683:
668:"Alexander Serov and the Birth of the Russian Modern. By Paul du Quenoy"
381:“The Role of Foreign Affairs in the Fall of Nikita Khrushchev in 1964,”
652:
274:
Wagner and the French Muse: Music, Society, and Nation in Modern France
127:
Wagner and the French Muse: Music, Society, and Nation in Modern France
100:
Stage Fright: Politics and the
Performing Arts in Late Imperial Russia,
907:
268:
Stage Fright: Politics and the
Performing Arts in Late Imperial Russia
62:, where he was the last Ph.D. graduate of the Russian History scholar
360:“Perfecting the Show Trial: The Case of Baron von Ungern-Sternberg,”
1214:
Georgetown
University Graduate School of Arts & Sciences alumni
1019:
618:
129:(2011), an extensively documented narrative of the German composer
138:
18:
776:"BOOK REVIEW: 'The Room Where It Happened: A White House Memoir'"
332:“Tidings From A Faraway East: The Russian Empire and Morocco,”
762:"In Florida, we're still seeing a flood of New York refugees"
402:“The Skoropadsky Hetmanate and the Ukrainian National Idea,”
894:"Why You Don't See Napoleon's Wars Taught Like This Anymore"
249:
Since 2013, Paul du Quenoy has served as chairman of the
1127:"Throwback: The Russian Ball – Washington Life Magazine"
607:
http://www.h-france.net/vol13reviews/vol13no17miner.pdf
1199:
Academic staff of the American University of Beirut
796:"The Pleasures of Repose: A New Study of Fragonard"
280:
Alexander Serov and the Birth of the Russian Modern
143:
Alexander Serov and the Birth of the Russian Modern
66:. He has taught at multiple universities and was a
1204:Academic staff of The American University in Cairo
866:"Freddie deBoer Wants to Make College Even Dumber"
824:"The dead Kennedys: Joe blows it in Massachusetts"
145:(2016, rev. 2nd edition 2022) was described by
1113:"Met's venerable "Rosenkavalier" blooms anew"
742:"Can the U.K. Trust in Truss? | Opinion"
86:, and the Slavic-Eurasian Research Center at
76:Kennan Institute for Advanced Russian Studies
8:
253:, a major social event in the U.S. capital.
133:'s reception in France. Novelist, poet, and
353:“The Russian Empire and Egypt, 1900–1915,”
225:, and various academic journals, including
286:Cancel Culture: Tales from the Front Lines
722:"Cold War-Style Posturing Will Intensify"
416:
7:
908:"Who's Karen? | Paul du Quenoy"
1209:George Washington University alumni
371:, 45: 3–4, September–December 2003.
1234:21st-century American male writers
1142:"The Scene: The 2019 Russian Ball"
33:the Russian Ball of Washington, DC
14:
1229:American male non-fiction writers
950:"Who's afraid of a new cold war?"
137:dramaturg Simon Rees's review in
125:Du Quenoy subsequently published
1224:21st-century American historians
969:The International History Review
479:Why-man, Rose (2011). "Review".
327:Canadian-American Slavic Studies
493:10.5699/modelangrevi.106.2.0617
80:American Historical Association
72:National Endowment for the Arts
1089:du Quenoy, Paul (2012-07-27).
1067:du Quenoy, Paul (2012-07-29).
1047:Without a Production Concept?"
1041:du Quenoy, Paul (2011-07-29).
710:. Academica Press. April 2021.
454:The American Historical Review
313:Russian History/Histoire Russe
251:Russian Ball, Washington, D.C.
227:the American Historical Review
54:Paul du Quenoy graduated from
1:
1194:Georgetown University faculty
1008:The Journal of Modern History
981:10.1080/07075332.2003.9640999
506:Emerson, Caryl (2012-01-01).
439:"Los Angeles Review of Books"
221:, New York Classical Review,
98:Paul du Quenoy's first book,
565:10.1080/09546545.2012.671456
399:, 57: 3–4, Fall-Winter 2001.
383:International History Review
334:International History Review
235:International History Review
215:The Critic (modern magazine)
58:and received his Ph.D. from
56:George Washington University
936:"New York Classical Review"
183:Los Angeles Review of Books
84:Andrew W. Mellon Foundation
1252:
1140:Kate Warren (2019-01-13).
524:10.1177/0265691411428783ar
512:European History Quarterly
481:The Modern Language Review
231:Journal of Modern History
219:The European Conservative
1002:Quenoy, Paul du (2020).
963:Quenoy, Paul Du (2003).
666:Helmers, Rutger (2017).
369:Canadian Slavonic Papers
355:Journal of World History
320:Beirut Humanities Review
1091:"Getting Over the Rats"
378:, 16: 2, December 2003.
350:, 23: 2, December 2010.
105:Modern Language Review
36:
466:10.1086/ahr.117.1.296
392:, 11: 3, Spring 2002.
306:Revolutionary Russia,
211:American Conservative
60:Georgetown University
25:Ermias Sahle Selassie
22:
1219:Historians of Russia
781:The Washington Times
647:(2): 352–397. 2017.
553:Revolutionary Russia
376:Revolutionary Russia
362:Revolutionary Russia
348:Revolutionary Russia
135:Welsh National Opera
112:Princeton University
1150:. Washington, D.C.
1147:The Washington Post
1069:"Bayreuth Redeemed"
924:. 29 December 2022.
826:. 2 September 2020.
810:"'Otello' Unmoored"
750:. 9 September 2022.
406:, 56: 3, Fall 2000.
404:Ukrainian Quarterly
397:Ukrainian Quarterly
385:, 25: 2, June 2003.
357:, 19: 2, June 2008.
343:, 5: 1, March 2011.
336:, 33: 2, June 2011.
257:Select bibliography
187:Washington Examiner
120:University of Essex
88:Hokkaido University
882:. 20 January 2021.
812:. 26 October 2015.
727:The New York Times
653:10.1111/russ.12135
641:The Russian Review
364:, 19:1, June 2006.
37:
35:, January 11, 2014
16:American historian
1111:du Quenoy, Paul.
1093:. ConcertoNet.com
1071:. ConcertoNet.com
1049:. ConcertoNet.com
838:"Exhibition note"
764:. 7 January 2021.
684:10.1093/ml/gcx070
672:Music and Letters
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1184:1977 births
1014:: 236–237.
518:: 190–192.
460:: 296–297.
282:(2016/2022)
1178:Categories
1164:1330888409
1097:2013-04-22
1075:2013-04-22
1053:2013-04-22
625:2013-04-22
593:2013-04-22
537:2013-04-22
411:References
223:Al Jazeera
90:in Japan.
50:Background
1156:0190-8286
1028:212952290
989:154311344
692:191765379
573:145609833
559:: 96–98.
532:143769615
68:Fulbright
747:Newsweek
299:Articles
171:Newsweek
29:Ethiopia
245:Society
161:Writing
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270:(2009)
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1024:S2CID
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688:S2CID
569:S2CID
528:S2CID
262:Books
139:Opera
1160:OCLC
1152:ISSN
1045:Frau
1043:"A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
