299:
123:
838:
560:
273:
418:
44:
1212:
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159:
Her name appears in various forms. When it is not simply "Pauline
Viardot", it most commonly appears in association with her maiden name GarcĂa or the unaccented form, Garcia. This name sometimes precedes Viardot and sometimes follows it. Sometimes the words are hyphenated; sometimes they are not.
366:
in Russia in 1843. In 1845, he left Russia to follow
Pauline and eventually installed himself in the Viardot household, treated her four children as his own, and adored her until he died. She, in turn, critiqued his work and through her connections and social abilities, presented him in the best
344:
and twenty-one years
Pauline's senior, was financially secure and would be able to provide Pauline with much more stability than de Musset. The marriage took place on 18 April 1840. He was 39 or 40, she 18. He was devoted to her and became the manager of her career. Her children followed in her
741:
Viardot began composing when she was young, but it was never her intention to become a composer. Her compositions were written mainly as private pieces for her students with the intention of developing their vocal abilities. She did the bulk of her composing after her retirement at
686:, an opera with which her family had long been associated (see "Early life" above). In 1855, she had purchased Mozart's original manuscript of the opera in London. She preserved it in a shrine in her Paris home, where it was visited by many notable people, including
1081:, premiered in 2024. The story is told in flashbacks as a journalist interviews Viardot near the end of her life, and within Ching's original compositions the music weaves in songs and melodies from Viardot's own compositions plus arias she sang during her career.
575:
After the fall of
Napoleon III later in 1870, they returned to France, where she taught at the Paris Conservatory and, until her husband's death in 1883, presided over a music salon in the Boulevard Saint-Germain. Her students included
454:
as songs. He in turn derived from her some firsthand knowledge about
Spanish music. In July 1847, Sand's and Chopin's relationship came to an end. Viardot tried to heal the rift and get the two back together, but to no avail.
259:
After
Malibran's death in 1836, aged 28, Pauline became a professional singer, with a vocal range from C3 to F6. However, her professional debut as a musician was as a pianist, accompanying her brother-in-law, the violinist
1915:
Mouchon, Jean-Pierre (July 2000). "Correspondance de
Pauline Viardot avec Ăline Biarga, avec photos" ("Ătude", n°14, juillet-aoĂ»t-septembre 2000, Association internationale de chant lyrique TITTA RUFFO, Marseille, France.
216:
By the age of six she was fluent in
Spanish, French, English, and Italian. Later in her career, she sang Russian arias so well that she was taken for a native speaker. After her father's death in 1832, her mother, soprano
323:, who had earlier been taken with her sister Maria Malibran. Some sources say he asked for Pauline's hand in marriage, but she declined. However, she remained on good terms with him for many years. Her friend
221:, took over her singing lessons, and forced her to focus her attention on her voice and away from the piano. She had wanted to become a professional concert pianist. She had taken piano lessons with the young
160:
She achieved initial fame as "Pauline GarcĂa"; the accent was dropped at some point, but exactly when is not clear. After her marriage, she referred to herself simply as "Mme
Viardot".
789:(1904, when she was 83) â were to her own libretti. The operas may be small in scale; however, they were written for advanced singers and some of the music is difficult.
1731:
316:
in London in 1839. This proved to be the surprise of the season. Despite her flaws, she had an exquisite vocal technique combined with an astonishing degree of passion.
1917:
2225:
237:. It was with the greatest regret that she abandoned her strong vocation for the piano, which she did only because she did not dare to disobey her mother's wishes.
199:
As a little girl, she travelled with her family to London, New York City (where her father, mother, brother and sister gave the first full performance of Mozart's
151:, she came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer.
1388:
1812:
1234:
The correct
Spanish spelling of the name is GarcĂa, but the family dropped the accent at some time, probably when its members began to become known abroad.
367:
light whenever they were in public. The exact status of their relationship is a matter of debate. Other men closely linked to her included the composers
2185:
2175:
2064:
1993:
629:
1847:
2215:
2205:
2180:
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in Paris in November 1859, directed by Hector Berlioz who arranged the opera, and she sang this role over 150 times. She was well acquainted with
2009:
2230:
1962:
1947:
1932:
1909:
1857:
1442:
1312:
1617:
1528:
757:, she was both an outstanding pianist and a complete all-around professional musician. Between 1864 and 1874 she wrote three salon operas â
694:, who said he was "in the presence of divinity". It was displayed at the Exposition Universelle of 1878, and at the centenary exhibition of
122:
2015:
DFG-gefördertes Forschungsprojekt "Orte und Wege europÀischer Kulturvermittlung durch Musik. Die SÀngerin und Komponistin Pauline Viardot"
526:
2190:
2037:
1894:
1879:
1603:
1572:
1538:
1331:
1957:. Unter Mitarbeit von Juliette Appold, Regina Back, Martina Bick und Melanie Stier (= Viardot-Garcia-Studien 1). Hildesheim: Olms.
1983:
298:
2220:
2195:
520:, who was clearly past her prime. Asked by Kemble what she thought of the voice, she replied 'Ah! It is a ruin, but then so is
2200:
390:
Renowned for her wide vocal range and her dramatic roles on stage, Viardot gave performances that inspired composers such as
306:
In 1837, 16-year-old Pauline GarcĂa gave her first concert performance in Brussels. She made her opera debut as Desdemona in
2004:
613:
589:
664:
2210:
2057:
2019:
534:
In 1863, Pauline Viardot retired from the stage. She and her family left France due to her husband's public opposition to
450:. She was given expert advice by Chopin on her piano playing, her vocal compositions, and her arrangements of some of his
1786:
1760:
1143:
1137:
261:
1562:
2139:
1105:
1403:
400:
2119:
1164:
621:
492:
485:
350:
188:
and Princess Pauline Galitsin, who provided her with her middle names. She was 13 years younger than her sister,
24:
2050:
691:
2129:
1091:
837:
649:
169:
431:, and composed songs in a variety of national techniques. Her career took her to the best music halls across
1705:
488:
in Paris on 30 October 1849, which she performed together with a soprano, incognito behind a black curtain.
475:
699:
597:
410:
395:
253:
100:
581:
1989:
983:
362:
272:
1459:
901:
559:
502:
447:
391:
341:
241:
2033:
2170:
2165:
2096:
1147:
829:
785:
333:
on her) had a role in discouraging her from accepting de Musset's proposal, directing her instead to
244:, who approved of her arranging some of his mazurkas as songs, and even assisted her in this. Liszt,
234:
1986:â guide to the musician's personal papers and scores in the Houghton Library at Harvard University.
711:
593:
2088:
1638:
1108:(1805â1906), singer, composer, singing teacher; married CĂ©cile Maria "EugĂ©nie" Mayer (1814â1880)
815:
767:
680:
From the mid-1840s, until her retirement, she was renowned for her appearances in Mozart's opera
1070:, appearing in her retirement at Baden-Baden as a teacher and mentor to the fictional narrator.
735:
2000:
Pauline Viardot-Garcia (includes reviews of early concerts by Alfred de Musset and George Sand)
1958:
1943:
1928:
1905:
1890:
1871:
1853:
1599:
1568:
1534:
1438:
1308:
1181:
1114:
687:
657:
633:
617:
567:
521:
497:
451:
405:
307:
287:
750:
declared that, with Pauline Viardot, the world had finally found a woman composer of genius.
2134:
2029:"Pauline Viardot. Systematisch-bibliographisches Werkverzeichnis (VWV)" by Christin Heitmann
1999:
1629:
1485:
1232:
Grove's Dictionary, 5th edition (1954), in a footnote to their article on her father, says:
1177:
1099:
673:
653:
480:
436:
428:
417:
404:
to her, and wanted her to sing the title role, but she declined on account of her age), and
329:
320:
312:
218:
206:
181:
1356:
963:
641:
637:
605:
543:
513:
467:
277:
245:
185:
139:
43:
1335:
1252:
1136:(1808â1836), singer; married Francois Eugene Malibran (1781â1836) (no children); married
240:
She remained an outstanding pianist all her life, and often played duets with her friend
1117:(1837â1925), baritone and singing teacher; married Emily Matilda Ann Martorell (1835â?)
2144:
1843:
1133:
1063:
971:
668:
645:
625:
601:
517:
463:
378:
373:
368:
230:
189:
2159:
2114:
1300:
1158:
1078:
842:
802:
772:
719:
609:
548:
357:
334:
291:
282:
144:
2028:
387:, but changed his mind, which led to a cooling of his relations with the Viardots).
356:
Her marriage did not stop the steady stream of infatuated men. The Russian novelist
2124:
2023:
2010:
Lexikalischer Artikel zu Pauline Viardot bei MUGI â "Musik und Gender im Internet".
1736:
1464:
1170:
967:
754:
753:
Having as a young girl studied with Liszt and with the music theorist and composer
682:
535:
459:
346:
249:
226:
201:
20:
1902:
The Life and Work of Pauline Viardot-Garcia. Vol. 2, The Years of Grace, 1863â1910
1502:
1887:
The Life and Work of Pauline Viardot-Garcia. Vol. 1, The Years of Fame, 1836â1863
1693:. Louisiana State University and Agricultural and Mechanical College. p. 20.
509:, the Swedish soprano and philanthropist, who had been a student of her brother.
1633:
846:
747:
743:
539:
443:
383:
360:
in particular fell passionately in love with her after hearing her rendition of
324:
222:
210:
730:
1095:
977:
506:
471:
353:
became a composer and writer, and two other daughters became concert singers.
177:
1817:
1282:
577:
1732:"Opera on the prairie? University of South Dakota program raises its voice"
516:
when they attended the late concert in London by the great Italian soprano
168:
Michelle Ferdinande Pauline GarcĂa Sitches was born in Paris. Her father,
1875:
1706:"Alexander Chee's 'The Queen of the Night' is an operatic novel of opera"
715:
585:
196:. Her father trained her on the piano and also gave her singing lessons.
1975:
1691:
The music salon of Pauline Viardot: featuring her salon opera Cendrillon
1661:
1492:, Novello, Ewers & Co., London and New York, 1888, vol. II, p. 325).
698:
s premiere in 1887. In 1889 she announced she would donate it to the
435:, and from 1843 to 1846 she was permanently attached to the Opera in
432:
1596:
French Opera at the Fin De SiĂšcle. Wagnerism, Nationalism, and Style
710:
In 1910, Pauline Viardot died, aged 88. Her body is interred in the
1953:
Borchard, Beatrix / Wigers, Miriam-Alexandra Wigbers (Ed.) (2021).
1870:
Cendrillon. Ph.D. thesis. Baton Rouge: Louisiana State University.
2042:
976:
836:
729:
558:
416:
302:
Pauline Viardot at the piano listening to Frédéric Chopin. Sketch.
297:
271:
173:
1955:
Pauline Viardot-Garcia â Julius Rietz. Der Briefwechsel 1858â1874
1435:
Enchantress of Nations: Pauline Viardot â Soprano, Muse and Lover
1285:
ed., Grove's Dictionary of Music and Musicians, 5th edition, 1954
2014:
1925:
Enchantress of Nations. Pauline Viardot: Soprano, Muse and Lover
1787:"Opera Commissioned For USD Premiers In Vermillion This Weekend"
1761:"Opera Commissioned For USD Premiers In Vermillion This Weekend"
1389:"The Music Salon of Pauline Viardot: Featuring Her Salon Opera,
1332:"Pauline Viardot: Opera Rara - MusicalCriticism.com (CD review)"
1186:
Claudie Viardot (1852â1914); married Georges Chamerot; had issue
553:
427:
She spoke fluent Spanish, French, Italian, English, German, and
193:
2046:
1868:
The Music Salon of Pauline Viardot: Featuring her Salon Opera
256:
and others have left accounts of her excellent piano playing.
546:
persuaded her to sing in the first public performance of his
184:, a Spanish actress and operatic singer. Her godparents were
1460:"Erica Jeal on pianist, singer and composer Pauline Viardot"
1564:
America's Musical Inheritance â Memories and Reminiscences
1503:"Pauline Viardot: Singing In "Chopin And The Nightingale""
1176:
Marianne Viardot (1854â1919), painter, briefly engaged to
630:
List of music students by teacher: T to Z#Pauline Viardot
512:
A notable remark of hers was made to the English soprano
205:
in the United States, in the presence of the librettist,
19:"Viardot" redirects here. For Pauline Viardot's son, see
1017:
for 2 flutes and piccolo, 2 oboes, 2 brass choirs (1868)
652:. In 1877, her daughter Marianne was briefly engaged to
1326:
1324:
381:(who initially had her in mind for the role of Dido in
1618:"Enshrining Mozart:Don Giovanniand the Viardot Circle"
1211:
FitzLyon, p. 15, referring to the baptismal name. The
746:. However, her works were of professional quality and
143:; 18 July 1821 â 18 May 1910) was a French dramatic
2107:
2080:
115:
92:
76:
53:
34:
1637:
147:, composer and pedagogue of Spanish descent. Born
1146:(1833â1914), pianist, composer, professor at the
648:. She was also the godmother of ArtĂŽt's daughter
1077:, with libretto and score by American composer
327:(who later based the heroine of her 1843 novel
1849:The Price of Genius: A Life of Pauline Viardot
176:, was a Spanish singing teacher, composer and
2058:
1361:Diccionario EnciclopĂ©dico de MĂșsica en MĂ©xico
319:At the age of 17, she met and was courted by
8:
962:Vocal arrangements of instrumental works by
718:, near Paris, was a gift to the Viardots by
1073:A three-act opera based on Viardot's life,
470:as songs. She was the mezzo-soprano in the
446:'s home at Nohant, with Sand and her lover
340:Viardot, an author and the director of the
2065:
2051:
2043:
1598:. Oxford: Oxford University Press, p. 30.
1533:. Cambridge University Press. p. 49.
225:and counterpoint and harmony classes with
42:
31:
2005:Multimediale PrÀsentation Pauline Viardot
1994:International Music Score Library Project
1918:Site: titta-ruffo-international.jimdo.com
371:(she created the title role in his opera
349:became a concert violinist, her daughter
1940:Pauline Viardot-Garcia: FĂŒlle des Lebens
1561:Anna Eugenie; Schoen Rene (March 2007).
1383:
1381:
1379:
1377:
1375:
1373:
1371:
1369:
213:, where she started her musical career.
2226:19th-century French women opera singers
1428:
1426:
1424:
1295:
1293:
1291:
1278:
1276:
1247:
1245:
1243:
1241:
1201:
1157:(1821â1910), singer, composer; married
734:Portrait of Pauline Viardot (1853), by
280:as Urbano in Act 1 of Meyerbeer's
1207:
1205:
1167:(1841â1918), composer, pianist, singer
714:, Paris, France. The Villa Viardot in
667:in Paris in the first performance of
663:On 11 April 1873 she appeared at the
138:
7:
1813:"Taos Opera Institute Showcase 2023"
1363:, vol. II, 2007, isbn 968-5557-79-9.
1253:"Pauline Viardot-Garcia (1821â1910)"
1223:Pauline Ferdinande Laurence Garcia".
1120:Alberto GarcĂa (1875â1946), baritone
1038:Sonatine for violin and piano (1874)
779:. Her remaining two salon operas â
458:She arranged instrumental works by
288:Royal Italian Opera (Covent Garden)
1217:Ătat civil reconstituĂ© (XVIe-1859)
1053:The Music Salon of Pauline Viardot
149:Michelle Ferdinande Pauline GarcĂa
58:Michelle Ferdinande Pauline GarcĂa
14:
2120:Louise HĂ©ritte-Viardot (daughter)
2038:National Portrait Gallery, London
1811:Steinbach, Molly (12 June 2023).
1704:Akins, Ellen (11 February 2016).
1530:The Cambridge Companion to Brahms
1140:(1802â1870), composer, violinist
656:, but she later married composer
2186:French people of Spanish descent
2176:French women classical composers
1904:. Amersham: Cambridge Scholars.
1900:Kendall-Davies, Barbara (2012).
1889:. Amersham: Cambridge Scholars.
1885:Kendall-Davies, Barbara (2003).
1785:Sharples, Riva (26 April 2024).
1759:Sharples, Riva (26 April 2024).
1527:Michael Musgrave (27 May 1999).
982:Lithograph of Pauline Garcia by
910:, 2 solo voices and piano (1874)
408:, for whom she created FidĂšs in
192:, a highly acclaimed and famous
121:
16:French mezzo-soprano (1821â1910)
1094:(1775â1832), singer, composer,
898:12 Mazurkas for voice and piano
2206:Burials at Montmartre Cemetery
2181:French operatic mezzo-sopranos
1990:Free scores by Pauline Viardot
1689:Harris, Rachel Miller (2005).
442:She spent many happy hours at
1:
2022:, Paris, Portrait painted by
1984:Pauline Viardot-Garcia papers
1730:Whitney, Stu (1 April 2024).
942:Airs italiens du XVIII siĂšcle
702:, and this occurred in 1892.
542:, Germany. In 1870, however,
2231:19th-century women composers
2034:Portraits of Pauline Viardot
636:later became the teacher of
1634:10.1525/ncm.2001.25.2-3.165
1567:. Read Books. p. 164.
1125:Eugenie Harouel (1840â1924)
1029:for violin and piano (1868)
886:Album de Mme Viardot-Garcia
771:(1869), all to libretti by
491:She sang the title role of
345:musical footsteps. Her son
229:, the teacher of Liszt and
2247:
2020:Musée de la Vie romantique
1938:Borchard, Beatrix (2016).
1866:Harris, Rachel M. (2005).
1062:Viardot is a character in
930:5 Poésies toscanes-paroles
18:
2216:Pupils of Frédéric Chopin
2191:French Romantic composers
2135:Joaquina Sitches (mother)
1740:. South Dakota News Watch
1144:Charles-Wilfrid de BĂ©riot
1138:Charles Auguste de BĂ©riot
1111:Manuel GarcĂa (1836â1885)
1009:Introduction et polonaise
276:Viardot as Valentina and
262:Charles Auguste de BĂ©riot
120:
41:
1977:Lettres Ă Madame Viardot
1594:Huebner, Steven (1999).
1128:Marie CrĂšpet (1842â1867)
1044:for piano for four hands
1011:for piano 4 hands (1874)
1005:for piano 4 hands (1885)
948:6 chansons du XVe siĂšcle
944:(trans. L. Pomey) (1886)
841:Bust of Viardot 2004 by
614:Anna Eugénie Schoen-René
590:Emma Engdahl-JÀgerskiöld
23:. For her daughter, see
2145:Maria Malibran (sister)
2140:Manuel GarcĂa (brother)
2115:Louis Viardot (husband)
1979:, by Ivan Turgenev (fr)
1942:. Köln: Böhlau Verlag.
1923:Steen, Michael (2007).
1433:Steen, Michael (2007).
690:, who genuflected, and
484:at Chopin's funeral at
140:[po.linvjaÊ.do]
2221:Pupils of Anton Reicha
2196:French opera composers
2130:Manuel GarcĂa (father)
1616:Everist, Mark (2001).
1165:Louise HĂ©ritte-Viardot
1068:The Queen of the Night
987:
958:Canti popolari toscani
849:
738:
700:Conservatoire de Paris
622:Raimund von zur-MĂŒhlen
598:Yelizaveta Lavrovskaya
572:
486:Ăglise de la Madeleine
424:
351:Louise HĂ©ritte-Viardot
303:
295:
290:(1848) (lithograph by
101:dramatic mezzo-soprano
25:Louise HĂ©ritte-Viardot
2201:Women opera composers
1791:Vermillion Plain Talk
1765:Vermillion Plain Talk
1710:The Los Angeles Times
1215:digitized at Paris's
984:Bernard-Romain Julien
980:
840:
733:
650:Lola ArtĂŽt de Padilla
644:, who in turn taught
562:
420:
363:The Barber of Seville
301:
275:
2211:Musicians from Paris
1662:"Photographic image"
1106:Manuel GarcĂa Junior
833:(own libretto, 1904)
825:(own libretto, 1879)
536:Emperor Napoleon III
235:Ludwig van Beethoven
874:La Jeune RĂ©publique
712:Montmartre Cemetery
564:Salon of M Viardot,
396:Camille Saint-Saëns
254:Camille Saint-Saëns
2125:Paul Viardot (son)
2089:Le dernier sorcier
1927:. Thriplow: Icon.
1852:. London: Calder.
1622:19th-Century Music
1490:The Life of Chopin
1437:. Thriplow: Icon.
1058:In popular culture
1051:Rachel M. Harris,
1033:Second album russe
988:
932:by L. Pomey (1881)
869:Choeur de fileuses
850:
816:Le dernier sorcier
768:Le dernier sorcier
739:
665:Théùtre de l'Odéon
573:
498:Orphée et Eurydice
425:
401:Samson and Delilah
304:
296:
48:Viardot in c. 1845
2153:
2152:
1963:978-3-487-15981-2
1948:978-3-412-50143-3
1933:978-1-84046-843-4
1910:978-1-4438-4013-2
1859:978-0-7145-4371-0
1507:Iconsofeurope.com
1444:978-1-84046-843-4
1314:978-0-241-00489-0
1182:Alphonse Duvernoy
1148:Ăcole Niedermeyer
775:â and over fifty
658:Alphonse Duvernoy
634:Natalia Iretskaya
618:Mafalda Salvatini
406:Giacomo Meyerbeer
180:. Her mother was
129:
128:
2238:
2067:
2060:
2053:
2044:
1863:
1830:
1829:
1827:
1825:
1808:
1802:
1801:
1799:
1797:
1782:
1776:
1775:
1773:
1771:
1756:
1750:
1749:
1747:
1745:
1727:
1721:
1720:
1718:
1716:
1701:
1695:
1694:
1686:
1680:
1679:
1677:
1675:
1666:
1658:
1652:
1651:
1649:
1647:
1641:
1636:. Archived from
1628:(2â3): 165â189.
1613:
1607:
1592:
1586:
1585:
1583:
1581:
1558:
1552:
1551:
1549:
1547:
1524:
1518:
1517:
1515:
1513:
1499:
1493:
1486:Frederick Niecks
1483:
1477:
1476:
1474:
1472:
1455:
1449:
1448:
1430:
1419:
1418:
1416:
1414:
1408:
1402:. Archived from
1397:
1385:
1364:
1354:
1348:
1347:
1345:
1343:
1338:on 29 April 2009
1334:. Archived from
1328:
1319:
1318:
1297:
1286:
1280:
1271:
1270:
1268:
1266:
1257:
1249:
1236:
1230:
1224:
1219:reads instead: "
1209:
1100:Joaquina Sitches
1075:Notes on Viardot
1042:Suite arménienne
1035:for piano (1874)
1023:for piano (1868)
1015:Marche militaire
999:for piano (1885)
997:2 airs de ballet
864:Choeur des elfes
823:Le conte de fées
819:(Turgenev, 1869)
811:(Turgenev, 1868)
781:Le conte de fées
674:Marie-Magdeleine
594:Marie HanfstÀngl
437:Saint Petersburg
321:Alfred de Musset
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1003:Défilé bohémien
986:
964:Johannes Brahms
904:'s works (1848)
902:Frédéric Chopin
859:Choeur bohémien
736:EugĂšne Pluchart
728:
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642:Lydia Lipkowska
638:Oda Slobodskaya
606:Emilie Mechelin
571:
570:, 19 March 1853
565:
544:Johannes Brahms
538:and settled in
514:Adelaide Kemble
503:Théùtre Lyrique
468:Johannes Brahms
448:Frédéric Chopin
423:
422:Pauline Viardot
398:(who dedicated
392:Frédéric Chopin
342:Théùtre Italien
278:Marietta Alboni
270:
246:Ignaz Moscheles
242:Frédéric Chopin
186:Ferdinando Paer
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568:L'Illustration
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369:Charles Gounod
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2024:Ary Scheffer
1976:
1954:
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1822:. Retrieved
1816:
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1794:. Retrieved
1790:
1780:
1768:. Retrieved
1764:
1754:
1742:. Retrieved
1737:Argus Leader
1735:
1725:
1713:. Retrieved
1709:
1699:
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1684:
1672:. Retrieved
1668:
1656:
1644:. Retrieved
1639:the original
1625:
1621:
1611:
1595:
1590:
1578:. Retrieved
1563:
1556:
1544:. Retrieved
1529:
1522:
1510:. Retrieved
1506:
1497:
1489:
1481:
1469:. Retrieved
1465:The Guardian
1463:
1458:Erica Jeal.
1453:
1434:
1411:. Retrieved
1404:the original
1399:
1390:
1360:
1352:
1340:. Retrieved
1336:the original
1304:
1263:. Retrieved
1259:
1233:
1228:
1216:
1213:birth record
1171:Paul Viardot
1161:(1800â1883)
1154:
1102:(1780â1864)
1074:
1072:
1067:
1061:
1052:
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991:Instrumental
990:
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968:Joseph Haydn
957:
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783:(1879), and
780:
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766:
765:(1868), and
762:
758:
755:Anton Reicha
752:
740:
726:Compositions
709:
695:
683:Don Giovanni
681:
679:
672:
671:'s oratorio
662:
632:. Her pupil
574:
547:
533:
525:
511:
496:
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479:
474:movement of
460:Joseph Haydn
457:
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318:
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283:Gli Ugonotti
281:
258:
250:Adolphe Adam
239:
227:Anton Reicha
215:
202:Don Giovanni
200:
198:
167:
158:
148:
131:
130:
82:(1910-05-18)
68:18 July 1821
29:
21:Paul Viardot
2171:1910 deaths
2166:1821 births
1400:Etd.lsu.edu
1173:(1857â1941)
953:Album russe
900:â based on
847:Baden-Baden
748:Franz Liszt
744:Baden-Baden
692:Tchaikovsky
540:Baden-Baden
527:Last Supper
444:George Sand
411:Le prophĂšte
394:, Berlioz,
384:Les Troyens
325:George Sand
223:Franz Liszt
211:Mexico City
93:Occupations
80:18 May 1910
2160:Categories
2097:Cendrillon
1837:References
1391:Cendrillon
1180:; married
1098:; married
1096:impresario
1027:6 morceaux
936:6 MĂ©lodies
918:5 Gedichte
916:including
830:Cendrillon
786:Cendrillon
507:Jenny Lind
472:Tuba mirum
439:, Russia.
178:impresario
164:Early life
136:pronounced
64:1821-07-18
1846:(2011) .
1818:Taos News
1674:11 August
1580:11 August
1546:11 August
1512:11 August
1471:11 August
1413:11 August
1283:Eric Blom
1265:11 August
1085:Genealogy
914:100 songs
722:in 1874.
578:Ada Adini
495:'s opera
116:Signature
99:Operatic
1876:60545918
1824:4 August
1796:4 August
1770:4 August
1744:4 August
1303:(2019).
1221:Michelle
1021:Mazourke
924:4 Lieder
761:(1867),
716:Bougival
586:Selma Ek
522:Leonardo
452:mazurkas
330:Consuelo
108:Composer
2108:Related
2036:at the
1996:(IMSLP)
1992:at the
1646:28 June
1342:2 March
1049:Source:
805:, 1867)
688:Rossini
640:and of
628:. See:
481:Requiem
429:Russian
308:Rossini
2100:(1904)
2092:(1867)
2081:Operas
1961:
1946:
1931:
1908:
1893:
1874:
1856:
1715:5 July
1602:
1571:
1537:
1441:
1311:
938:(1884)
926:(1880)
920:(1874)
894:(1843)
888:(1843)
853:Choral
809:L'ogre
777:Lieder
763:L'ogre
624:, and
476:Mozart
433:Europe
377:) and
313:Otello
268:Career
209:) and
170:Manuel
1665:(JPG)
1407:(PDF)
1396:(PDF)
1359:ed.,
1256:(PDF)
1196:Notes
880:Songs
793:Opera
706:Death
552:, at
493:Gluck
374:Sapho
174:tenor
1959:ISBN
1944:ISBN
1929:ISBN
1906:ISBN
1891:ISBN
1872:OCLC
1854:ISBN
1826:2024
1798:2024
1772:2024
1746:2024
1717:2019
1676:2016
1648:2017
1600:ISBN
1582:2016
1569:ISBN
1548:2016
1535:ISBN
1514:2016
1473:2016
1439:ISBN
1415:2016
1344:2009
1309:ISBN
1267:2016
970:and
554:Jena
466:and
347:Paul
194:diva
172:, a
155:Name
77:Died
54:Born
1630:doi
908:Duo
845:in
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501:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
