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in 1633. By 1638, he had bought two houses in Murcia. Only one year later, he had moved away again, leaving an altarpiece unfinished. The next available piece of documentary evidence is a will that he made in
Valencia in 1645, when he was widowed and childless and very comfortable, financially. He
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He attracted little more attention until 1604, when a certain Jerónimo de Castro wrote a promise to pay Pedro's father for work that Pedro had recently done. After that time, he may have been in Italy until 1607, when he was back in Murcia arranging for the services of a maid. Letters from a later
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who had settled in Murcia in 1573. There is some documentary evidence that he was the friend of an otherwise unknown painter named Juan de
Arizmendi, who probably gave Pedro his first lessons. By 1600, Pedro was in
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and he took a student named Juan de
Sevilla, son of the sculptor Juan de Sevilla Villaquirán. This was his only officially documented student. While there, he also befriended
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He was apparently in Toledo until 1632. A letter from the Santo Oficio, related to his application for membership, indicates that he and his wife were living in
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By 1616, he was in
Valencia, where he painted the monumental "Martyrdom of San Sebastián" at the cathedral. A year later, he was doing similar works at
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235:, oil on panel (45 x 36 cm), private collection, Madrid, formerly in the collection of Louis-Philippe of Orleans
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360:. Calle del Duque de Osuna #3; Original from Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp.
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Pérez Sánchez, Alfonso E., (1980), «En el centenario de
Orrente. Addenda a su catálogo», Archivo Español de Arte
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135:, and became godfather for two of his children. Works he produced during that period include decorations at the
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Catálogo
Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas
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An account of the lives and works of the most eminent
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period who became one of the first artists in that part of Spain to paint in a
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El museo pictórico y escala óptica III. El parnaso español pintoresco laureado
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may have become friends while he was there. He was married in Murcia in 1612.
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Several artists were profoundly influenced by his style, including
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Angulo Íñiguez, Diego; Pérez Sánchez, Alfonso E. (1972).
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Pedro
Orrente at the Museo del Prado Online Encyclopedia
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283:. Madrid : Museo del Prado, exhibition catalog.
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Pintura toledana de la primera mitad del siglo XVII
65:His father, Jaime de Horrente, was a merchant from
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281:Los Ribalta y la pintura valenciana de su tiempo
93:. In the midst of these moves, he stopped in
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416:at the Biblioteca Digital Hispánica at the
326:. Madrid : Aguilar S.A. de Ediciones.
306:. Madrid, Instituto Diego Velázquez, CSIC.
223:, oil on panel (99x131 cm), Museo del Prado
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104:In 1624, he requested admission to the
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246:Ecce Homo,Walters Art Museum,Baltimore
38:) was a Spanish painter of the early
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446:People from the Province of Albacete
227:Saint John the Baptist in the Desert
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221:Saint John the Evangelist in Patmos
215:Martyrdom of Saint James the Lesser
279:Benito Doménech, Fernando (1987).
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414:Digital works by Pedro de Orrente
406:Pedro Orrente C. by Castro Sanz.
393:Pedro Orrente on Artcyclopedia
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461:17th-century Spanish painters
451:16th-century Spanish painters
78:. It has not been preserved.
82:period indicate that he and
60:Martyrdom of Saint Sebastian
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354:Madrazo, Pedro de (1872).
322:Palomino, Antonio (1988).
241:, Museo del Prado, Madrid
173:died only two days later.
149:Chapel of Los Reyes Nuevos
418:National Library of Spain
129:Jorge Manuel Theotocópuli
99:Cristóbal García Salmerón
466:Spanish Baroque painters
377:: CS1 maint: location (
239:Labán da alcance a Jacob
366:Catalogo Prado Madrazo.
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97:and may have taken on
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456:Spanish male painters
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23:Self-portrait (1620s)
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209:La vuelta al aprisco
121:Alejandro de Loarte
34:– 19 January 1645,
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143:and at the
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255:References
137:Franciscan
76:Guadarrama
67:Marseilles
373:cite book
163:Espinardo
50:Biography
133:El Greco
125:executor
36:Valencia
46:style.
40:Baroque
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