632:; with the first three, for their "vindicating anger", with Sarduy for his "radical experimentation" and with Puig for his "witty incorporation and victory of proscribed sensitivity." For Monsiváis, Lemebel and all these authors, homosexuality is not an artistic identity so much as a literary attitude. Perlongher too shares a style of baroque or over elaborate writing, but Lemebel does not look to confuse anyone. In his related Chronicles about AIDS, he employs a modernist and postmodernist view that is similar to
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marginalized setting of
Santiago which he linked to themes of homosexuality, prostitution and poverty, some of which were taboo to talk about at the time. The following year he created the program "Cancionero" for the radio show "Radio Tierra." In this program he would read his chronicles accompanied by sounds or even music. That same year he published "Loco afán: Crónicas de si dario," his second book of chronicles that spoke about themes like AIDS and the marginalization of transvestites.
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reality of homosexuals; he was able to unmask the violence of which homosexuals were victims in Chile. The importance of Pedro
Lemebel is not only value for his talent as a writer, but also as a person full of defiance in a conservative and machista country. Óscar Contardo describes Lemebel as a “popular figure: a figure that is supposed to be disgusted in our society, which is the "loca" (queen), he managed to make that figure as the center, and then transform it into a popular icon."
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under the feminist publication label, Ergo Sum. A year later, he co-founded a performance collective that used the tactics of intervention and disruption of events to raise public consciousness about the struggles of minorities in Chile. The disruption and performances of the collective brought
Lemebel into the public limelight in Chile. In 1986, he disrupted a meeting of Chile's left-wing groups opposed to
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these they would advocate for a place for memory, human rights and sexuality in democratic talks. "Maybe the first experiment with plastic, the action of art...was decisive in the move from story to chronicle. It's possible that this corporal exposition in a religious frame was evaporating the generic form of the story...the timeless story to make for oneself and urgent chronicle..." explained
Lemebel.
236:, who the following year would be elected the first president of Chile after the restoration of democracy and the end of the dictatorship. Although uninvited, Lemebel and Casas arrived wearing heels and feathers bearing a sign that said "Homosexuals for change." In addition to that, Casas rushed over to, at the time candidate for senator and future Chilean president,
295:. He returned to writing in the 1990s starting with a series of urban chronicles that were published in Chilean newspapers, and magazines and read on the radio. In 1995 and 1996, Lemebel wrote two books in a chronicle and hybrid literary style, a combination of reportage, memoir, public address, fiction and socio-political historical analysis. In 1995, he published
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from all walks of life attended his funeral service, from celebrities to politicians. His extensive efforts in breaking the norm through his unique self-expression in his written works and activism have left a lasting impact on society and are part of his legacy. His remains are buried in the
Metropolitan Cemetery of Santiago.
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Josephina
Alemparte, editor of Seal Planet, declared that the book was going to be presented at the book fair of Santiago but for health reasons this was postponed. Finally, the Planet editorial published the book on the second of November in the year 2016. At the end of the same month they published
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In 1995, Lemebel published (in addition to his first book titled La
Esquina es mi corazón) his first collection of Chronicles some of which had their first appearances in newspapers and magazines titled "Página Abierta," "Punto Final," and "La Nación." In these chronicles Lemebel referenced the many
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Both writers often turned into agents of their own text and created an interpretation of homosexual reality and an interruption of institutional discussions during the age of the dictator. Their work crossed over into performances, transvestism, photography, video and various art installations. With
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In 1997, in some of their final appearances "The Mares of the
Apocalypse" were invited to Bienal de la Habana, in Habana Cuba. In 1998 he published his third book of chronicles titled "De Perlas y Cicatrizes" which was composed mostly of the stories he told on the radio program. After the arrest of
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Around this time he decided to abandon his paternal last name, Mardones, and begin using that of his mother, Lemebel. In an interview the writer would explain his choice of name change as the following, "Lemebel is a gesture of femininity, to engrave a maternal last name, to acknowledge my (washer)
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Lemebel attended writing workshops to hone his skills and network with other writers, his first writing recognition was in 1982, when he won an award for his short story, Porque el tiempo está cerca. In 1986, he published as his first major work, the book
Incontables, a compilation of short stories
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Lemebel is well known for his influence in the fight for homosexual rights, his work as a writer, and his strong political side. Lemebel was much more than a writer; he was a free man, an artist, a political and popular icon, but more than anything a rebel and a voice for the homosexual community.
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Pedro
Lemebel died on January 23, 2015, in Santiago, Chile, of laryngeal cancer. Once the news went around of his death, countless newspapers paid tribute and condolences. He was well-known and recognized for his extravagant personality and for referring to himself as a "queen." Hundreds of people
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a difficult story of contextualized love during the attempt on the life of Augusto Pinochet (7 September 1986). For the presentation of the book, Lemebel arrived in a red dress with a feathered headdress, at a ceremony with many people that was public including politicians, filmmakers, journalists
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The first intervention/performance of "The Mares of the Apocalypse" was on the afternoon of October 22, 1988, during the second installment of the Pablo Neruda prize to poet Raúl Zurita in La Chascona. In the middle of the ceremony, Lemebel and Casas appeared offering Zurita a crown of thorns that
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In 1987, Lemebel co-founded a group with Francisco Casas, poet, artist and student of literature. The duo called the group "The Mares of the Apocalypse," or "Yeguas del Apocalipsis," a reference to the biblical "Horsemen of the Apocalypse" that appear in the New Testament. This performing duo made
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Lemebel was born in El Zanjón de la Aguada, a poor neighborhood in Santiago on the banks of Zanjón de la Aguada, an irrigation canal that flows into the Mapocho river; to the family of Pedro Mardones Paredes and Violeta Lemebel. In the late 1980s, he chose to be identified by his mother's surname,
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Between 1987 and 1995, "The Mares of the Apocalypse" carried out at least fifteen public interventions and in total no more than twenty. The majority of these events were in Santiago but some were also in Concepción, Chile. Some of their public demonstrations included dancing the Cueca on broken
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Although Lemebel was never a formal militant, he was a follower of PC (partido comunista/Communist party). Until his death, Lemebel worked in his book that revealed his friendship with the deceased Gladys Marin, titled "Mi querida Gladys." Daniel Alcaíno, friend of Lemebel, believes that beyond
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Lemebel was born as Pedro Mardones Lemebel, but when he decided to take the last name of his mother, was the first big political decision that reaffirmed his commitment towards his homosexual side, a side that was later incorporated into his literary works. Lemebel was able to envisage a hidden
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In his works, Lemebel addresses Chilean Marginalization with some autobiographical references. With a poetic prose that is at the same time self-deprecating, consequential, refers to an "other", irreverent, over elaborate and corny, he mixes reality with fiction, which he uses to denounce the
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politics, Lemebel's legacy was other. “Beyond the left wing and politics, he was an institution. Pedro was heavily connected with the color red, but not with the red of the political party, but with the red of blood. Blood of the humble and simple people. That is what he is remember for.”
182:'s dictatorship. He entered the meeting in high heels and with makeup on his face depicting a hammer and sickle extending from his mouth to his left eyebrow. At the event, he spoke about his manifesto, ‘Manifest: I Speak for my Difference’ criticizing homophobia in left-wing politics.
353:, that spoke of the gay community in neighborhoods of distinctive social classes in Santiago and where appeared some real people like the social leader and president of the Agrupación de Familiares de Detenidos Desaparecidos (AFDD) Sola Sierra. This work was followed a year later by
31:
520:(2001). This work centers in the history of Patricio Egaña, who provided drugs to Claudio Spiniak. Since the year 2011 he began to mention in interviews that he was writing a new novel intended for release in 2016 or 2017 to be published by the Planet editorial.
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Lemebel, as his choice for surname instead of his father's (Mardones), as is the norm in most Latin American countries. He attended an industrial school of carpentry and metal forging at the Industrial de Hombres de La Legua High School and later studied
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was published for the Barcelona-based Spanish editorial Anagrama, becoming his first work published abroad. Since then, his written work began to attract the interest of various universities and international educational institutions.
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In 1989, both Lemebel and Casas recreated a series of vignettes under the direction of Mario Vivado. The portraits later became part of an exhibition at the D12 Gallery in Chile. Casas and Lemebel posed as
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That same year he also participated in the Festival of Guadalajara, Mexico, in replacement of Bolaño who had rejected the offer, and accepted praise for his work of the famous writer Carlos Monsiváis.
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appearances sabotaging book launches, art expositions and even political discussions. Their appearances were usually surprising, provocative and demonstrated an aspect of counter-culture.
299:(The Corner is My Heart), writing about Chilean history from the perspectives of young adults raised in poor neighborhoods and those who are stigmatized socially. In 1996, he published
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On September 4, 2013, Lemebel was awarded the "Premio José Donoso," which he dedicated to his mother, the deceased Gladys Marín, and his readers belonging to the working class.
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Desdén al Infortunio. Sujeto, comunicación y público en la narrativa de Pedro Lemebel (Eds.) Blanco, Fernando A. y Poblete, Juan. 2010, Cuarto Propio: Santiago de Chile.
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In 1999, thanks to the influences of his friend, Chilean writer Roberto Bolaño, who had immigrated to Europe from Mexico in 1977 and has since lived in Spain, his book
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Fernando A. Blanco y Juan Poblete (eds.) Desdén al Infortunio. Sujeto, narración y público en la narrativa de Pedro Lemebel. Santiago de Chile: Cuarto Propio, 2010.
303:(Mad Urge: AIDS Chronicles), a piece of 31 short texts and images that detailed the journey of a group of marginalized gay youths in Chile through the period of
605:"silicone" parts of his works. His works are usually tragic-comedies and aggressive, in constant rejection of right wing politics and the Chilean upper class.
478:, Pedro Lemebel announced he was working on two literary projects that would soon see the light and then, after his death, they were truncated: one of them is
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and a few writers. The book would later gain international recognition after being translated into English by Katherine Silver, then French and Italian.
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Earlier in his career, Lemebel had attended workshops of the Society of Chilean Writers and gained the friendship of some feminist writers such as
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which was his first book translated into English. In 2013, he was given the José Donoso Award. He died of laryngeal cancer in January 2015.
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Resisting bodies: Margins as a site of political transgression in the works of diamela eltit, guadalupe santa cruz and pedro lemebel
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and other icons of the Chilean gay community. In the 1990s, Lemebel returned to writing and published a string of urban chronicles.
927:, sous la direction de María A. Semilla Durán, Publications de l'université de Saint-Etienne, Saint-Etienne, 2012, pp. 15–25.
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On November 29, 2012, Lemebel participated in the "Feria del Libro de Guadalajara," publishing his new book of chronicles, titled
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and even dressing up as Lady Godiva and riding around naked on white horses for the art department at the University of Chile.
937:, sous la direction de Chiara Bolognese, Fernanda Bustamante, Mauricio Zabalgoitia, Icaria, Barcelona, 2012, pp. 311–318.
174:'s Art School. He subsequently became a high school art teacher but was let go based on the presumption of his homosexuality.
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scholarship in 1999 for his literary accomplishments leading to increase appearances in forums and seminars in Chile and US.
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in a London hospital, he created "The Clinic" whose editor Patricio Ferrández he asked to leave everything in it uncensored.
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and known for his cutting critique of authoritarianism and for his humorous depiction of Chilean popular culture, from a
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494:, a book that is compiled of images of the homonymous exposure and that extensively gathered his audio visual work.
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The next year they appeared in the Cariola theater during a meeting of intellectuals with presidential candidate
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Entre jouissance et tabous, les représentations des relations amoureuses et des sexualités dans les Amériques
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1983: First Prize in the Contest of the Compensation Fund of Javier Carrera for "Porque el tiempo está cerca"
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943:, "La pluma entre las plumas: La presencia de los pájaros en las crónicas urbanas de Pedro Lemebel",
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947:, Fall 2012, Volume 28, Number 1, University of Northern Colorado, Greeley, USA, 2012, p. 14-19
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In 1994, Lemebel participated in the stonewall festival in New York, an LGBT pride festival.
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and kissed him on the mouth. A photograph of this event was included years later in his book
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509:, 2016) and a documentary addressed to Joanna Reposi, that contains seven years of records.
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935:Éste que ves, engaño colorido, Literarias, culturas y sujetos alternos en América Latina
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perspective. He was nominated for Chile's National Literature Prize in 2014. He died of
923:, "Y la mariquita le dijo al torero... Pedro Lemebel, figura de resistancia cultural",
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Pino-Ojeda, Walescka (2006). "Gay Proletarian Memory: the Chronicles of Pedro Lemebe".
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Farewell Sweet Ladybird: A Manifesto and Three Chronicles by Pedro Lemebel (1952–2015)
486:, leader and representative of the Communist Party of Chile and was deceased in 2005.
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In 2003 he continued his work as a journalist, publishing his anthology of Chronicles
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Likewise he also announced the publication of a box set of all his books since
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976:"The Wounded Body of Proletarian Homosexuality in Pedro Lemebel's Loco afan"
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Reinas de otro cielo: Modernidad y autoritarismo en la obra de Pedro Lemebel
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L'écriture de Pedro Lemebel, Nouvelles pratiques identitaires et scripturale
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mother in light of the illegality of homosexual(s) and transvestite(s)."
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901:, "Amour et culture populaire: armes de lutte politique dans le roman
846:"A Surreal End for an Unforgettable Queen: Pedro Lemebel, 1952-2015"
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871:"Berlinale 2019: A Dog Called Money, Lemebel, & Searching Eva"
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A Surreal End for an Unforgettable Queen: Pedro Lemebel, 1952-2015
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In an interview in 2013, during the publication of the anthology
405:(novel). Santiago: Grupo Editorial Planeta, 2001. (Translated as
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Lemebel was widely known as a communist. Being distant from the
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showing a dramatization of his work "Susurrucucu Paloma."
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Confluencia - Revista Hispanica de Cultura y Literatura
698:"Muere el escritor nacional Pedro Lemebel a los 62 años"
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In 2008 his sixth book of chronicles appeared, titled
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essayist, chronicler, performer and novelist. He was
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Journal of Latin American Cultural Studies: Travesia
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Poblete, Juan (2015). "Pedro Lemebel: In Memoriam".
314:He gained international recognition with his novel
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788:Continuum: Journal of Media & Cultural Studies
612:associates his aesthetic criticisms with those of
569:for the theatrical version of "Tengo miedo torero"
411:by Katherine Silver, published by Grove in 2005.)
974:Diana Palaversich, translated by Paul Allatson
119: and the second or maternal family name is
556:in Literary Essay for "Adiós, mariquita linda"
673:He was profiled in the 2019 documentary film
576:in Essays and Memoirs for "Háblame de amores"
307:to the outbreak of AIDS. Lemebel was given a
8:
961:, numéro 04, printemps 2010, pp. 39–48.
291:who later helped published his first book,
129:(21 November 1952 – 23 January 2015) was a
470:Unedited works and posthumous publications
417:(chronicles). Santiago: Seix Barral, 2001.
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957:. Crónicas de sidario de Pedro Lemebel",
773:"Pedro Lemebel: farewell to a queer icon"
16:Chilean writer, chronicler, and performer
679:, by filmmaker Joanna Reposi Garibaldi.
297:La Esquina es mi corazón: Crónica urbana
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589:in Essays and Memoirs for "Poco hombre"
512:Another book that was found was titled
189:, he was a close friend of its leader,
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516:, that would be his second book since
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594:Chilean National Prize for Literature
339:In 2001 he published his first novel
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275:Urban chronicles and other writings
821:Gonzalez, Jill (2012). "114-118".
397:(chronicles). Santiago: LOM, 1998.
391:(chronicles). Santiago: LOM, 1996.
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1121:21st-century Chilean male writers
1116:20th-century Chilean male writers
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968:. Santiago de Chile: LOM, 2004.
696:Grupo Copesa (23 January 2015).
459:(script), 2015. (Translated as
1096:21st-century Chilean novelists
1041:20th-century Chilean novelists
423:. Santiago: Seix Barral, 2003.
389:Loco afán: Crónicas de sidario
330:Loco Afán: Crónicas de Sidario
301:Loco afán: Crónicas de sidario
127:Pedro Segundo Mardones Lemebel
41:Pedro Segundo Mardones Lemebel
1:
1036:Chilean LGBT rights activists
482:, a book of chronicles about
1081:Deaths from laryngeal cancer
825:(Thesis). Boston University.
620:and to a lesser extent with
111:, the first or paternal
1086:Deaths from cancer in Chile
979:Latin American Perspectives
505:(2012) (possibly including
193:, until her death in 2005.
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1007:Website devoted to Lemebel
981:29.2 (March 2002): 99-118.
964:Fernando A. Blanco (ed.),
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800:10.1080/10304310600814391
549:for "Zanjón de la Aguada"
384:La esquina es mi corazón.
324:International recognition
210:the poet did not accept.
56:23 January 2015 (aged 62)
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592:2014: Nominated for the
585:2014: Nominated for the
572:2013: Nominated for the
565:2006: Nominated for the
552:2006: Nominated for the
545:2004: Nominated for the
542:for "Tengo miedo torero"
538:2002: Nominated for the
499:La Esquina es mi corazón
415:La esquina es mi corazón
227:La Casa de Bernarda Alba
514:El éxtasis de delinquir
1111:20th-century essayists
1101:Chilean male novelists
1066:Chilean LGBT novelists
642:Enrique Gómez Carrillo
427:Adiós, mariquita linda
395:De perlas y cicatrices
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255:glass, dressing up as
197:Yeguas del Apocalipsis
148:on 23 January 2015 in
1106:Writers from Santiago
903:Je tremble, Ô Matador
895:Cordite Poetry Review
771:Averis, Kate (2015).
581:es:Premio José Donoso
534:Guggenheim Fellowship
355:Adios Mariquita Linda
309:Guggenheim Foundation
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1009:with biography etc.
1003:at Wikimedia Commons
879:, February 16, 2019.
657:Influence and legacy
1071:Chilean gay writers
905:de Pedro Lemebel".
421:Zanjón de la Aguada
351:Zanjón de la Aguada
222:, the sisters from
172:University of Chile
100:University of Chile
1076:Chilean communists
869:Paul O'Callaghan,
561:Anna Seghers-Preis
518:Tengo miedo torero
503:Háblame de Armores
457:Tengo miedo torero
402:Tengo miedo torero
369:Háblame de amores,
342:Tengo miedo torero
317:Tengo miedo torero
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68:performance artist
1046:Chilean essayists
999:Media related to
915:978-2-7535-3968-6
614:Néstor Perlongher
524:Awards and prizes
501:(1995) and until
462:My Tender Matador
439:Háblame de amores
408:My Tender Matador
362:Serenata Carfiola
242:Háblame de Amores
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610:Carlos Monsiváis
433:Serenata cafiola
269:Augusto Pinochet
180:Augusto Pinochet
146:laryngeal cancer
43:21 November 1952
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