508:, up until he was 13 years old. He described working in the fields as demanding but rewarding for the strong familial bonds. Astudillo worked as a dishwasher and later a cook at his family's restaurant. Singing in his church choir provided Astudillo an outlet, although he initially felt shy about it. Astudillo found himself drawn to music class. At the age of nine or ten, Astudillo began writing love poems and songs as a way to express himself. Astudillo acknowledged that it was never a planned endeavor to become a singer, but rather a serendipitous discovery. He initially began singing on a whim, without any preconceived notions of pursuing it as a career. As he delved deeper into the craft, Astudillo found himself equally enamored with singing and composing lyrics. Astudillo was raised in an economically disadvantaged neighborhood but remained resolute in his pursuit of a musical career.
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Latin and Q-Productions failed to yield agreeable terms. Astudillo founded, Peace Rock
Records, an extension of Peace Rock Publishing, aligning with the pattern observed among Tejano artists venturing into autonomous record labels amidst the genre's persistent downturn. Astudillo avowed his proclivity for proactive engagement, eschewing passivity, remarking "I'm a hands-on kind of guy" preferring not to await opportunities idly. He observed that assuming a passive role merely facilitated the presentation of ideas, yet failed to garner financial support from record executives, reflecting the prevailing sentiment among executives that Tejano is in decline and lamenting the genre's perceived stagnation, deeming it is "not where it's at".
1063:. The single, "Piquito de Oro", made its debut at number six on the indie Tejano Singles music chart in Texas on the week ending April 7, 1994. The following tracking week, it peaked at number two. Astudillo's mother, Paz Astudillo, died on April 11, 1994. "Piquito de Oro", as well as the album's other singles; "Vas a Llorar", "Ganar O Perder", and "Acaso No Soy", were receiving considerable airplay in Texas. "Vas a Llorar" utilizes the backdrop of raindrops as a symbol of someone crying. The track debuted at number nine on the indie Tejano Singles music chart on the week ending June 2, 1994, it peaked at number two behind "Amor Prohibido" on the week ending July 3. "Vas a Llorar" reached the top 15 of the US
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felt proud of his journey with her, asserting his ability to stand on his own merit as a solo artist. Maldonado remarked that witnessing
Astudillo's departure from Selena y Los Dinos was difficult, as their onstage chemistry and mutual support had become integral to their performances. Astudillo separated from Oxygeno and embarked on conceptualizing a distinctive moniker for his new band which included Jesse Jesus Ybarra on guitar, who formerly was the guitarist for Selena y Los Dinos in the 1980s, Danny Hernandez and Mike Hererra on keyboards, Sernando Orosco on bass, and Ricky Landeros on drums. The singer asked listeners of
535:, they were discovered by local DJ, The Bird El Locutor #2. Astudillo described it as a stroke of luck, feeling they were in the right place at the right time. In August 1988, The Bird extended Los Bad Boyz a regular slot at Rox-Z's in Laredo on Tuesdays during Tejano nights, though they performed unpaid. Despite their performances, Los Bad Boyz went unnoticed as they were relatively unknown. The club's owners and workers appreciated their music, prompting The Bird to propose to management that whenever a popular band or performance was scheduled, Los Bad Boyz could open for them. The following month, Los Bad Boyz opened for
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booking, offering his business card, and requested them to call him the following Monday to discuss potential future collaborations. Abraham asked Los Bad Boyz if they would go on the road with them as their opening act, which they did for the next two months. They opened for Selena y Los Dinos in various cities, as a strong friendship with A. B. began to develop. Astudillo stated how he and Ojeda "were happy just to be on the same stage with ", and thought that the group was "just being polite" when they were asked to continue to support the group as opening acts. Astudillo likened Selena y Los Dinos to the "Latino
2119:, stated that he has continued to be paid well as a result of people continuing to purchase Selena albums and songs as well as requesting material from Selena on the radios. When asked what he has done with the royalties in the last two decades since Selena's death, Astudillo responded that it has fed him and his family and allowed him to live a comfortable life, though he is not very exuberant. He answered that he had lived a normal, quiet life, and thanked God that he could provide for his family, calling it "an incredible blessing".
1491:, Astudillo embarked on a tour. The majority of his concerts were done in Texas, while he ventured into Georgia, Florida, Michigan, and Arizona. Astudillo expressed satisfaction with the reception he had received during his tour, noting invitations to return to Georgia and Florida. Devoting eleven months of the year to touring, Astudillo confessed that he finds fulfillment in performance and would feel despondent without it. During any downtime from performances, he engaged in songwriting and music production endeavors.
1417:'s portrayal of Selena. He considered it important to contribute to the film's success, drawing from his personal experiences with Selena to assist his co-stars. Astudillo struggled to contain his emotions during the film's premiere, finding it challenging to watch recreated moments he described as "the happiest moments of my life". Despite inconveniences such as early morning filming schedules as a result of cutting his hair, Astudillo actively promoted the film during a special edition of
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seeking a lead singer. They formed Los Bad Boyz, making their debut at
Astudillo's brother, Rogelio Astudillo's catering business's reception hall. Rogelio often recommended Los Bad Boyz to patrons who were unable to afford live music. Los Bad Boyz faced challenges securing larger gigs, and encountering rejection from promoters, even after offering to perform for free. Astudillo attributed this to their relative obscurity and the skepticism surrounding the potential of a two-person band.
1997:. Despite being indefinitely linked with Selena, Astudillo remains unperturbed by the persistent inquires, remaining proud of his roots. Tarradell credits Astudillo as the mastermind behind Selena's sound. He coauthored Selena's top-selling and most popular songs, cemented him into music history. Astudillo has authored or collaborated on some of the most popular Tejano songs of the 1990s, including most of Selena's repertoire and "Estupido Romantico". John Lannert of
1549:-style tracks reimagined in his distinctive manner, the album features mariachi compositions and a cumbia mariachi number. Astudillo aimed to cater to a broad audience, believing the album's varied content would resonate with younger and older listeners. He expressed a commitment to crafting music that transcends industry standards, prioritizing songs that resonate with the public's preferences over those solely aimed at garnering industry acclaim.
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948:, Vela, and Ojeda. According to PĆ©rez, Astudillo was supportive of his and Selena's relationship, despite her family and the other member's cautions about how Abraham would take it. Astudillo mentioned that although the band wasn't entirely certain, they had sensed that something was developing between Selena and PĆ©rez. PĆ©rez began dating Selena in secret. In reaction to her emotions for PĆ©rez and their concealed relationship, Selena composed "
1661:. He described the album as an innovatively varied album while still retaining a Texan vibe. With this album, Astudillo aimed to revisit the Mexican music market, which he believed had been largely neglected. He sought to make a statement through his music and opted to record the album at various locations to ensure its quality. Targeting younger audiences, Astudillo decided on a fusion of romantic cumbias and pop music with influences from
1484:. Due to last-minute agreement forms presented by producers, Astudillo and other musicians, including A. B., declined to sign due to excessively restrictive terms. Tensions escalated backstage as producers issued ultimatums, leading to an 11-hour standoff. Eventually, producers relented, allowing musicians to sign only the standard release forms. As a result of the delay, only a few artists were able to perform that evening.
1153:. He commenced delivering his amalgamation of Selena's songs during his concerts, expressing that he manages her death like any other individual who deals with a loss. Astudillo expressed gratitude for the lessons gleaned from Selena, which facilitated his coping mechanisms. In June 1995, "Amor Prohibido" became the first Spanish-language song to receive the BMI Pop Music Award. In July, Astudillo opened for
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attend his shows not merely to witness him perform, but to actively participate in the music experience. His performance style is characterized by its dynamic energy and infectious rhythms, often involving the crowd. He attributes his approach to concert performances to Selena, whose stage persona left a mark on
Astudillo's performance style. During one of his performances, music critic John Leland of
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1669:. Despite the rising popularity of Colombian music at the time, Astudillo asserted that his incorporation of Colombian-inspired tracks stemmed from his genuine enjoyment of the genre before its surge in popularity. Adding to his personal touch to the album, Astudillo also included rock-influenced songs, professing himself to be a "rocker at heart". He initiated negotiations with
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third-most-popular
Regional Mexican Albums artist. Astudillo, along with other artists signed to EMI Latin, was acknowledged for contributing to the label's sustained dominance of the Latin music charts in 1996. "Como Te Extrano" ended 1996 as the fifth most-popular US Latin song as well as the second-most-popular US Regional Mexican Song,
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talent, not a novelty act. According to A. B., Astudillo contributed significantly to Selena y Los Dinos' repertoire. Typically, A. B. would conceive the thematic concept, while
Astudillo would collaborate in crafting the lyrical content. Their collaborative efforts frequently centered on personal narratives and vicarious experiences. The
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998:, Ramiro Burr named "Ganar O Perder" as one of the "hot cuts on Tejano radio". The single peaked at number three on the music chart on the week ending December 23, 1993. Astudillo began working on this third studio album in January 1994. He was nominated for Male Vocalist of the Year and Vocal Duo of the Year with Selena at the
1953:. Astudillo possessed a distinctive voice and a recognizable appearance. His trademark long hair was styled in a confident pompadour atop his head, cascading down to the middle of his back, a look that garnered admiration from fans who emulated his style. Astudillo's decision to cut his hair was driven by a desire for change.
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1294:, and Song of the Year, along with Vela, for composing "Estupido Romantico". Cabrera anticipated Astudillo to win Most Promising Band, attributing it to the success of "Como Te Extrano", while Burr shared a similar expectation, foreseeing Astudillo's potential to secure several accolades owing to "Como Te Extrano"
2021:. On November 27, 1996, Astudillo visited Miller High School in Corpus Christi, Texas, aiming to educate students about the perils associated with drugs and alcohol. Astudillo performed several songs during his visit, that was sponsored by the Coastal Bend AIDS Foundation, as part of the school district's
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charts and received considerable airplay on Latin music stations across the country. Cabrera described the title track as a vibrant dance offering with robust percussion, complemented by an accordion melody and
Astudillo's signature vocals. Cabrera observed an abundance of rhythmic diversity infused
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solidified
Astudillo's presence in the industry. The title track, written by Astudillo, Ojeda, and A. B., was recorded as a tribute to Selena and Astudillo's mother, Paz. The song emanated from Astudillo's emotions and heartfelt sentiments. Astudillo emphasized that the songwriting process was deeply
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In
February 1994, Abraham advocated for Astudillo's emancipation from Selena y Los Dinos, recognizing his potential for solo success. Astudillo welcomed the chance to showcase his abilities independently, eager to perform more of his own material. Despite claims of relying on Selena's fame, Astudillo
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In
October 1999, Astudillo participated in a free festival held at Robstown-Nueces County Park, sponsored by the Robstown Area Development Commission. The festival featured a variety of activities tailored to foster a family-oriented atmosphere, aimed at bringing the community together. He performed
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Cabrera found Astudillo to seamlessly combine his artistic flair with his vocal abilities, delivering an engaging and captivating live performance. Astudillo is known for his engaging stage presence and penchant for interaction with his audienceāa practice he values deeply, recognizing that his fans
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classic Tejano sound infused with a cumbia rhythm and personal lyrics drawn from Astudillo's experiences. The track was written for Astudillo's mother from his father's viewpoint. "Tequila Con Lagrimas" delves into the theme of lost love and emotional turmoil, offering solace through the metaphor of
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magazine, hailed the album for its innovative blend of pop, cumbia, and ranchera styles that pushed the boundaries of Tejano music. Tracks like the rancheras "Si Me Vas a Dejar", "Cayo Una Lagrima", "Cree en Mi", and the pop cumbia "Completamente Enamorado", also received airplay. Despite "Yo Estare
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expressed confidence in Astudillo's trajectory, foreseeing his ascent to prominence as one of the top Tejano artists in the industry. The newspaper lauded Astudillo for his vocal abilities and songwriting skill, attributing these talents as providing him with a distinct advantage and positioning him
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Astudillo's songs draw from personal experiences, reflecting varied emotions. While often melancholic, he clarifies not all are sad; while finding that authenticity is paramount. Astudillo considers himself a meticulous songwriter who is open to unconventional ideas like using "stupid" in "Estupido
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On July 9, 2003, Astudillo announced his first album in two and a half years, expressing his disdain for artists releasing albums every eight months or less. He preferred that audiences engage with his entire album rather than consuming music in fragments. Astudillo commenced pre-production of the
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Hot Latin Songs chart and number nine on the Regional Mexican Songs chart, in the week ending October 21, 1995. It peaked at number one on the Regional Mexican Songs chart, on the week ending November 18, 1995, where it remained atop the chart for ten consecutive weeks. "Como Te Extrano" peaked at
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Astudillo, despite pursuing a solo career, remained dedicated to Selena y Los Dinos, emphasizing his loyalty to the band. He continued to contribute songwriting while touring. When asked if he would depart Los Dinos to continue his solo career, Astudillo responded that he would not leave the band,
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within the band's dynamic. Astudillo often performed duets with Selena on tour, while Ojeda joined as the second keyboardist. Astudillo brought complex lyrics and melodies with lots of chords to his songwriting assistance for the group. Astudillo experienced a profound sense of fulfillment when he
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A. B. gradually persuaded Abraham, though initially reluctant due to financial concerns and the band's nascent success, to incorporate Los Bad Boyz into the group. Ultimately, A. B. convinced Abraham, allowing Astudillo and Ojeda to integrate into Selena y Los Dinos. Astudillo and Ojeda joined the
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In "Me Estas Doliendo el Corazon" and "Tequila Con Lagrimas", Astudillo shifts to cater to fans with more conventional preferences, according to Cabrera, who found that both tracks exemplify Astudillo's style for approaching themes from unique perspectives. "Me Estas Doliendo el Corazon" offers a
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Astudillo decided to part ways with Q-Productions in 2001 due to "creative differences" regarding his career trajectory. He revealed that discussions with EMI Latin indicated a softening Tejano market and the label suggested that he had already passed his professional peak. Negotiations with EMI
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s mid-year recap, Astudillo ranked as the sixth most-popular Regional Mexican Songs chart artist. "Como Te Extrano" ranked as the second-most popular song on the Regional Mexican Songs chart, and the album ranked at number two on the Regional Mexican Albums list, which enabled him to rank as the
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During the recording sessions for the duet "Amame, Quiereme", Astudillo felt overwhelmed by the professionalism of Los Dinos in the studio, as the group had high expectations for him to match their level. It was Astudillo's first recording session in a studio, Suzette remarked that Astudillo was
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production and songwriting. It was the first album with any production and songwriting assistance from Astudillo and Ojeda. Astudillo discovered his ability to write songs when he started collaborating with A. B. It wasn't until their initial songwriting session that Astudillo thought he "can do
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Astudillo's compositions exhibit a rhythmic cadence reminiscent of Selena's signature style. Astudillo infuses his musical arrangements with a blend of international influence and pop music. Astudillo emphasized delivering the best material and avoiding superficiality to be seen as substantive
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and attending vocal classes, and worked at his father's restaurant in Laredo. In 1985, Astudillo revealed his aspirations to his family, surprising them by announcing his pursuit of a music career, a passion he had concealed until then. Astudillo met Joe Ojeda, through a mutual friend, who was
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Abraham was initially skeptical of Los Bad Boyz opening for Selena y Los Dinos because they were a two-person group. Los Bad Boyz's performance made a positive impression on Selena y Los Dinos and Abraham. After the show, Abraham approached Los Bad Boyz and inquired about their management and
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or gifts for her children. Astudillo arrived at Loera's house with gifts. Reflecting on the experience, Astudillo expressed profound emotion at being present with the Loera family, affirming his belief that everyone deserves a joyful Christmas. He performed for the family during dinner with
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Pete met Selena in September 1988 when he and another Laredoan, Joe Ojeda, keyboard player with Los Dinos, opened up for her band when they played at Rox-Z's nightclub. Pete and Joe opened up for Selena y Los Dinos for the next two months and in December 1988, they became part of Selena's
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Los Dinos supported Astudillo's desire to go solo. With A. B.'s support, they began work on his debut album during their spare time amidst Selena y Los Dinos' busy schedule. Astudillo's rapid rise led Abraham and EMI Latin to recognize his potential as a solo artist. Los Dinos contributed
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At the 1994 BMI Latin Music Awards, Astudillo won Songwriter of the Year. At the Tejano Music Awards, Astudillo and A. B. continued to be snubbed from receiving Songwriter of the Year awards, a move criticized by Cabrera, who found them responsible for Selena's works. Astudillo co-wrote
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By 2002, Astudillo took a brief hiatus from the music scene to care for his aging father. Additionally, he opted for this hiatus because he noticed a decline in bookings for his performances, which prompted him to reassess his career direction. He produced singer Sesi's
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with cumbia and South American dance influences in songs like "La Negra Tomasa", "Tu Tanga", and "Mira Como Se Le Mueve". The latter, along with "No Te Perdono", features horn-driven arrangements with bold and assertive characteristics distinct from his earlier works.
700:. After a friend of his successfully hit the required range and with encouragement, Astudillo retried and met the required demands for the track. Astudillo said how his aspirations of recording in a professional studio inspired him to not give up. Writing for the
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Astudillo aimed to capture universal sentiments of longing and ache in "Como Te Extrano", purposefully omitting Selena and his mother's name to allow listeners to personalize the song. It became Astudillo's signature song. Driven by the emotive titular track,
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to pursue an acting career in 2000. Astudillo shares a home with his girlfriend, whom he has been with for 17 years. Although they are not married, he regards her as his wife. He has a 26-year-old stepdaughter, whom Astudillo considers his daughter.
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chart in April 2021. By May 2021, Astudillo had written over 100 songs. He released "Separaditos", which was inspired by the COVID-19 pandemic in 2021. It contained a positive message of hope, according to Astudillo, who promoted the track through a
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rendition of "Como la Flor", and the ballad "Quiero Llorar". Ruido AƱejo strategically decided to debut their softer material at the 2013 Tejano Music Awards as a means to appeal to the traditional audience. They were concerned that performing their
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In January 1996, Astudillo made a significant change by cutting his long locks, opting for a more contemporary and sophisticated look. Despite reservations from EMI Latin and advice from his label's manager, Lee Garza, he proceeded, jokingly citing
1714:, regarded Astudillo's performance of "Como Te Extrano" as one of the most emotionally charged moments of the concert. Ruiz noted that Astudillo's rendition moved those in attendance to tears, including Selena's mother, Marcela. Astudillo was the
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nominations. In March 1997, Astudillo released his lead single, "Si Tu No Estas". The track debuted and peaked at number 37 on the Hot Latin Songs chart, on the week ending June 14, 1997. The album of the same name was released in June 1997.
940:", drew inspirations from everyday life. "ĀæQuĆ© CreĆas?" was certified gold (Latin), while "La Carcacha" was certified 3Ć platinum (Latin) by the RIAA. During the band's travels on the tour bus, Astudillo often hung out with A. B., guitarist
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Astudillo was nominated for Song of the Year for "Si Tu No Estas", Male Entertainer of the Year, Male Vocalist of the Year, and Tejano Crossover Song of the Year for "No Lo Niego" at the 1998 Tejano Music Awards. Astudillo was featured on
1457:, disagreed with Riemenschneider's critique. She found the track to be one of the best recordings on the soundtrack, despite its departure from traditional Tejano beats. Vera felt the song was intended to be a slower, toned-down track.
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By 1995, Tejano became the fastest-growing Latin genre, with annual revenues topping $ 100 million. Astudillo collaborated with A. B. on the comical cumbia track "Asi Te Quiero" (1995) for Imagen Latina. On March 31, 1995, Selena was
747:, reflecting their growth and evolution. The song's form wasn't distinctly Texan or Mexican but represented international Spanish music that masked within a slow cumbia framework. Other tracks Astudillo wrote for the album includes, "
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for Songwriter of the Year. Astudillo expressed that being acknowledged as a songwriter held special significance for him, as he viewed writing as equally crucial to his artistry as performing. On March 9, 1996, Astudillo narrated a
1036:. "Amor Prohibido" was certified 7Ć platinum (Latin) by the RIAA. "Bidi Bidi Bom Bom" peaked at number one on October 29, 1994, and was certified 9Ć platinum (Latin) by the RIAA. Other tracks Astudillo wrote or co-wrote for
895:", penned by Astudillo and A. B., emerged from genuine emotions, despite initial disagreements over its theme. "Como la Flor" became one of the most popular songs recorded by an artist of Mexican descent in the US. In 2018,
2041:. For Labor Day 1997, Astudillo participated alongside other Q-Productions artists in a benefit concert to support the Corpus Christi Food Bank by raising both food supplies and funds for the cause. Astudillo dressed up as
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to ask Longoria. During the filming of the video, Astudillo and Longoria shot kissing scenes, though it was removed during post-production. After filming, Astudillo and Longoria remained in contact until she departed to
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magazine spotlighted Astudillo's involvement in a series of visits to local schools. He conducted free mini-concerts and engaged with students, delivering talks on the dangers of substance abuse and gang involvement.
1028:(1994), which became the two most popular tracks off the album. Astudillo remarked that co-writing "Bidi Bidi Bom Bom", was one of the best memories he shared with Selena. "Amor Prohibido" peaked at number one on the
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in San Antonio. Astudillo called the event "minor" and denied being drunk behind the wheel and asked fans to not judge him, saying "We all make mistakes". In April 2015, Astudillo, in response to an interview about
1453:, Navaira, and PeƱa. While Riemenschneider found "VivirƔs Selena" to have lacked the distinctive Tejano flavor, he still regarded it as a pleasant tribute to Selena. Conversely, Mary Christina Vera, also from the
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shared a private room to bond before shooting the music video for "No Lo Niego". While Astudillo expressed there was chemistry between them, he refused to acknowledge if anything happened between them, telling
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In September 1998, Astudillo released his lead single, "ĀæDĆ³nde EstĆ”s Amor?". Describing it as a romantic cumbia infused with accordion melodies, Astudillo highlighted the album's diverse offerings. Alongside
326:, integrating in December 1988. Astudillo's addition involved harmonizing with Selena and taking on various roles within the band's dynamic. Astudillo's contribution to songwriting for the group began with "
1641:, Joe Zepeda believed that the track would seamlessly blend in with the songs during Tejano's golden age in the early 1990s. Astudillo recorded "Eclipse", a duet with Denisse, on her debut album in 2002.
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following the news, talking about Selena as he wept on air, as he was still recovering from his mother's death the year prior. He attended her funeral on April 3. Astudillo resumed performing during the
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band Ruido AƱejo. The group consisted of Astudillo, Ojeda, bassist Adriel Ramirez, guitar-producer Manuel "Meatt" Riojas, guitarist Ruben Rea, and drummer Frankie Diaz de Leon. The group's debut album,
8316:(executive producer), Claribel Cuevas (associate producer), Randal J. Edwards (associate producer), Ila von Hasperg (editor), Jeffrey Coulter (producer), Cecelia Miniucchi (director) (April 1, 1997).
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for a free concert sponsored by local sponsors at the 2000 Cinco de Mayo celebration in Corpus Christi. Astudillo provided support for singer Devin Banda after she tearfully released a video on being
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with Ruido AƱejo in the early 2010s, Astudillo returned to Tejano music with his band, Pete Astudillo y Tekno-Mex. His collaboration with A. B., on "PelĆ³n" for Boyz of Kumbia, peaked at number 38 on
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therapy. Cabrera noted "Una Flor Lloro" as a poignant track exploring themes of betrayal, showcasing Astudillo's adeptness at employing metaphor and symbolism. Astudillo began experimenting with
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was the fourth best-selling Regional Mexican Album, while Astudillo ranked as the sixth most-successful regional Mexican artist of 1996 and the 22nd most-successful Latin songwriter of the year.
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500:, Pedro and Paz Astudillo. Pedro and Paz immigrated to the United States in 1962. Astudillo worked alongside his parents and siblings on farms in Idaho, Colorado, Wyoming, and Montana, thinning
297:'s sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular
830:, Rene Cabrera proclaimed Astudillo as possessing the requisite attributes to succeed as a soloist, noting his adept vocal abilities harmonized with a polished and commanding stage demeanor.
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983:, found Astudillo's rendition of "Un Hombre Busca Una Mujer" at the awards ceremony as commendable, which demonstrated his readiness to embrace challenges tackling a demanding arrangement.
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genre in future releases. Astudillo's collaboration with A. B. steered the band towards a more danceable style infused with cumbia influences. This fusion, according to Pamela Colloff of
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1600:, in August 2001, and ranked among the most appealing musicians in the Tejano market. Astudillo characterized the album as a fusion of diverse rhythms rooted in Tejano influences. The
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who habitually makes excuses for his actions, for Big Circo. The song merges norteƱo cumbia rhythms with the rock-infused vocals of accordionist and vocalist Big Boy. Writing for
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a Tu Lado" not gaining recognition, Cabrera praised it as an ode to true love, showcasing Astudillo and Vela's skillful writing and Jesse Garza's emotive performance on the
767:(RIAA), denoting 360,000 units consisting of sales and on-demand streaming in the United States. The compositions Astudillo wrote or co-wrote were largely responsible for
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and the sacrifices Astudillo's parents had made for him. On March 27, 2024, Astudillo announced that he and PeƱa collaborated on a song, which he plans to release soon.
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noticeably nervous during the sessions. Astudillo was removed from the studio after an unsuccessful session, he expressed his disappointment at not meeting the desired
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Romantico". He prioritizes originality, pushing creative limits for impactful recordings, and eschewing haste for distinction. Astudillo's fusion of Latin music with
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recorded "Por La Madrugada" (2018) featuring Astudillo. In 2019, Astudillo released "El Rey del Ritmo" which featured Erick Sanchez. Astudillo recorded a duet with
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on November 19, 1993. The following week, his single "Ganar O Perder" debuted at number nine on the indie Tejano Singles music chart in Texas. Music critic for the
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wanted to sign Selena y Los Dinos to his label, while CBS was offering twice EMI's offer. Abraham found EMI Latin's proposal appealing due to the potential for a
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706:, Maria Cortes Gonzalez called Astudillo's vocals on the track as being sexy, and seductive. "Amame, Quiereme" was nominated for Vocal Duo of the Year at the
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show after expressing her Christmas wish to the producers. The producers spotlighted Loera's story after she candidly shared her concerns about affording a
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with contemporary vibes of video culture from northern America. Leland enjoyed Astudillo's fusion of his Tex-Mex music and the vernacular typically used in
1698:, a benefit concert commemorating the 10th anniversary of the singer's death. Astudillo performed "Como Te Extrano" at the event. Juan Martin Ovalle of the
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523:. Despite this business venture, Astudillo harbored a passion for music and was determined to pursue a music career. He reapplied for college, majoring in
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magazine, observed that Astudillo's impact on the US Latin music scene lies in his role as a songwriter collaborator. Astudillo was inducted into the
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Despite pursuing a solo career, Astudillo remained dedicated to Selena y Los Dinos, contributing to songwriting while on tour. He and A. B. co-wrote "
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At the 1997 Pura Vida Awards, Astudillo faced logistical issues that led to a delay in the show's commencement as he was slated to co-host alongside
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marks Astudillo's first album in two years, a rarity in the Tejano market where prolonged breaks risk fading into obscurity. Despite industry norms,
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magazine's top Latin songs in Florida. Cortes Gonzalez felt that "Vas a Llorar" is a testament to Astudillo's talent as a songwriter and performer.
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1963:, found Astudillo's performance as being a quintessential Tejano moment: a first-generation Mexican American blending the traditional roots of the
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At the 1996 BMI Latin Music Awards, "Bidi Bidi Bom Bom", "Si Una Vez", and "Amor Prohibido" received Song of the Year honors. Astudillo tied with
464:(1999). Astudillo left Q-Productions in 2001 to forge his own label, Peace Rock Records and released his albums independently. After a stint as a
7982:
444:
on December 1, 1995, as the title track served as a tribute to Selena and Astudillo's mother, Paz. The titular track peaked at number one on the
1298:
s chart accomplishments. Astudillo won Most Promising Band, and began to be hailed as the "next big thing" in the Tejano market. By March 1996,
9219:
9129:
5568:
Anon. (March 27, 1996a). "Univision Announces the Nominees for Spanish-Language Music's Highest Honors: Premio Lo Nuestro A La Musica Latina".
8002:
1877:"Esta Es Paā Mi Raza", after realizing he had yet to release a song about his family and upbringing. The track discusses the struggles of the
1343:(1996) album. Cabrera perceived the new rendition's inclusion on the album as "sort of for old times sake", while Chris Riemenshneider of the
9189:
8752:
8273:
8226:
6140:
8721:
6894:
1560:, Astudillo received the nomination for Best Mariachi Song by a Tejano Artist for "No Lo Niego". Astudillo performed during the 41st annual
1204:
sold 50,000 units within its first month, 100,000 units in seven weeks, and reached 200,000 units by January 1997. The sales achievement of
9149:
9098:
1233:, on the week ending November 25, 1995. The album maintained its position in the top ten of the Latin music charts for nearly four months.
6104:
BeltrĆ”n LĆ³pez, Luis Gerardo (January 14, 2021). "Los Bad Boyz, el grupo que abrĆa para Selena Quintanilla y Los Dinos, ĀæquiĆ©nes fueron?".
378:" (1992), which became one of the most popular songs recorded by an artist of Mexican descent in the US. Widely considered to be Selena's
1259:(head lice) as the reason for the change. Astudillo was inundated with requests from various musicians seeking material, among them were
9229:
9159:
1275:. The band lineup remained mostly unchanged, with the addition of accordionist John Saenz. Astudillo co-headlined a sold-out concert in
531:
Astudillo and Ojeda considered quitting the music industry, feeling overwhelmed by its challenges. During one of their performance at a
5107:
579:. Astudillo's addition to Selena y Los Dinos involved harmonizing with Selena and performing duets with the singer, as well as being a
9254:
9214:
9174:
9169:
8115:
1464:, Astudillo received Song of the Year for "Como Te Extrano", Male Vocalist of the Year, and won Orchestra/Group Album of the Year for
909:
credits the rise of Latin pop in the US during the 1990s to the widespread appeal of "Como la Flor". Widely considered to be Selena's
653:
market, with future sights into an English-language crossover. The band became "a bit more trendier and a little bit cutting-edge" on
563:
radio stations in Texas. Astudillo remarked that he knew who Selena was, but noted that he was not too into Tejano music at the time.
1580:, her first of many records to "make up time" to listen to newer artists works. Astudillo became troubled by the lackluster sales of
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Astudillo and his band Oxygeno began as opening acts to Selena y Los Dinos. Abraham became Astudillo's manager and signed him to his
9164:
9134:
8704:
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2005:
by 2019. Astudillo expressed that while he may not be able to sing indefinitely, his ability to write will endure while he's alive.
1365:
concert of Selena y Los Dinos. For the first anniversary of Selena's death, Astudillo scheduled a tribute concert for the singer in
1010:
to propose names for his new band. The station received over 150 submissions, with the winner winning a dinner date with Astudillo.
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5017:
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praised Astudillo's albums for showcasing his "charismatic voice" through "well-written cumbias and ballads." Santiago Esparza of
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1165:. The track peaked within the top ten of the Hot Latin Songs chart in September 1995. Astudillo released his third studio album,
5147:
452:, and began to be hailed as the "next big thing" in the Tejano market. At the 1996 BMI Latin Music Awards, Astudillo tied with
8606:
7845:
979:, while Astudillo and Selena were nominated for Vocal Duo of the Year for "Siempre Estoy Pensando en Ti". Rene Cabrera of the
853:, "Porque Le Gusta Bailar Cumbia", "Nada Nada", and the title track, were receiving heavy airplay in Albuquerque, New Mexico,
7192:
6325:
1898:
289:
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Hot Latin Songs chart the week ending June 11, 1994, and remained atop the chart for nine consecutive weeks becoming the
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395:
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elements with a contemporary pop influence, a fusion influenced by his upbringing in Laredo. Astudillo was exposed to
1817:
1362:
674:", which he co-wrote with A. B. who regarded as a turning point for the band as it steered them towards exploring the
2013:
Astudillo performed at the 1995 Texas Tours Tejano Super Car Show, and part of the proceeds were donated to benefit
1828:
and broadcast on Univision in April 2020. The concert was scuppered due to the COVID-19 pandemic. In December 2018,
9194:
9036:
8796:
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1789:(2017). Astudillo introduced his new band, Pete Astudillo and Tekno-Mex during the October 2017 annual Bootfest in
1569:
6004:"Pete Astudillo, Stefani Montiel, Ricky Valenz & Raul Sanchez release Christmas collaboration [VIDEO]"
9184:
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7008:
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2002:
1991:
rhythms enchanted audiences, transcending Texas borders with a sophisticated sound, noted by Marty Racine of the
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846:
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363:
for being "culturally, historically, or aesthetically significant" in 2021. Supported by Los Dinos and signed to
302:
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9224:
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Ragland, Cathy (February 27, 1996a). "Tejano tips hat to conjunto; Award nominations for accordion-led bands".
8241:
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6193:
2018:
1979:
1557:
1461:
1287:
999:
976:
736:
707:
617:
449:
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Vera, Mary Christina (April 3, 1997). "We get letters//the price isn't right // 'Selena' soundtrack excels".
1302:
was certified platinum (Latin) by the RIAA for shipments of 100,000 units in the United States, while former
917:, as well as her most popular recording. It is one of her "most celebrated" songs and has become part of the
826:
instrumentally to his album, with A. B. co-writing six tracks and producing the record. Music critic for the
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8829:
7970:"Grupo Quemado releases 'Ay Como Cambian Las Cosas' ft. Jessy Serrata & David Lee Garza [AUDIO]"
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and Selena. Astudillo recorded "Tu Robaste Mi CorazĆ³n", originally performed by Selena and Navaira, for the
1330:
1196:
780:
512:
348:
101:
1785:, Ricky Valenz, and Raul Sanchez. Astudillo recorded "Se Que Pensabas" with Grupo Quemado for their album,
1271:. Astudillo debuted his band's new name, Grupo Futuro, during his concert at the Pure Country nightclub in
1200:, ranked it as one of the best Latin albums of 1995, praising Astudillo as the top composer in the market.
9244:
9124:
8379:(Media notes). A. B. Quintanilla (producer), Suzette Quintanilla (spoken liner notes producer). EMI Latin.
1857:
1753:, and the Chris Perez Band. The album featured a revamped version of "Como Te Extrano" as well as a 1980s
1657:
album a year before its announcement. The album comprised nine tracks penned by Astudillo, along with two
1310:
1237:
peaked at number six on the Top Latin Albums chart, on the week ending December 16, 1995. Paul Verna from
445:
1604:
observed that Astudillo unleashed a torrent of Latin sounds, incorporating various musical elements into
933:
448:
chart, where it remained for ten consecutive weeks. Astudillo received Most Promising Band honors at the
8834:
8389:
8218:
7675:
7348:"'Absolutely Surreal' Julio Macias 'Incredible Grateful' for Promotion to Regular Role in 'On My Block'"
7148:
7112:
6155:
6111:
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5673:
1846:, which spotlighted Astudillo and Ojeda's origins in Laredo, Astudillo "helped put Laredo on the map".
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870:
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personal, allowing him to express his feelings without pretense. It made its debut at number 15 on the
1793:. The group consisted of Ojeda, Ricky Landeros, Juan Garza, Sonja de la Paz Garcia, and Diego Garcia.
1161:'s Conservation Cove. Astudillo collaborated with Vela on "Estupido Romantico", which was recorded by
783:
chart, which by March 1992, ranked as the second-most weeks an album has remained on the chart behind
9119:
8624:
8612:
8591:
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7650:
5593:
5406:
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1983:
discerned Astudillo's vocals as opulent and refined, amidst his tenure alongside Los Dinos on tour.
1715:
1528:
1158:
776:
311:
6032:
Anon. (September 16, 2021). "From the National Recording Registry: 'Ven Conmigo' -- Selena (1990)".
588:
was invited to join Selena y Los Dinos, feeling as though his aspirations had finally materialized.
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saying "I'm a Dino, part of the family. This group is solid and I like it here." The band's album,
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debuted and peaked at number 37 on the Top Latin Albums chart, on the week ending June 14, 1997.
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760:
658:
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536:
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387:
344:(1990) contributed to its commercial success, ranking among the longest-running albums on the US
323:
238:
1728:
17:
8474:
Riemenschneider, Chris (March 22, 1997a). "'Selena' movie CD lacks her talent, Tejano flavor".
1625:-influenced tracks in his Tejano recordings, following the footsteps of other Tejano artists.
1503:
contained material of equal or superior quality, yet its success did not measure up to that of
9029:
8900:
8748:
8659:
8530:
8513:
8496:
8491:
Riemenschneider, Chris (February 28, 1997b). "Tejano Music Awards to be handed out Saturday".
8479:
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8435:
Riemenschneider, Chris (November 9, 1996). "Siempre Selena' proves singer's range of talent".
8423:
8406:
8361:
8346:
8318:
8269:
8245:
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8130:
8111:
8104:
A New America: How and Music Reshaped the Culture and Future of a Nation and Redefined My Life
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1993:
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748:
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620:, Rick Trevino invited Selena y Los Dinos to be the opening act for the awards ceremony after
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6915:"Pete Astudillo Discusses His Journey from Stardom with Selena to Solo Success and New Music"
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283:, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino
1633:(2001) album. Astudillo and A. B. wrote, "Yo No Fui" (2002), a song that revolves around a
640:
deal, and he intended for his children to be the first musicians to sign with the company.
8827:
Tarradell, Mario (July 14, 1996). "Heir Apparent Astudillo is royalty on his own merits".
7931:
Martin, Annie (February 18, 2020). "Selena Quintanilla to be honored at tribute concert".
6317:
6150:
BolaƱos, CƩsar (December 7, 2020). "El Laredense que fue pieza clave en el Ʃxito Selena".
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2147:
2022:
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Latin Music Awards, Astudillo received Songwriter of the Year honors. Astudillo co-wrote "
319:
1460:
At the 1997 BMI Latin Music Awards, Astudillo was awarded Songwriter of the Year. At the
949:
555:, and Jesse Ybarra on guitar. Selena y Los Dinos was managed by the Quintanilla's father
460:(1997) failed to replicate the commercial success achieved by its predecessor as well as
8663:
8134:
8072:
8043:"Pete Astudillo blends Latin sounds for 'Separaditos' cumbia featuring positive message"
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in May 2016, and the second annual's event in March 2017. Astudillo collaborated on the
1431:
scene was seen as a recognition of his significance within Los Dinos by the producers.
1290:, Astudillo received the nomination for Most Promising Band, Male Vocalist of the Year,
725:, to which Selena's biographer, Joe Nick Patoksi, interpreted the track as an homage to
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8023:"Pete Astudillo speaks on upcoming collaborations, new album in 2019 [PODCAST]"
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1988:
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and received a commemorative plaque, along with Selena's family, which was hung at the
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874:
862:
858:
740:
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576:
559:. By 1988, Selena y Los Dinos was ranked the most requested band in ten out of fifteen
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Ruiz, Paula; Navarro, Juan Manuel (July 4, 1996). "Yolanda si estara con 'Selena'".
9086:
9074:
8740:
6354:"Grammy-winning Merengue Artist Olga Tanon Influenced by Variety of Musical Styles"
5552:
2111:
2079:
1930:
1849:"PelĆ³n", written by Astudillo and A. B. for Boyz of Kumbia, peaked at number 38 on
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1838:(2020-21), a two-part limited drama series based on Selena's life. In March 2020,
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8393:
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de la Torre, Chito (June 16, 1996). "In his own words: Pete Astudillo's songs".
7116:
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2091:
2042:
1974:
1950:
1926:
1813:
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observed that Astudillo performed the track with full intensity. Olivia Ruiz of
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attended the awards event to scout for new musical acts. EMI Latin's president,
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number two on the Hot Latin Songs chart, on the week ending January 13, 1996.
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label with distribution through EMI Latin. Astudillo released his debut album,
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In April 1997, Astudillo participated in a fundraising autograph session with
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chart and at number two on the Regional Mexican Albums chart, behind Selena's
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1045:
685:
633:
552:
524:
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5690:
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877:. "Porque Le Gusta Bailar Cumbia" was often the most requested song by fans.
322:, forming Los Bad Boyz with Joe Ojeda. Discovered by a local DJ, they joined
8349:(producer), Suzette Quintanilla (spoken liner notes producer). 724354099403.
8212:
7367:
Gonzalez, James (March 2, 1997). "Salena's influence felt at music awards".
5861:
2116:
1970:
1946:
1938:
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for being "culturally, historically, or aesthetically significant" in 2021.
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43:
8872:"Conoce las canciones mexicanas mƔs famosas de la de la historia en los EU"
8003:"Sunny Sauceda drops teaser of 'Por La Madrugada' video ft. Pete Astudillo"
7983:"Rising Tejano star Devin Banda stands up to cyberbully in emotional video"
8771:
8125:
Navarro, Juan Manuel (March 27, 1997). "'Pudo haber sido la numero uno'".
643:
The production of the group's debut album began in June 1989. The goal of
7693:
7648:
Lannert, John (October 11, 1997). "Int'l acts come back to Mexico City".
7629:"Ready and Willing Labels Scramble to Get Slices of Regional Mexican Pie"
7090:
Corpus, Lorena (September 20, 1996). "Ellos son la familia de 'Selena'".
6119:
2014:
1959:
1750:
1243:
1191:
1143:
580:
505:
185:
8384:
Racine, Marty (April 24, 2001). "Cultures are there for the listening".
6895:"Tekno Mex singer Sonja De La Paz drops impressive solo debut 'Contigo'"
1945:, before ultimately embracing Tejano music. He also enjoys the works of
1495:
failed to replicate the commercial success achieved by its predecessor,
1333:, becoming the third Tejano act to perform at the theme park, following
913:
and her "trademark", "Como la Flor" has become a posthumous epithet and
9025:
8418:
Ragland, Cathy (April 30, 1996b). "Top Tejano songwriters win awards".
8063:
7522:
5842:"Taping of 'Puro Tejano En Vivo' to Feature La Tropa F, Pete Astudillo"
5755:
5591:
Anon. (September 15, 1996b). "Arranca filmacion de la cinta 'Selena'".
1965:
1942:
1874:
1829:
1820:
and indefinitely suspended touring. Astudillo was slated to perform at
1618:
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2001ā2002: Departure from Q-Productions, founding of Peace Rock Records
1194:, typical of Tejano albums, with production by A. B. Mario Taradell of
1138:
1007:
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Astudillo made his debut appearance on television with his band on the
689:
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327:
1842:
was cast to portray Astudillo in the series. Following the release of
1373:
and Arnfulo Gonzales. "Si No Fui Yo", the second single released from
5965:
Anon. (August 1, 2005). "Tejano musician wrecks car, cited for DUI".
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1121:
1078:
player to join his band. Astudillo made his second appearance on the
584:
540:
294:
1441:, Astudillo recorded the tribute track, "VivirƔs Selena" along with
8083:"Willie Nelson to Serenade the Fishes at Aquarium's Birthday Party"
7107:
Corpus, Lorena (April 4, 2005). "Presume Pete ser padrino de Eva".
6015:
Anon. (October 5, 2017). "Tejano group celebrates Selena's music".
5545:"Pete Astudillo > Artist History > Regional Mexican Airplay"
1922:
1914:
1913:
and emotive songwriting. His compositions often blend traditional
1910:
1507:. He co-wrote with A. B. "La Chica Sabrosura" (1997) for Lobo IV.
1115:
805:
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489:
309:
scene lies in his role as a songwriter collaborator, according to
7124:
Corpus, Lorena (April 1, 2015). "Sigue Pete viviendo de Selena".
2045:
to fulfill a wish for Alejandrina Loera, who was featured on the
1101:
as a competitive contender in the Tejano market. The singles off
435:, while still recovering from his mother's death the year prior.
8938:"Grammy-Winning Singer Selena Killed in Shooting at Texas Motel"
8589:
Rodriguez, Estella (April 16, 1995). "Friends Remember Selena".
7824:"Lead Singer for Imagen Latina in Town Promoting Latest Release"
5984:"9-Year-Old McAllen Girl Wins Title of Little Miss Fitness 2006"
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2638:
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Pedro Astudillo was born on December 1, 1963, at the Las Palmas
8697:"Selena's impact on Laredo remembered 25 years after her death"
8168:"Decade After Selena's Death, Pals Shine In a Touching Concert"
7950:"Sesi offers free album download, readies for upcoming project"
7071:"Symphony Orchestra to Celebrate Selena and her Musical Legacy"
5216:"Fill Out, Mail Tejano Music Ballot by Friday To Make it Count"
1128:) and his mother, Paz; the song became his signature recording.
921:
cannon. The RIAA certified "Como la Flor" 9Ć platinum (Latin).
7517:
5753:
Anon. (January 15, 1997). "Tiene Selena disco 'de pelicula'".
1824:, a live tribute concert that was scheduled to be held at the
1532:
7608:"Billboard's Latin Awards Show Becomes Mas Grande, Mas Bueno"
4006:
4004:
3630:
3628:
1527:
on March 25, 1998, and released a promotional jingle for the
735:(1990), which was nominated for Vocal Duo of the Year at the
729:. Astudillo recorded the duet with Selena on "Yo Te Amo" for
9018:
8525:
Riemenschneider, Chris (January 30, 1998). "Street Soundz".
8192:"Meet the Real People Behind Neftlix's 'Selena: The Series'"
1377:, continued the band's success following "Como Te Extrano".
670:. Astudillo's input on songwriting initially occurred with "
265:
8635:"Feria Queen Will Be Crowned Saturday at 41st Annual Event"
6454:"Bands to Tape Canales Show; Selena, Mafia Will Visit Area"
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1094:(1993), did not secure positions on national music charts,
382:
and her "trademark", "Como la Flor" has become part of the
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2494:
2492:
2422:
2420:
1082:
on July 3, 1994. He also appeared on the music TV program
330:" (1989), co-written with the group's producer-songwriter
8214:
Selenidad: Selena, Latinos, and the Performance of Memory
6856:
CastaƱeda, Eduardo (January 11, 2002). "Para tus Oidos".
6836:"Selena y Los Dinos Infect Tejano Rodeo With Dance Fever"
5884:"Tejano Singer Astudillo Set to Release His First Single"
5610:
Anon. (September 5, 1996c). "Luces, camara... iSelena!".
4363:
4361:
4359:
4357:
4355:
4353:
4351:
3733:
3731:
3512:
3510:
3141:
3139:
3137:
2596:
2594:
2254:
2252:
1608:
with uninhibited creativity. The title track climbed the
8815:"Selena's Murder Skewed the Tejano Music Scene for 1995"
6313:
The Billboard Guide to Tejano and Regional Mexican Music
6211:"El Mundo De La Farandula, Tejano's Perez Branching Out"
4278:
4276:
4274:
4261:
4259:
4219:
4217:
4215:
4213:
4211:
3847:
3845:
3796:
3794:
2554:
2552:
2550:
2363:
2361:
2250:
2248:
2246:
2244:
2242:
2240:
2238:
2236:
2234:
2232:
2102:
citation after he registered three times over the legal
1909:
Astudillo's musical style is characterized by his vocal
1865:
dance challenge. The track features cumbia rhythms with
1722:
2010āpresent: Ruido AƱejo and Pete Astudillo y Tekno-Mex
1413:, portraying himself as a dancer and backup vocalist to
1086:
on December 17, 1994. While Astudillo's initial albums,
8508:
Riemenschneider, Chris (April 19, 1997c). "Best Bets".
8061:
Molina, Rafael (June 9, 2001). "La industria Tex-Mex".
7691:
Leland, John (October 23, 1995). "Born on the Border".
6335:
Burr, Ramiro (October 6, 2001). "Emergence of Indies".
5432:"Family, Fans Bid Farewell to Slain Tejano Music Queen"
4778:
4776:
4667:
4665:
4568:
4566:
4564:
4562:
3156:
3154:
2885:
2746:
2744:
2742:
2359:
2357:
2355:
2353:
2351:
2349:
2347:
2345:
2343:
2341:
2311:
2309:
2307:
2305:
2303:
1773:
competition show. He performed during the first annual
952:" (1992) and sought lyrical assistance from Astudillo.
431:
and Astudillo resumed performing during the opening of
7260:"Dance Under the Stars with Astudillo, Tejano Singers"
4513:
4511:
4390:
4388:
2623:
2621:
2328:
2326:
2324:
9034:
7455:
HernƔndez, Mary (July 6, 2003). "Vuelve a la carga".
7430:"The stories behind Selena's legacy and biggest hits"
2382:
2380:
2378:
2376:
2269:
2267:
1306:
for Los Dinos, Arturo Meza joined Astudillo's band.
1149:
celebration and Selena tribute during the opening of
1105:
continued to receive extensive airplay through 1995.
7713:"Selena's Brother Pens Lyrics, backs up Tejano Star"
6959:
Colloff, Pamela (April 2010). "Dreaming at of Her".
6514:"TMAs Were Another Sweep for Selena, Emilio Navaira"
5108:"RIAA Certification > "Bidi Bidi Bom Bom" (1994)"
2717:
2715:
2467:
2465:
2463:
2461:
2459:
2407:
2405:
2403:
2401:
2399:
2397:
2395:
2192:
2190:
2188:
845:
was performing well in local markets. The singles, "
821:
label and began managing him during his solo career.
571:" and described Selena as "goofy, crazy and loud".
7526:(Podcast). Event occurs at 2:13:02. Archived from
7282:"Singer Selena's Legacy Alive 20 Years After Death"
6127:Blanco-Cano, Rosana; Urquijo-Ruiz, Rita E. (2011).
2219:
2217:
2215:
2213:
2211:
2209:
2207:
2205:
1541:episode that highlighted Selena on March 29, 1998.
1074:. In August 1994, Astudillo began searching for an
1070:Astudillo's music videos began airing regularly on
260:
228:
204:
194:
163:
139:
116:
94:
86:
57:
34:
8988:
8964:
8847:
8813:
8789:"Former Selena band member looks back on a legacy"
8672:
8633:
8605:
8568:
8455:"'Siempre Selena' Proves Singer's Range of Talent"
8453:
8284:
8190:
8166:
8143:
8081:
7910:
7888:
7866:
7844:
7822:
7802:"Artists Busy Touring, Releasing New Tejano Music"
7800:
7777:
7755:
7733:
7711:
7668:
7495:
7473:
7407:
7385:
7346:
7324:
7302:
7280:
7258:
7236:
7185:
7161:
7069:
7047:
7025:
7001:
6979:
5802:
5525:
4996:"RIAA Certification > Baila Esta Cumbia (1990)"
1718:for the 2006 Little Miss Fitness held in McAllen.
1596:Astudillo released his first album independently,
1325:for "Como Te Extrano". Astudillo performed at the
1120:Astudillo wrote "Como Te Extrano" as a tribute to
8990:"Behind the Mask of Big Circo Lies a Tejano Band"
5822:"TTMA Announces Nominations for 18th Annual Show"
5088:"RIAA Certification > "Amor Prohibido" (1994)"
743:for "Yo Te Amo", instead of their usual recycled
649:was to be an introductory into the international
8745:Latin music : musicians, genres, and themes
7735:"New Music Magazine Highlights Groups in Mexico"
6049:Anon. (November 26, 2008). "Selena: Biography".
5128:"RIAA Certification > "Techno Cumbia" (1994)"
4893:
4154:
4118:
3935:
1737:, was released in 2013. It took influences from
1349:characterized it as an energetic Tejano track.
1246:, which heightened the song's emotional impact.
662:that." Vela and Astudillo began elaborating the
575:group on December 25, 1988, following a show in
547:as the band's producer-songwriter, and bassist,
515:in 1982. In 1984, after spending a few years at
7627:Lannert, John; Burr, Ramiro (August 17, 1996).
7049:"Selena Songwriter Returns for El Paso Concert"
6494:"Most Promising Award Often Spells Tejano Fame"
4683:
4294:
3911:
2646:
2529:
1726:By 2010, Astudillo was the lead singer for his
6981:"Singer Feels Blessed By Connection to Selena"
6636:"There's A Reason 'Como Te Extrano' Is At Top"
6594:"Follow Mazz's New Release All Over the Place"
6086:"Longtime Fan Captures Title As Selena Double"
5063:"RIAA Certification > "La Carcacha" (1992)"
1812:, Tekno Mex canceled their March 2020 show at
1423:, and provided live performances to entertain
1044:", which was certified platinum (Latin), and "
475:s Regional Mexican Songs chart in April 2021.
9240:Spanish-language singers of the United States
8849:"Youth Named Tejano's Top Female Entertainer"
6251:"Pete Astudillo Leads BMI Latin Music Awards"
5629:"Unseen Selena Footage to be Broadcast on TV"
5148:"RIAA Certification > "Si Una Vez" (1994)"
5038:"RIAA Certification > "Que Creias" (1992)"
5022:The Recording Industry Association of America
5018:"RIAA Certification > Como la Flor (1992)"
2450:
2025:initiative. During a 1998 visit to Michigan,
956:1993ā94: Separation from Selena y Los Dinos,
519:, he opened a restaurant with his brother in
301:songs of the 1990s and was inducted into the
8:
8452:Riemenschneider, Chris (November 9, 1996b).
7238:"Selena XXV Concert in SA to be Rescheduled"
7046:Cortes Gonzalez, Maria (September 1, 1995).
6434:"Pura Vida Music Awards Are Wednesday in SA"
6231:"Tejano Music Awards Still Need Fine Tuning"
2936:
2694:
1937:and international Spanish musicians such as
1427:during filming. His inclusion in the film's
1048:" which was certified 3Ć platinum (Latin).
924:Other songs Astudillo wrote or co-wrote for
787:by two weeks. The album was selected by the
692:, creating a distinctive and vibrant sound.
334:, leading Selena y Los Dinos to explore the
7068:Cortes Gonzalez, Maria (October 30, 2019).
6796:"Rattlesnake Round Up Ropes in Tejano Acts"
6716:"Music, Food, Friends at Ben Bolt Festival"
6534:"Selena Ex-Sideman Striking Out on His Own"
4070:
4010:
2573:
2512:
2294:
1873:by Garcia. In 2024, Astudillo released the
1688:, an entertainment TV program broadcast in
971:for "Un Hombre Busca Una Mujer" as well as
484:1981ā1988: Early life and career beginnings
425:the most successful US Latin single of 1994
367:, Astudillo released his debut solo album,
7968:Medina, John Henry (September 11, 2017b).
7475:"Festival to Feature Wax Figure of Singer"
6776:"Leonel Pulido Teaches What He Knows Best"
6394:"Quintanilla Accompanist Releases Solo LP"
6066:"One Year Hasn't Diminished Sense of Loss"
5410:. Vol. 106, no. 52. p. 60.
4695:
3634:
3453:
3369:
3309:
2801:
2258:
887:aimed to propel them into the Mexican and
42:
31:
8544:"Remembering Selena's Trailblazing Music"
8368:(spoken liner notes producer). EMI Latin.
8001:Medina, John Henry (December 20, 2018a).
7635:. Vol. 108, no. 33. p. 100
7614:. Vol. 108, no. 18. p. 122
7593:. Vol. 107, no. 47. p. 112
7572:. Vol. 107, no. 46. p. 124
7551:. Vol. 107, no. 42. p. 104
7472:Hackleman, Esther M. (January 27, 2017).
7024:Cortes Gonzalez, Maria (August 5, 1994).
6257:. Vol. 108, no. 20. p. 124
5719:. Vol. 108, no. 52. p. 176
5518:"Top Latin Albums > December 12, 1995"
5152:Recording Industry Association of America
5132:Recording Industry Association of America
5112:Recording Industry Association of America
5092:Recording Industry Association of America
5067:Recording Industry Association of America
5001:Recording Industry Association of America
4917:
4845:
4767:
4608:
4478:
4466:
4058:
3995:
3899:
3607:
3540:
3516:
3128:
3092:
2426:
1781:song "Que Empiece La Fiesta" (2015) with
1765:He participated as one of the judges for
793:United States National Recording Registry
774:s continued commercial success on the US
765:Recording Industry Association of America
624:declined the offer. Representatives from
392:Recording Industry Association of America
361:United States National Recording Registry
305:in 2019. His impact on the United States
293:, he is regarded as the architect behind
8923:. Vol. 108, no. 1. p. 105
8286:"Tejano Group Celebrates Selena's Music"
8021:Medina, John Henry (January 16, 2019a).
7981:Medina, John Henry (October 31, 2017c).
7912:"Former Mazz Lead Singer Debuts New Era"
7868:"Movie Saddens, Inspires Tejano Artists"
7779:"La Sombra Produce Nuevo Video en Valle"
7587:"Hot Latin Songs > November 25, 1995"
7566:"Hot Latin Songs > November 11, 1995"
6946:. Vol. 114, no. 34. p. 95
5780:. Vol. 109, no. 25. p. 96
5669:"Astudillo, Other Upcoming Tejano Shows"
4905:
4857:
4821:
4797:
4490:
4238:
3971:
3947:
3923:
3836:
3824:
3785:
3749:
3673:
3649:
3583:
3552:
3528:
3465:
3441:
3357:
3345:
3208:
3196:
3145:
3104:
3044:
2849:
2786:
2762:
2098:On August 1, 2005, Astudillo received a
1684:In 2005, Astudillo became a co-host for
1564:pageant on August 12, 2000, held at the
1409:(1997), a biographical film directed by
1315:Male Regional Mexican Artist of the Year
1313:, Astudillo received the nomination for
1055:(1993), Astudillo embarked on a tour in
394:(RIAA) 9Ć platinum (Latin). At the 1994
9041:
7754:Maldonado, Vilma (February 11, 1994b).
7545:"Hot Latin Songs > October 21, 1995"
6913:Carrizales, Sylvia M. (March 1, 2024).
6554:"Heavyweights In the Ring This Weekend"
5740:. Vol. 108, no. 2. p. 80
5734:"Hot Latin Songs > January 13, 1996"
5260:"Tejano Singles > December 23, 1993"
5238:"Tejano Singles > November 25, 1993"
4941:
4929:
4869:
4671:
4656:
4632:
4584:
4572:
4553:
4367:
4318:
4142:
4046:
3875:
3737:
3722:
3661:
3477:
3184:
3172:
3116:
3032:
2897:
2873:
2861:
2813:
2774:
2706:
2670:
2627:
2612:
2600:
2438:
2386:
2367:
2315:
2273:
2184:
1681:for a distribution deal for his album.
1034:most successful US Latin single of 1994
8812:Tarradell, Mario (December 31, 1995).
8322:(Documentary). Corpus Christi, Texas:
7887:Maldonado, Vilma (December 25, 1998).
7843:Maldonado, Vilma (January 19, 1997b).
7821:Maldonado, Vilma (February 3, 1995a).
7387:"Secada, Estefan Among Awards Winners"
7187:"Astudillo's Songwriting in Spotlight"
6893:Carrizales, Sylvia M. (June 3, 2020).
6614:"Hispanic Notables Reveal Resolutions"
6574:"Upcoming Selena Album Mixes Old, New"
5925:"Homies, Astudillo to Perform at Jo's"
5194:"1993 Tejano Music Awards Nominations"
5168:"1992 Tejano Music Awards Nominations"
4977:
4953:
4833:
4809:
4755:
4719:
4707:
4644:
4596:
4529:
4502:
4454:
4430:
4406:
4282:
4265:
4223:
4190:
4166:
4094:
4082:
4034:
4022:
3983:
3887:
3863:
3812:
3800:
3761:
3697:
3685:
3619:
3564:
3501:
3489:
3429:
3417:
3393:
3381:
3333:
3321:
3292:
3280:
3268:
3256:
3244:
3220:
3160:
3080:
3056:
3020:
3008:
2960:
2948:
2921:
2837:
2825:
2750:
2733:
2682:
2558:
2483:
2332:
1692:. Astudillo took part in the all-star
967:Astudillo received the nomination for
717:"āoriginally a 1960s Japanese song by
412:(1994), both becoming char-toppers on
9155:American musicians of Mexican descent
8604:Rodriguez, Lois M. (March 29, 1996).
8142:Ovalle, Juan Martin (April 9, 2005).
7909:Maldonado, Vilma (January 15, 1999).
7384:Gonzalez, Fernando (March 11, 1994).
6834:Campbell, Elizabeth (June 29, 1993).
6592:Cabrera, Rene (September 29, 1995b).
6474:"Fans Will Pick Tejano Music Winners"
6292:"Pura Vida Imitates Worst of the TMA"
6064:Arrillaga, Pauline (March 31, 1996).
5795:"Top Latin Albums > June 14, 1997"
5691:"Jennifer y Los Jetz To Perform Here"
5649:"Tejano Awards Honor Songs of Selena"
5454:"Tejano Stars to Perform on Saturday"
4965:
4782:
4743:
4731:
4620:
4541:
4394:
4342:
4306:
4250:
4202:
4106:
3959:
3851:
3773:
3232:
2996:
2984:
2972:
2909:
2721:
2658:
2585:
2541:
2471:
2411:
2223:
1190:contain a mixture of pop cumbias and
901:named "Como la Flor" one of the best
600:Astudillo began composing music with
539:. The group consisted of lead singer
279:(born on December 1, 1963), known as
7:
9200:Hispanic and Latino American singers
8936:Verhovek, Sam Howe (April 1, 1995).
8720:Saldana, Hector (October 15, 2013).
8567:Rivera, Anissa (November 28, 1996).
8080:Mortensen, Eleanor (June 18, 1995).
7948:Medina, John Henry (June 29, 2017).
7732:Maldonado, Vilma (January 7, 1994).
7710:Maldonado, Vilma (August 13, 1993).
7585:Lannert, John (November 25, 1995c).
7564:Lannert, John (November 11, 1995b).
7516:Rock n Roll James (March 27, 2024).
7279:Flores, Daniel A. (March 29, 2015).
6734:Cabrera, Rene (December 19, 1997c).
6452:Cabrera, Rene (November 19, 1993b).
6374:"Moreno Gets Regular Airplay on MTV"
5862:"Tejano Singer Releasing New Single"
5774:"Hot Latin Songs > June 21, 1997"
5380:"TV Listings > December 17, 1994"
5300:"Tejano Singles > April 14, 1994"
4881:
4517:
4442:
4418:
4379:
4330:
4178:
4130:
3595:
3405:
3068:
2196:
2037:, Eddie Gonzalez, Lisa Jimenez, and
8762:Smith, Nathan (December 29, 2020).
8041:Medina, John Henry (June 3, 2021).
7865:Maldonado, Vilma (March 20, 1997).
7799:Maldonado, Vilma (July 22, 1994d).
7670:"Singing Star Selena Shot to Death"
7257:Flores, Christy (August 15, 1997).
7184:Esparza, Santiago (April 5, 1997).
7000:Corcoran, Michael (April 3, 2005).
6774:Cabrera, Rene (October 22, 1999b).
6674:Cabrera, Rene (October 18, 1996d).
6634:Cabrera, Cloe (January 19, 1996b).
6492:Cabrera, Rene (January 14, 1994b).
6129:Global Mexican cultural productions
5280:"Tejano Singles > April 7, 1994"
5048:from the original on April 10, 2022
2886:Blanco-Cano & Urquijo-Ruiz 2011
1250:1996: Pete Astudillo y Grupo Futuro
936:", "Vuelve a MĆ", and the comical "
799:1992: Solo career with Oxygeno and
48:Pete Astudillo during a concert in
9265:American actors of Mexican descent
9210:American people of Mexican descent
8950:from the original on July 20, 2016
8846:Tarradell, Mario (March 4, 1997).
8283:Perez, Isamel (October 5, 2017b).
8165:Olivas, Rogelio (April 14, 2005).
7776:Maldonado, Vilma (July 8, 1994c).
7543:Lannert, John (October 21, 1995).
7494:Hunt, Robert (November 16, 1995).
7304:"Pete Astudillo Here Friday Night"
6756:"Ellos Features Seasoned Veterans"
6754:Cabrera, Rene (January 22, 1999).
6714:Cabrera, Rene (August 29, 1997b).
6612:Cabrera, Cloe (January 1, 1996a).
6472:Cabrera, Rene (January 7, 1994a).
6272:"Guianko's Latest CD At New Level"
5340:"Tejano Singles > July 3, 1994"
5320:"Tejano Singles > June 2, 1994"
25:
9260:20th-century American male actors
7860:– via NewspaperArchive.com.
7428:Guerra, Joey (November 1, 2017).
7235:Falcon, Meagen (March 14, 2020).
7179:– via NewspaperArchive.com.
6978:Cordova, Randy (April 30, 1998).
6814:Cabrera, Rene (August 24, 2001).
6676:"Another Smash Selena CD Due Out"
6654:Cabrera, Rene (March 22, 1996c).
6512:Cabrera, Rene (March 18, 1994c).
6414:"Selena, Mazz Plan Concerts Here"
6209:Burr, Ramiro (November 3, 1995).
6167:Burr, Ramiro (December 2, 1993).
6084:Aguilar, Elvia (March 15, 2010).
5904:"Topping The Charts Year By Year"
551:on drums, keyboardist-songwriter
9092:
9080:
9068:
9056:
9044:
8870:Tamayo, Martin (June 23, 2020).
8722:"Tejano artists take rock stage"
7409:"Fun In the Sun, A Little Early"
7406:Grieser, Andy (April 26, 1996).
7345:Gomez, Adrian (March 27, 2020).
7301:Garcia, Gus (January 29, 1997).
6794:Cabrera, Rene (April 28, 2000).
6572:Cabrera, Rene (June 16, 1995a).
6552:Cabrera, Rene (July 22, 1994e).
6432:Cabrera, Rene (March 26, 1993).
6412:Cabrera, Rene (July 24, 1992b).
6392:Cabrera, Rene (March 27, 1992).
6229:Burr, Ramiro (March 22, 1996b).
5476:"Pete Astudillo To Perform Live"
1902:hailed Astudillo as "the Latino
427:. On March 31, 1995, Selena was
18:Pedro "Pete" Astudillo
8987:Zepeda, Joe (August 30, 2002).
8912:Verna, Paul (January 6, 1996).
8787:Soriano, Ashley (May 6, 2021).
8695:Salas, Maria (March 31, 2020).
8671:Ruiz, Olivia (April 13, 2005).
8632:Ross, Paige (August 11, 2000).
8542:Rivas, Jorge (March 31, 2011).
7667:Lemieux, Josh (April 1, 1995).
7208:Exposito, Suzy (July 9, 2018).
7160:Delgado, Rosa (July 17, 1994).
6938:Cobo, Leila (August 24, 2002).
6873:Caicedo, Harry (June 4, 1989).
6532:Cabrera, Rene (May 27, 1994d).
6352:Burr, Ramiro (March 8, 2001b).
6290:Burr, Ramiro (July 30, 1997b).
6187:Burr, Ramiro (August 5, 1994).
5360:"TV Listings > July 3, 1994"
2110:crashing into barriers along a
1787:A Tribute to Joe āWajoā Carmona
1222:debuted at number eight on the
944:who joined the group following
423:chart, while the latter became
8145:"Y El Espirtu de Selena Reino"
7654:. Vol. 109, no. 41.
6694:Cabrera, Rene (May 2, 1997a).
6372:Burr, Ramiro (March 6, 2003).
6339:. Vol. 113, no. 40.
6270:Burr, Ramiro (June 18, 1997).
6249:Burr, Ramiro (May 18, 1996d).
608:) when he was integrated into
318:After high school, he pursued
1:
9220:Singer-songwriters from Texas
9130:20th-century American singers
9099:Hispanic and Latino Americans
8963:Wener, Ben (April 15, 1999).
8373:Quintanilla, Selena (2002b).
8354:Quintanilla, Selena (2002a).
7606:Lannert, John (May 4, 1996).
7323:Garcia, Julie (May 7, 2016).
7210:"50 Greatest Latin Pop Songs"
7027:"Rising Star To Open Concert"
6696:"Fortune Eluded Mike Salgado"
5882:Anon. (September 25, 1998d).
5860:Anon. (September 25, 1998c).
5696:The Seguin Gazette-Enterprise
1771:Buscando a la Doble de Selena
1403:Astudillo joined the cast of
1283:, drawing a crowd of 18,000.
891:markets. One of the tracks, "
841:, in January 1992. By March,
761:certified 6Ć platinum (Latin)
713:Astudillo and Abraham wrote "
592:1989ā1991: Selena y Los Dinos
496:, to Mexican immigrants from
9190:American education activists
8335:Quintanilla, Selena (2002).
8189:Oliva, John (May 12, 2021).
6965:. Vol. 38, no. 4.
6189:"Los Temerarios On the Rise"
5910:. Vol. 110, no. 48
5902:Anon. (November 28, 1998e).
5867:New Braunfels Herald-Zeitung
5711:Anon. (December 28, 1996h).
5543:Anon. (November 18, 1995f).
5516:Anon. (December 12, 1995e).
5494:Anon. (November 29, 1995d).
5474:Anon. (November 12, 1995c).
5400:Anon. (December 24, 1994g).
5378:Anon. (December 17, 1994f).
5258:Anon. (December 23, 1993c).
5236:Anon. (November 25, 1993b).
5192:Anon. (December 11, 1992b).
1977:. Elizabeth Campbell of the
1801:on "Camina Conmigo" for her
1292:Male Entertainer of the Year
1179:climbed the music charts of
456:for Songwriter of the Year.
338:genre. His compositions for
9150:American mariachi musicians
9004:– via Newspapers.com.
8982:– via Newspapers.com.
8865:– via Newspapers.com.
8822:– via Newspapers.com.
8690:– via Newspapers.com.
8649:– via Newspapers.com.
8640:Corpus Christi Caller-Times
8584:– via Newspapers.com.
8575:Corpus Christi Caller-Times
8469:– via Newspapers.com.
8300:– via Newspapers.com.
8206:– via Newspapers.com.
8197:Corpus Christi Caller-Times
8184:– via Newspapers.com.
8160:– via Newspapers.com.
8097:– via Newspapers.com.
8088:Corpus Christi Caller-Times
7926:– via Newspapers.com.
7904:– via Newspapers.com.
7882:– via Newspapers.com.
7838:– via Newspapers.com.
7816:– via Newspapers.com.
7794:– via Newspapers.com.
7771:– via Newspapers.com.
7749:– via Newspapers.com.
7727:– via Newspapers.com.
7686:– via Newspapers.com.
7511:– via Newspapers.com.
7489:– via Newspapers.com.
7480:Corpus Christi Caller-Times
7423:– via Newspapers.com.
7401:– via Newspapers.com.
7362:– via Newspapers.com.
7340:– via Newspapers.com.
7331:Corpus Christi Caller-Times
7326:"Fans of La Flor Celebrate"
7318:– via Newspapers.com.
7296:– via Newspapers.com.
7274:– via Newspapers.com.
7252:– via Newspapers.com.
7243:Corpus Christi Caller-Times
7203:– via Newspapers.com.
7085:– via Newspapers.com.
7063:– via Newspapers.com.
7041:– via Newspapers.com.
7019:– via Newspapers.com.
6995:– via Newspapers.com.
6888:– via Newspapers.com.
6851:– via Newspapers.com.
6829:– via Newspapers.com.
6820:Corpus Christi Caller-Times
6809:– via Newspapers.com.
6800:Corpus Christi Caller-Times
6789:– via Newspapers.com.
6780:Corpus Christi Caller-Times
6769:– via Newspapers.com.
6760:Corpus Christi Caller-Times
6749:– via Newspapers.com.
6740:Corpus Christi Caller-Times
6729:– via Newspapers.com.
6720:Corpus Christi Caller-Times
6709:– via Newspapers.com.
6700:Corpus Christi Caller-Times
6689:– via Newspapers.com.
6680:Corpus Christi Caller-Times
6669:– via Newspapers.com.
6660:Corpus Christi Caller-Times
6649:– via Newspapers.com.
6640:Corpus Christi Caller-Times
6629:– via Newspapers.com.
6607:– via Newspapers.com.
6598:Corpus Christi Caller-Times
6587:– via Newspapers.com.
6578:Corpus Christi Caller-Times
6567:– via Newspapers.com.
6558:Corpus Christi Caller-Times
6547:– via Newspapers.com.
6538:Corpus Christi Caller-Times
6527:– via Newspapers.com.
6518:Corpus Christi Caller-Times
6507:– via Newspapers.com.
6498:Corpus Christi Caller-Times
6487:– via Newspapers.com.
6478:Corpus Christi Caller-Times
6467:– via Newspapers.com.
6458:Corpus Christi Caller-Times
6447:– via Newspapers.com.
6438:Corpus Christi Caller-Times
6427:– via Newspapers.com.
6418:Corpus Christi Caller-Times
6407:– via Newspapers.com.
6398:Corpus Christi Caller-Times
6387:– via Newspapers.com.
6367:– via Newspapers.com.
6305:– via Newspapers.com.
6285:– via Newspapers.com.
6244:– via Newspapers.com.
6224:– via Newspapers.com.
6204:– via Newspapers.com.
6182:– via Newspapers.com.
6099:– via Newspapers.com.
6090:Corpus Christi Caller-Times
6079:– via Newspapers.com.
6002:Anon. (December 12, 2015).
5997:– via Newspapers.com.
5960:– via Newspapers.com.
5951:Corpus Christi Caller-Times
5940:– via Newspapers.com.
5923:Anon. (September 7, 2000).
5897:– via Newspapers.com.
5877:– via Newspapers.com.
5855:– via Newspapers.com.
5835:– via Newspapers.com.
5826:Corpus Christi Caller-Times
5732:Anon. (January 13, 1996i).
5706:– via Newspapers.com.
5684:– via Newspapers.com.
5662:– via Newspapers.com.
5642:– via Newspapers.com.
5511:– via Newspapers.com.
5489:– via Newspapers.com.
5469:– via Newspapers.com.
5447:– via Newspapers.com.
5395:– via Newspapers.com.
5373:– via Newspapers.com.
5353:– via Newspapers.com.
5333:– via Newspapers.com.
5313:– via Newspapers.com.
5293:– via Newspapers.com.
5273:– via Newspapers.com.
5253:– via Newspapers.com.
5231:– via Newspapers.com.
5221:Corpus Christi Caller-Times
5214:Anon. (January 10, 1993a).
5209:– via Newspapers.com.
5166:Anon. (January 15, 1992a).
2100:driving under the influence
1973:and the music scene in the
1921:as a child and listened to
1602:Corpus Christi Caller-Times
1319:New Regional Mexican Artist
981:Corpus Christi Caller-Times
828:Corpus Christi Caller-Times
759:". "Baila Esta Cumbia" was
9286:
9230:Selena y Los Dinos members
9160:American Latin pop singers
8907:– via Gale Research.
8666:– via Gale Research.
8537:– via Gale Research.
8520:– via Gale Research.
8503:– via Gale Research.
8486:– via Gale Research.
8447:– via Gale Research.
8430:– via Gale Research.
8413:– via Gale Research.
8236:Patoski, Joe Nick (1996).
8137:– via Gale Research.
8075:– via Gale Research.
7943:– via Gale Research.
7757:"Preview / Pete Astudillo"
7705:– via Gale Research.
7662:– via Gale Research.
7467:– via Gale Research.
7379:– via Gale Research.
7136:– via Gale Research.
7102:– via Gale Research.
6973:– via Gale Research.
6875:"First Album in the Works"
6868:– via Gale Research.
6816:"Rhythm King Finds Muscle"
6347:– via Gale Research.
6044:– via Gale Research.
6027:– via Gale Research.
5982:Anon. (October 29, 2006).
5977:– via Gale Research.
5820:Anon. (January 26, 1998).
5767:– via Gale Research.
5689:Anon. (August 18, 1996g).
5622:– via Gale Research.
5605:– via Gale Research.
2129:Pete Astudillo discography
2126:
1708:and Rogelio Olivas of the
1570:Bayfront Convention Center
1499:. Astudillo believed that
1109:1995: Death of Selena and
817:) signed Astudillo to his
741:bridge-interlude structure
9255:American company founders
9215:People from Laredo, Texas
9175:Businesspeople from Texas
9170:American ranchera singers
8897:Austin American-Statesman
8527:Austin American-Statesman
8510:Austin American-Statesman
8493:Austin American-Statesman
8476:Austin American-Statesman
8460:Austin American-Statesman
8437:Austin American-Statesman
8420:Austin American-Statesman
8403:Austin American-Statesman
8211:ParƩdez, Deborah (2009).
7369:Austin American-Statesman
7009:Austin American-Statesman
6378:San Angelo Standard-Times
6358:San Angelo Standard-Times
6152:El Manana de Nuevo Laredo
5945:Anon. (August 23, 2001).
5930:San Angelo Standard-Times
5840:Anon. (March 23, 1998b).
5713:"The Year in Music, 1996"
5647:Anon. (March 24, 1996e).
5402:"1994: The Year in Music"
5324:Austin American-Statesman
5304:Austin American-Statesman
5298:Anon. (April 14, 1994b).
5284:Austin American-Statesman
5264:Austin American-Statesman
5243:Austin American-Statesman
2003:Tejano Roots Hall of Fame
1893:San Angelo Standard-Times
1556:was released, and at the
1470:Overall Album of the Year
1455:Austin American-Statesman
1346:Austin American-Statesman
973:Male Vocalist of the Year
847:Un Hombre Busca Una Mujer
511:Astudillo graduated from
303:Tejano Roots Hall of Fame
253:
156:
41:
9165:American philanthropists
9135:American dance musicians
8855:The Park City Daily News
8242:Little Brown and Company
8150:Fort Worth Star-Telegram
7890:"A 'Cristina' Christmas"
7784:Fort Worth Star-Telegram
7414:Fort Worth Star-Telegram
6841:Fort Worth Star-Telegram
6736:"Tradition With a Twist"
6296:Fort Worth Star-Telegram
6276:Fort Worth Star-Telegram
6235:Fort Worth Star-Telegram
6215:Fort Worth Star-Telegram
6194:Fort Worth Star-Telegram
5793:Anon. (June 14, 1997c).
5772:Anon. (June 21, 1997b).
5627:Anon. (March 9, 1996d).
5452:Anon. (April 3, 1995b).
5430:Anon. (April 3, 1995a).
5278:Anon. (April 7, 1994a).
1980:Fort Worth Star-Telegram
1762:songs might deter them.
1700:Fort Worth Star-Telegram
1558:1999 Tejano Music Awards
1462:1997 Tejano Music Awards
1396:1997: Acting career and
1288:1996 Tejano Music Awards
1000:1994 Tejano Music Awards
977:1993 Tejano Music Awards
791:for preservation in the
737:1992 Tejano Music Awards
708:1990 Tejano Music Awards
618:1989 Tejano Music Awards
513:Laredo Nixon High School
450:1996 Tejano Music Awards
359:for preservation in the
146:Pedro Astudillo (father)
102:Laredo Nixon High School
9180:Capitol Records artists
8830:The Dallas Morning News
8102:Mottola, Tommy (2016).
5667:Anon. (May 17, 1996f).
5358:Anon. (July 3, 1994e).
5338:Anon. (July 3, 1994d).
5318:Anon. (June 2, 1994c).
4071:Ruiz & Navarro 1996
4011:Lannert & Burr 1996
2106:limit resulting in his
2078:In 1998, Astudillo and
1331:Music Mill Amphitheatre
1197:The Dallas Morning News
1171:, on December 1, 1995.
781:Regional Mexican Albums
739:. The band opted for a
349:Regional Mexican Albums
8312:(executive producer),
7933:UPI Entertainment News
7851:The Brownsville Herald
7163:"Meet: Pete Astudillo"
2876:, pp. 1034, 1053.
1858:Regional Mexican Songs
1311:1996 Premio Lo Nuestro
1129:
822:
613:
446:Regional Mexican Songs
149:Paz Astudillo (mother)
8841:– via ProQuest.
8674:"Selena Vive Tribute"
8396:– via ProQuest.
8324:EMI Latin Productions
8219:Duke University Press
7676:Stevens Point Journal
7155:– via ProQuest.
7119:– via ProQuest.
6310:Burr, Ramiro (1999).
6162:– via ProQuest.
5674:Abilene Reporter-News
4894:Riemenschneider 1997c
4155:Riemenschneider 1997b
4119:Riemenschneider 1997a
4025:, pp. 37ā39, 41.
3936:Riemenschneider 1996b
1671:Universal Music Group
1531:. He participated in
1137:. Astudillo spoke to
1119:
809:
599:
9270:American film actors
9250:Tejano pop musicians
9140:American pop singers
8768:Texas Music Magazine
8701:Laredo Morning Times
8625:NewspaperArchive.com
8613:Galveston Daily News
8592:Laredo Morning Times
8265:To Selena, with Love
8238:Selena: Como La Flor
7003:"Dreaming of Selena"
6656:"Tejano Takes a Bow"
4684:Cortes Gonzalez 2019
4295:Riemenschneider 1998
3912:Riemenschneider 1996
2647:Cortes Gonzalez 1995
2530:Cortes Gonzalez 1994
1716:master of ceremonies
1631:Chiquita Pero Picosa
1529:Laredo National Bank
1186:The compositions on
1159:Texas State Aquarium
355:was selected by the
9205:Latin dance singers
8764:"Selena is Forever"
8366:Suzette Quintanilla
8314:Abraham Quintanilla
7502:The Odessa American
7353:Albuquerque Journal
7309:Del Rio News Herald
7169:Del Rio News-Herald
6034:States News Service
5480:The Odessa American
5459:The Odessa American
5385:Albuquerque Journal
1562:Feria de Las Flores
1552:On April 20, 1999,
1521:Puro Tejano en Vivo
1420:El Show de Cristina
1097:The Odessa American
1080:Johnny Canales Show
989:Johnny Canales Show
811:Abraham Quintanilla
789:Library of Congress
684:, drew elements of
557:Abraham Quintanilla
549:Suzette Quintanilla
438:Astudillo released
371:, in January 1992.
357:Library of Congress
9235:Singers from Texas
8943:The New York Times
8306:Edward James Olmos
6133:Palgrave Macmillan
6055:. 60 minutes in.
2999:, pp. 40, 60.
2451:BeltrĆ”n LĆ³pez 2021
2161:ĀæDĆ³nde EstĆ”s Amor?
2019:Moms Demand Action
1844:Selena: The Series
1835:Selena: The Series
1582:ĀæDĆ³nde EstĆ”s Amor?
1578:ĀæDĆ³nde EstĆ”s Amor?
1554:ĀæDĆ³nde EstĆ”s Amor?
1513:ĀæDĆ³nde EstĆ”s Amor?
1130:
1061:eastern New Mexico
969:Single of the Year
823:
614:
610:Selena y Los Dinos
537:Selena y Los Dinos
521:Loveland, Colorado
462:ĀæDĆ³nde EstĆ”s Amor?
324:Selena y Los Dinos
239:Selena y Los Dinos
221:Peace Rock Records
9195:EMI Latin artists
8876:El Sol de Sinaloa
8799:on April 18, 2023
8754:978-0-313-34395-7
8707:on March 14, 2024
8386:Houston Chronicle
8362:A. B. Quintanilla
8347:A. B. Quintanilla
8319:Selena Remembered
8291:Victoria Advocate
8275:978-1-101-58026-4
8268:. Penguin Books.
8228:978-0-8223-9089-3
7530:on March 28, 2024
7435:Houston Chronicle
7193:The Daily Journal
6925:on March 14, 2024
6619:The Tampa Tribune
6142:978-0-230-37039-5
6017:Victoria Advocate
5888:Victoria Advocate
5807:on March 14, 2024
5555:on March 14, 2024
5530:on March 14, 2024
5501:Victoria Advocate
5073:on March 30, 2023
4920:, pp. 1, 10.
2937:Quintanilla 2002a
2695:Quintanilla 2002b
1994:Houston Chronicle
1899:The Daily Journal
1810:COVID-19 pandemic
1775:Fiesta de la Flor
1566:Selena Auditorium
1429:Houston Astrodome
1020:Bidi Bidi Bom Bom
749:Baila Esta Cumbia
745:chord progression
628:and newly formed
602:A. B. Quintanilla
545:A. B. Quintanilla
404:Bidi Bidi Bom Bom
332:A. B. Quintanilla
290:The Daily Journal
274:
273:
16:(Redirected from
9277:
9185:Cumbia musicians
9145:American dancers
9097:
9096:
9095:
9085:
9084:
9083:
9073:
9072:
9071:
9061:
9060:
9059:
9049:
9048:
9047:
9040:
9022:
9021:
9019:Official website
9005:
9003:
9001:
8992:
8983:
8981:
8979:
8972:Arizona Republic
8968:
8959:
8957:
8955:
8932:
8930:
8928:
8918:
8908:
8891:
8889:
8887:
8882:on April 1, 2023
8878:. Archived from
8866:
8864:
8862:
8851:
8842:
8823:
8817:
8808:
8806:
8804:
8795:. Archived from
8783:
8781:
8779:
8774:on April 1, 2022
8770:. Archived from
8758:
8736:
8734:
8732:
8716:
8714:
8712:
8703:. Archived from
8691:
8689:
8687:
8676:
8667:
8650:
8648:
8646:
8637:
8628:
8622:
8620:
8609:
8600:
8585:
8583:
8581:
8572:
8570:"Taking a Stand"
8563:
8561:
8559:
8550:. Archived from
8538:
8521:
8504:
8487:
8470:
8468:
8466:
8457:
8448:
8431:
8414:
8397:
8380:
8369:
8357:Entre a Mi Mundo
8350:
8331:
8301:
8299:
8297:
8288:
8279:
8255:
8232:
8207:
8205:
8203:
8194:
8185:
8183:
8181:
8170:
8161:
8159:
8157:
8147:
8138:
8121:
8098:
8096:
8094:
8085:
8076:
8057:
8055:
8053:
8037:
8035:
8033:
8017:
8015:
8013:
7997:
7995:
7993:
7977:
7964:
7962:
7960:
7944:
7927:
7925:
7923:
7914:
7905:
7903:
7901:
7892:
7883:
7881:
7879:
7870:
7861:
7859:
7857:
7848:
7839:
7837:
7835:
7826:
7817:
7815:
7813:
7804:
7795:
7793:
7791:
7781:
7772:
7770:
7768:
7759:
7750:
7748:
7746:
7737:
7728:
7726:
7724:
7715:
7706:
7687:
7685:
7683:
7672:
7663:
7644:
7642:
7640:
7623:
7621:
7619:
7602:
7600:
7598:
7581:
7579:
7577:
7560:
7558:
7556:
7539:
7537:
7535:
7518:"Pete Astudillo"
7512:
7510:
7508:
7499:
7490:
7488:
7486:
7477:
7468:
7451:
7449:
7447:
7442:on April 1, 2022
7438:. Archived from
7424:
7422:
7420:
7411:
7402:
7400:
7398:
7389:
7380:
7363:
7361:
7359:
7350:
7341:
7339:
7337:
7328:
7319:
7317:
7315:
7306:
7297:
7295:
7293:
7284:
7275:
7273:
7271:
7262:
7253:
7251:
7249:
7240:
7231:
7229:
7227:
7222:on April 1, 2022
7218:. Archived from
7204:
7202:
7200:
7189:
7180:
7178:
7176:
7165:
7156:
7137:
7120:
7103:
7086:
7084:
7082:
7073:
7064:
7062:
7060:
7051:
7042:
7040:
7038:
7029:
7020:
7018:
7016:
7005:
6996:
6994:
6992:
6986:Arizona Republic
6983:
6974:
6955:
6953:
6951:
6934:
6932:
6930:
6921:. Archived from
6909:
6907:
6905:
6889:
6887:
6885:
6869:
6852:
6850:
6848:
6830:
6828:
6826:
6810:
6808:
6806:
6790:
6788:
6786:
6770:
6768:
6766:
6750:
6748:
6746:
6730:
6728:
6726:
6710:
6708:
6706:
6690:
6688:
6686:
6670:
6668:
6666:
6650:
6648:
6646:
6630:
6628:
6626:
6608:
6606:
6604:
6588:
6586:
6584:
6568:
6566:
6564:
6548:
6546:
6544:
6528:
6526:
6524:
6508:
6506:
6504:
6488:
6486:
6484:
6468:
6466:
6464:
6448:
6446:
6444:
6428:
6426:
6424:
6408:
6406:
6404:
6388:
6386:
6384:
6368:
6366:
6364:
6348:
6331:
6316:(1st ed.).
6306:
6304:
6302:
6286:
6284:
6282:
6266:
6264:
6262:
6245:
6243:
6241:
6225:
6223:
6221:
6205:
6203:
6201:
6183:
6181:
6179:
6163:
6146:
6131:(1st ed.).
6123:
6100:
6098:
6096:
6080:
6078:
6076:
6060:
6045:
6028:
6011:
5998:
5996:
5994:
5978:
5961:
5959:
5957:
5941:
5939:
5937:
5919:
5917:
5915:
5898:
5896:
5894:
5878:
5876:
5874:
5856:
5854:
5852:
5836:
5834:
5832:
5816:
5814:
5812:
5806:
5801:. Archived from
5789:
5787:
5785:
5768:
5749:
5747:
5745:
5728:
5726:
5724:
5707:
5705:
5703:
5685:
5683:
5681:
5663:
5661:
5659:
5643:
5641:
5639:
5623:
5606:
5587:
5564:
5562:
5560:
5551:. Archived from
5539:
5537:
5535:
5529:
5524:. Archived from
5512:
5510:
5508:
5490:
5488:
5486:
5470:
5468:
5466:
5448:
5446:
5444:
5426:
5424:
5422:
5396:
5394:
5392:
5374:
5372:
5370:
5354:
5352:
5350:
5334:
5332:
5330:
5314:
5312:
5310:
5294:
5292:
5290:
5274:
5272:
5270:
5254:
5252:
5250:
5232:
5230:
5228:
5210:
5208:
5206:
5188:
5182:
5180:
5162:
5160:
5158:
5142:
5140:
5138:
5122:
5120:
5118:
5102:
5100:
5098:
5082:
5080:
5078:
5069:. Archived from
5057:
5055:
5053:
5032:
5030:
5028:
5012:
5010:
5008:
4981:
4975:
4969:
4963:
4957:
4951:
4945:
4939:
4933:
4927:
4921:
4915:
4909:
4903:
4897:
4891:
4885:
4879:
4873:
4867:
4861:
4855:
4849:
4843:
4837:
4831:
4825:
4819:
4813:
4807:
4801:
4795:
4786:
4780:
4771:
4765:
4759:
4753:
4747:
4741:
4735:
4729:
4723:
4717:
4711:
4705:
4699:
4693:
4687:
4681:
4675:
4669:
4660:
4654:
4648:
4642:
4636:
4630:
4624:
4618:
4612:
4606:
4600:
4594:
4588:
4582:
4576:
4570:
4557:
4551:
4545:
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4110:
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4068:
4062:
4056:
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4038:
4032:
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4020:
4014:
4008:
3999:
3993:
3987:
3981:
3975:
3969:
3963:
3957:
3951:
3945:
3939:
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3921:
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3897:
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3873:
3867:
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3855:
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3828:
3822:
3816:
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3804:
3798:
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3771:
3765:
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3726:
3720:
3701:
3695:
3689:
3683:
3677:
3671:
3665:
3659:
3653:
3647:
3638:
3632:
3623:
3617:
3611:
3605:
3599:
3593:
3587:
3581:
3568:
3562:
3556:
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3544:
3538:
3532:
3526:
3520:
3514:
3505:
3499:
3493:
3487:
3481:
3475:
3469:
3463:
3457:
3451:
3445:
3439:
3433:
3427:
3421:
3415:
3409:
3403:
3397:
3391:
3385:
3379:
3373:
3367:
3361:
3355:
3349:
3343:
3337:
3331:
3325:
3319:
3313:
3307:
3296:
3290:
3284:
3278:
3272:
3266:
3260:
3254:
3248:
3242:
3236:
3230:
3224:
3218:
3212:
3206:
3200:
3194:
3188:
3182:
3176:
3170:
3164:
3158:
3149:
3143:
3132:
3126:
3120:
3114:
3108:
3102:
3096:
3090:
3084:
3078:
3072:
3066:
3060:
3054:
3048:
3042:
3036:
3030:
3024:
3018:
3012:
3006:
3000:
2994:
2988:
2982:
2976:
2970:
2964:
2958:
2952:
2946:
2940:
2934:
2925:
2919:
2913:
2907:
2901:
2895:
2889:
2883:
2877:
2871:
2865:
2859:
2853:
2847:
2841:
2835:
2829:
2823:
2817:
2811:
2805:
2799:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2748:
2737:
2731:
2725:
2719:
2710:
2704:
2698:
2692:
2686:
2680:
2674:
2668:
2662:
2656:
2650:
2644:
2631:
2625:
2616:
2610:
2604:
2598:
2589:
2583:
2577:
2574:Quintanilla 1997
2571:
2562:
2556:
2545:
2539:
2533:
2527:
2516:
2513:Quintanilla 2002
2510:
2487:
2481:
2475:
2469:
2454:
2448:
2442:
2436:
2430:
2424:
2415:
2409:
2390:
2384:
2371:
2365:
2336:
2330:
2319:
2313:
2298:
2295:de la Torre 1996
2292:
2277:
2271:
2262:
2256:
2227:
2221:
2200:
2194:
2167:El Rey del Ritmo
2056:Christmas carols
1855:
1606:El Rey del Ritmo
1598:El Rey del Ritmo
1538:Behind the Music
1451:the Barrio Boyzz
1443:Graciela BeltrƔn
1386:
1367:Galveston, Texas
1354:Juan Luis Guerra
1323:Song of the Year
1297:
1227:Top Latin Albums
1126:pictured in 1995
926:Entre a Mi Mundo
884:Entre a Mi Mundo
815:pictured in 2020
801:Entre a Mi Mundo
773:
668:music production
606:pictured in 2020
498:Guerrero, Mexico
474:
454:Juan Luis Guerra
418:
270:
267:
197:
87:Other names
75:
72:December 1, 1963
71:
69:
46:
32:
21:
9285:
9284:
9280:
9279:
9278:
9276:
9275:
9274:
9225:Polka musicians
9105:
9104:
9103:
9093:
9091:
9081:
9079:
9069:
9067:
9057:
9055:
9045:
9043:
9035:
9017:
9016:
9013:
9008:
8999:
8997:
8986:
8977:
8975:
8962:
8953:
8951:
8935:
8926:
8924:
8916:
8914:"Album Reviews"
8911:
8894:
8885:
8883:
8869:
8860:
8858:
8845:
8826:
8811:
8802:
8800:
8786:
8777:
8775:
8761:
8755:
8739:
8730:
8728:
8719:
8710:
8708:
8694:
8685:
8683:
8670:
8653:
8644:
8642:
8631:
8618:
8616:
8607:"Weekend Picks"
8603:
8588:
8579:
8577:
8566:
8557:
8555:
8554:on July 1, 2017
8541:
8524:
8507:
8490:
8473:
8464:
8462:
8451:
8434:
8417:
8400:
8383:
8372:
8360:(Media notes).
8353:
8345:(Media notes).
8334:
8304:
8295:
8293:
8282:
8276:
8258:
8252:
8235:
8229:
8210:
8201:
8199:
8188:
8179:
8177:
8164:
8155:
8153:
8141:
8124:
8118:
8101:
8092:
8090:
8079:
8060:
8051:
8049:
8040:
8031:
8029:
8020:
8011:
8009:
8000:
7991:
7989:
7980:
7967:
7958:
7956:
7947:
7930:
7921:
7919:
7908:
7899:
7897:
7886:
7877:
7875:
7864:
7855:
7853:
7842:
7833:
7831:
7820:
7811:
7809:
7798:
7789:
7787:
7775:
7766:
7764:
7753:
7744:
7742:
7731:
7722:
7720:
7709:
7690:
7681:
7679:
7666:
7647:
7638:
7636:
7626:
7617:
7615:
7605:
7596:
7594:
7584:
7575:
7573:
7563:
7554:
7552:
7542:
7533:
7531:
7515:
7506:
7504:
7493:
7484:
7482:
7471:
7454:
7445:
7443:
7427:
7418:
7416:
7405:
7396:
7394:
7383:
7366:
7357:
7355:
7344:
7335:
7333:
7322:
7313:
7311:
7300:
7291:
7289:
7278:
7269:
7267:
7256:
7247:
7245:
7234:
7225:
7223:
7207:
7198:
7196:
7183:
7174:
7172:
7159:
7140:
7123:
7106:
7089:
7080:
7078:
7067:
7058:
7056:
7045:
7036:
7034:
7023:
7014:
7012:
6999:
6990:
6988:
6977:
6958:
6949:
6947:
6937:
6928:
6926:
6912:
6903:
6901:
6892:
6883:
6881:
6872:
6855:
6846:
6844:
6833:
6824:
6822:
6813:
6804:
6802:
6793:
6784:
6782:
6773:
6764:
6762:
6753:
6744:
6742:
6733:
6724:
6722:
6713:
6704:
6702:
6693:
6684:
6682:
6673:
6664:
6662:
6653:
6644:
6642:
6633:
6624:
6622:
6611:
6602:
6600:
6591:
6582:
6580:
6571:
6562:
6560:
6551:
6542:
6540:
6531:
6522:
6520:
6511:
6502:
6500:
6491:
6482:
6480:
6471:
6462:
6460:
6451:
6442:
6440:
6431:
6422:
6420:
6411:
6402:
6400:
6391:
6382:
6380:
6371:
6362:
6360:
6351:
6334:
6328:
6318:Billboard Books
6309:
6300:
6298:
6289:
6280:
6278:
6269:
6260:
6258:
6248:
6239:
6237:
6228:
6219:
6217:
6208:
6199:
6197:
6186:
6177:
6175:
6166:
6149:
6143:
6126:
6103:
6094:
6092:
6083:
6074:
6072:
6063:
6048:
6031:
6014:
6001:
5992:
5990:
5981:
5964:
5955:
5953:
5947:"Tejano Fusion"
5944:
5935:
5933:
5922:
5913:
5911:
5901:
5892:
5890:
5881:
5872:
5870:
5859:
5850:
5848:
5839:
5830:
5828:
5819:
5810:
5808:
5792:
5783:
5781:
5771:
5752:
5743:
5741:
5731:
5722:
5720:
5710:
5701:
5699:
5688:
5679:
5677:
5666:
5657:
5655:
5646:
5637:
5635:
5626:
5609:
5590:
5567:
5558:
5556:
5542:
5533:
5531:
5515:
5506:
5504:
5493:
5484:
5482:
5473:
5464:
5462:
5451:
5442:
5440:
5437:Chicago Tribune
5429:
5420:
5418:
5399:
5390:
5388:
5377:
5368:
5366:
5357:
5348:
5346:
5337:
5328:
5326:
5317:
5308:
5306:
5297:
5288:
5286:
5277:
5268:
5266:
5257:
5248:
5246:
5235:
5226:
5224:
5213:
5204:
5202:
5191:
5178:
5176:
5165:
5156:
5154:
5146:Anon. (2017h).
5145:
5136:
5134:
5126:Anon. (2017g).
5125:
5116:
5114:
5106:Anon. (2017f).
5105:
5096:
5094:
5086:Anon. (2017e).
5085:
5076:
5074:
5061:Anon. (2017d).
5060:
5051:
5049:
5036:Anon. (2017c).
5035:
5026:
5024:
5016:Anon. (2017b).
5015:
5006:
5004:
4994:Anon. (2017a).
4993:
4989:
4984:
4976:
4972:
4964:
4960:
4952:
4948:
4940:
4936:
4928:
4924:
4916:
4912:
4904:
4900:
4892:
4888:
4880:
4876:
4868:
4864:
4856:
4852:
4844:
4840:
4832:
4828:
4820:
4816:
4808:
4804:
4796:
4789:
4781:
4774:
4766:
4762:
4754:
4750:
4742:
4738:
4730:
4726:
4718:
4714:
4706:
4702:
4696:Carrizales 2020
4694:
4690:
4682:
4678:
4670:
4663:
4655:
4651:
4643:
4639:
4631:
4627:
4619:
4615:
4607:
4603:
4595:
4591:
4583:
4579:
4571:
4560:
4552:
4548:
4540:
4536:
4528:
4524:
4516:
4509:
4501:
4497:
4489:
4485:
4477:
4473:
4465:
4461:
4453:
4449:
4441:
4437:
4429:
4425:
4417:
4413:
4405:
4401:
4393:
4386:
4378:
4374:
4366:
4349:
4341:
4337:
4329:
4325:
4317:
4313:
4305:
4301:
4293:
4289:
4281:
4272:
4264:
4257:
4249:
4245:
4237:
4230:
4222:
4209:
4201:
4197:
4189:
4185:
4177:
4173:
4165:
4161:
4153:
4149:
4141:
4137:
4129:
4125:
4117:
4113:
4105:
4101:
4093:
4089:
4081:
4077:
4069:
4065:
4057:
4053:
4045:
4041:
4033:
4029:
4021:
4017:
4009:
4002:
3994:
3990:
3982:
3978:
3970:
3966:
3958:
3954:
3946:
3942:
3934:
3930:
3922:
3918:
3910:
3906:
3898:
3894:
3886:
3882:
3874:
3870:
3862:
3858:
3850:
3843:
3835:
3831:
3823:
3819:
3811:
3807:
3799:
3792:
3784:
3780:
3772:
3768:
3760:
3756:
3748:
3744:
3736:
3729:
3721:
3704:
3696:
3692:
3684:
3680:
3672:
3668:
3660:
3656:
3648:
3641:
3635:Maldonado 1997b
3633:
3626:
3618:
3614:
3606:
3602:
3594:
3590:
3582:
3571:
3563:
3559:
3551:
3547:
3539:
3535:
3527:
3523:
3515:
3508:
3500:
3496:
3488:
3484:
3476:
3472:
3464:
3460:
3454:Maldonado 1995a
3452:
3448:
3440:
3436:
3428:
3424:
3416:
3412:
3404:
3400:
3392:
3388:
3380:
3376:
3370:Maldonado 1994c
3368:
3364:
3356:
3352:
3344:
3340:
3332:
3328:
3320:
3316:
3310:Maldonado 1994d
3308:
3299:
3291:
3287:
3279:
3275:
3267:
3263:
3255:
3251:
3243:
3239:
3231:
3227:
3223:, p. LMQ3.
3219:
3215:
3207:
3203:
3195:
3191:
3183:
3179:
3171:
3167:
3159:
3152:
3144:
3135:
3127:
3123:
3115:
3111:
3103:
3099:
3091:
3087:
3079:
3075:
3067:
3063:
3055:
3051:
3043:
3039:
3031:
3027:
3019:
3015:
3007:
3003:
2995:
2991:
2983:
2979:
2971:
2967:
2959:
2955:
2947:
2943:
2935:
2928:
2920:
2916:
2908:
2904:
2896:
2892:
2884:
2880:
2872:
2868:
2860:
2856:
2848:
2844:
2836:
2832:
2824:
2820:
2812:
2808:
2802:Maldonado 1994b
2800:
2793:
2785:
2781:
2773:
2769:
2761:
2757:
2749:
2740:
2732:
2728:
2720:
2713:
2705:
2701:
2693:
2689:
2681:
2677:
2669:
2665:
2657:
2653:
2645:
2634:
2626:
2619:
2611:
2607:
2599:
2592:
2584:
2580:
2572:
2565:
2557:
2548:
2540:
2536:
2528:
2519:
2511:
2490:
2482:
2478:
2470:
2457:
2449:
2445:
2437:
2433:
2425:
2418:
2410:
2393:
2385:
2374:
2366:
2339:
2331:
2322:
2314:
2301:
2293:
2280:
2272:
2265:
2259:Carrizales 2024
2257:
2230:
2222:
2203:
2195:
2186:
2182:
2148:Como Te Extrano
2131:
2125:
2076:
2023:Red Ribbon Week
2011:
1887:
1871:electric guitar
1853:
1791:Victoria, Texas
1783:Stefani Montiel
1779:Christmas music
1743:Matchbox Twenty
1729:rock en espaƱol
1724:
1686:Enfoque Musical
1654:
1647:Enfoque Musical
1590:
1516:
1505:Como Te Extrano
1497:Como Te Extrano
1466:Como Te Extrano
1401:
1390:Como Te Extrano
1384:
1375:Como Te Extrano
1371:Michael Salgado
1300:Como Te Extrano
1295:
1252:
1235:Como Te Extrano
1220:Como Te Extrano
1206:Como Te Extrano
1202:Como Te Extrano
1188:Como Te Extrano
1177:Como Te Extrano
1173:Como Te Extrano
1168:Como Te Extrano
1151:Sea World Texas
1135:shot and killed
1114:
1111:Como Te Extrano
1022:" for Selena's
965:
804:
771:
757:No Quiero Saber
753:Enamorada de Ti
594:
486:
481:
479:Life and career
472:
441:Como Te Extrano
433:Sea World Texas
429:shot and killed
421:Hot Latin Songs
416:
406:" for Selena's
386:cannon. It was
320:music education
277:Pedro Astudillo
264:
256:
249:
224:
195:
190:
152:
135:
112:
90:Peter Astudillo
82:
76:
73:
67:
65:
64:
63:
62:Pedro Astudillo
53:
37:
28:
27:American singer
23:
22:
15:
12:
11:
5:
9283:
9281:
9273:
9272:
9267:
9262:
9257:
9252:
9247:
9242:
9237:
9232:
9227:
9222:
9217:
9212:
9207:
9202:
9197:
9192:
9187:
9182:
9177:
9172:
9167:
9162:
9157:
9152:
9147:
9142:
9137:
9132:
9127:
9122:
9117:
9115:Pete Astudillo
9107:
9106:
9102:
9101:
9089:
9077:
9065:
9053:
9033:
9032:
9026:Pete Astudillo
9023:
9012:
9011:External links
9009:
9007:
9006:
8984:
8960:
8933:
8909:
8892:
8867:
8843:
8824:
8809:
8784:
8759:
8753:
8737:
8717:
8692:
8680:The Fresno Bee
8668:
8658:(in Spanish).
8651:
8629:
8601:
8586:
8564:
8539:
8522:
8505:
8488:
8471:
8449:
8432:
8415:
8398:
8381:
8370:
8351:
8332:
8302:
8280:
8274:
8256:
8250:
8233:
8227:
8208:
8186:
8174:Tucson Citizen
8162:
8139:
8129:(in Spanish).
8122:
8117:978-0451467782
8116:
8099:
8077:
8067:(in Spanish).
8058:
8038:
8018:
7998:
7978:
7965:
7945:
7928:
7906:
7884:
7862:
7840:
7818:
7796:
7773:
7751:
7729:
7707:
7688:
7664:
7645:
7624:
7603:
7582:
7561:
7540:
7513:
7491:
7469:
7459:(in Spanish).
7452:
7425:
7403:
7381:
7364:
7342:
7320:
7298:
7276:
7254:
7232:
7205:
7181:
7157:
7138:
7128:(in Spanish).
7121:
7104:
7094:(in Spanish).
7087:
7065:
7043:
7021:
6997:
6975:
6956:
6935:
6910:
6890:
6870:
6860:(in Spanish).
6853:
6831:
6811:
6791:
6771:
6751:
6731:
6711:
6691:
6671:
6651:
6631:
6609:
6589:
6569:
6549:
6529:
6509:
6489:
6469:
6449:
6429:
6409:
6389:
6369:
6349:
6332:
6326:
6307:
6287:
6267:
6246:
6226:
6206:
6184:
6164:
6154:(in Spanish).
6147:
6141:
6124:
6110:(in Spanish).
6101:
6081:
6061:
6046:
6029:
6012:
5999:
5979:
5962:
5942:
5920:
5899:
5879:
5857:
5837:
5817:
5790:
5769:
5759:(in Spanish).
5750:
5729:
5708:
5686:
5664:
5644:
5624:
5614:(in Spanish).
5607:
5597:(in Spanish).
5588:
5565:
5540:
5513:
5491:
5471:
5449:
5427:
5397:
5375:
5355:
5335:
5315:
5295:
5275:
5255:
5233:
5211:
5189:
5185:Newspapers.com
5163:
5143:
5123:
5103:
5083:
5058:
5033:
5013:
4990:
4988:
4985:
4983:
4982:
4970:
4958:
4946:
4934:
4922:
4918:Maldonado 1998
4910:
4898:
4896:, p. B12.
4886:
4874:
4862:
4850:
4846:Tarradell 1997
4838:
4826:
4814:
4802:
4787:
4772:
4768:Maldonado 1993
4760:
4748:
4736:
4734:, p. V10.
4724:
4712:
4700:
4688:
4676:
4661:
4649:
4637:
4625:
4613:
4609:Hackleman 2017
4601:
4589:
4577:
4558:
4546:
4544:, p. A91.
4534:
4522:
4507:
4505:, p. 140.
4495:
4483:
4479:HernƔndez 2003
4471:
4467:CastaƱeda 2002
4459:
4447:
4435:
4423:
4411:
4399:
4384:
4372:
4347:
4335:
4323:
4311:
4309:, p. 298.
4299:
4287:
4270:
4255:
4243:
4228:
4207:
4195:
4183:
4181:, p. 101.
4171:
4159:
4147:
4135:
4123:
4111:
4099:
4087:
4075:
4063:
4059:Maldonado 1997
4051:
4039:
4027:
4015:
4000:
3996:Rodriguez 1996
3988:
3976:
3964:
3952:
3940:
3928:
3916:
3914:, p. C11.
3904:
3900:Tarradell 1996
3892:
3890:, p. 327.
3880:
3868:
3856:
3854:, p. 128.
3841:
3829:
3817:
3805:
3790:
3778:
3766:
3754:
3742:
3727:
3725:, p. 141.
3702:
3690:
3678:
3666:
3654:
3639:
3637:, p. 11D.
3624:
3612:
3608:Tarradell 1995
3600:
3598:, p. 138.
3588:
3569:
3557:
3545:
3543:, p. 101.
3541:Mortensen 1995
3533:
3521:
3517:Arrillaga 1996
3506:
3494:
3482:
3470:
3458:
3446:
3434:
3432:, p. 110.
3422:
3420:, p. 109.
3410:
3408:, p. 118.
3398:
3386:
3374:
3372:, p. 149.
3362:
3350:
3338:
3336:, p. 101.
3326:
3314:
3297:
3285:
3273:
3261:
3249:
3237:
3225:
3213:
3201:
3189:
3177:
3165:
3150:
3133:
3129:Maldonado 1999
3121:
3109:
3097:
3093:Maldonado 1994
3085:
3073:
3071:, p. 138.
3061:
3059:, p. 145.
3049:
3037:
3025:
3013:
3001:
2989:
2977:
2965:
2953:
2941:
2926:
2914:
2902:
2900:, p. 105.
2890:
2888:, p. 227.
2878:
2866:
2864:, p. 407.
2854:
2842:
2830:
2818:
2816:, p. 125.
2806:
2791:
2779:
2777:, p. 124.
2767:
2755:
2738:
2726:
2711:
2699:
2687:
2675:
2663:
2651:
2632:
2617:
2605:
2603:, p. 138.
2590:
2578:
2563:
2561:, p. 164.
2546:
2544:, p. 113.
2534:
2517:
2488:
2476:
2455:
2443:
2431:
2427:Rodriguez 1995
2416:
2391:
2372:
2337:
2320:
2299:
2278:
2263:
2228:
2201:
2183:
2181:
2178:
2177:
2176:
2170:
2164:
2158:
2155:Si Tu No Estas
2152:
2144:
2138:
2135:Entregate a Mi
2127:Main article:
2124:
2121:
2108:Chevy Suburban
2075:
2072:
2051:Christmas tree
2010:
2007:
1989:Afro-Caribbean
1935:new wave music
1886:
1885:Artistic style
1883:
1879:American Dream
1805:(2019) album.
1723:
1720:
1711:Tucson Citizen
1705:The Fresno Bee
1659:cover versions
1653:
1643:
1610:Radio y Musica
1589:
1586:
1515:
1509:
1501:Si Tu No Estas
1493:Si Tu No Estas
1489:Si Tu No Estas
1475:Si Tu No Estas
1415:Jennifer Lopez
1400:
1398:Si Tu No Estas
1394:
1340:Siempre Selena
1335:Emilio Navaira
1273:Abilene, Texas
1251:
1248:
1231:Amor Prohibido
1181:Radio y Musica
1113:
1107:
1088:Entregate a Mi
1065:Radio y Musica
1038:Amor Prohibido
1025:Amor Prohibido
1016:Amor Prohibido
964:
962:Amor Prohibido
954:
911:signature song
889:Latin American
875:Houston, Texas
871:Corpus Christi
849:", a cover of
843:Entregate a Mi
839:Entregate a Mi
803:
797:
593:
590:
583:, dancer, and
577:Midland, Texas
517:Laredo College
485:
482:
480:
477:
458:Si Tu No Estas
409:Amor Prohibido
400:Amor Prohibido
380:signature song
369:Entregate a Mi
281:Pete Astudillo
272:
271:
262:
258:
257:
255:Musical artist
254:
251:
250:
248:
247:
244:
241:
236:
232:
230:
226:
225:
223:
222:
219:
214:
208:
206:
202:
201:
198:
192:
191:
189:
188:
183:
178:
173:
167:
165:
161:
160:
158:Musical career
154:
153:
151:
150:
147:
143:
141:
137:
136:
134:
133:
130:
127:
124:
120:
118:
114:
113:
111:
110:
108:Laredo College
105:
98:
96:
92:
91:
88:
84:
83:
77:
61:
59:
55:
54:
47:
39:
38:
36:Pete Astudillo
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
9282:
9271:
9268:
9266:
9263:
9261:
9258:
9256:
9253:
9251:
9248:
9246:
9245:Spokespersons
9243:
9241:
9238:
9236:
9233:
9231:
9228:
9226:
9223:
9221:
9218:
9216:
9213:
9211:
9208:
9206:
9203:
9201:
9198:
9196:
9193:
9191:
9188:
9186:
9183:
9181:
9178:
9176:
9173:
9171:
9168:
9166:
9163:
9161:
9158:
9156:
9153:
9151:
9148:
9146:
9143:
9141:
9138:
9136:
9133:
9131:
9128:
9126:
9125:Living people
9123:
9121:
9118:
9116:
9113:
9112:
9110:
9100:
9090:
9088:
9078:
9076:
9066:
9064:
9054:
9052:
9042:
9038:
9031:
9027:
9024:
9020:
9015:
9014:
9010:
8996:
8991:
8985:
8974:
8973:
8967:
8961:
8949:
8946:. p. 1.
8945:
8944:
8939:
8934:
8922:
8915:
8910:
8906:
8902:
8898:
8893:
8881:
8877:
8873:
8868:
8857:
8856:
8850:
8844:
8840:
8836:
8832:
8831:
8825:
8821:
8816:
8810:
8798:
8794:
8790:
8785:
8773:
8769:
8765:
8760:
8756:
8750:
8747:. Greenwood.
8746:
8742:
8741:Stavans, Ilan
8738:
8727:
8723:
8718:
8706:
8702:
8698:
8693:
8682:
8681:
8675:
8669:
8665:
8661:
8657:
8652:
8641:
8636:
8630:
8626:
8615:
8614:
8608:
8602:
8599:
8594:
8593:
8587:
8576:
8571:
8565:
8553:
8549:
8545:
8540:
8536:
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8523:
8519:
8515:
8511:
8506:
8502:
8498:
8494:
8489:
8485:
8481:
8477:
8472:
8461:
8456:
8450:
8446:
8442:
8438:
8433:
8429:
8425:
8421:
8416:
8412:
8408:
8404:
8399:
8395:
8391:
8387:
8382:
8378:
8377:
8371:
8367:
8363:
8359:
8358:
8352:
8348:
8344:
8340:
8339:
8333:
8329:
8328:Q-Productions
8325:
8321:
8320:
8315:
8311:
8307:
8303:
8292:
8287:
8281:
8277:
8271:
8267:
8266:
8261:
8257:
8253:
8251:0-316-69378-2
8247:
8243:
8239:
8234:
8230:
8224:
8220:
8216:
8215:
8209:
8198:
8193:
8187:
8176:
8175:
8169:
8163:
8151:
8146:
8140:
8136:
8132:
8128:
8123:
8119:
8113:
8109:
8108:Penguin Books
8105:
8100:
8089:
8084:
8078:
8074:
8070:
8066:
8065:
8059:
8048:
8047:Tejano Nation
8044:
8039:
8028:
8027:Tejano Nation
8024:
8019:
8008:
8007:Tejano Nation
8004:
7999:
7988:
7987:Tejano Nation
7984:
7979:
7975:
7974:Tejano Nation
7971:
7966:
7955:
7954:Tejano Nation
7951:
7946:
7942:
7938:
7934:
7929:
7918:
7913:
7907:
7896:
7891:
7885:
7874:
7869:
7863:
7852:
7847:
7841:
7830:
7825:
7819:
7808:
7803:
7797:
7785:
7780:
7774:
7763:
7758:
7752:
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7719:
7714:
7708:
7704:
7700:
7696:
7695:
7689:
7678:
7677:
7671:
7665:
7661:
7657:
7653:
7652:
7646:
7634:
7630:
7625:
7613:
7609:
7604:
7592:
7588:
7583:
7571:
7567:
7562:
7550:
7546:
7541:
7529:
7525:
7524:
7519:
7514:
7503:
7498:
7492:
7481:
7476:
7470:
7466:
7462:
7458:
7453:
7441:
7437:
7436:
7431:
7426:
7415:
7410:
7404:
7393:
7388:
7382:
7378:
7374:
7370:
7365:
7354:
7349:
7343:
7332:
7327:
7321:
7310:
7305:
7299:
7288:
7283:
7277:
7266:
7265:El Paso Times
7261:
7255:
7244:
7239:
7233:
7221:
7217:
7216:
7215:Rolling Stone
7211:
7206:
7195:
7194:
7188:
7182:
7171:
7170:
7164:
7158:
7154:
7150:
7146:
7145:
7139:
7135:
7131:
7127:
7122:
7118:
7114:
7110:
7105:
7101:
7097:
7093:
7088:
7077:
7076:El Paso Times
7072:
7066:
7055:
7054:El Paso Times
7050:
7044:
7033:
7032:El Paso Times
7028:
7022:
7011:
7010:
7004:
6998:
6987:
6982:
6976:
6972:
6968:
6964:
6963:
6962:Texas Monthly
6957:
6945:
6941:
6940:"Latin Notas"
6936:
6924:
6920:
6919:Tejano Nation
6916:
6911:
6900:
6899:Tejano Nation
6896:
6891:
6880:
6876:
6871:
6867:
6863:
6859:
6854:
6843:
6842:
6837:
6832:
6821:
6817:
6812:
6801:
6797:
6792:
6781:
6777:
6772:
6761:
6757:
6752:
6741:
6737:
6732:
6721:
6717:
6712:
6701:
6697:
6692:
6681:
6677:
6672:
6661:
6657:
6652:
6641:
6637:
6632:
6621:
6620:
6615:
6610:
6599:
6595:
6590:
6579:
6575:
6570:
6559:
6555:
6550:
6539:
6535:
6530:
6519:
6515:
6510:
6499:
6495:
6490:
6479:
6475:
6470:
6459:
6455:
6450:
6439:
6435:
6430:
6419:
6415:
6410:
6399:
6395:
6390:
6379:
6375:
6370:
6359:
6355:
6350:
6346:
6342:
6338:
6333:
6329:
6323:
6319:
6315:
6314:
6308:
6297:
6293:
6288:
6277:
6273:
6268:
6256:
6252:
6247:
6236:
6232:
6227:
6216:
6212:
6207:
6196:
6195:
6190:
6185:
6174:
6173:El Paso Times
6170:
6169:"Latin Notes"
6165:
6161:
6157:
6153:
6148:
6144:
6138:
6134:
6130:
6125:
6121:
6117:
6113:
6109:
6108:
6102:
6091:
6087:
6082:
6071:
6067:
6062:
6058:
6054:
6053:
6047:
6043:
6039:
6035:
6030:
6026:
6022:
6018:
6013:
6009:
6008:Tejano Nation
6005:
6000:
5989:
5985:
5980:
5976:
5972:
5968:
5967:UPI NewsTrack
5963:
5952:
5948:
5943:
5932:
5931:
5926:
5921:
5909:
5905:
5900:
5889:
5885:
5880:
5869:
5868:
5863:
5858:
5847:
5843:
5838:
5827:
5823:
5818:
5805:
5800:
5799:Billboard.com
5796:
5791:
5779:
5775:
5770:
5766:
5762:
5758:
5757:
5751:
5739:
5735:
5730:
5718:
5714:
5709:
5698:
5697:
5692:
5687:
5676:
5675:
5670:
5665:
5654:
5653:El Paso Times
5650:
5645:
5634:
5630:
5625:
5621:
5617:
5613:
5608:
5604:
5600:
5596:
5595:
5589:
5585:
5584:Gale Research
5581:
5577:
5573:
5572:
5566:
5554:
5550:
5549:Billboard.com
5546:
5541:
5528:
5523:
5522:Billboard.com
5519:
5514:
5503:
5502:
5497:
5492:
5481:
5477:
5472:
5461:
5460:
5455:
5450:
5439:
5438:
5433:
5428:
5421:September 19,
5417:
5413:
5409:
5408:
5403:
5398:
5387:
5386:
5381:
5376:
5365:
5361:
5356:
5345:
5341:
5336:
5325:
5321:
5316:
5305:
5301:
5296:
5285:
5281:
5276:
5265:
5261:
5256:
5245:
5244:
5239:
5234:
5223:
5222:
5217:
5212:
5201:
5200:
5199:El Paso Times
5195:
5190:
5186:
5175:
5174:
5169:
5164:
5153:
5149:
5144:
5133:
5129:
5124:
5113:
5109:
5104:
5093:
5089:
5084:
5072:
5068:
5064:
5059:
5047:
5043:
5039:
5034:
5023:
5019:
5014:
5003:
5002:
4997:
4992:
4991:
4986:
4979:
4974:
4971:
4967:
4962:
4959:
4955:
4950:
4947:
4943:
4938:
4935:
4932:, p. 57.
4931:
4926:
4923:
4919:
4914:
4911:
4908:, p. 65.
4907:
4906:Cabrera 1997b
4902:
4899:
4895:
4890:
4887:
4884:, p. 12.
4883:
4878:
4875:
4872:, p. 40.
4871:
4866:
4863:
4860:, p. 77.
4859:
4858:Cabrera 1997a
4854:
4851:
4848:, p. 14.
4847:
4842:
4839:
4836:, p. D1.
4835:
4830:
4827:
4824:, p. 53.
4823:
4822:Campbell 1993
4818:
4815:
4812:, p. 38.
4811:
4806:
4803:
4800:, p. 69.
4799:
4798:Cabrera 1999b
4794:
4792:
4788:
4785:, p. 11.
4784:
4779:
4777:
4773:
4770:, p. 74.
4769:
4764:
4761:
4757:
4752:
4749:
4746:, p. A3.
4745:
4740:
4737:
4733:
4728:
4725:
4722:, p. A3.
4721:
4716:
4713:
4709:
4704:
4701:
4697:
4692:
4689:
4685:
4680:
4677:
4673:
4668:
4666:
4662:
4658:
4653:
4650:
4647:, p. D1.
4646:
4641:
4638:
4634:
4629:
4626:
4622:
4617:
4614:
4611:, p. A1.
4610:
4605:
4602:
4598:
4593:
4590:
4586:
4581:
4578:
4574:
4569:
4567:
4565:
4563:
4559:
4556:, p. 86.
4555:
4550:
4547:
4543:
4538:
4535:
4532:, p. 47.
4531:
4526:
4523:
4520:, p. Z4.
4519:
4514:
4512:
4508:
4504:
4499:
4496:
4493:, p. 17.
4492:
4491:Corcoran 2005
4487:
4484:
4481:, p. 13.
4480:
4475:
4472:
4469:, p. 10.
4468:
4463:
4460:
4457:, p. 62.
4456:
4451:
4448:
4445:, p. 10.
4444:
4439:
4436:
4432:
4427:
4424:
4421:, p. 36.
4420:
4415:
4412:
4409:, p. 21.
4408:
4403:
4400:
4396:
4391:
4389:
4385:
4382:, p. LM.
4381:
4376:
4373:
4370:, p. 59.
4369:
4364:
4362:
4360:
4358:
4356:
4354:
4352:
4348:
4345:, p. 11.
4344:
4339:
4336:
4333:, p. 70.
4332:
4327:
4324:
4321:, p. 58.
4320:
4315:
4312:
4308:
4303:
4300:
4297:, p. 16.
4296:
4291:
4288:
4285:, p. 12.
4284:
4279:
4277:
4275:
4271:
4268:, p. 14.
4267:
4262:
4260:
4256:
4253:, p. 31.
4252:
4247:
4244:
4241:, p. 72.
4240:
4239:Cabrera 1997c
4235:
4233:
4229:
4226:, p. 38.
4225:
4220:
4218:
4216:
4214:
4212:
4208:
4205:, p. 94.
4204:
4199:
4196:
4192:
4187:
4184:
4180:
4175:
4172:
4169:, p. 41.
4168:
4163:
4160:
4157:, p. F8.
4156:
4151:
4148:
4145:, p. 39.
4144:
4139:
4136:
4133:, p. 67.
4132:
4127:
4124:
4121:, p. C7.
4120:
4115:
4112:
4108:
4103:
4100:
4097:, p. 16.
4096:
4091:
4088:
4084:
4079:
4076:
4072:
4067:
4064:
4060:
4055:
4052:
4048:
4043:
4040:
4036:
4031:
4028:
4024:
4019:
4016:
4013:, p. 40.
4012:
4007:
4005:
4001:
3998:, p. 6B.
3997:
3992:
3989:
3986:, p. 34.
3985:
3980:
3977:
3974:, p. 39.
3973:
3972:Ragland 1996b
3968:
3965:
3961:
3956:
3953:
3950:, p. E7.
3949:
3948:Ragland 1996b
3944:
3941:
3938:, p. 47.
3937:
3932:
3929:
3926:, p. 70.
3925:
3924:Cabrera 1996d
3920:
3917:
3913:
3908:
3905:
3902:, p. 31.
3901:
3896:
3893:
3889:
3884:
3881:
3878:, p. 99.
3877:
3872:
3869:
3866:, p. 25.
3865:
3860:
3857:
3853:
3848:
3846:
3842:
3839:, p. 66.
3838:
3837:Cabrera 1996c
3833:
3830:
3827:, p. E7.
3826:
3825:Ragland 1996a
3821:
3818:
3815:, p. 18.
3814:
3809:
3806:
3803:, p. 46.
3802:
3797:
3795:
3791:
3788:, p. 25.
3787:
3786:Cabrera 1996a
3782:
3779:
3776:, p. 73.
3775:
3770:
3767:
3763:
3758:
3755:
3752:, p. 64.
3751:
3750:Lannert 1995c
3746:
3743:
3740:, p. 26.
3739:
3734:
3732:
3728:
3724:
3719:
3717:
3715:
3713:
3711:
3709:
3707:
3703:
3700:, p. 29.
3699:
3694:
3691:
3687:
3682:
3679:
3676:, p. 53.
3675:
3674:Lannert 1995b
3670:
3667:
3664:, p. 42.
3663:
3658:
3655:
3652:, p. B8.
3651:
3650:Gonzalez 1997
3646:
3644:
3640:
3636:
3631:
3629:
3625:
3621:
3616:
3613:
3610:, p. 30.
3609:
3604:
3601:
3597:
3592:
3589:
3586:, p. 47.
3585:
3584:Cabrera 1996b
3580:
3578:
3576:
3574:
3570:
3567:, p. 28.
3566:
3561:
3558:
3555:, p. 78.
3554:
3553:Cabrera 1995b
3549:
3546:
3542:
3537:
3534:
3531:, p. 81.
3530:
3529:Cabrera 1995a
3525:
3522:
3518:
3513:
3511:
3507:
3504:, p. 14.
3503:
3498:
3495:
3492:, p. 74.
3491:
3486:
3483:
3480:, p. 19.
3479:
3474:
3471:
3467:
3466:Verhovek 1995
3462:
3459:
3456:, p. 62.
3455:
3450:
3447:
3444:, p. 47.
3443:
3442:Cabrera 1995b
3438:
3435:
3431:
3426:
3423:
3419:
3414:
3411:
3407:
3402:
3399:
3396:, p. 15.
3395:
3390:
3387:
3384:, p. 91.
3383:
3378:
3375:
3371:
3366:
3363:
3360:, p. 70.
3359:
3358:Cabrera 1994e
3354:
3351:
3348:, p. 75.
3347:
3346:Cabrera 1994e
3342:
3339:
3335:
3330:
3327:
3324:, p. 95.
3323:
3318:
3315:
3312:, p. 70.
3311:
3306:
3304:
3302:
3298:
3294:
3289:
3286:
3282:
3277:
3274:
3270:
3265:
3262:
3259:, p. 37.
3258:
3253:
3250:
3246:
3241:
3238:
3234:
3229:
3226:
3222:
3217:
3214:
3211:, p. 88.
3210:
3209:Cabrera 1994c
3205:
3202:
3199:, p. 17.
3198:
3197:Gonzalez 1994
3193:
3190:
3187:, p. 3C.
3186:
3181:
3178:
3175:, p. 59.
3174:
3169:
3166:
3163:, p. 52.
3162:
3157:
3155:
3151:
3148:, p. 70.
3147:
3146:Cabrera 1994d
3142:
3140:
3138:
3134:
3131:, p. 53.
3130:
3125:
3122:
3119:, p. 4C.
3118:
3113:
3110:
3107:, p. 78.
3106:
3105:Cabrera 1994a
3101:
3098:
3095:, p. 62.
3094:
3089:
3086:
3083:, p. 87.
3082:
3077:
3074:
3070:
3065:
3062:
3058:
3053:
3050:
3047:, p. 79.
3046:
3045:Cabrera 1993b
3041:
3038:
3035:, p. 79.
3034:
3029:
3026:
3023:, p. 44.
3022:
3017:
3014:
3011:, p. 58.
3010:
3005:
3002:
2998:
2993:
2990:
2987:, p. 45.
2986:
2981:
2978:
2975:, p. 43.
2974:
2969:
2966:
2962:
2957:
2954:
2950:
2945:
2942:
2938:
2933:
2931:
2927:
2923:
2918:
2915:
2911:
2906:
2903:
2899:
2894:
2891:
2887:
2882:
2879:
2875:
2870:
2867:
2863:
2858:
2855:
2851:
2850:Exposito 2018
2846:
2843:
2839:
2834:
2831:
2827:
2822:
2819:
2815:
2810:
2807:
2804:, p. 50.
2803:
2798:
2796:
2792:
2789:, p. 71.
2788:
2787:Cabrera 1992b
2783:
2780:
2776:
2771:
2768:
2765:, p. 84.
2764:
2763:Cabrera 1994b
2759:
2756:
2753:, p. 80.
2752:
2747:
2745:
2743:
2739:
2735:
2730:
2727:
2723:
2718:
2716:
2712:
2709:, p. 91.
2708:
2703:
2700:
2696:
2691:
2688:
2685:, p. 40.
2684:
2679:
2676:
2673:, p. 81.
2672:
2667:
2664:
2661:, p. 31.
2660:
2655:
2652:
2649:, p. 50.
2648:
2643:
2641:
2639:
2637:
2633:
2629:
2624:
2622:
2618:
2615:, p. 82.
2614:
2609:
2606:
2602:
2597:
2595:
2591:
2587:
2582:
2579:
2575:
2570:
2568:
2564:
2560:
2555:
2553:
2551:
2547:
2543:
2538:
2535:
2532:, p. 65.
2531:
2526:
2524:
2522:
2518:
2514:
2509:
2507:
2505:
2503:
2501:
2499:
2497:
2495:
2493:
2489:
2485:
2480:
2477:
2473:
2468:
2466:
2464:
2462:
2460:
2456:
2452:
2447:
2444:
2441:, p. 79.
2440:
2435:
2432:
2429:, p. 6G.
2428:
2423:
2421:
2417:
2413:
2408:
2406:
2404:
2402:
2400:
2398:
2396:
2392:
2388:
2383:
2381:
2379:
2377:
2373:
2370:, p. 67.
2369:
2364:
2362:
2360:
2358:
2356:
2354:
2352:
2350:
2348:
2346:
2344:
2342:
2338:
2335:, p. 88.
2334:
2329:
2327:
2325:
2321:
2318:, p. 12.
2317:
2312:
2310:
2308:
2306:
2304:
2300:
2297:, p. 1B.
2296:
2291:
2289:
2287:
2285:
2283:
2279:
2275:
2270:
2268:
2264:
2260:
2255:
2253:
2251:
2249:
2247:
2245:
2243:
2241:
2239:
2237:
2235:
2233:
2229:
2225:
2220:
2218:
2216:
2214:
2212:
2210:
2208:
2206:
2202:
2199:, p. 55.
2198:
2193:
2191:
2189:
2185:
2179:
2174:
2171:
2168:
2165:
2162:
2159:
2156:
2153:
2150:
2149:
2145:
2142:
2139:
2136:
2133:
2132:
2130:
2122:
2120:
2118:
2113:
2109:
2105:
2104:blood alcohol
2101:
2096:
2093:
2088:
2087:
2081:
2074:Personal life
2073:
2071:
2069:
2063:
2061:
2060:Feliz Navidad
2058:, including "
2057:
2052:
2048:
2044:
2040:
2036:
2031:
2028:
2024:
2020:
2016:
2008:
2006:
2004:
2000:
1996:
1995:
1990:
1984:
1982:
1981:
1976:
1972:
1968:
1967:
1962:
1961:
1954:
1952:
1948:
1944:
1940:
1936:
1932:
1928:
1924:
1920:
1919:rock and roll
1916:
1912:
1907:
1905:
1901:
1900:
1895:
1894:
1884:
1882:
1880:
1876:
1872:
1868:
1864:
1859:
1852:
1847:
1845:
1841:
1837:
1836:
1831:
1827:
1823:
1819:
1818:Aztec Theatre
1815:
1811:
1806:
1804:
1800:
1796:
1795:Sunny Sauceda
1792:
1788:
1784:
1780:
1776:
1772:
1768:
1763:
1761:
1756:
1752:
1748:
1744:
1740:
1739:Guns N' Roses
1736:
1731:
1730:
1721:
1719:
1717:
1713:
1712:
1707:
1706:
1701:
1697:
1696:
1695:Selena Ā”Vive!
1691:
1687:
1682:
1680:
1676:
1672:
1668:
1664:
1660:
1652:
1651:Selena Ā”Vive!
1648:
1644:
1642:
1640:
1636:
1632:
1626:
1624:
1620:
1614:
1611:
1607:
1603:
1599:
1594:
1587:
1585:
1583:
1579:
1575:
1571:
1567:
1563:
1559:
1555:
1550:
1548:
1542:
1540:
1539:
1534:
1530:
1526:
1522:
1514:
1510:
1508:
1506:
1502:
1498:
1494:
1490:
1485:
1483:
1478:
1476:
1471:
1467:
1463:
1458:
1456:
1452:
1448:
1444:
1440:
1438:
1432:
1430:
1426:
1422:
1421:
1416:
1412:
1408:
1407:
1399:
1395:
1393:
1391:
1383:
1378:
1376:
1372:
1368:
1364:
1363:Market Square
1361:unaired 1991
1360:
1355:
1350:
1348:
1347:
1342:
1341:
1336:
1332:
1328:
1324:
1321:, as well as
1320:
1316:
1312:
1307:
1305:
1304:percussionist
1301:
1293:
1289:
1284:
1282:
1281:Jennifer PeƱa
1278:
1277:Odessa, Texas
1274:
1270:
1266:
1262:
1258:
1249:
1247:
1245:
1240:
1236:
1232:
1228:
1225:
1221:
1215:
1212:
1207:
1203:
1199:
1198:
1193:
1189:
1184:
1182:
1178:
1174:
1170:
1169:
1164:
1160:
1156:
1155:Willie Nelson
1152:
1148:
1147:Cinco de Mayo
1145:
1140:
1136:
1127:
1123:
1118:
1112:
1108:
1106:
1104:
1099:
1098:
1093:
1089:
1085:
1081:
1077:
1073:
1068:
1066:
1062:
1058:
1054:
1049:
1047:
1043:
1042:Techno Cumbia
1039:
1035:
1031:
1027:
1026:
1021:
1017:
1011:
1009:
1003:
1001:
997:
996:
995:El Paso Times
991:
990:
984:
982:
978:
974:
970:
963:
959:
955:
953:
951:
947:
943:
939:
935:
931:
927:
922:
920:
919:Texas musical
916:
912:
908:
904:
900:
899:
898:Rolling Stone
894:
890:
886:
885:
878:
876:
872:
868:
864:
860:
856:
852:
848:
844:
840:
836:
835:Q-Productions
831:
829:
820:
819:Q-Productions
816:
812:
808:
802:
798:
796:
794:
790:
786:
782:
779:
778:
770:
766:
762:
758:
754:
750:
746:
742:
738:
734:
733:
728:
724:
720:
716:
711:
709:
705:
704:
703:El Paso Times
699:
693:
691:
687:
683:
682:
681:Texas Monthly
677:
673:
669:
665:
660:
656:
652:
648:
647:
641:
639:
635:
631:
627:
623:
619:
611:
607:
603:
598:
591:
589:
586:
582:
578:
572:
570:
564:
562:
558:
554:
550:
546:
542:
538:
534:
529:
526:
522:
518:
514:
509:
507:
503:
499:
495:
494:Laredo, Texas
491:
483:
478:
476:
471:
467:
463:
459:
455:
451:
447:
443:
442:
436:
434:
430:
426:
422:
415:
411:
410:
405:
401:
397:
393:
389:
385:
384:Texas musical
381:
377:
372:
370:
366:
365:Q-Productions
362:
358:
354:
350:
347:
343:
342:
337:
333:
329:
325:
321:
316:
314:
313:
308:
304:
300:
296:
292:
291:
286:
282:
278:
269:
266:peteastudillo
263:
259:
252:
245:
242:
240:
237:
234:
233:
231:
227:
220:
218:
217:Q-Productions
215:
213:
210:
209:
207:
203:
199:
193:
187:
184:
182:
179:
177:
176:Tejano cumbia
174:
172:
169:
168:
166:
162:
159:
155:
148:
145:
144:
142:
138:
131:
128:
125:
122:
121:
119:
115:
109:
106:
103:
100:
99:
97:
93:
89:
85:
80:
79:Laredo, Texas
74:(age 60)
60:
56:
51:
50:Laredo, Texas
45:
40:
33:
30:
19:
8998:. Retrieved
8994:
8976:. Retrieved
8970:
8952:. Retrieved
8941:
8925:. Retrieved
8920:
8896:
8884:. Retrieved
8880:the original
8875:
8859:. Retrieved
8853:
8828:
8819:
8801:. Retrieved
8797:the original
8792:
8776:. Retrieved
8772:the original
8767:
8744:
8729:. Retrieved
8725:
8709:. Retrieved
8705:the original
8700:
8684:. Retrieved
8678:
8655:
8643:. Retrieved
8639:
8623:– via
8617:. Retrieved
8611:
8596:
8590:
8578:. Retrieved
8574:
8556:. Retrieved
8552:the original
8547:
8526:
8509:
8492:
8475:
8463:. Retrieved
8459:
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8385:
8374:
8364:(producer),
8355:
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8308:(narrator),
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8290:
8263:
8260:PĆ©rez, Chris
8237:
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8200:. Retrieved
8196:
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8172:
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8152:(in Spanish)
8149:
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8091:. Retrieved
8087:
8062:
8050:. Retrieved
8046:
8030:. Retrieved
8026:
8010:. Retrieved
8006:
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7916:
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7876:. Retrieved
7872:
7854:. Retrieved
7850:
7832:. Retrieved
7828:
7810:. Retrieved
7806:
7788:. Retrieved
7786:(in Spanish)
7783:
7765:. Retrieved
7761:
7743:. Retrieved
7739:
7721:. Retrieved
7717:
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7680:. Retrieved
7674:
7649:
7637:. Retrieved
7632:
7616:. Retrieved
7611:
7595:. Retrieved
7590:
7574:. Retrieved
7569:
7553:. Retrieved
7548:
7532:. Retrieved
7528:the original
7521:
7505:. Retrieved
7501:
7483:. Retrieved
7479:
7456:
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7440:the original
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5066:
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5041:
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5021:
5005:. Retrieved
4999:
4980:, p. 2.
4973:
4961:
4956:, p. 3.
4949:
4942:Medina 2017c
4937:
4930:Cabrera 2000
4925:
4913:
4901:
4889:
4877:
4870:Lannert 1996
4865:
4853:
4841:
4829:
4817:
4805:
4763:
4751:
4739:
4727:
4715:
4703:
4691:
4686:, p. 6.
4679:
4672:Medina 2019a
4657:Medina 2018a
4652:
4640:
4633:Medina 2017b
4628:
4616:
4604:
4599:, p. 4.
4592:
4587:, p. 5.
4585:Aguilar 2010
4580:
4573:Saldana 2013
4554:Colloff 2010
4549:
4537:
4525:
4498:
4486:
4474:
4462:
4450:
4438:
4426:
4414:
4402:
4397:, p. 1.
4375:
4368:Cabrera 2001
4338:
4326:
4319:Cabrera 1999
4314:
4302:
4290:
4246:
4198:
4186:
4174:
4162:
4150:
4143:Lannert 1997
4138:
4126:
4114:
4109:, p. 7.
4102:
4090:
4085:, p. 1.
4078:
4073:, p. 1.
4066:
4061:, p. 1.
4054:
4049:, p. 1.
4047:Navarro 1997
4042:
4037:, p. 8.
4030:
4018:
3991:
3979:
3967:
3962:, p. 4.
3955:
3943:
3931:
3919:
3907:
3895:
3883:
3876:Grieser 1996
3871:
3859:
3832:
3820:
3808:
3781:
3769:
3757:
3745:
3738:Lannert 1996
3723:Cordova 1998
3693:
3681:
3669:
3662:Lannert 1995
3657:
3622:, p. 3.
3615:
3603:
3591:
3560:
3548:
3536:
3524:
3519:, p. 9.
3497:
3485:
3478:Lemieux 1995
3473:
3468:, p. 1.
3461:
3449:
3437:
3425:
3413:
3401:
3389:
3377:
3365:
3353:
3341:
3329:
3317:
3288:
3276:
3264:
3252:
3240:
3228:
3216:
3204:
3192:
3185:Delgado 1994
3180:
3173:Patoski 1996
3168:
3124:
3117:Delgado 1994
3112:
3100:
3088:
3076:
3064:
3052:
3040:
3033:Cabrera 1993
3028:
3016:
3004:
2992:
2980:
2968:
2956:
2944:
2917:
2905:
2898:Mottola 2016
2893:
2881:
2874:ParƩdez 2009
2869:
2862:Stavans 2014
2857:
2845:
2833:
2821:
2814:Patoski 1996
2809:
2782:
2775:Patoski 1996
2770:
2758:
2729:
2707:Patoski 1996
2702:
2690:
2678:
2671:Patoski 1996
2666:
2654:
2628:Colloff 2010
2613:Patoski 1996
2608:
2601:Caicedo 1989
2581:
2537:
2486:, p. 8.
2479:
2446:
2439:Patoski 1996
2434:
2387:Soriano 2021
2368:Cabrera 1992
2316:Esparza 1997
2274:BolaƱos 2020
2172:
2166:
2160:
2154:
2146:
2140:
2134:
2112:freeway loop
2097:
2084:
2080:Eva Longoria
2077:
2068:cyberbullied
2064:
2046:
2032:
2026:
2012:
2009:Philanthropy
1998:
1992:
1985:
1978:
1964:
1958:
1955:
1931:Judas Priest
1908:
1897:
1891:
1888:
1850:
1848:
1843:
1840:Julio Macias
1833:
1821:
1807:
1802:
1799:Isabel Marie
1786:
1770:
1764:
1755:power ballad
1734:
1727:
1725:
1709:
1703:
1699:
1693:
1685:
1683:
1655:
1650:
1646:
1638:
1630:
1627:
1615:
1609:
1605:
1601:
1597:
1595:
1591:
1581:
1577:
1553:
1551:
1543:
1536:
1520:
1517:
1512:
1504:
1500:
1496:
1492:
1488:
1486:
1482:George Rivas
1479:
1474:
1465:
1459:
1454:
1447:Bobby Pulido
1436:
1433:
1418:
1411:Gregory Nava
1404:
1402:
1397:
1389:
1381:
1379:
1374:
1359:pay-per-view
1351:
1344:
1338:
1308:
1299:
1285:
1256:
1253:
1238:
1234:
1230:
1223:
1219:
1216:
1210:
1205:
1201:
1195:
1187:
1185:
1180:
1176:
1172:
1166:
1131:
1125:
1110:
1102:
1095:
1091:
1087:
1083:
1079:
1069:
1064:
1052:
1050:
1037:
1029:
1023:
1012:
1004:
993:
987:
985:
980:
966:
961:
957:
945:
934:ĀæQuĆ© CreĆas?
930:Juan Gabriel
925:
923:
907:Ilan Stavans
896:
893:Como la Flor
882:
879:
842:
838:
832:
827:
824:
814:
800:
775:
768:
730:
722:
719:Kyu Sakamoto
712:
701:
694:
679:
664:arrangements
659:experimental
654:
644:
642:
615:
605:
573:
565:
561:Tejano music
530:
510:
487:
469:
461:
457:
439:
437:
413:
407:
376:Como la Flor
373:
368:
352:
345:
339:
317:
310:
299:Tejano music
288:
280:
276:
275:
235:Los Bad Boyz
200:1985āpresent
196:Years active
157:
29:
9120:1963 births
9063:Latin music
8995:The Monitor
8820:The Monitor
8376:Ven Conmigo
7917:The Monitor
7895:The Monitor
7873:The Monitor
7829:The Monitor
7807:The Monitor
7762:The Monitor
7740:The Monitor
7718:The Monitor
7392:The Monitor
7287:The Monitor
6879:The Monitor
6070:The Monitor
5988:The Monitor
5846:The Monitor
5633:The Monitor
5571:PR Newswire
5364:York Sunday
5344:The Monitor
5173:The Monitor
4987:Works cited
4978:Corpus 2015
4954:Corpus 2005
4834:Racine 2001
4810:Flores 1997
4756:Medina 2021
4720:Falcon 2020
4708:Martin 2020
4645:Perez 2017b
4597:Garcia 2016
4530:Olivas 2005
4503:Ovalle 2005
4455:Zepeda 2002
4431:Medina 2017
4407:Molina 2001
4283:Anon. 1998c
4266:Anon. 1998b
4224:Anon. 1998d
4191:Anon. 1997c
4167:Anon. 1997b
4095:Corpus 1996
4083:Anon. 1996c
4035:Anon. 1996b
4023:Anon. 1996h
3984:Anon. 1996d
3888:Anon. 1996a
3864:Anon. 1996e
3813:Anon. 1996g
3801:Anon. 1996f
3762:Anon. 1995e
3698:Anon. 1996i
3686:Anon. 1995f
3620:Garcia 1997
3565:Anon. 1995d
3502:Anon. 1995b
3490:Anon. 1995a
3430:Anon. 1994f
3418:Anon. 1994e
3394:Anon. 1994d
3382:Anon. 1994c
3334:Anon. 1994b
3322:Anon. 1994a
3293:Anon. 2017h
3281:Anon. 2017g
3269:Anon. 2017f
3257:Anon. 1994g
3245:Anon. 2017e
3221:Anon. 1998e
3161:Anon. 1996f
3081:Anon. 1993c
3057:Anon. 1993b
3021:Anon. 1993a
3009:Anon. 1992b
2961:Anon. 2017d
2949:Anon. 2017c
2922:Anon. 2017b
2838:Tamayo 2020
2826:Guerra 2017
2751:Leland 1995
2734:Anon. 2017a
2683:Anon. 1992a
2559:Anon. 1995c
2484:Flores 2015
2333:Rivera 1996
2123:Discography
2092:Los Angeles
2043:Santa Claus
1975:South Bronx
1927:Iron Maiden
1814:San Antonio
1808:Due to the
1690:South Texas
1645:2003ā2009:
1639:The Monitor
1568:within the
1523:along with
1511:1998ā2000:
1487:To support
1369:along with
1269:RamĆ³n Ayala
1090:(1992) and
1051:To promote
946:Ven Conmigo
942:Chris PĆ©rez
938:La Carcacha
932:-inspired "
928:, like the
851:Luis Miguel
785:Ana Gabriel
769:Ven Conmigo
732:Ven Conmigo
651:Latin music
626:CBS Records
616:During the
569:Brady Bunch
533:flea market
353:Ven Conmigo
341:Ven Conmigo
307:Latin music
246:Ruido Anejo
229:Formerly of
117:Occupations
9109:Categories
8966:"CD Spins"
8954:August 18,
8664:A128408287
8548:ColorLines
8310:Jose Behar
8135:A128278694
8073:A129109456
7941:A614108788
7497:"The Arts"
7465:A125586620
7377:A128476849
7134:A407802890
7100:A128388317
6971:A222555398
6866:A126970227
6327:0823076911
6160:2469038804
6116:2478238289
6042:A675770204
6025:A508087728
5975:A134703284
5765:A130019250
5620:A128391717
5603:A128393619
5496:"Ad Space"
4966:Anon. 2005
4783:Anon. 2000
4744:Oliva 2021
4732:Gomez 2020
4621:Anon. 2015
4542:Anon. 2006
4395:Anon. 2001
4343:Burr 2001b
4307:Wener 1999
4251:Anon. 1998
4203:Burr 1997b
4107:Anon. 1997
3960:Burr 1996d
3852:Burr 1996b
3774:Verna 1996
3233:Rivas 2011
2997:PĆ©rez 2012
2985:PĆ©rez 2012
2973:PĆ©rez 2012
2910:Smith 2020
2722:Anon. 2021
2659:PĆ©rez 2012
2586:Anon. 2008
2542:PĆ©rez 2012
2472:Anon. 2017
2412:Salas 2020
2224:James 2024
2180:References
2141:Como Nadie
2039:Gary Hobbs
2035:Little Joe
1832:green-lit
1822:Selena XXV
1767:TeleFutura
1667:rock music
1574:Olga TaƱon
1525:La Tropa F
1439:soundtrack
1261:LiberaciĆ³n
1103:Como Nadie
1092:Como Nadie
1057:West Texas
1053:Como Nadie
1046:Si Una Vez
958:Como Nadie
869:, Laredo,
634:Jose Behar
553:Ricky Vela
525:accounting
315:magazine.
126:songwriter
68:1963-12-01
9051:Biography
9000:March 11,
8978:March 10,
8927:March 14,
8921:Billboard
8905:A67254489
8839:283271658
8803:March 14,
8778:March 28,
8731:March 14,
8711:March 14,
8686:March 11,
8645:March 11,
8619:March 13,
8558:April 14,
8535:A67201626
8518:A67255727
8501:A67262348
8484:A67259618
8445:A67352739
8428:A67394256
8411:A72921644
8394:395774358
8343:EMI Latin
8296:March 11,
8202:March 11,
8180:March 11,
8156:March 11,
8052:March 14,
8032:March 14,
8012:March 14,
7992:March 14,
7959:March 14,
7922:March 10,
7900:March 10,
7856:March 13,
7846:"La Onda"
7703:A17647095
7660:A20058837
7651:Billboard
7639:March 14,
7633:Billboard
7618:March 14,
7612:Billboard
7597:March 14,
7591:Billboard
7576:March 14,
7570:Billboard
7555:March 14,
7549:Billboard
7534:March 28,
7485:March 11,
7358:March 11,
7336:March 11,
7292:March 11,
7270:March 10,
7248:April 22,
7226:March 26,
7175:March 13,
7153:368591129
7144:La Prensa
7117:311753048
7081:March 11,
7015:March 11,
6991:March 10,
6950:March 14,
6944:Billboard
6929:March 14,
6904:March 14,
6825:March 11,
6805:March 11,
6785:March 10,
6765:March 10,
6745:March 10,
6725:March 10,
6705:March 10,
6383:March 11,
6363:March 11,
6345:A78902170
6337:Billboard
6301:March 10,
6281:March 10,
6261:March 14,
6255:Billboard
6107:El Debate
6095:March 11,
6052:Biography
5993:March 11,
5956:March 11,
5936:March 11,
5908:Billboard
5893:March 10,
5873:March 10,
5851:March 10,
5831:March 10,
5811:March 14,
5784:March 14,
5778:Billboard
5744:March 14,
5738:Billboard
5723:March 14,
5717:Billboard
5580:A18135281
5559:March 14,
5534:March 14,
5416:0006-2510
5407:Billboard
5157:March 11,
5137:March 11,
5117:March 11,
5097:March 11,
5077:March 17,
5052:April 10,
5027:March 11,
5007:March 11,
4882:Hunt 1995
4518:Ruiz 2005
4443:Burr 2003
4419:Cobo 2002
4380:Burr 2001
4331:Ross 2000
4179:Burr 1997
4131:Vera 1997
3596:Burr 1995
3406:Burr 1994
3069:Burr 1993
2197:Burr 1999
2173:SalvaciĆ³n
2117:royalties
1999:Billboard
1971:rap music
1947:Van Halen
1939:Jose Jose
1867:reggaeton
1851:Billboard
1826:Alamodome
1760:hard rock
1735:SalvaciĆ³n
1663:Colombian
1635:womanizer
1623:vallenato
1382:Billboard
1327:Six Flags
1265:Fugitivos
1239:Billboard
1224:Billboard
1211:Billboard
1192:rancheras
1084:Padrisimo
1076:accordion
1072:Univision
1040:include "
1030:Billboard
915:swan song
903:Latin pop
777:Billboard
666:in their
638:crossover
630:EMI Latin
622:La Sombra
470:Billboard
414:Billboard
388:certified
346:Billboard
312:Billboard
212:EMI Latin
181:Latin pop
95:Education
8948:Archived
8886:April 1,
8861:March 9,
8835:ProQuest
8743:(2014).
8656:El Norte
8580:March 9,
8465:March 9,
8390:ProQuest
8262:(2012).
8127:El Norte
8093:March 8,
7878:March 9,
7834:March 8,
7812:March 8,
7790:March 8,
7767:March 8,
7745:March 8,
7723:March 8,
7694:Newsweek
7682:March 8,
7507:March 8,
7457:El Norte
7446:March 7,
7419:March 9,
7397:March 8,
7314:March 9,
7199:March 9,
7149:ProQuest
7126:El Norte
7113:ProQuest
7109:El Norte
7092:El Norte
7059:March 8,
7037:March 8,
6884:April 9,
6858:El Norte
6847:March 8,
6685:March 9,
6665:March 9,
6645:March 8,
6625:March 8,
6603:March 8,
6583:March 8,
6563:March 8,
6543:March 8,
6523:March 8,
6503:March 8,
6483:March 8,
6463:March 8,
6443:March 7,
6423:March 7,
6403:March 7,
6240:March 9,
6220:March 8,
6200:March 8,
6178:March 8,
6156:ProQuest
6120:ProQuest
6112:ProQuest
6075:March 9,
5914:March 3,
5702:March 9,
5680:March 9,
5658:March 9,
5638:March 9,
5612:El Norte
5594:El Norte
5507:March 8,
5485:March 8,
5465:March 8,
5443:March 8,
5391:March 8,
5369:March 8,
5349:March 8,
5329:March 8,
5309:March 8,
5289:March 8,
5269:March 8,
5249:March 8,
5227:March 7,
5205:March 7,
5179:March 7,
5046:Archived
5042:RIAA.com
2086:El Norte
2047:Cristina
2027:Mi Gente
2015:D.A.R.E.
1960:Newsweek
1904:Babyface
1751:Bon Jovi
1675:Univison
1434:For the
1244:requinto
1144:all-star
1059:through
755:", and "
715:Sukiyaki
581:hype man
506:potatoes
285:Babyface
186:Conjunto
132:producer
52:in 2016.
9037:Portals
8793:KGNS.TV
8064:Reforma
7523:YouTube
6057:A&E
5756:Reforma
1966:cantina
1943:Raphael
1875:corrido
1830:Netflix
1803:Sigueme
1619:tequila
1576:bought
1547:norteƱo
1380:During
1309:At the
1286:At the
1139:KBNA-FM
1018:" and "
1008:XHRG-FM
975:at the
905:songs.
863:Lubbock
859:McAllen
763:by the
727:Madonna
690:hip-hop
672:Besitos
402:" and "
390:by the
351:chart.
328:Besitos
261:Website
243:Oxygeno
140:Parents
8903:
8837:
8751:
8662:
8533:
8516:
8499:
8482:
8443:
8426:
8409:
8392:
8338:Selena
8272:
8248:
8225:
8133:
8114:
8071:
7939:
7701:
7658:
7463:
7375:
7151:
7132:
7115:
7098:
6969:
6864:
6343:
6324:
6158:
6139:
6114:
6040:
6023:
5973:
5763:
5618:
5601:
5578:
5414:
2175:(2013)
2169:(2001)
2163:(1999)
2157:(1997)
2151:(1995)
2143:(1993)
2137:(1992)
1929:, and
1911:croons
1863:TikTok
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