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Bill took us in the van, and we were talking like "Well, what's the deal? What's the story with this? Are you guys gonna figure it out?" "Yeah, we're gonna figure it out." I went to Bill to talk about it and said "Look, I can't handle this. I need an apology", and he goes "He’s not gonna apologize. Everybody's pissed at you right now anyway because you don't practice and you're a dick, and that's not going to happen." I go "Well, it has to happen or I quit", and he’s like "Well, it's not going to", and I go "Okay, then I quit." So then I just did the Europe tour. I did a whole Europe tour, 60 shows in 65 days, and I did it all with people who I was mad at and I'd quit on, and as the thing went on and I realized how much pressure was off of me, it just became more fun, and then when I left I was really sad to go.
420:
paying one-fourth the rent we were paying in L.A." "To have your own room, that in itself is just 'Wow, this is rad!', said guitarist
Stephen Egerton, "Where I guess a lot of people my age would sort of be wanting to have a house." "The only disadvantage is that there's not really anything going on culturally or socially—nothing", said Stevenson, "But were not interested in disturbing these people's quiet existence. We're more interested in something of that nature ourselves."
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for two hours a day, one hour in the morning and one hour at night. He did that for a lot of years. My mom put us into financial ruination because she was an alcoholic, so he had to catch up, and he stepped up to the plate and did what had to be done so we wouldn't lose our house. I had so much admiration for him because of that, but at the same time, he was such a cold man, and that made it really hard to have a father-son relationship.
516:" Reynolds recalled that the band's songwriting during this period made for an inconsistent overall sound: "The four distinct musical camps, and I think they're all very strong in their own way, made for a pretty eclectic collection of songs. If you consider music our child, our baby, you got four different parents. What are you gonna do? It’s gonna fuck up eventually."
665:
Alvarez recalled that "From my end of it, I guess I perceived him to be losing motivation. There's things I regret about that situation, but at the end of the day I think he probably, one way or the other, would have moved on, and I probably forced his hand a little, maybe." "At the end I just wanted
506:
came out he was 69. He was a good man, but he was very cruel, very cold. He would sleep for one hour in the morning when he got home from work, and then he would go to his other job, and then he would sleep for one hour in the evening, after giving me dinner, to go to his night job. So he would sleep
709:
three stars out of five, calling it "All's most playful album to date, and the recording refrains from laying it on thick with tales of heartbreak and bad days; this time around, it's more about just having fun. If the instrumental tracks such as 'Charligan' and 'Birds' fail to bring the mood to an
419:
and while on tour. "We had to move, or it would have caused the band to break up", said
Stevenson. "So now we all have our own rooms, and we have a decent office to run the bookings and everything to keep it all going smoothly. We have a kitchen and things like that which we never had before. We're
660:
I just started not showing up for practice, and just kind of being a dick, and Karl was being a dick. We lived on top of each other on the same floor of a house in this little, shitty town with girlfriends and future wives, and it just got horrible. We ended up just screaming at each other, and
700:
around the same epoch. Scott
Reynolds can't always hit those high notes on the choruses, but an endearing, youthful effect is achieved when his voice cracks. While some of All's more experimental efforts are a little on the flatulent side (like a whole track of someone tuning a guitar), 'Dot' is
327:
I mean, we made nothing. It was just impractical for us to live in
California, and we weren’t there that much anyway. So Bill came up with the idea "Hey, my dad has this house out here in rural Missouri where he grew up", and it worked out to be really good for us because it enabled us to have
403:, "because L.A., at the level of poverty we were at, was not that easy of a place to be. We were living in a practice space, for crying out loud Bear in mind all this while that our fortunes rose and fell together. We were all living in the same place. Kind of like
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out, and offered to rent it to the band for $ 350 per month. In addition to the lower cost of living, the band also reasoned that being based in the central United States rather than on the west coast might be advantageous to their frequent touring schedule.
47:
399:(1991). "We can't afford to live in L.A.", said Stevenson days before the relocation. "I've been living under my desk for nine years. The last time I had a bedroom was in early high school." "That was a financial necessity", recalled bassist
378:
and drinking and all that. It became a party center, which I just can't stand." Stevenson's father, who lived in
California, owned a house in his hometown of Brookfield, Missouri—a farming town with a population of about 3,500—which he
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per month for the small two-room space and had to deal with loud, drunken neighbors. Being on tour some eight months out of each year, the band members decided it was no longer practical to live there. "I just said 'I can't do this
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so badly to go do something else", said
Reynolds in 2013. "Every decision I've made since I left the band has been the wrong decision. On the one hand, I wanted my independence. On the other hand, ironically, that's why I'm a
511:
Stevenson also penned "Minute" and "Hotplate". He later said "on that record I didn't have really any good songs, so it's like 'Okay, a lot of lip from you, Stevenson. Where's your good song?' And it's like 'I don’t have
556:, a fan of the band who would replace Reynolds as their lead singer the following year. "Chad had been sort of a fan that we just got to be friends with", said Egerton. The recordings were
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tracks—"Charligan", "Birds", and "Gnugear (Hot)"—out of five in the band's whole catalog; authorship of these tracks is not listed in the album's credits.
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Stevenson's "Egg Timer" describes his relationship with his father, Steve, who raised him after his parents divorced. Beginning with the lyric "Two
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classic All, whizzy and boiling over with happy punk sentiments, and 'Wonder', 'Empty', and 'Minute' remain true to formula." Mike DaRonco of
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Daniel "Bug" Snow and Curtis, and
Stevenson's girlfriend of several years, Sarina Matteucci, who sold the band's merchandise through
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714:, and 'Breathe' will definitely strike a nerve. Just completely ignore the song 'Hotplate', which has this scary resemblance to
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remarked that "All try changing tempos a little on this record, creating suspense by slowing things down, reminding us of
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that housed the band's living quarters, practice space, and office. "We really needed to succeed", recalled singer
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between us", it goes on to describe the divorce ("She took all your money, she left a note on the door / We had
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580:, and not to feature the character on the cover. Instead, Reynolds painted the image for the album cover.
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was the band's last album with Scott
Reynolds, who left the group the following year. "If you listen to
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and we called her a whore") and how Steve worked two jobs, sleeping an hour in between with an
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The band members made the move to
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All's previous studio releases had been recorded at Third Wave
Recording in
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289:. It was the band's first album recorded after their relocation from
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1118:(DVD). Manchester: Rogue Elephant Pictures. Event occurs at 47:15.
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was All's first studio release not to be titled after their
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LaCour, Deedle (Director); Riggle, Matt (Director) (2013).
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305:, who left the band after the album's supporting tours. A
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at me / Missouri 63 / Big Buford lawman ten miles from
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For several years, All and their precursor band, the
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1459:: CS1 maint: others in cite AV media (notes) (
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548:. Backing vocals on the album were sung by the
461:Two hours of sleep at night, two full time jobs
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474:I hope I never have to use it the way you did
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674:replaced Reynolds as the band's lead singer.
634:. The single also included "Can't Say" and a
532:was recorded at Chapman Recording Studios in
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1949:Albums produced by Bill Stevenson (musician)
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467:We didn't go fishing and we didn't play ball
500:I was born when my father was 50, so when
301:. It was also their last album with singer
277:is the fourth studio album by the American
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432:. Reynolds' "MO. 63" describes driving on
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1067:Erik Flettrich – additional engineering
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51:The cover painting was done by singer
1490:Filmage: The Story of Descendents/All
1478:Filmage: The Story of Descendents/All
1386:Filmage: The Story of Descendents/All
1369:Filmage: The Story of Descendents/All
1246:. Threatening Society. Archived from
1148:Filmage: The Story of Descendents/All
1129:Filmage: The Story of Descendents/All
1115:Filmage: The Story of Descendents/All
950:Alvarez, Egerton, Reynolds, Stevenson
630:", which was released as the album's
7:
1076:Rich Hanson – additional engineering
1173:"All for Nothing in Brookfield, MO"
544:the album and served as additional
1085:G.E. Teel – additional engineering
1032:, additional engineering, producer
642:", which were recorded during the
606:was released May 12, 1992 through
328:bedrooms and neat shit like that.
25:
595:was All's last album with singer
1042:Mike Alvarez – additional vocals
285:, released May 12, 1992 through
584:Release and Reynolds' departure
1552:(streamed copy where licensed)
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345:, had been headquartered in a
1:
1171:Moerer, Keith (August 1990).
1054:County Choir – backing vocals
710:uppity level, 'Dot', 'Nothin'
536:and at Nightingale Studio in
1082:Tiffany Linnes – photographs
452:". The album includes three
313:were released for the song "
34:1992 studio album by All
1502:Orr, Deborah (1992-05-22).
1206:Corbett, Ara (1990-04-20).
103:Chapman Recording Studios,
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1445:. Long Beach, California:
1340:. Long Beach, California:
1277:. Long Beach, California:
1064:E – additional engineering
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1179:. Request. Archived from
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528:. With their relocation,
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1492:. Event occurs at 50:25.
1480:. Event occurs at 23:30.
1388:. Event occurs at 51:09.
1371:. Event occurs at 67:24.
1150:. Event occurs at 49:20.
1131:. Event occurs at 35:37.
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540:. Stevenson and Egerton
469:I know you did your best
463:I know you did your best
27:Not to be confused with
520:Recording and cover art
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85:May 12, 1992
1037:Additional performers
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534:Kansas City, Missouri
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471:You and the egg timer
465:You and the egg timer
351:Pacific Coast Highway
105:Kansas City, Missouri
1516:CMJ New Music Report
1208:"Alternate Currents"
685:CMJ New Music Report
552:County Choir and by
538:Nashville, Tennessee
526:Torrance, California
503:Milo Goes to College
370:", remarked drummer
295:Brookfield, Missouri
111:Nashville, Tennessee
109:Nightingale Studio,
1944:Cruz Records albums
1671:New Girl, Old Story
1455:cite AV media notes
1449:. 1992. CRZ CD 024.
1350:cite AV media notes
1287:cite AV media notes
1281:. 1990. CRZ CD 010.
560:by John Hampton at
546:recording engineers
496:as an alarm clock:
396:New Girl, Old Story
200:New Girl, Old Story
1903:Interscope Records
1741:Compilation albums
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566:Memphis, Tennessee
355:Lomita, California
120:Memphis, Tennessee
1934:All (band) albums
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1913:The Blasting Room
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29:Coffee percolator
16:(Redirected from
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1879:Related articles
1657:Allroy's Revenge
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1344:. 1992. CRZ-022.
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1685:Breaking Things
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1476:"Bonus Cut".
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1898:Cruz Records
1890:
1785:Just Perfect
1765:
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1676:
1669:
1664:Allroy Saves
1662:
1655:
1648:
1628:Dave Smalley
1618:
1611:
1606:Karl Alvarez
1604:
1597:
1544:
1524:. Retrieved
1520:the original
1511:
1505:
1497:
1489:
1485:
1477:
1447:Cruz Records
1441:(CD liner).
1437:
1431:
1420:. Retrieved
1414:
1408:
1385:
1368:
1364:
1342:Cruz Records
1333:
1279:Cruz Records
1273:(CD liner).
1269:
1263:
1252:. Retrieved
1248:the original
1224:. Retrieved
1220:the original
1211:
1185:. Retrieved
1181:the original
1176:
1147:
1128:
1124:
1114:
986:Karl Alvarez
779:Karl Alvarez
719:
706:
683:
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664:
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608:Cruz Records
603:
602:
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569:
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477:
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454:instrumental
429:
427:
401:Karl Alvarez
394:
390:Allroy Saves
388:
386:
340:
331:
326:
287:Cruz Records
273:
272:
271:
239:
216:
208:
207:
198:
70:Studio album
1939:1992 albums
1850:Down by Law
1830:Descendents
1792:She's My Ex
1724:Trailblazer
1716:Live albums
1706:Problematic
1699:Mass Nerder
1270:Trailblazer
1003:engineering
990:bass guitar
895:"Egg Timer"
755:"Charligan"
716:Def Leppard
624:music video
622:formats. A
440:chew their
409:the TV show
405:The Monkees
393:(1990) and
343:Descendents
311:music video
291:Los Angeles
240:Percolater
1928:Categories
1860:Only Crime
1835:Black Flag
1678:Percolater
1650:Allroy Sez
1620:Chad Price
1545:Percolater
1526:2015-03-14
1506:Percolater
1422:2015-03-14
1409:Percolater
1334:Percolater
1254:2015-03-13
1226:2015-03-11
1187:2015-03-11
1090:References
1059:Production
1046:Chad Price
933:"Hotplate"
898:Stevenson
809:"Nobody's"
707:Percolater
672:Chad Price
654:Percolator
650:Percolater
644:Percolater
604:Percolater
593:Percolater
570:Percolater
554:Chad Price
530:Percolater
490:TV dinners
430:Percolater
417:mail order
349:along the
347:storefront
321:Background
299:California
274:Percolater
209:Percolater
189:chronology
89:1992-05-12
40:Percolater
18:Percolater
1845:Dag Nasty
1407:"Review:
975:Personnel
961:"Breathe"
947:"Hey Bug"
936:Stevenson
744:Writer(s)
721:Pyromania
698:7 Seconds
678:Reception
494:egg timer
438:Guernseys
363:US$ 1,200
279:punk rock
165:(CRZ-022)
135:Punk rock
1870:The Last
1416:Allmusic
1052:Claycomo
1007:producer
900:(lyrics)
884:Reynolds
881:"MO. 63"
837:"Minute"
826:Reynolds
823:"Wonder"
798:Reynolds
703:Allmusic
616:cassette
550:Claycomo
542:produced
171:Producer
82:Released
72: by
1892:Filmage
1777:Singles
1550:YouTube
964:Alvarez
907:(music)
870:Alvarez
867:"Empty"
853:"Birds"
812:Alvarez
771:"Nothin
668:barback
446:Moberly
424:Writing
413:roadies
366:anymore
236:Singles
222:(1993)
213:(1992)
204:(1991)
87: (
1813:Guilty
1806:Shreen
1692:Pummel
1016:vocals
999:guitar
922:
856:
747:Length
694:Enigma
670:now."
632:single
618:, and
578:Allroy
574:mascot
381:rented
307:single
141:Length
97:Studio
61:Allroy
57:mascot
1244:"All"
1030:drums
1020:piano
773:'
741:Title
724:era.
712:'
705:gave
696:, or
558:mixed
281:band
238:from
158:Label
130:Genre
1461:link
1356:link
1293:link
980:Band
967:3:53
953:0:38
939:4:04
925:1:06
911:2:52
887:1:45
873:3:15
859:2:46
845:1:27
829:1:37
815:3:57
801:2:01
783:1:57
763:1:30
638:of "
512:any.
442:cuds
376:dope
309:and
163:Cruz
1840:DYS
1799:Dot
1759:EPs
1749:All
1587:All
1548:at
1443:All
1438:Dot
1338:All
1275:All
1216:BAM
958:14.
944:13.
930:12.
916:11.
892:10.
793:Dot
737:No.
628:Dot
610:in
564:in
407:on
353:in
317:".
315:Dot
293:to
283:All
253:Dot
187:All
75:All
1930::
1514:.
1510:.
1469:^
1457:}}
1453:{{
1413:.
1393:^
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1348:{{
1301:^
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1285:{{
1235:^
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1098:^
1028:–
1018:,
1014:–
1005:,
997:–
988:–
902:;
878:9.
864:8.
850:7.
834:6.
820:5.
806:4.
788:3.
768:2.
752:1.
620:CD
614:,
612:LP
576:,
568:.
178:,
150:48
146:32
118:,
59:,
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1358:)
1295:)
1257:.
1229:.
1190:.
795:"
791:"
775:"
599:.
514:'
450:'
368:'
333:–
255:"
251:"
148::
91:)
31:.
20:)
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