433:, et cetera, and that certainly influenced the sound of that one." Continuing, â was more painstaking work than we thought. It's exciting work, but it's also more commercially orientated. You can apply your own tastes and your own vision, of course, but only to a certain extent. It always comes down to what the director and producers have in mind. And I respect that, as they are the ones with lots of money at stake. As a musician, it's an advantage if you get involved early in the process, before the editing is done because then you can cross edit sounds and images for better momentum or what have you. Whereas if the stuff is already edited, it can be difficult to get it to fit. Also, you have to learn to put your ego aside because the film itself is obviously the priority, so it's not like making an album. It's not music on its own terms. It's an underscore, aimed more at the subconscious experience. In a cinema context, you're not really supposed to listen to the music, but feel it."
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412:: the void is even over the voice. (âŚ) It is funny you call us criminal alchemists. Indeed in our lyrics there are enough criminal and alchemical aspects, or fascinating borderline topics, to be more concrete. That all takes place in the dead city, or better: in a centre, an imagined location of nowhere and nothing.â
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Printed in the sleeve note is states: "This is for the stations before and after sleep. Headphones and darkness recommended." Rygg adds, âDarkness is always fascinating, as well as the great void. It doesnât matter under which aesthetic circumstances this void appears. It is always there and that was
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booklet, Rygg comments, "We didn't consciously think of taking the listener into a concrete city, it's more of a metaphor and abstract. A friend of mine who has written books and taken many photographs inspired me to capture weird pictures. We then compiled the best of them to support the story the
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is an album of moody, atmospheric electronica, built up around basic down-tempo beats and noir-ish electronic piano harmonies, and then fleshed out with various blips and bleeps, static noises, samples, and occasional vocals.â Additionally, Johnathan Hill highlighted the album's "jazz-tinged"
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is âmuch more than background music, which is capable of adding atmosphere to a film, but taken out of context as a standalone piece is ultimately worthless. This music is too obtrusive, and to be frank, too good for a soundtrack.â
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391:. In response to the subtitle, Rygg adds, "We mean just what we say, an abstract "inner movie". It wouldn't be wise to comment on anything afterwards in case there would be a hidden message." Leonards Lair state that
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was nothing more than a well-intentioned but ultimately ill-advised experiment for these guys. Ulver might want to consider a return to their metal roots.â
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noting, "This ain't rock 'n roll. This is evolution on such a grand scale that most bands wouldn't even be able to wrap their tiny little minds around it."
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moments, noting that the "rich and varied instrumental passages" allowed for a greater level of depth to the band's musical explorations.
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Ylwizaker would hang microphones outside the window of his 5th floor apartment to capture the sounds of the inner city streets.
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Rygg, commenting in
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and Tore
Ylwizaker, mixed by Ylwizaker at Beep Jam Studio and mastered by Audun Strype at Strype Audio.
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is one, and I think this new one . They all sound pretty dead set. We were heavily into stuff like
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lyrics make. We tried to make an anti-aesthetic whole that would create a documentary feeling."
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Now consisting of only two members â Rygg and
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sound, delving into what would become the foundation for all future records,
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KĂĽre J. Pedersen - drums on "Porn Piece (or The Scars of Cold Kisses)"
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Themes from
William Blake's The Marriage of Heaven and Hell
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Themes from
William Blake's The Marriage of Heaven and Hell
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Themes from
William Blake's The Marriage of Heaven and Hell
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Themes from
William Blake's The Marriage of Heaven and Hell
954:"Ulver Interview - Kogaionon - Underground Music Magazine"
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rated the album 2.6/10 and declared, âWho knows? Maybe
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785:BĂĽrd Torgersen and Esben Johansen - photography
902:"ULVER - Born Again From The Merciless Mother"
900:Beaudreault, Seth Robert (November 24, 2009).
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399:Expanding on the photography included in the
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1098:Pecoraro, David M. (January 24, 2002).
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282:continues the experimentation heard on
1023:Joakimsson, Thor (November 25, 2009).
350:into their work. During the making of
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1518:My Own Wolf: A New Approach to Ulver
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519:Conversely, David M. Pecoraro from
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877:Side, Oliver (December 20, 2008).
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952:Vuoti, Sauli (December 7, 2005).
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172:Silence Teaches You How to Sing
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16:2000 studio album by Ulver
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928:"Ulver Perdition City Review"
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268:, issued in March 2000, via
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956:. Kogaionon. Archived from
858:. Jester Records. June 2005
615:"The Future Sound of Music"
359:"Music to an Interior Film"
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1173:Ole Alexander HalstensgĂĽrd
1392:A Quick Fix of Melancholy
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679:"Catalept" is a remix of
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1100:"Ulver - Perdition City"
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1002:"Ulver - Perdition City"
980:"Ulver - Perdition City"
747:on "Nowhere/Catastrophe"
1050:. Unrestrained Magazine
879:"Ulver - Metamorphosis"
782:Tore Ylwizaker - mixing
192:studio album chronology
135:Ylwizaker, Audun Strype
52:26 March 2000
1356:Demos, EPs and Singles
1074:"Ulver Perdition City"
1027:. AvantegardeMetal.com
834:"Ulver Perdition City"
812:"Ulver Perdition City"
604:"Tomorrow Never Knows"
1385:Silencing the Singing
1216:Erik Olivier Lancelot
659:"Nowhere/Catastrophe"
378:Silencing the Singing
1454:Teachings in Silence
856:"ULVER BLOOD INSIDE"
767:on "Lost in Moments"
719:Additional musicians
593:"Hallways of Always"
442:Professional ratings
1479:Lyckantropen Themes
960:on January 27, 2013
743:Ivar H. Johansen -
637:"Dead City Centres"
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1299:Shadows of the Sun
1048:"TRAGIC SERENADES"
904:. Avantgarde Metal
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437:Critical reception
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1234:Daniel O'Sullivan
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1102:. Pitchfork Media
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774:Other credits
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1580:Ulver albums
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1525:Terrestrials
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1447:The Trilogie
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1439:Compilations
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1325:ATGCLVLSSCAP
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1264:Kveldssanger
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1104:. Retrieved
1078:. Retrieved
1052:. Retrieved
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1029:. Retrieved
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1006:. Retrieved
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984:. Retrieved
974:
962:. Retrieved
958:the original
932:. Retrieved
906:. Retrieved
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518:
512:
507:Writing for
506:
431:Warp Records
422:
416:
414:
409:
406:
400:
398:
392:
386:
376:
370:
362:
358:
356:
351:
345:
327:
325:
289:
283:
279:
278:
259:experimental
252:studio album
246:
245:
240:
239:
238:
221:Blood Inside
219:
211:
210:
201:
170:
162:
161:
152:
37:Studio album
1575:2001 albums
1554:Discography
1486:Svidd neger
1471:Soundtracks
1346:Scary Muzak
1210:Hugh Mingay
765:bass guitar
734:BĂĽrd Eithun
573:"Piece Two"
570:"Piece One"
383:film scores
312:electronica
308:spoken word
262:electronica
244:(subtitled
73:Avant-garde
1569:Categories
1316:(with the
1076:. AllMusic
836:. AllMusic
814:. AllMusic
798:References
648:"Catalept"
427:Amon Tobin
357:Subtitled
341:electronic
322:Background
143:chronology
78:electronic
56:2000-03-26
1530:Sunn O)))
1493:Riverhead
1180:Grellmund
1004:. Discogs
758:saxophone
693:Personnel
521:Pitchfork
497:Pitchfork
256:Norwegian
1364:Vargnatt
509:AllMusic
461:Allmusic
316:Kerrang!
296:trip hop
131:Producer
83:trip hop
49:Released
39: by
1547:Related
1185:A. Reza
1106:June 1,
1080:June 1,
1054:June 4,
1031:June 1,
1008:June 1,
986:June 1,
964:May 26,
934:May 29,
908:June 1,
885:June 1,
862:May 28,
840:May 28,
818:May 28,
681:Prelude
339:'s new
225:(2005)
216:(2000)
207:(1998)
176:(2001)
167:(2000)
158:(1999)
88:ambient
54: (
1528:(with
1249:Albums
789:
686:Psycho
547:Length
501:2.6/10
455:Rating
452:Source
124:Jester
102:Length
1190:Robin
1148:Ulver
745:drums
703:Ulver
672:53:31
544:Title
337:Ulver
266:Ulver
264:band
190:Ulver
141:Ulver
119:Label
65:Genre
42:Ulver
1407:Live
1108:2014
1082:2014
1056:2014
1033:2014
1010:2014
988:2014
966:2014
936:2014
910:2014
887:2014
864:2014
842:2014
820:2014
662:4:48
651:2:05
640:7:10
629:3:40
618:6:39
607:7:59
596:6:35
584:3:11
581:3:58
578:7:09
558:7:16
375:and
326:The
310:and
300:jazz
288:and
93:jazz
540:No.
369:âs
254:by
1571::
1090:^
1064:^
944:^
918:^
756:-
736:-
727:-
689:.
656:9.
645:8.
634:7.
623:6.
612:5.
601:4.
590:3.
563:2.
552:1.
429:,
367:EP
361:,
333:EP
306:,
302:,
298:,
111:31
107:53
1532:)
1320:)
1140:e
1133:t
1126:v
1110:.
1084:.
1058:.
1035:.
1012:.
990:.
968:.
938:.
912:.
889:.
866:.
844:.
822:.
109::
58:)
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