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255:, where he joined a circle of yeshiva students who studied the Bible, Hebrew grammar, and Jewish history together. Hirshbein began giving Hebrew lessons to support himself while publishing Hebrew poetry and writing Yiddish stories. He also began to shift from writing lyrical poetry to naturalist drama, starting with
428:, and they became regular productions in the repertoire of artistically ambitious Yiddish theaters. His popularity extended to other cultures and genres, and his plays were performed in Russian, Hebrew, English, German, Spanish, and French. Indeed, the 1937 American film
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and by students from an acting conservatory in Odessa, founded the theater company that became known as the
Hirshbein Troupe. It was the first Yiddish company to devote itself exclusively to "better" Yiddish theater. The troupe toured through
420:(Green Fields; 1916). In these and other dramas, Hirshbein abandoned symbolism and returned to his rural roots, dramatizing the lives and loves of rural Jews. The understated quality of these works appealed to directors including
231:. The dialogue of his plays is consistently vivid, terse, and naturalistic. Unusually for a Yiddish playwright, most of his works have pastoral settings: he had grown up the son of a miller, and made several attempts at farming.
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275:(Lonely Worlds; 1906) marked a new symbolist phase in his career, as well as the end of his practice of writing originally in Hebrew. His symbolist Yiddish plays of this period include the one-act
227:". His work as a playwright and through his own short-lived but influential troupe, laid much of the groundwork for the second golden age of Yiddish theater that began shortly after the end of
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Hirschbein's son, Omus
Hirschbein, a classical music administrator, was born in New York in 1934 just before the family moved to Los Angeles. Hirschbein suffered from
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shortly after the 1904 lifting of the 1883 ban on theatrical performances in that language. Prior to his involvement in
Yiddish theater, he wrote several plays in
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playwright, novelist, journalist, travel writer, and theater director. Because his work focused more on mood than plot, he became known as "the
Yiddish
434:(Green Fields), based on Hirshbein's play, is among the most beloved of all Yiddish films, and the play continues to be often anthologized and staged.
324:(On the Other Side of the River), his first Yiddish drama, was produced in Russian in Odessa. In autumn of the same year, Hirshbein, encouraged by
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489:, from where he eventually reached New York. He spent the succeeding decades traveling, accompanied by his wife, Yiddish poet
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259:(1905), which he first wrote in Hebrew, later translated into Yiddish, and later still revised in Yiddish under the title
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The troupe disbanded in 1910 for financial reasons, at which point
Hirschbein published what Jacob Glatshteyn (
357:. The troupe's high literary standards and high standards of ensemble acting strongly influenced the later
263:(Downhill). During the early 1900s, Hirshbein continued writing naturalist dramas in Hebrew, including
251:) where he was educated initially by local tutors, before he eventually made his way to Grodno and then
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500:(Lou Gehrig's Disease) for the last three years of his life. He died August 16, 1948, in Los Angeles.
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for another attempt at farming, this time in a Jewish agricultural colony. At the start of
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658:(screenplay for 1943 English-language film, the American debut of director
706:. Vol. 3. New York: Alveltlekhn yidishn kultur-kongres . Columns 147–158.
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694:. Vol. 1. Warsaw: Farlag Elisheva. Columns 613-628; here, 614.
465:); he then returned briefly to Russia, and went from there to
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29:
755:; RG 833; YIVO Institute for Jewish Research, New York, NY.
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Hirshbein traveled extensively; in 1911 alone, he visited
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for two years, staging his own plays, as well as works by
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Peretz
Hirschbein (second from left), with Mendl Elkin,
291:(The Handshake). He was instrumental in the revival of
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cruiser. He was briefly taken captive, then let off in
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Emigrants from the
Russian Empire to the United States
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713:, Middle Village, NY: Jonathan David Publishers.
508:Yiddish-language plays, unless otherwise noted.
789:People from Belsky Uyezd (Grodno Governorate)
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412:(The Empty Inn; 1913, written in America),
824:Yiddish-language dramatists and playwrights
453:. For a while in 1912, he tried farming in
804:Jewish American dramatists and playwrights
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704:Leksikon fun der nayer yidisher literatur
303:; these were published in the periodical
80:Learn how and when to remove this message
799:American people of Polish-Jewish descent
43:This article includes a list of general
829:20th-century dramatists and playwrights
814:Russian male dramatists and playwrights
769:Articles needing Yiddish script or text
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416:(The Blacksmith's Daughters; 1918) and
349:, as well as translations of plays by
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735:Works by or about Peretz Hirschbein
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27:Yiddish-language writer (1880–1948)
809:Russian dramatists and playwrights
49:it lacks sufficient corresponding
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834:20th-century Russian male writers
702:"Hirshbeyn, Perets" (1960). In:
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711:A History of Yiddish Literature
527:On the Other Side of the River
189:to this article, where needed.
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498:amyotrophic lateral sclerosis
491:Esther Shumiatcher-Hirschbein
267:(Carcass), which in Yiddish (
239:He was born in Kleszczele in
154:Esther Shumiatcher-Hirschbein
753:Papers of Peretz Hirschbein.
784:People from Hajnówka County
692:Leksikon fun yidishn teater
408:(A Forsaken Corner; 1912),
316:, where he wrote the drama
312:In 1908 Hirshbein moved to
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481:ship, which was sunk by a
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320:(Joel). Soon afterward,
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64:more precise citations.
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709:Liptzin, Sol (1972).
615:The Smith's Daughters
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245:Podlaskie Voivodeship
523:Oif Yener Zeit Taikh
461:(later, home to the
207:); 7 November 1880,
680:Zylbercweig, Zalmen
611:Dem Schmids Tekhter
561:Parting of the Ways
371:Yiddish Art Theater
322:Af yener zayt taykh
287:(In the Dark), and
617:, 1918 or earlier)
587:A farvorfen Vinkel
577:Die Puste Kretshme
519:, 1905, in Hebrew)
414:Dem shmids tekhter
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279:(Grave Blossoms),
241:Grodno Governorate
213:Grodno Governorate
128:Grodno Governorate
684:Hirshbein, Perets
477:to New York on a
410:Di puste kretshme
382:Uri Zvi Greenberg
355:Herman Heijermans
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16:(Redirected from
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359:Vilna Troupe
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339:David Pinski
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205:פרץ הירשביין
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139:(1948-08-16)
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779:1948 deaths
774:1880 births
641:A Lima Bean
471:World War I
335:Sholem Asch
229:World War I
225:Maeterlinck
217:Los Angeles
144:Los Angeles
62:introducing
763:Categories
667:References
650:Red Fields
269:Di neveyle
209:Kleszczele
124:Kleszczele
117:1880-11-07
45:references
682:(1931). "
549:, a.k.a.
543:Tkias Kaf
467:Argentina
459:Catskills
261:Barg arop
235:Biography
723:et. seq.
547:Contract
517:Downhill
515:(a.k.a.
475:en route
455:New York
396:in 1922.
367:New York
219:) was a
160:Children
70:May 2016
737:at the
607:, 1916)
597:, 1912)
583:, 1912)
573:, 1908)
571:Carcass
567:Neveyle
563:, 1907)
539:, 1907)
533:Die Erd
529:, 1906)
479:British
473:he was
369:-based
265:Nevelah
201:Yiddish
182:Please
58:improve
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513:Miriam
487:Brazil
483:German
449:, and
447:London
439:Vienna
345:, and
326:Bialik
314:Odessa
306:Hazman
301:Hebrew
297:Russia
281:Di erd
257:Miryam
249:Poland
150:Spouse
47:, but
721:. 82
553:1907)
537:Earth
504:Works
443:Paris
318:Yoyel
253:Vilna
748:IMDb
715:ISBN
626:Joel
424:and
392:and
361:and
353:and
134:Died
111:Born
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