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can be defined as one in which part or most of the piece is intended to be repeated an often unspecified number of times, without the "motion" of the melody being halted when a repeat begins.
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194:; and second, as describing entire compositions, or extended passages within them that are meant to be played in a repetitious fashion, often an indefinite number of times.
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of separate musical compositions was at the height of its popularity by the end of the 19th century. Such pieces would often be performed as virtuoso
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This figuration of rapid triplet quavers (eighth notes) continues for the duration of the movement.
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150:(English pronunciation /pÉrËpÉtjÊÉm ËmoÊbÉȘleÉȘ/, /ËmoÊbÉȘli/; literally, "perpetual motion"),
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In some cases the repeats of a "perpetuum mobile" piece are at a different pitch, a
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accompaniment. When scored for wind instruments, it becomes a virtuoso challenge of
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Arranged for soprano saxophone, performed in 2015 by David
Hernando Vitores (3:34)
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877:"Velocities (Moto Perpetuo)" for solo marimba by Joseph Schwantner (1990)
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1005:, 12th ed.; Harvard University Press; Cambridge, Mass.: 1960. p. 560
809:"Perpetuum Mobile" by Michael Roberts, used as the startup music for
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819:"Perpetuum Mobile for pedals alone" a showpiece for Organ by
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This article is about the musical term. For other uses, see
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piece based on the whole-tone scale composed by guitarist
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This is most often performed with a rather insignificant
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269:. Hans Goldstein (cello) and Mellicia Straaf (piano).
1032:; Charles Scribner's Sons; New York: 1978. p.231
1030:Benjamin Britten, 1913-1976: Pictures From a Life
422:sonatas (although these are not very fast; the
315:occurs during the repeatable part. Some of the
487:NicolĂČ Paganini's Moto perpetuo Op. 11 (N° 6)
401:String Quartet No. 53 in D major ("The Lark")
8:
1043:"Salute to ABC - Start-ups - Transdiffusion"
760:(1950â1951). Also the third movement of his
385:consists almost entirely of sixteenth notes.
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81:introducing citations to additional sources
792:(1964) and the penultimate movement of his
414:, and large segments of the finales of his
210:A well-known example as a technique is the
331:are examples of this particular kind of
296:are often intended to be performed in a
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71:Relevant discussion may be found on the
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781:(1960). Also the third movement of his
1016:"Concerto for Orchestra (BĂ©la BartĂłk)"
590:Perpetuum Mobile: musikalischer Scherz
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7:
921:Time Machine 2011: Live in Cleveland
426:and the 22nd sonata are only marked
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715:The organ solo (movement 7) from
34:Perpetual motion (disambiguation)
914:'s drum solo "Moto perpetuo" on
908:has some examples of the concept
509:Problems playing this file? See
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460:(likewise not very fast, marked
300:fashion, and can thus be called
277:Problems playing this file? See
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64:relies largely or entirely on a
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833:and included on the 1974 album
650:), a 1905 piano composition by
454:The fourth of Franz Schubert's
981:has performed it on the banjo.
750:Prelude no. 2 in A minor from
683:, a 1918 piano composition by
364:pieces of both kinds include:
1:
577:, an interlude for his opera
858:Short Ride in a Fast Machine
1003:Harvard Dictionary of Music
783:Suite for Violin and Piano
681:Trois Mouvements perpétuels
286:As a distinct composition,
265:, consisting of continuous
27:Type of musical composition
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788:(1935), the finale of his
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762:Symphony No. 8 in C minor
728:The last movement of the
565:Op. 11 (No. 6) for violin
836:Starless and Bible Black
611:'s Album Leaf No.3 from
383:Partita for Violin No. 3
667:The second movement of
656:Perpetuum Mobile (from
580:The Tale of Tsar Saltan
574:Flight of the Bumblebee
569:Nikolai Rimsky-Korsakov
261:for cello and piano by
1047:www.transdiffusion.org
906:EinstĂŒrzende Neubauten
872:Penguin Cafe Orchestra
790:first solo cello suite
766:The final movement of
753:24 Preludes and Fugues
745:Concerto for Orchestra
695:, Act III Scene 5, by
555:, for violin and piano
527:Charles-Valentin Alkan
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327:Das Musikalische Opfer
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821:Wilhelm Middelschulte
739:The last movement of
702:The last movement of
689:The end of the opera
523:'s Piano Sonata No. 1
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436:Allegro ma non troppo
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674:Piano Concerto No. 2
622:Piano Concerto No. 1
545:, op. 119, for piano
521:Carl Maria von Weber
77:improve this article
1078:Musical terminology
758:Dmitri Shostakovich
709:Violin Sonata No. 2
535:, op. 27, for piano
183:movimiento perpetuo
163:mouvement perpétuel
1073:Musical techniques
1028:Mitchell, Donald;
1001:Apel, Willi, ed.;
971:circular breathing
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221:Piano Sonata No. 2
173:movimento perpétuo
92:"Perpetuum mobile"
928:Juan MarĂa Solare
811:Thames Television
794:third cello suite
586:Johann Strauss II
539:Felix Mendelssohn
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412:22nd piano sonata
313:chord progression
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867:Perpetuum Mobile
804:Perpetuum mobile
768:Benjamin Britten
662:Hugo SchlemĂŒller
633:, third movement
624:, third movement
613:Six Album Leaves
553:Perpetuum Mobile
543:Perpetuum mobile
532:Le chemin de fer
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457:moments musicaux
390:Classical period
362:Perpetuum mobile
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730:Violin Concerto
722:Glagolitic Mass
685:Francis Poulenc
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609:BedĆich Smetana
596:Robert Schumann
559:NicolĂČ Paganini
549:Ottokar Novacek
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648:Images, Set 1
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88:Find sources:
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66:single source
62:This article
60:
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51:
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45:Canon (music)
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41:Round (music)
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1083:Music genres
1050:. Retrieved
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889:21st century
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831:Robert Fripp
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813:and earlier
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773:Cello Sonata
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638:20th century
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604:Kinderszenen
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432:Appassionata
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902:avant garde
880:"Equus" by
741:BĂ©la BartĂłk
712:(1923â1927)
699:(1914â1924)
677:(1912â1913)
600:Hasche-Mann
243:"Elfentanz"
202:composition
1067:Categories
1052:2018-02-13
989:References
979:BĂ©la Fleck
946:References
912:Neil Peart
894:The album
853:John Adams
697:Alban Berg
660:Op.19) by
511:media help
448:Impromptus
434:is marked
430:, and the
428:Allegretto
309:modulation
279:media help
214:finale of
178:Portuguese
144:In music,
133:March 2020
103:newspapers
39:See also:
966:obbligato
932:invention
800:Arvo PĂ€rt
669:Prokofiev
644:Mouvement
408:Beethoven
198:Types of
73:talk page
462:Moderato
450:, D. 899
375:Preludio
357:Examples
267:spiccato
941:(2020).
934:in the
777:C Major
717:JanĂĄÄek
692:Wozzeck
424:Tempest
416:Tempest
351:encores
188:Spanish
158:Italian
117:scholar
904:group
884:(2000)
874:(1987)
861:(1986)
849:(1976)
806:(1963)
796:(1972)
779:Op. 65
747:(1943)
736:(1939)
725:(1926)
664:(1912)
646:(from
294:Canons
212:presto
168:French
119:
112:
105:
98:
90:
951:Notes
870:" by
845:" by
785:Op. 6
615:Op. 2
602:from
397:Haydn
377:from
347:genre
345:as a
311:or a
192:tempo
124:JSTOR
110:books
973:and
916:Rush
418:and
379:Bach
373:The
321:Bach
96:news
43:and
939:5/8
855:'s
775:in
770:'s
756:by
743:'s
732:by
719:'s
706:'s
671:'s
598:'s
588:'s
571:'s
561:'s
551:'s
541:'s
529:'s
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410:'s
399:'s
381:'s
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319:of
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79:by
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257:A
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