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can be defined as one in which part or most of the piece is intended to be repeated an often unspecified number of times, without the "motion" of the melody being halted when a repeat begins.
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183:; and second, as describing entire compositions, or extended passages within them that are meant to be played in a repetitious fashion, often an indefinite number of times.
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of separate musical compositions was at the height of its popularity by the end of the 19th century. Such pieces would often be performed as virtuoso
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This figuration of rapid triplet quavers (eighth notes) continues for the duration of the movement.
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139:(English pronunciation /pÉrËpÉtjÊÉm ËmoÊbÉȘleÉȘ/, /ËmoÊbÉȘli/; literally, "perpetual motion"),
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In some cases the repeats of a "perpetuum mobile" piece are at a different pitch, a
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accompaniment. When scored for wind instruments, it becomes a virtuoso challenge of
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Arranged for soprano saxophone, performed in 2015 by David
Hernando Vitores (3:34)
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866:"Velocities (Moto Perpetuo)" for solo marimba by Joseph Schwantner (1990)
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994:, 12th ed.; Harvard University Press; Cambridge, Mass.: 1960. p. 560
798:"Perpetuum Mobile" by Michael Roberts, used as the startup music for
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808:"Perpetuum Mobile for pedals alone" a showpiece for Organ by
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This article is about the musical term. For other uses, see
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piece based on the whole-tone scale composed by guitarist
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This is most often performed with a rather insignificant
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258:. Hans Goldstein (cello) and Mellicia Straaf (piano).
1021:; Charles Scribner's Sons; New York: 1978. p.231
1019:Benjamin Britten, 1913-1976: Pictures From a Life
411:sonatas (although these are not very fast; the
304:occurs during the repeatable part. Some of the
476:NicolĂČ Paganini's Moto perpetuo Op. 11 (N° 6)
390:String Quartet No. 53 in D major ("The Lark")
8:
1032:"Salute to ABC - Start-ups - Transdiffusion"
749:(1950â1951). Also the third movement of his
374:consists almost entirely of sixteenth notes.
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70:introducing citations to additional sources
781:(1964) and the penultimate movement of his
403:, and large segments of the finales of his
199:A well-known example as a technique is the
320:are examples of this particular kind of
285:are often intended to be performed in a
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60:Relevant discussion may be found on the
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770:(1960). Also the third movement of his
1005:"Concerto for Orchestra (BĂ©la BartĂłk)"
579:Perpetuum Mobile: musikalischer Scherz
497:
265:
7:
910:Time Machine 2011: Live in Cleveland
415:and the 22nd sonata are only marked
14:
704:The organ solo (movement 7) from
23:Perpetual motion (disambiguation)
903:'s drum solo "Moto perpetuo" on
897:has some examples of the concept
498:Problems playing this file? See
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449:(likewise not very fast, marked
289:fashion, and can thus be called
266:Problems playing this file? See
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53:relies largely or entirely on a
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822:and included on the 1974 album
639:), a 1905 piano composition by
443:The fourth of Franz Schubert's
970:has performed it on the banjo.
739:Prelude no. 2 in A minor from
672:, a 1918 piano composition by
353:pieces of both kinds include:
1:
566:, an interlude for his opera
847:Short Ride in a Fast Machine
992:Harvard Dictionary of Music
772:Suite for Violin and Piano
670:Trois Mouvements perpétuels
275:As a distinct composition,
254:, consisting of continuous
16:Type of musical composition
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777:(1935), the finale of his
27:
20:
751:Symphony No. 8 in C minor
717:The last movement of the
554:Op. 11 (No. 6) for violin
825:Starless and Bible Black
600:'s Album Leaf No.3 from
372:Partita for Violin No. 3
656:The second movement of
645:Perpetuum Mobile (from
569:The Tale of Tsar Saltan
563:Flight of the Bumblebee
558:Nikolai Rimsky-Korsakov
250:for cello and piano by
1036:www.transdiffusion.org
895:EinstĂŒrzende Neubauten
861:Penguin Cafe Orchestra
779:first solo cello suite
755:The final movement of
742:24 Preludes and Fugues
734:Concerto for Orchestra
684:, Act III Scene 5, by
544:, for violin and piano
516:Charles-Valentin Alkan
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316:Das Musikalische Opfer
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810:Wilhelm Middelschulte
728:The last movement of
691:The last movement of
678:The end of the opera
512:'s Piano Sonata No. 1
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425:Allegro ma non troppo
224:
198:
663:Piano Concerto No. 2
611:Piano Concerto No. 1
534:, op. 119, for piano
510:Carl Maria von Weber
66:improve this article
1067:Musical terminology
747:Dmitri Shostakovich
698:Violin Sonata No. 2
524:, op. 27, for piano
172:movimiento perpetuo
152:mouvement perpétuel
1062:Musical techniques
1017:Mitchell, Donald;
990:Apel, Willi, ed.;
960:circular breathing
470:
226:
216:
210:Piano Sonata No. 2
162:movimento perpétuo
81:"Perpetuum mobile"
917:Juan MarĂa Solare
800:Thames Television
783:third cello suite
575:Johann Strauss II
528:Felix Mendelssohn
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401:22nd piano sonata
302:chord progression
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886:Perpetuum Mobile
856:Perpetuum Mobile
793:Perpetuum mobile
757:Benjamin Britten
651:Hugo SchlemĂŒller
622:, third movement
613:, third movement
602:Six Album Leaves
542:Perpetuum Mobile
532:Perpetuum mobile
521:Le chemin de fer
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446:moments musicaux
379:Classical period
351:Perpetuum mobile
332:Perpetuum mobile
322:perpetuum mobile
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719:Violin Concerto
711:Glagolitic Mass
674:Francis Poulenc
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598:BedĆich Smetana
585:Robert Schumann
548:NicolĂČ Paganini
538:Ottokar Novacek
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392:, Op. 64, No. 5
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637:Images, Set 1
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581:for orchestra
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77:Find sources:
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55:single source
51:This article
49:
45:
40:
39:
35:
34:Canon (music)
31:
30:Round (music)
24:
19:
1072:Music genres
1039:. Retrieved
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991:
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878:21st century
855:
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820:Robert Fripp
815:
802:and earlier
792:
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762:Cello Sonata
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627:20th century
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593:Kinderszenen
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421:Appassionata
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409:Appassionata
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252:David Popper
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891:avant garde
869:"Equus" by
730:BĂ©la BartĂłk
701:(1923â1927)
688:(1914â1924)
666:(1912â1913)
589:Hasche-Mann
232:"Elfentanz"
191:composition
1056:Categories
1041:2018-02-13
978:References
968:BĂ©la Fleck
935:References
901:Neil Peart
883:The album
842:John Adams
686:Alban Berg
649:Op.19) by
500:media help
437:Impromptus
423:is marked
419:, and the
417:Allegretto
298:modulation
268:media help
203:finale of
167:Portuguese
133:In music,
122:March 2020
92:newspapers
28:See also:
955:obbligato
921:invention
789:Arvo PĂ€rt
658:Prokofiev
633:Mouvement
397:Beethoven
187:Types of
62:talk page
451:Moderato
439:, D. 899
364:Preludio
346:Examples
256:spiccato
930:(2020).
923:in the
766:C Major
706:JanĂĄÄek
681:Wozzeck
413:Tempest
405:Tempest
340:encores
177:Spanish
147:Italian
106:scholar
893:group
873:(2000)
863:(1987)
850:(1986)
838:(1976)
795:(1963)
785:(1972)
768:Op. 65
736:(1943)
725:(1939)
714:(1926)
653:(1912)
635:(from
283:Canons
201:presto
157:French
108:
101:
94:
87:
79:
940:Notes
859:" by
834:" by
774:Op. 6
604:Op. 2
591:from
386:Haydn
366:from
336:genre
334:as a
300:or a
181:tempo
113:JSTOR
99:books
962:and
905:Rush
407:and
368:Bach
362:The
310:Bach
85:news
32:and
928:5/8
844:'s
764:in
759:'s
745:by
732:'s
721:by
708:'s
695:'s
660:'s
587:'s
577:'s
560:'s
550:'s
540:'s
530:'s
518:'s
434:'s
399:'s
388:'s
370:'s
312:'s
308:of
207:'s
159:),
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68:by
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246:A
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1007:.
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110:·
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
