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crown as well as native flora and fauna (Arequipa papayas and the
Chiguanco thrush). It was created by primarily by indigenous sculptors, sometimes inspired by textile patterns. The new style appeared primarily on the stone carved facades of churches and palaces, first in
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Early academia has tended to view the
Spanish architectural and religious takeover as complete and swift, but revisionist history emphasizes the lasting role of the indigenous in religious architecture.
191:. This style was characterized by the use of ornaments and watermarks that were giving away the architectural lines of the building's likeness chiseled work of silver, hence the name
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between the 16th and 19th centuries, was characterized by the importation and adaptation of
European architectural styles to the Peruvian reality, yielding an original architecture.
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region and further south to Oruro and even into Chile. It was one of the most vigorous combinations of styles in all of colonial Latin
America. The most important buildings are the
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was distinguished and characterized by his heavy ornamentation, of predominantly curved lines, giving an aspect of free movement. Predominant decorative elements in
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436:(using Romanesque columns with Corinthian capitals and without ornamentation, straight lines and simplicity in them, in addition to triangular frontispiece).
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Christopher Wang, "Colonial
Architecture of the Viceroyalty of Peru: The necessary and continued role of the indigenous in Christianity."
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In the 18th century, with the introduction of the French
Bourbon dynasty, came to Spain this style that was characterized by non-rounded
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of the colonial period, from the 16th to mid-17th century. These are magnificent examples of this style in Lima facades of the
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and distinguished by the use of complicated and whimsical ornaments exaggerated, his advocate was a
Spanish architect named
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During the late seventeenth and eighteenth century in the southern Andes (Southern
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The Andean Hybrid
Baroque: Convergent Cultures in the Churches of Colonial Peru
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Architectural style combining
European styles with the local Peruvian reality
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are the use of curves and undulating lines. The characteristics of
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In the late 18th and early 19th century came the style called
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the facades of the churches of San
Francisco and La Merced.
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247:and ornaments acquired great exuberance.
87:Learn how and when to remove this message
50:This article includes a list of general
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566:Spanish Colonial architecture in Peru
457:Basilica and Convent of San Francisco
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524:University of Notre Dame Press, 2010
114:The use of building systems as the
56:it lacks sufficient corresponding
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469:Presbyter Matías Maestro Cemetery
453:Basilica and Convent of San Pedro
439:It was as a reaction against the
254:that appears on the walls of the
170:Presbyter Matías Maestro Cemetery
256:Monastery of San Francisco, Lima
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101:Peruvian colonial architecture
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556:Spanish Colonial architecture
537:Colonial Architecture Project
183:style, which had occurred in
491:List of architectural styles
187:following the stream of the
586:Tourist attractions in Peru
363:Nuestra Señora de la Merced
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520:Bailey, Gauvin Alexander.
412:(rococo facade Lima), the
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137:central doorway and towers
410:Casa de las Trece Monedas
175:In the early days of the
455:, the main altar of the
434:Greco-Roman architecture
571:Architecture in Bolivia
541:Gauvin Alexander Bailey
420:, all located in Lima.
353:It was the most ornate
343:Churrigueresque baroque
318:) features such as the
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447:and the towers of the
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337:Church of La Compañía
292:Church of La Compañía
195:and where art blends
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576:Architecture in Peru
511:Accessed 13.08.2013.
481:Architecture of Peru
451:, the facade of the
339:and Puno Cathedral.
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465:Fort Santa Catalina
459:, pilasters of the
359:José de Churriguera
189:Italian Renaissance
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103:, developed in the
424:Neoclassical style
280:Cathedral of Cuzco
272:Torre Tagle Palace
179:was developed the
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150:Torre Tagle Palace
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24:Cathedral of Cusco
486:Balconies of Lima
449:Cathedral of Lima
331:and later in the
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122:Renaissance style
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252:rustication
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181:Renaissance
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135:Renaissance
69:introducing
550:Categories
201:Romanesque
77:March 2024
52:references
406:Granadian
400:are: the
390:balconies
379:See also
237:pilasters
30:style of
475:See also
329:Arequipa
288:Arequipa
241:cornices
217:Ayacucho
211:and the
441:baroque
408:), the
394:baroque
355:Baroque
320:kantuta
308:Bolivia
233:columns
229:Baroque
154:Mudéjar
146:Baroque
116:quincha
65:improve
398:rococo
381:Rococo
373:Rococo
316:Aymara
270:, the
264:Rococo
205:Arabic
197:Gothic
185:Europe
156:style.
54:, but
497:Notes
445:altar
276:Cuzco
215:. In
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