497:, up until he was 13 years old. He described working in the fields as demanding but rewarding for the strong familial bonds. Astudillo worked as a dishwasher and later a cook at his family's restaurant. Singing in his church choir provided Astudillo an outlet, although he initially felt shy about it. Astudillo found himself drawn to music class. At the age of nine or ten, Astudillo began writing love poems and songs as a way to express himself. Astudillo acknowledged that it was never a planned endeavor to become a singer, but rather a serendipitous discovery. He initially began singing on a whim, without any preconceived notions of pursuing it as a career. As he delved deeper into the craft, Astudillo found himself equally enamored with singing and composing lyrics. Astudillo was raised in an economically disadvantaged neighborhood but remained resolute in his pursuit of a musical career.
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Latin and Q-Productions failed to yield agreeable terms. Astudillo founded, Peace Rock
Records, an extension of Peace Rock Publishing, aligning with the pattern observed among Tejano artists venturing into autonomous record labels amidst the genre's persistent downturn. Astudillo avowed his proclivity for proactive engagement, eschewing passivity, remarking "I'm a hands-on kind of guy" preferring not to await opportunities idly. He observed that assuming a passive role merely facilitated the presentation of ideas, yet failed to garner financial support from record executives, reflecting the prevailing sentiment among executives that Tejano is in decline and lamenting the genre's perceived stagnation, deeming it is "not where it's at".
1052:. The single, "Piquito de Oro", made its debut at number six on the indie Tejano Singles music chart in Texas on the week ending April 7, 1994. The following tracking week, it peaked at number two. Astudillo's mother, Paz Astudillo, died on April 11, 1994. "Piquito de Oro", as well as the album's other singles; "Vas a Llorar", "Ganar O Perder", and "Acaso No Soy", were receiving considerable airplay in Texas. "Vas a Llorar" utilizes the backdrop of raindrops as a symbol of someone crying. The track debuted at number nine on the indie Tejano Singles music chart on the week ending June 2, 1994, it peaked at number two behind "Amor Prohibido" on the week ending July 3. "Vas a Llorar" reached the top 15 of the US
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felt proud of his journey with her, asserting his ability to stand on his own merit as a solo artist. Maldonado remarked that witnessing
Astudillo's departure from Selena y Los Dinos was difficult, as their onstage chemistry and mutual support had become integral to their performances. Astudillo separated from Oxygeno and embarked on conceptualizing a distinctive moniker for his new band which included Jesse Jesus Ybarra on guitar, who formerly was the guitarist for Selena y Los Dinos in the 1980s, Danny Hernandez and Mike Hererra on keyboards, Sernando Orosco on bass, and Ricky Landeros on drums. The singer asked listeners of
524:, they were discovered by local DJ, The Bird El Locutor #2. Astudillo described it as a stroke of luck, feeling they were in the right place at the right time. In August 1988, The Bird extended Los Bad Boyz a regular slot at Rox-Z's in Laredo on Tuesdays during Tejano nights, though they performed unpaid. Despite their performances, Los Bad Boyz went unnoticed as they were relatively unknown. The club's owners and workers appreciated their music, prompting The Bird to propose to management that whenever a popular band or performance was scheduled, Los Bad Boyz could open for them. The following month, Los Bad Boyz opened for
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booking, offering his business card, and requested them to call him the following Monday to discuss potential future collaborations. Abraham asked Los Bad Boyz if they would go on the road with them as their opening act, which they did for the next two months. They opened for Selena y Los Dinos in various cities, as a strong friendship with A. B. began to develop. Astudillo stated how he and Ojeda "were happy just to be on the same stage with ", and thought that the group was "just being polite" when they were asked to continue to support the group as opening acts. Astudillo likened Selena y Los Dinos to the "Latino
2108:, stated that he has continued to be paid well as a result of people continuing to purchase Selena albums and songs as well as requesting material from Selena on the radios. When asked what he has done with the royalties in the last two decades since Selena's death, Astudillo responded that it has fed him and his family and allowed him to live a comfortable life, though he is not very exuberant. He answered that he had lived a normal, quiet life, and thanked God that he could provide for his family, calling it "an incredible blessing".
1480:, Astudillo embarked on a tour. The majority of his concerts were done in Texas, while he ventured into Georgia, Florida, Michigan, and Arizona. Astudillo expressed satisfaction with the reception he had received during his tour, noting invitations to return to Georgia and Florida. Devoting eleven months of the year to touring, Astudillo confessed that he finds fulfillment in performance and would feel despondent without it. During any downtime from performances, he engaged in songwriting and music production endeavors.
1406:'s portrayal of Selena. He considered it important to contribute to the film's success, drawing from his personal experiences with Selena to assist his co-stars. Astudillo struggled to contain his emotions during the film's premiere, finding it challenging to watch recreated moments he described as "the happiest moments of my life". Despite inconveniences such as early morning filming schedules as a result of cutting his hair, Astudillo actively promoted the film during a special edition of
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seeking a lead singer. They formed Los Bad Boyz, making their debut at
Astudillo's brother, Rogelio Astudillo's catering business's reception hall. Rogelio often recommended Los Bad Boyz to patrons who were unable to afford live music. Los Bad Boyz faced challenges securing larger gigs, and encountering rejection from promoters, even after offering to perform for free. Astudillo attributed this to their relative obscurity and the skepticism surrounding the potential of a two-person band.
1986:. Despite being indefinitely linked with Selena, Astudillo remains unperturbed by the persistent inquires, remaining proud of his roots. Tarradell credits Astudillo as the mastermind behind Selena's sound. He coauthored Selena's top-selling and most popular songs, cemented him into music history. Astudillo has authored or collaborated on some of the most popular Tejano songs of the 1990s, including most of Selena's repertoire and "Estupido Romantico". John Lannert of
1538:-style tracks reimagined in his distinctive manner, the album features mariachi compositions and a cumbia mariachi number. Astudillo aimed to cater to a broad audience, believing the album's varied content would resonate with younger and older listeners. He expressed a commitment to crafting music that transcends industry standards, prioritizing songs that resonate with the public's preferences over those solely aimed at garnering industry acclaim.
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937:, Vela, and Ojeda. According to PĆ©rez, Astudillo was supportive of his and Selena's relationship, despite her family and the other member's cautions about how Abraham would take it. Astudillo mentioned that although the band wasn't entirely certain, they had sensed that something was developing between Selena and PĆ©rez. PĆ©rez began dating Selena in secret. In reaction to her emotions for PĆ©rez and their concealed relationship, Selena composed "
1650:. He described the album as an innovatively varied album while still retaining a Texan vibe. With this album, Astudillo aimed to revisit the Mexican music market, which he believed had been largely neglected. He sought to make a statement through his music and opted to record the album at various locations to ensure its quality. Targeting younger audiences, Astudillo decided on a fusion of romantic cumbias and pop music with influences from
1473:. Due to last-minute agreement forms presented by producers, Astudillo and other musicians, including A. B., declined to sign due to excessively restrictive terms. Tensions escalated backstage as producers issued ultimatums, leading to an 11-hour standoff. Eventually, producers relented, allowing musicians to sign only the standard release forms. As a result of the delay, only a few artists were able to perform that evening.
1142:. He commenced delivering his amalgamation of Selena's songs during his concerts, expressing that he manages her death like any other individual who deals with a loss. Astudillo expressed gratitude for the lessons gleaned from Selena, which facilitated his coping mechanisms. In June 1995, "Amor Prohibido" became the first Spanish-language song to receive the BMI Pop Music Award. In July, Astudillo opened for
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attend his shows not merely to witness him perform, but to actively participate in the music experience. His performance style is characterized by its dynamic energy and infectious rhythms, often involving the crowd. He attributes his approach to concert performances to Selena, whose stage persona left a mark on
Astudillo's performance style. During one of his performances, music critic John Leland of
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1658:. Despite the rising popularity of Colombian music at the time, Astudillo asserted that his incorporation of Colombian-inspired tracks stemmed from his genuine enjoyment of the genre before its surge in popularity. Adding to his personal touch to the album, Astudillo also included rock-influenced songs, professing himself to be a "rocker at heart". He initiated negotiations with
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third-most-popular
Regional Mexican Albums artist. Astudillo, along with other artists signed to EMI Latin, was acknowledged for contributing to the label's sustained dominance of the Latin music charts in 1996. "Como Te Extrano" ended 1996 as the fifth most-popular US Latin song as well as the second-most-popular US Regional Mexican Song,
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talent, not a novelty act. According to A. B., Astudillo contributed significantly to Selena y Los Dinos' repertoire. Typically, A. B. would conceive the thematic concept, while
Astudillo would collaborate in crafting the lyrical content. Their collaborative efforts frequently centered on personal narratives and vicarious experiences. The
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987:, Ramiro Burr named "Ganar O Perder" as one of the "hot cuts on Tejano radio". The single peaked at number three on the music chart on the week ending December 23, 1993. Astudillo began working on this third studio album in January 1994. He was nominated for Male Vocalist of the Year and Vocal Duo of the Year with Selena at the
1942:. Astudillo possessed a distinctive voice and a recognizable appearance. His trademark long hair was styled in a confident pompadour atop his head, cascading down to the middle of his back, a look that garnered admiration from fans who emulated his style. Astudillo's decision to cut his hair was driven by a desire for change.
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1283:, and Song of the Year, along with Vela, for composing "Estupido Romantico". Cabrera anticipated Astudillo to win Most Promising Band, attributing it to the success of "Como Te Extrano", while Burr shared a similar expectation, foreseeing Astudillo's potential to secure several accolades owing to "Como Te Extrano"
2010:. On November 27, 1996, Astudillo visited Miller High School in Corpus Christi, Texas, aiming to educate students about the perils associated with drugs and alcohol. Astudillo performed several songs during his visit, that was sponsored by the Coastal Bend AIDS Foundation, as part of the school district's
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charts and received considerable airplay on Latin music stations across the country. Cabrera described the title track as a vibrant dance offering with robust percussion, complemented by an accordion melody and
Astudillo's signature vocals. Cabrera observed an abundance of rhythmic diversity infused
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solidified
Astudillo's presence in the industry. The title track, written by Astudillo, Ojeda, and A. B., was recorded as a tribute to Selena and Astudillo's mother, Paz. The song emanated from Astudillo's emotions and heartfelt sentiments. Astudillo emphasized that the songwriting process was deeply
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In
February 1994, Abraham advocated for Astudillo's emancipation from Selena y Los Dinos, recognizing his potential for solo success. Astudillo welcomed the chance to showcase his abilities independently, eager to perform more of his own material. Despite claims of relying on Selena's fame, Astudillo
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In
October 1999, Astudillo participated in a free festival held at Robstown-Nueces County Park, sponsored by the Robstown Area Development Commission. The festival featured a variety of activities tailored to foster a family-oriented atmosphere, aimed at bringing the community together. He performed
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Cabrera found Astudillo to seamlessly combine his artistic flair with his vocal abilities, delivering an engaging and captivating live performance. Astudillo is known for his engaging stage presence and penchant for interaction with his audienceāa practice he values deeply, recognizing that his fans
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classic Tejano sound infused with a cumbia rhythm and personal lyrics drawn from Astudillo's experiences. The track was written for Astudillo's mother from his father's viewpoint. "Tequila Con Lagrimas" delves into the theme of lost love and emotional turmoil, offering solace through the metaphor of
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magazine, hailed the album for its innovative blend of pop, cumbia, and ranchera styles that pushed the boundaries of Tejano music. Tracks like the rancheras "Si Me Vas a Dejar", "Cayo Una Lagrima", "Cree en Mi", and the pop cumbia "Completamente Enamorado", also received airplay. Despite "Yo Estare
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expressed confidence in Astudillo's trajectory, foreseeing his ascent to prominence as one of the top Tejano artists in the industry. The newspaper lauded Astudillo for his vocal abilities and songwriting skill, attributing these talents as providing him with a distinct advantage and positioning him
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Astudillo's songs draw from personal experiences, reflecting varied emotions. While often melancholic, he clarifies not all are sad; while finding that authenticity is paramount. Astudillo considers himself a meticulous songwriter who is open to unconventional ideas like using "stupid" in "Estupido
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On July 9, 2003, Astudillo announced his first album in two and a half years, expressing his disdain for artists releasing albums every eight months or less. He preferred that audiences engage with his entire album rather than consuming music in fragments. Astudillo commenced pre-production of the
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Hot Latin Songs chart and number nine on the Regional Mexican Songs chart, in the week ending October 21, 1995. It peaked at number one on the Regional Mexican Songs chart, on the week ending November 18, 1995, where it remained atop the chart for ten consecutive weeks. "Como Te Extrano" peaked at
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Astudillo, despite pursuing a solo career, remained dedicated to Selena y Los Dinos, emphasizing his loyalty to the band. He continued to contribute songwriting while touring. When asked if he would depart Los Dinos to continue his solo career, Astudillo responded that he would not leave the band,
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within the band's dynamic. Astudillo often performed duets with Selena on tour, while Ojeda joined as the second keyboardist. Astudillo brought complex lyrics and melodies with lots of chords to his songwriting assistance for the group. Astudillo experienced a profound sense of fulfillment when he
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A. B. gradually persuaded Abraham, though initially reluctant due to financial concerns and the band's nascent success, to incorporate Los Bad Boyz into the group. Ultimately, A. B. convinced Abraham, allowing Astudillo and Ojeda to integrate into Selena y Los Dinos. Astudillo and Ojeda joined the
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In "Me Estas Doliendo el Corazon" and "Tequila Con Lagrimas", Astudillo shifts to cater to fans with more conventional preferences, according to Cabrera, who found that both tracks exemplify Astudillo's style for approaching themes from unique perspectives. "Me Estas Doliendo el Corazon" offers a
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Astudillo decided to part ways with Q-Productions in 2001 due to "creative differences" regarding his career trajectory. He revealed that discussions with EMI Latin indicated a softening Tejano market and the label suggested that he had already passed his professional peak. Negotiations with EMI
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s mid-year recap, Astudillo ranked as the sixth most-popular Regional Mexican Songs chart artist. "Como Te Extrano" ranked as the second-most popular song on the Regional Mexican Songs chart, and the album ranked at number two on the Regional Mexican Albums list, which enabled him to rank as the
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During the recording sessions for the duet "Amame, Quiereme", Astudillo felt overwhelmed by the professionalism of Los Dinos in the studio, as the group had high expectations for him to match their level. It was Astudillo's first recording session in a studio, Suzette remarked that Astudillo was
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production and songwriting. It was the first album with any production and songwriting assistance from Astudillo and Ojeda. Astudillo discovered his ability to write songs when he started collaborating with A. B. It wasn't until their initial songwriting session that Astudillo thought he "can do
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Astudillo's compositions exhibit a rhythmic cadence reminiscent of Selena's signature style. Astudillo infuses his musical arrangements with a blend of international influence and pop music. Astudillo emphasized delivering the best material and avoiding superficiality to be seen as substantive
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and attending vocal classes, and worked at his father's restaurant in Laredo. In 1985, Astudillo revealed his aspirations to his family, surprising them by announcing his pursuit of a music career, a passion he had concealed until then. Astudillo met Joe Ojeda, through a mutual friend, who was
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Abraham was initially skeptical of Los Bad Boyz opening for Selena y Los Dinos because they were a two-person group. Los Bad Boyz's performance made a positive impression on Selena y Los Dinos and Abraham. After the show, Abraham approached Los Bad Boyz and inquired about their management and
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or gifts for her children. Astudillo arrived at Loera's house with gifts. Reflecting on the experience, Astudillo expressed profound emotion at being present with the Loera family, affirming his belief that everyone deserves a joyful Christmas. He performed for the family during dinner with
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Pete met Selena in September 1988 when he and another Laredoan, Joe Ojeda, keyboard player with Los Dinos, opened up for her band when they played at Rox-Z's nightclub. Pete and Joe opened up for Selena y Los Dinos for the next two months and in December 1988, they became part of Selena's
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Los Dinos supported Astudillo's desire to go solo. With A. B.'s support, they began work on his debut album during their spare time amidst Selena y Los Dinos' busy schedule. Astudillo's rapid rise led Abraham and EMI Latin to recognize his potential as a solo artist. Los Dinos contributed
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At the 1994 BMI Latin Music Awards, Astudillo won Songwriter of the Year. At the Tejano Music Awards, Astudillo and A. B. continued to be snubbed from receiving Songwriter of the Year awards, a move criticized by Cabrera, who found them responsible for Selena's works. Astudillo co-wrote
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By 2002, Astudillo took a brief hiatus from the music scene to care for his aging father. Additionally, he opted for this hiatus because he noticed a decline in bookings for his performances, which prompted him to reassess his career direction. He produced singer Sesi's
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with cumbia and South American dance influences in songs like "La Negra Tomasa", "Tu Tanga", and "Mira Como Se Le Mueve". The latter, along with "No Te Perdono", features horn-driven arrangements with bold and assertive characteristics distinct from his earlier works.
689:. After a friend of his successfully hit the required range and with encouragement, Astudillo retried and met the required demands for the track. Astudillo said how his aspirations of recording in a professional studio inspired him to not give up. Writing for the
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Astudillo aimed to capture universal sentiments of longing and ache in "Como Te Extrano", purposefully omitting Selena and his mother's name to allow listeners to personalize the song. It became Astudillo's signature song. Driven by the emotive titular track,
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to pursue an acting career in 2000. Astudillo shares a home with his girlfriend, whom he has been with for 17 years. Although they are not married, he regards her as his wife. He has a 26-year-old stepdaughter, whom Astudillo considers his daughter.
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chart in April 2021. By May 2021, Astudillo had written over 100 songs. He released "Separaditos", which was inspired by the COVID-19 pandemic in 2021. It contained a positive message of hope, according to Astudillo, who promoted the track through a
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rendition of "Como la Flor", and the ballad "Quiero Llorar". Ruido AƱejo strategically decided to debut their softer material at the 2013 Tejano Music Awards as a means to appeal to the traditional audience. They were concerned that performing their
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In January 1996, Astudillo made a significant change by cutting his long locks, opting for a more contemporary and sophisticated look. Despite reservations from EMI Latin and advice from his label's manager, Lee Garza, he proceeded, jokingly citing
1703:, regarded Astudillo's performance of "Como Te Extrano" as one of the most emotionally charged moments of the concert. Ruiz noted that Astudillo's rendition moved those in attendance to tears, including Selena's mother, Marcela. Astudillo was the
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nominations. In March 1997, Astudillo released his lead single, "Si Tu No Estas". The track debuted and peaked at number 37 on the Hot Latin Songs chart, on the week ending June 14, 1997. The album of the same name was released in June 1997.
929:", drew inspirations from everyday life. "ĀæQuĆ© CreĆas?" was certified gold (Latin), while "La Carcacha" was certified 3Ć platinum (Latin) by the RIAA. During the band's travels on the tour bus, Astudillo often hung out with A. B., guitarist
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Astudillo was nominated for Song of the Year for "Si Tu No Estas", Male Entertainer of the Year, Male Vocalist of the Year, and Tejano Crossover Song of the Year for "No Lo Niego" at the 1998 Tejano Music Awards. Astudillo was featured on
1446:, disagreed with Riemenschneider's critique. She found the track to be one of the best recordings on the soundtrack, despite its departure from traditional Tejano beats. Vera felt the song was intended to be a slower, toned-down track.
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By 1995, Tejano became the fastest-growing Latin genre, with annual revenues topping $ 100 million. Astudillo collaborated with A. B. on the comical cumbia track "Asi Te Quiero" (1995) for Imagen Latina. On March 31, 1995, Selena was
736:, reflecting their growth and evolution. The song's form wasn't distinctly Texan or Mexican but represented international Spanish music that masked within a slow cumbia framework. Other tracks Astudillo wrote for the album includes, "
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for Songwriter of the Year. Astudillo expressed that being acknowledged as a songwriter held special significance for him, as he viewed writing as equally crucial to his artistry as performing. On March 9, 1996, Astudillo narrated a
1025:. "Amor Prohibido" was certified 7Ć platinum (Latin) by the RIAA. "Bidi Bidi Bom Bom" peaked at number one on October 29, 1994, and was certified 9Ć platinum (Latin) by the RIAA. Other tracks Astudillo wrote or co-wrote for
884:", penned by Astudillo and A. B., emerged from genuine emotions, despite initial disagreements over its theme. "Como la Flor" became one of the most popular songs recorded by an artist of Mexican descent in the US. In 2018,
2030:. For Labor Day 1997, Astudillo participated alongside other Q-Productions artists in a benefit concert to support the Corpus Christi Food Bank by raising both food supplies and funds for the cause. Astudillo dressed up as
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to ask Longoria. During the filming of the video, Astudillo and Longoria shot kissing scenes, though it was removed during post-production. After filming, Astudillo and Longoria remained in contact until she departed to
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magazine spotlighted Astudillo's involvement in a series of visits to local schools. He conducted free mini-concerts and engaged with students, delivering talks on the dangers of substance abuse and gang involvement.
1017:(1994), which became the two most popular tracks off the album. Astudillo remarked that co-writing "Bidi Bidi Bom Bom", was one of the best memories he shared with Selena. "Amor Prohibido" peaked at number one on the
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in San Antonio. Astudillo called the event "minor" and denied being drunk behind the wheel and asked fans to not judge him, saying "We all make mistakes". In April 2015, Astudillo, in response to an interview about
1442:, Navaira, and PeƱa. While Riemenschneider found "VivirƔs Selena" to have lacked the distinctive Tejano flavor, he still regarded it as a pleasant tribute to Selena. Conversely, Mary Christina Vera, also from the
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shared a private room to bond before shooting the music video for "No Lo Niego". While Astudillo expressed there was chemistry between them, he refused to acknowledge if anything happened between them, telling
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In September 1998, Astudillo released his lead single, "ĀæDĆ³nde EstĆ”s Amor?". Describing it as a romantic cumbia infused with accordion melodies, Astudillo highlighted the album's diverse offerings. Alongside
315:, integrating in December 1988. Astudillo's addition involved harmonizing with Selena and taking on various roles within the band's dynamic. Astudillo's contribution to songwriting for the group began with "
1630:, Joe Zepeda believed that the track would seamlessly blend in with the songs during Tejano's golden age in the early 1990s. Astudillo recorded "Eclipse", a duet with Denisse, on her debut album in 2002.
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following the news, talking about Selena as he wept on air, as he was still recovering from his mother's death the year prior. He attended her funeral on April 3. Astudillo resumed performing during the
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band Ruido AƱejo. The group consisted of Astudillo, Ojeda, bassist Adriel Ramirez, guitar-producer Manuel "Meatt" Riojas, guitarist Ruben Rea, and drummer Frankie Diaz de Leon. The group's debut album,
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for a free concert sponsored by local sponsors at the 2000 Cinco de Mayo celebration in Corpus Christi. Astudillo provided support for singer Devin Banda after she tearfully released a video on being
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with Ruido AƱejo in the early 2010s, Astudillo returned to Tejano music with his band, Pete Astudillo y Tekno-Mex. His collaboration with A. B., on "PelĆ³n" for Boyz of Kumbia, peaked at number 38 on
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therapy. Cabrera noted "Una Flor Lloro" as a poignant track exploring themes of betrayal, showcasing Astudillo's adeptness at employing metaphor and symbolism. Astudillo began experimenting with
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was the fourth best-selling Regional Mexican Album, while Astudillo ranked as the sixth most-successful regional Mexican artist of 1996 and the 22nd most-successful Latin songwriter of the year.
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489:, Pedro and Paz Astudillo. Pedro and Paz immigrated to the United States in 1962. Astudillo worked alongside his parents and siblings on farms in Idaho, Colorado, Wyoming, and Montana, thinning
286:'s sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular
819:, Rene Cabrera proclaimed Astudillo as possessing the requisite attributes to succeed as a soloist, noting his adept vocal abilities harmonized with a polished and commanding stage demeanor.
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972:, found Astudillo's rendition of "Un Hombre Busca Una Mujer" at the awards ceremony as commendable, which demonstrated his readiness to embrace challenges tackling a demanding arrangement.
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genre in future releases. Astudillo's collaboration with A. B. steered the band towards a more danceable style infused with cumbia influences. This fusion, according to Pamela Colloff of
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1589:, in August 2001, and ranked among the most appealing musicians in the Tejano market. Astudillo characterized the album as a fusion of diverse rhythms rooted in Tejano influences. The
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who habitually makes excuses for his actions, for Big Circo. The song merges norteƱo cumbia rhythms with the rock-infused vocals of accordionist and vocalist Big Boy. Writing for
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a Tu Lado" not gaining recognition, Cabrera praised it as an ode to true love, showcasing Astudillo and Vela's skillful writing and Jesse Garza's emotive performance on the
756:(RIAA), denoting 360,000 units consisting of sales and on-demand streaming in the United States. The compositions Astudillo wrote or co-wrote were largely responsible for
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and the sacrifices Astudillo's parents had made for him. On March 27, 2024, Astudillo announced that he and PeƱa collaborated on a song, which he plans to release soon.
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noticeably nervous during the sessions. Astudillo was removed from the studio after an unsuccessful session, he expressed his disappointment at not meeting the desired
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Romantico". He prioritizes originality, pushing creative limits for impactful recordings, and eschewing haste for distinction. Astudillo's fusion of Latin music with
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recorded "Por La Madrugada" (2018) featuring Astudillo. In 2019, Astudillo released "El Rey del Ritmo" which featured Erick Sanchez. Astudillo recorded a duet with
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on November 19, 1993. The following week, his single "Ganar O Perder" debuted at number nine on the indie Tejano Singles music chart in Texas. Music critic for the
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wanted to sign Selena y Los Dinos to his label, while CBS was offering twice EMI's offer. Abraham found EMI Latin's proposal appealing due to the potential for a
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695:, Maria Cortes Gonzalez called Astudillo's vocals on the track as being sexy, and seductive. "Amame, Quiereme" was nominated for Vocal Duo of the Year at the
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show after expressing her Christmas wish to the producers. The producers spotlighted Loera's story after she candidly shared her concerns about affording a
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with contemporary vibes of video culture from northern America. Leland enjoyed Astudillo's fusion of his Tex-Mex music and the vernacular typically used in
1687:, a benefit concert commemorating the 10th anniversary of the singer's death. Astudillo performed "Como Te Extrano" at the event. Juan Martin Ovalle of the
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512:. Despite this business venture, Astudillo harbored a passion for music and was determined to pursue a music career. He reapplied for college, majoring in
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magazine, observed that Astudillo's impact on the US Latin music scene lies in his role as a songwriter collaborator. Astudillo was inducted into the
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Despite pursuing a solo career, Astudillo remained dedicated to Selena y Los Dinos, contributing to songwriting while on tour. He and A. B. co-wrote "
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At the 1997 Pura Vida Awards, Astudillo faced logistical issues that led to a delay in the show's commencement as he was slated to co-host alongside
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marks Astudillo's first album in two years, a rarity in the Tejano market where prolonged breaks risk fading into obscurity. Despite industry norms,
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magazine's top Latin songs in Florida. Cortes Gonzalez felt that "Vas a Llorar" is a testament to Astudillo's talent as a songwriter and performer.
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1952:, found Astudillo's performance as being a quintessential Tejano moment: a first-generation Mexican American blending the traditional roots of the
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At the 1996 BMI Latin Music Awards, "Bidi Bidi Bom Bom", "Si Una Vez", and "Amor Prohibido" received Song of the Year honors. Astudillo tied with
453:(1999). Astudillo left Q-Productions in 2001 to forge his own label, Peace Rock Records and released his albums independently. After a stint as a
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433:
on December 1, 1995, as the title track served as a tribute to Selena and Astudillo's mother, Paz. The titular track peaked at number one on the
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s chart accomplishments. Astudillo won Most Promising Band, and began to be hailed as the "next big thing" in the Tejano market. By March 1996,
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9118:
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Anon. (March 27, 1996a). "Univision Announces the Nominees for Spanish-Language Music's Highest Honors: Premio Lo Nuestro A La Musica Latina".
7991:
1866:"Esta Es Paā Mi Raza", after realizing he had yet to release a song about his family and upbringing. The track discusses the struggles of the
1332:(1996) album. Cabrera perceived the new rendition's inclusion on the album as "sort of for old times sake", while Chris Riemenshneider of the
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8741:
8262:
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6129:
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1549:, Astudillo received the nomination for Best Mariachi Song by a Tejano Artist for "No Lo Niego". Astudillo performed during the 41st annual
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sold 50,000 units within its first month, 100,000 units in seven weeks, and reached 200,000 units by January 1997. The sales achievement of
9138:
9087:
1222:, on the week ending November 25, 1995. The album maintained its position in the top ten of the Latin music charts for nearly four months.
6093:
BeltrĆ”n LĆ³pez, Luis Gerardo (January 14, 2021). "Los Bad Boyz, el grupo que abrĆa para Selena Quintanilla y Los Dinos, ĀæquiĆ©nes fueron?".
367:" (1992), which became one of the most popular songs recorded by an artist of Mexican descent in the US. Widely considered to be Selena's
1248:(head lice) as the reason for the change. Astudillo was inundated with requests from various musicians seeking material, among them were
9218:
9148:
1264:. The band lineup remained mostly unchanged, with the addition of accordionist John Saenz. Astudillo co-headlined a sold-out concert in
520:
Astudillo and Ojeda considered quitting the music industry, feeling overwhelmed by its challenges. During one of their performance at a
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568:. Astudillo's addition to Selena y Los Dinos involved harmonizing with Selena and performing duets with the singer, as well as being a
9243:
9203:
9163:
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1453:, Astudillo received Song of the Year for "Como Te Extrano", Male Vocalist of the Year, and won Orchestra/Group Album of the Year for
898:
credits the rise of Latin pop in the US during the 1990s to the widespread appeal of "Como la Flor". Widely considered to be Selena's
642:
market, with future sights into an English-language crossover. The band became "a bit more trendier and a little bit cutting-edge" on
552:
radio stations in Texas. Astudillo remarked that he knew who Selena was, but noted that he was not too into Tejano music at the time.
1569:, her first of many records to "make up time" to listen to newer artists works. Astudillo became troubled by the lackluster sales of
822:
Astudillo and his band Oxygeno began as opening acts to Selena y Los Dinos. Abraham became Astudillo's manager and signed him to his
9153:
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by 2019. Astudillo expressed that while he may not be able to sing indefinitely, his ability to write will endure while he's alive.
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concert of Selena y Los Dinos. For the first anniversary of Selena's death, Astudillo scheduled a tribute concert for the singer in
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to propose names for his new band. The station received over 150 submissions, with the winner winning a dinner date with Astudillo.
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praised Astudillo's albums for showcasing his "charismatic voice" through "well-written cumbias and ballads." Santiago Esparza of
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1154:. The track peaked within the top ten of the Hot Latin Songs chart in September 1995. Astudillo released his third studio album,
5136:
441:, and began to be hailed as the "next big thing" in the Tejano market. At the 1996 BMI Latin Music Awards, Astudillo tied with
8595:
7834:
968:, while Astudillo and Selena were nominated for Vocal Duo of the Year for "Siempre Estoy Pensando en Ti". Rene Cabrera of the
842:, "Porque Le Gusta Bailar Cumbia", "Nada Nada", and the title track, were receiving heavy airplay in Albuquerque, New Mexico,
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1887:
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Hot Latin Songs chart the week ending June 11, 1994, and remained atop the chart for nine consecutive weeks becoming the
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elements with a contemporary pop influence, a fusion influenced by his upbringing in Laredo. Astudillo was exposed to
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663:", which he co-wrote with A. B. who regarded as a turning point for the band as it steered them towards exploring the
2002:
Astudillo performed at the 1995 Texas Tours Tejano Super Car Show, and part of the proceeds were donated to benefit
1817:
and broadcast on Univision in April 2020. The concert was scuppered due to the COVID-19 pandemic. In December 2018,
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1778:(2017). Astudillo introduced his new band, Pete Astudillo and Tekno-Mex during the October 2017 annual Bootfest in
1558:
5993:"Pete Astudillo, Stefani Montiel, Ricky Valenz & Raul Sanchez release Christmas collaboration [VIDEO]"
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1991:
1980:
rhythms enchanted audiences, transcending Texas borders with a sophisticated sound, noted by Marty Racine of the
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for being "culturally, historically, or aesthetically significant" in 2021. Supported by Los Dinos and signed to
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8843:
8752:
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Ragland, Cathy (February 27, 1996a). "Tejano tips hat to conjunto; Award nominations for accordion-led bands".
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2007:
1968:
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1276:
988:
965:
725:
696:
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438:
8884:
Vera, Mary Christina (April 3, 1997). "We get letters//the price isn't right // 'Selena' soundtrack excels".
1291:
was certified platinum (Latin) by the RIAA for shipments of 100,000 units in the United States, while former
906:, as well as her most popular recording. It is one of her "most celebrated" songs and has become part of the
815:
instrumentally to his album, with A. B. co-writing six tracks and producing the record. Music critic for the
9103:
8818:
7959:"Grupo Quemado releases 'Ay Como Cambian Las Cosas' ft. Jessy Serrata & David Lee Garza [AUDIO]"
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and Selena. Astudillo recorded "Tu Robaste Mi CorazĆ³n", originally performed by Selena and Navaira, for the
1319:
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769:
501:
337:
90:
1774:, Ricky Valenz, and Raul Sanchez. Astudillo recorded "Se Que Pensabas" with Grupo Quemado for their album,
1260:. Astudillo debuted his band's new name, Grupo Futuro, during his concert at the Pure Country nightclub in
1189:, ranked it as one of the best Latin albums of 1995, praising Astudillo as the top composer in the market.
9233:
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8368:(Media notes). A. B. Quintanilla (producer), Suzette Quintanilla (spoken liner notes producer). EMI Latin.
1846:
1742:, and the Chris Perez Band. The album featured a revamped version of "Como Te Extrano" as well as a 1980s
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album a year before its announcement. The album comprised nine tracks penned by Astudillo, along with two
1299:
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peaked at number six on the Top Latin Albums chart, on the week ending December 16, 1995. Paul Verna from
434:
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observed that Astudillo unleashed a torrent of Latin sounds, incorporating various musical elements into
922:
437:
chart, where it remained for ten consecutive weeks. Astudillo received Most Promising Band honors at the
8823:
8378:
8207:
7664:
7337:"'Absolutely Surreal' Julio Macias 'Incredible Grateful' for Promotion to Regular Role in 'On My Block'"
7137:
7101:
6144:
6100:
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1835:, which spotlighted Astudillo and Ojeda's origins in Laredo, Astudillo "helped put Laredo on the map".
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personal, allowing him to express his feelings without pretense. It made its debut at number 15 on the
1782:. The group consisted of Ojeda, Ricky Landeros, Juan Garza, Sonja de la Paz Garcia, and Diego Garcia.
1150:'s Conservation Cove. Astudillo collaborated with Vela on "Estupido Romantico", which was recorded by
772:
chart, which by March 1992, ranked as the second-most weeks an album has remained on the chart behind
9108:
8613:
8601:
8580:
8253:
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5582:
5395:
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discerned Astudillo's vocals as opulent and refined, amidst his tenure alongside Los Dinos on tour.
1704:
1517:
1147:
765:
300:
6021:
Anon. (September 16, 2021). "From the National Recording Registry: 'Ven Conmigo' -- Selena (1990)".
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was invited to join Selena y Los Dinos, feeling as though his aspirations had finally materialized.
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saying "I'm a Dino, part of the family. This group is solid and I like it here." The band's album,
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debuted and peaked at number 37 on the Top Latin Albums chart, on the week ending June 14, 1997.
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509:
376:
333:(1990) contributed to its commercial success, ranking among the longest-running albums on the US
312:
227:
1717:
8463:
Riemenschneider, Chris (March 22, 1997a). "'Selena' movie CD lacks her talent, Tejano flavor".
1614:-influenced tracks in his Tejano recordings, following the footsteps of other Tejano artists.
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contained material of equal or superior quality, yet its success did not measure up to that of
9018:
8889:
8737:
8648:
8519:
8502:
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Riemenschneider, Chris (February 28, 1997b). "Tejano Music Awards to be handed out Saturday".
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8424:
Riemenschneider, Chris (November 9, 1996). "Siempre Selena' proves singer's range of talent".
8412:
8395:
8350:
8335:
8307:
8258:
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8211:
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8100:
8093:
A New America: How and Music Reshaped the Culture and Future of a Nation and Redefined My Life
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1982:
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1008:
737:
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609:, Rick Trevino invited Selena y Los Dinos to be the opening act for the awards ceremony after
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6904:"Pete Astudillo Discusses His Journey from Stardom with Selena to Solo Success and New Music"
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272:, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino
1622:(2001) album. Astudillo and A. B. wrote, "Yo No Fui" (2002), a song that revolves around a
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deal, and he intended for his children to be the first musicians to sign with the company.
8816:
Tarradell, Mario (July 14, 1996). "Heir Apparent Astudillo is royalty on his own merits".
7920:
Martin, Annie (February 18, 2020). "Selena Quintanilla to be honored at tribute concert".
6306:
6139:
BolaƱos, CƩsar (December 7, 2020). "El Laredense que fue pieza clave en el Ʃxito Selena".
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2136:
2011:
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Latin Music Awards, Astudillo received Songwriter of the Year honors. Astudillo co-wrote "
308:
1449:
At the 1997 BMI Latin Music Awards, Astudillo was awarded Songwriter of the Year. At the
938:
544:, and Jesse Ybarra on guitar. Selena y Los Dinos was managed by the Quintanilla's father
449:(1997) failed to replicate the commercial success achieved by its predecessor as well as
8652:
8123:
8061:
8032:"Pete Astudillo blends Latin sounds for 'Separaditos' cumbia featuring positive message"
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in May 2016, and the second annual's event in March 2017. Astudillo collaborated on the
1420:
scene was seen as a recognition of his significance within Los Dinos by the producers.
1279:, Astudillo received the nomination for Most Promising Band, Male Vocalist of the Year,
714:, to which Selena's biographer, Joe Nick Patoksi, interpreted the track as an homage to
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8012:"Pete Astudillo speaks on upcoming collaborations, new album in 2019 [PODCAST]"
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and received a commemorative plaque, along with Selena's family, which was hung at the
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729:
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548:. By 1988, Selena y Los Dinos was ranked the most requested band in ten out of fifteen
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Ruiz, Paula; Navarro, Juan Manuel (July 4, 1996). "Yolanda si estara con 'Selena'".
9075:
9063:
8729:
6343:"Grammy-winning Merengue Artist Olga Tanon Influenced by Variety of Musical Styles"
5541:
2100:
2068:
1919:
1838:"PelĆ³n", written by Astudillo and A. B. for Boyz of Kumbia, peaked at number 38 on
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1827:(2020-21), a two-part limited drama series based on Selena's life. In March 2020,
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de la Torre, Chito (June 16, 1996). "In his own words: Pete Astudillo's songs".
7105:
5559:
2080:
2031:
1963:
1939:
1915:
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observed that Astudillo performed the track with full intensity. Olivia Ruiz of
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attended the awards event to scout for new musical acts. EMI Latin's president,
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number two on the Hot Latin Songs chart, on the week ending January 13, 1996.
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label with distribution through EMI Latin. Astudillo released his debut album,
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In April 1997, Astudillo participated in a fundraising autograph session with
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chart and at number two on the Regional Mexican Albums chart, behind Selena's
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674:
622:
541:
513:
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5679:
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866:. "Porque Le Gusta Bailar Cumbia" was often the most requested song by fans.
311:, forming Los Bad Boyz with Joe Ojeda. Discovered by a local DJ, they joined
8338:(producer), Suzette Quintanilla (spoken liner notes producer). 724354099403.
8201:
7356:
Gonzalez, James (March 2, 1997). "Salena's influence felt at music awards".
5850:
2105:
1959:
1935:
1927:
1855:
1814:
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for being "culturally, historically, or aesthetically significant" in 2021.
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169:
32:
8861:"Conoce las canciones mexicanas mƔs famosas de la de la historia en los EU"
7992:"Sunny Sauceda drops teaser of 'Por La Madrugada' video ft. Pete Astudillo"
7972:"Rising Tejano star Devin Banda stands up to cyberbully in emotional video"
8760:
8114:
Navarro, Juan Manuel (March 27, 1997). "'Pudo haber sido la numero uno'".
632:
The production of the group's debut album began in June 1989. The goal of
7682:
7637:
Lannert, John (October 11, 1997). "Int'l acts come back to Mexico City".
7618:"Ready and Willing Labels Scramble to Get Slices of Regional Mexican Pie"
7079:
Corpus, Lorena (September 20, 1996). "Ellos son la familia de 'Selena'".
6108:
2003:
1948:
1739:
1232:
1180:
1132:
569:
494:
174:
8373:
Racine, Marty (April 24, 2001). "Cultures are there for the listening".
6884:"Tekno Mex singer Sonja De La Paz drops impressive solo debut 'Contigo'"
1934:, before ultimately embracing Tejano music. He also enjoys the works of
1484:
failed to replicate the commercial success achieved by its predecessor,
1322:, becoming the third Tejano act to perform at the theme park, following
902:
and her "trademark", "Como la Flor" has become a posthumous epithet and
9014:
8407:
Ragland, Cathy (April 30, 1996b). "Top Tejano songwriters win awards".
8052:
7511:
5831:"Taping of 'Puro Tejano En Vivo' to Feature La Tropa F, Pete Astudillo"
5744:
5580:
Anon. (September 15, 1996b). "Arranca filmacion de la cinta 'Selena'".
1954:
1931:
1863:
1818:
1809:
and indefinitely suspended touring. Astudillo was slated to perform at
1607:
1577:
2001ā2002: Departure from Q-Productions, founding of Peace Rock Records
1183:, typical of Tejano albums, with production by A. B. Mario Taradell of
1127:
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Astudillo made his debut appearance on television with his band on the
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was cast to portray Astudillo in the series. Following the release of
1362:
and Arnfulo Gonzales. "Si No Fui Yo", the second single released from
5954:
Anon. (August 1, 2005). "Tejano musician wrecks car, cited for DUI".
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1110:
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player to join his band. Astudillo made his second appearance on the
573:
529:
283:
1430:, Astudillo recorded the tribute track, "VivirƔs Selena" along with
8072:"Willie Nelson to Serenade the Fishes at Aquarium's Birthday Party"
7096:
Corpus, Lorena (April 4, 2005). "Presume Pete ser padrino de Eva".
6004:
Anon. (October 5, 2017). "Tejano group celebrates Selena's music".
5534:"Pete Astudillo > Artist History > Regional Mexican Airplay"
1911:
1903:
1902:
and emotive songwriting. His compositions often blend traditional
1899:
1496:. He co-wrote with A. B. "La Chica Sabrosura" (1997) for Lobo IV.
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794:
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scene lies in his role as a songwriter collaborator, according to
7113:
Corpus, Lorena (April 1, 2015). "Sigue Pete viviendo de Selena".
2034:
to fulfill a wish for Alejandrina Loera, who was featured on the
1090:
as a competitive contender in the Tejano market. The singles off
424:, while still recovering from his mother's death the year prior.
8927:"Grammy-Winning Singer Selena Killed in Shooting at Texas Motel"
8578:
Rodriguez, Estella (April 16, 1995). "Friends Remember Selena".
7813:"Lead Singer for Imagen Latina in Town Promoting Latest Release"
5973:"9-Year-Old McAllen Girl Wins Title of Little Miss Fitness 2006"
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Pedro Astudillo was born on December 1, 1963, at the Las Palmas
8686:"Selena's impact on Laredo remembered 25 years after her death"
8157:"Decade After Selena's Death, Pals Shine In a Touching Concert"
7939:"Sesi offers free album download, readies for upcoming project"
7060:"Symphony Orchestra to Celebrate Selena and her Musical Legacy"
5205:"Fill Out, Mail Tejano Music Ballot by Friday To Make it Count"
1117:) and his mother, Paz; the song became his signature recording.
910:
cannon. The RIAA certified "Como la Flor" 9Ć platinum (Latin).
7506:
5742:
Anon. (January 15, 1997). "Tiene Selena disco 'de pelicula'".
1813:, a live tribute concert that was scheduled to be held at the
1521:
7597:"Billboard's Latin Awards Show Becomes Mas Grande, Mas Bueno"
3995:
3993:
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on March 25, 1998, and released a promotional jingle for the
724:(1990), which was nominated for Vocal Duo of the Year at the
718:. Astudillo recorded the duet with Selena on "Yo Te Amo" for
9007:
8514:
Riemenschneider, Chris (January 30, 1998). "Street Soundz".
8181:"Meet the Real People Behind Neftlix's 'Selena: The Series'"
1366:, continued the band's success following "Como Te Extrano".
659:. Astudillo's input on songwriting initially occurred with "
254:
8624:"Feria Queen Will Be Crowned Saturday at 41st Annual Event"
6443:"Bands to Tape Canales Show; Selena, Mafia Will Visit Area"
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1083:(1993), did not secure positions on national music charts,
371:
and her "trademark", "Como la Flor" has become part of the
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2487:
2485:
2483:
2481:
2411:
2409:
1071:
on July 3, 1994. He also appeared on the music TV program
319:" (1989), co-written with the group's producer-songwriter
8203:
Selenidad: Selena, Latinos, and the Performance of Memory
6845:
CastaƱeda, Eduardo (January 11, 2002). "Para tus Oidos".
6825:"Selena y Los Dinos Infect Tejano Rodeo With Dance Fever"
5873:"Tejano Singer Astudillo Set to Release His First Single"
5599:
Anon. (September 5, 1996c). "Luces, camara... iSelena!".
4352:
4350:
4348:
4346:
4344:
4342:
4340:
3722:
3720:
3501:
3499:
3130:
3128:
3126:
2585:
2583:
2243:
2241:
1597:
with uninhibited creativity. The title track climbed the
8804:"Selena's Murder Skewed the Tejano Music Scene for 1995"
6302:
The Billboard Guide to Tejano and Regional Mexican Music
6200:"El Mundo De La Farandula, Tejano's Perez Branching Out"
4267:
4265:
4263:
4250:
4248:
4208:
4206:
4204:
4202:
4200:
3836:
3834:
3785:
3783:
2543:
2541:
2539:
2352:
2350:
2239:
2237:
2235:
2233:
2231:
2229:
2227:
2225:
2223:
2221:
2091:
citation after he registered three times over the legal
1898:
Astudillo's musical style is characterized by his vocal
1854:
dance challenge. The track features cumbia rhythms with
1711:
2010āpresent: Ruido AƱejo and Pete Astudillo y Tekno-Mex
1402:, portraying himself as a dancer and backup vocalist to
1075:
on December 17, 1994. While Astudillo's initial albums,
8497:
Riemenschneider, Chris (April 19, 1997c). "Best Bets".
8050:
Molina, Rafael (June 9, 2001). "La industria Tex-Mex".
7680:
Leland, John (October 23, 1995). "Born on the Border".
6324:
Burr, Ramiro (October 6, 2001). "Emergence of Indies".
5421:"Family, Fans Bid Farewell to Slain Tejano Music Queen"
4767:
4765:
4656:
4654:
4557:
4555:
4553:
4551:
3145:
3143:
2874:
2735:
2733:
2731:
2348:
2346:
2344:
2342:
2340:
2338:
2336:
2334:
2332:
2330:
2300:
2298:
2296:
2294:
2292:
1762:
competition show. He performed during the first annual
941:" (1992) and sought lyrical assistance from Astudillo.
420:
and Astudillo resumed performing during the opening of
7249:"Dance Under the Stars with Astudillo, Tejano Singers"
4502:
4500:
4379:
4377:
2612:
2610:
2317:
2315:
2313:
9023:
7444:
HernƔndez, Mary (July 6, 2003). "Vuelve a la carga".
7419:"The stories behind Selena's legacy and biggest hits"
2371:
2369:
2367:
2365:
2258:
2256:
1295:
for Los Dinos, Arturo Meza joined Astudillo's band.
1138:
celebration and Selena tribute during the opening of
1094:
continued to receive extensive airplay through 1995.
7702:"Selena's Brother Pens Lyrics, backs up Tejano Star"
6948:
Colloff, Pamela (April 2010). "Dreaming at of Her".
6503:"TMAs Were Another Sweep for Selena, Emilio Navaira"
5097:"RIAA Certification > "Bidi Bidi Bom Bom" (1994)"
2706:
2704:
2456:
2454:
2452:
2450:
2448:
2396:
2394:
2392:
2390:
2388:
2386:
2384:
2181:
2179:
2177:
834:
was performing well in local markets. The singles, "
810:
label and began managing him during his solo career.
560:" and described Selena as "goofy, crazy and loud".
7515:(Podcast). Event occurs at 2:13:02. Archived from
7271:"Singer Selena's Legacy Alive 20 Years After Death"
6116:Blanco-Cano, Rosana; Urquijo-Ruiz, Rita E. (2011).
2208:
2206:
2204:
2202:
2200:
2198:
2196:
2194:
1530:episode that highlighted Selena on March 29, 1998.
1063:. In August 1994, Astudillo began searching for an
1059:Astudillo's music videos began airing regularly on
249:
217:
193:
183:
152:
128:
105:
83:
75:
46:
23:
8977:
8953:
8836:
8802:
8778:"Former Selena band member looks back on a legacy"
8661:
8622:
8594:
8557:
8444:"'Siempre Selena' Proves Singer's Range of Talent"
8442:
8273:
8179:
8155:
8132:
8070:
7899:
7877:
7855:
7833:
7811:
7791:"Artists Busy Touring, Releasing New Tejano Music"
7789:
7766:
7744:
7722:
7700:
7657:
7484:
7462:
7396:
7374:
7335:
7313:
7291:
7269:
7247:
7225:
7174:
7150:
7058:
7036:
7014:
6990:
6968:
5791:
5514:
4985:"RIAA Certification > Baila Esta Cumbia (1990)"
1707:for the 2006 Little Miss Fitness held in McAllen.
1585:Astudillo released his first album independently,
1314:for "Como Te Extrano". Astudillo performed at the
1109:Astudillo wrote "Como Te Extrano" as a tribute to
8979:"Behind the Mask of Big Circo Lies a Tejano Band"
5811:"TTMA Announces Nominations for 18th Annual Show"
5077:"RIAA Certification > "Amor Prohibido" (1994)"
732:for "Yo Te Amo", instead of their usual recycled
638:was to be an introductory into the international
8734:Latin music : musicians, genres, and themes
7724:"New Music Magazine Highlights Groups in Mexico"
6038:Anon. (November 26, 2008). "Selena: Biography".
5117:"RIAA Certification > "Techno Cumbia" (1994)"
4882:
4143:
4107:
3924:
1726:, was released in 2013. It took influences from
1338:characterized it as an energetic Tejano track.
1235:, which heightened the song's emotional impact.
651:that." Vela and Astudillo began elaborating the
564:group on December 25, 1988, following a show in
536:as the band's producer-songwriter, and bassist,
504:in 1982. In 1984, after spending a few years at
7616:Lannert, John; Burr, Ramiro (August 17, 1996).
7038:"Selena Songwriter Returns for El Paso Concert"
6483:"Most Promising Award Often Spells Tejano Fame"
4672:
4283:
3900:
2635:
2518:
1715:By 2010, Astudillo was the lead singer for his
6970:"Singer Feels Blessed By Connection to Selena"
6625:"There's A Reason 'Como Te Extrano' Is At Top"
6583:"Follow Mazz's New Release All Over the Place"
6075:"Longtime Fan Captures Title As Selena Double"
5052:"RIAA Certification > "La Carcacha" (1992)"
1801:, Tekno Mex canceled their March 2020 show at
1412:, and provided live performances to entertain
1033:", which was certified platinum (Latin), and "
464:s Regional Mexican Songs chart in April 2021.
9229:Spanish-language singers of the United States
8838:"Youth Named Tejano's Top Female Entertainer"
6240:"Pete Astudillo Leads BMI Latin Music Awards"
5618:"Unseen Selena Footage to be Broadcast on TV"
5137:"RIAA Certification > "Si Una Vez" (1994)"
5027:"RIAA Certification > "Que Creias" (1992)"
5011:The Recording Industry Association of America
5007:"RIAA Certification > Como la Flor (1992)"
2439:
2014:initiative. During a 1998 visit to Michigan,
945:1993ā94: Separation from Selena y Los Dinos,
508:, he opened a restaurant with his brother in
290:songs of the 1990s and was inducted into the
8:
8441:Riemenschneider, Chris (November 9, 1996b).
7227:"Selena XXV Concert in SA to be Rescheduled"
7035:Cortes Gonzalez, Maria (September 1, 1995).
6423:"Pura Vida Music Awards Are Wednesday in SA"
6220:"Tejano Music Awards Still Need Fine Tuning"
2925:
2683:
1926:and international Spanish musicians such as
1416:during filming. His inclusion in the film's
1037:" which was certified 3Ć platinum (Latin).
913:Other songs Astudillo wrote or co-wrote for
776:by two weeks. The album was selected by the
681:, creating a distinctive and vibrant sound.
323:, leading Selena y Los Dinos to explore the
7057:Cortes Gonzalez, Maria (October 30, 2019).
6785:"Rattlesnake Round Up Ropes in Tejano Acts"
6705:"Music, Food, Friends at Ben Bolt Festival"
6523:"Selena Ex-Sideman Striking Out on His Own"
4059:
3999:
2562:
2501:
2283:
1862:by Garcia. In 2024, Astudillo released the
1677:, an entertainment TV program broadcast in
960:for "Un Hombre Busca Una Mujer" as well as
473:1981ā1988: Early life and career beginnings
414:the most successful US Latin single of 1994
356:, Astudillo released his debut solo album,
7957:Medina, John Henry (September 11, 2017b).
7464:"Festival to Feature Wax Figure of Singer"
6765:"Leonel Pulido Teaches What He Knows Best"
6383:"Quintanilla Accompanist Releases Solo LP"
6055:"One Year Hasn't Diminished Sense of Loss"
5399:. Vol. 106, no. 52. p. 60.
4684:
3623:
3442:
3358:
3298:
2790:
2247:
876:aimed to propel them into the Mexican and
31:
20:
8533:"Remembering Selena's Trailblazing Music"
8357:(spoken liner notes producer). EMI Latin.
7990:Medina, John Henry (December 20, 2018a).
7624:. Vol. 108, no. 33. p. 100
7603:. Vol. 108, no. 18. p. 122
7582:. Vol. 107, no. 47. p. 112
7561:. Vol. 107, no. 46. p. 124
7540:. Vol. 107, no. 42. p. 104
7461:Hackleman, Esther M. (January 27, 2017).
7013:Cortes Gonzalez, Maria (August 5, 1994).
6246:. Vol. 108, no. 20. p. 124
5708:. Vol. 108, no. 52. p. 176
5507:"Top Latin Albums > December 12, 1995"
5141:Recording Industry Association of America
5121:Recording Industry Association of America
5101:Recording Industry Association of America
5081:Recording Industry Association of America
5056:Recording Industry Association of America
4990:Recording Industry Association of America
4906:
4834:
4756:
4597:
4467:
4455:
4047:
3984:
3888:
3596:
3529:
3505:
3117:
3081:
2415:
1770:song "Que Empiece La Fiesta" (2015) with
1754:He participated as one of the judges for
782:United States National Recording Registry
763:s continued commercial success on the US
754:Recording Industry Association of America
613:declined the offer. Representatives from
381:Recording Industry Association of America
350:United States National Recording Registry
294:in 2019. His impact on the United States
282:, he is regarded as the architect behind
8912:. Vol. 108, no. 1. p. 105
8275:"Tejano Group Celebrates Selena's Music"
8010:Medina, John Henry (January 16, 2019a).
7970:Medina, John Henry (October 31, 2017c).
7901:"Former Mazz Lead Singer Debuts New Era"
7857:"Movie Saddens, Inspires Tejano Artists"
7768:"La Sombra Produce Nuevo Video en Valle"
7576:"Hot Latin Songs > November 25, 1995"
7555:"Hot Latin Songs > November 11, 1995"
6935:. Vol. 114, no. 34. p. 95
5769:. Vol. 109, no. 25. p. 96
5658:"Astudillo, Other Upcoming Tejano Shows"
4894:
4846:
4810:
4786:
4479:
4227:
3960:
3936:
3912:
3825:
3813:
3774:
3738:
3662:
3638:
3572:
3541:
3517:
3454:
3430:
3346:
3334:
3197:
3185:
3134:
3093:
3033:
2838:
2775:
2751:
2087:On August 1, 2005, Astudillo received a
1673:In 2005, Astudillo became a co-host for
1553:pageant on August 12, 2000, held at the
1398:(1997), a biographical film directed by
1304:Male Regional Mexican Artist of the Year
1302:, Astudillo received the nomination for
1044:(1993), Astudillo embarked on a tour in
383:(RIAA) 9Ć platinum (Latin). At the 1994
9030:
7743:Maldonado, Vilma (February 11, 1994b).
7534:"Hot Latin Songs > October 21, 1995"
6902:Carrizales, Sylvia M. (March 1, 2024).
6543:"Heavyweights In the Ring This Weekend"
5729:. Vol. 108, no. 2. p. 80
5723:"Hot Latin Songs > January 13, 1996"
5249:"Tejano Singles > December 23, 1993"
5227:"Tejano Singles > November 25, 1993"
4930:
4918:
4858:
4660:
4645:
4621:
4573:
4561:
4542:
4356:
4307:
4131:
4035:
3864:
3726:
3711:
3650:
3466:
3173:
3161:
3105:
3021:
2886:
2862:
2850:
2802:
2763:
2695:
2659:
2616:
2601:
2589:
2427:
2375:
2356:
2304:
2262:
2173:
1670:for a distribution deal for his album.
1023:most successful US Latin single of 1994
8801:Tarradell, Mario (December 31, 1995).
8311:(Documentary). Corpus Christi, Texas:
7876:Maldonado, Vilma (December 25, 1998).
7832:Maldonado, Vilma (January 19, 1997b).
7810:Maldonado, Vilma (February 3, 1995a).
7376:"Secada, Estefan Among Awards Winners"
7176:"Astudillo's Songwriting in Spotlight"
6882:Carrizales, Sylvia M. (June 3, 2020).
6603:"Hispanic Notables Reveal Resolutions"
6563:"Upcoming Selena Album Mixes Old, New"
5914:"Homies, Astudillo to Perform at Jo's"
5183:"1993 Tejano Music Awards Nominations"
5157:"1992 Tejano Music Awards Nominations"
4966:
4942:
4822:
4798:
4744:
4708:
4696:
4633:
4585:
4518:
4491:
4443:
4419:
4395:
4271:
4254:
4212:
4179:
4155:
4083:
4071:
4023:
4011:
3972:
3876:
3852:
3801:
3789:
3750:
3686:
3674:
3608:
3553:
3490:
3478:
3418:
3406:
3382:
3370:
3322:
3310:
3281:
3269:
3257:
3245:
3233:
3209:
3149:
3069:
3045:
3009:
2997:
2949:
2937:
2910:
2826:
2814:
2739:
2722:
2671:
2547:
2472:
2321:
1681:. Astudillo took part in the all-star
956:Astudillo received the nomination for
706:"āoriginally a 1960s Japanese song by
401:(1994), both becoming char-toppers on
9144:American musicians of Mexican descent
8593:Rodriguez, Lois M. (March 29, 1996).
8131:Ovalle, Juan Martin (April 9, 2005).
7898:Maldonado, Vilma (January 15, 1999).
7373:Gonzalez, Fernando (March 11, 1994).
6823:Campbell, Elizabeth (June 29, 1993).
6581:Cabrera, Rene (September 29, 1995b).
6463:"Fans Will Pick Tejano Music Winners"
6281:"Pura Vida Imitates Worst of the TMA"
6053:Arrillaga, Pauline (March 31, 1996).
5784:"Top Latin Albums > June 14, 1997"
5680:"Jennifer y Los Jetz To Perform Here"
5638:"Tejano Awards Honor Songs of Selena"
5443:"Tejano Stars to Perform on Saturday"
4954:
4771:
4732:
4720:
4609:
4530:
4383:
4331:
4295:
4239:
4191:
4095:
3948:
3840:
3762:
3221:
2985:
2973:
2961:
2898:
2710:
2647:
2574:
2530:
2460:
2400:
2212:
1179:contain a mixture of pop cumbias and
890:named "Como la Flor" one of the best
589:Astudillo began composing music with
528:. The group consisted of lead singer
268:(born on December 1, 1963), known as
7:
9189:Hispanic and Latino American singers
8925:Verhovek, Sam Howe (April 1, 1995).
8709:Saldana, Hector (October 15, 2013).
8556:Rivera, Anissa (November 28, 1996).
8069:Mortensen, Eleanor (June 18, 1995).
7937:Medina, John Henry (June 29, 2017).
7721:Maldonado, Vilma (January 7, 1994).
7699:Maldonado, Vilma (August 13, 1993).
7574:Lannert, John (November 25, 1995c).
7553:Lannert, John (November 11, 1995b).
7505:Rock n Roll James (March 27, 2024).
7268:Flores, Daniel A. (March 29, 2015).
6723:Cabrera, Rene (December 19, 1997c).
6441:Cabrera, Rene (November 19, 1993b).
6363:"Moreno Gets Regular Airplay on MTV"
5851:"Tejano Singer Releasing New Single"
5763:"Hot Latin Songs > June 21, 1997"
5369:"TV Listings > December 17, 1994"
5289:"Tejano Singles > April 14, 1994"
4870:
4506:
4431:
4407:
4368:
4319:
4167:
4119:
3584:
3394:
3057:
2185:
2026:, Eddie Gonzalez, Lisa Jimenez, and
8751:Smith, Nathan (December 29, 2020).
8030:Medina, John Henry (June 3, 2021).
7854:Maldonado, Vilma (March 20, 1997).
7788:Maldonado, Vilma (July 22, 1994d).
7659:"Singing Star Selena Shot to Death"
7246:Flores, Christy (August 15, 1997).
7173:Esparza, Santiago (April 5, 1997).
6989:Corcoran, Michael (April 3, 2005).
6763:Cabrera, Rene (October 22, 1999b).
6663:Cabrera, Rene (October 18, 1996d).
6623:Cabrera, Cloe (January 19, 1996b).
6481:Cabrera, Rene (January 14, 1994b).
6118:Global Mexican cultural productions
5269:"Tejano Singles > April 7, 1994"
5037:from the original on April 10, 2022
2875:Blanco-Cano & Urquijo-Ruiz 2011
1239:1996: Pete Astudillo y Grupo Futuro
925:", "Vuelve a MĆ", and the comical "
788:1992: Solo career with Oxygeno and
37:Pete Astudillo during a concert in
9254:American actors of Mexican descent
9199:American people of Mexican descent
8939:from the original on July 20, 2016
8835:Tarradell, Mario (March 4, 1997).
8272:Perez, Isamel (October 5, 2017b).
8154:Olivas, Rogelio (April 14, 2005).
7765:Maldonado, Vilma (July 8, 1994c).
7532:Lannert, John (October 21, 1995).
7483:Hunt, Robert (November 16, 1995).
7293:"Pete Astudillo Here Friday Night"
6745:"Ellos Features Seasoned Veterans"
6743:Cabrera, Rene (January 22, 1999).
6703:Cabrera, Rene (August 29, 1997b).
6601:Cabrera, Cloe (January 1, 1996a).
6461:Cabrera, Rene (January 7, 1994a).
6261:"Guianko's Latest CD At New Level"
5329:"Tejano Singles > July 3, 1994"
5309:"Tejano Singles > June 2, 1994"
14:
7849:– via NewspaperArchive.com.
7417:Guerra, Joey (November 1, 2017).
7224:Falcon, Meagen (March 14, 2020).
7168:– via NewspaperArchive.com.
6967:Cordova, Randy (April 30, 1998).
6803:Cabrera, Rene (August 24, 2001).
6665:"Another Smash Selena CD Due Out"
6643:Cabrera, Rene (March 22, 1996c).
6501:Cabrera, Rene (March 18, 1994c).
6403:"Selena, Mazz Plan Concerts Here"
6198:Burr, Ramiro (November 3, 1995).
6156:Burr, Ramiro (December 2, 1993).
6073:Aguilar, Elvia (March 15, 2010).
5893:"Topping The Charts Year By Year"
540:on drums, keyboardist-songwriter
9081:
9069:
9057:
9045:
9033:
8859:Tamayo, Martin (June 23, 2020).
8711:"Tejano artists take rock stage"
7398:"Fun In the Sun, A Little Early"
7395:Grieser, Andy (April 26, 1996).
7334:Gomez, Adrian (March 27, 2020).
7290:Garcia, Gus (January 29, 1997).
6783:Cabrera, Rene (April 28, 2000).
6561:Cabrera, Rene (June 16, 1995a).
6541:Cabrera, Rene (July 22, 1994e).
6421:Cabrera, Rene (March 26, 1993).
6401:Cabrera, Rene (July 24, 1992b).
6381:Cabrera, Rene (March 27, 1992).
6218:Burr, Ramiro (March 22, 1996b).
5465:"Pete Astudillo To Perform Live"
1891:hailed Astudillo as "the Latino
416:. On March 31, 1995, Selena was
8976:Zepeda, Joe (August 30, 2002).
8901:Verna, Paul (January 6, 1996).
8776:Soriano, Ashley (May 6, 2021).
8684:Salas, Maria (March 31, 2020).
8660:Ruiz, Olivia (April 13, 2005).
8621:Ross, Paige (August 11, 2000).
8531:Rivas, Jorge (March 31, 2011).
7656:Lemieux, Josh (April 1, 1995).
7197:Exposito, Suzy (July 9, 2018).
7149:Delgado, Rosa (July 17, 1994).
6927:Cobo, Leila (August 24, 2002).
6862:Caicedo, Harry (June 4, 1989).
6521:Cabrera, Rene (May 27, 1994d).
6341:Burr, Ramiro (March 8, 2001b).
6279:Burr, Ramiro (July 30, 1997b).
6176:Burr, Ramiro (August 5, 1994).
5349:"TV Listings > July 3, 1994"
2099:crashing into barriers along a
1776:A Tribute to Joe āWajoā Carmona
1211:debuted at number eight on the
933:who joined the group following
412:chart, while the latter became
8134:"Y El Espirtu de Selena Reino"
7643:. Vol. 109, no. 41.
6683:Cabrera, Rene (May 2, 1997a).
6361:Burr, Ramiro (March 6, 2003).
6328:. Vol. 113, no. 40.
6259:Burr, Ramiro (June 18, 1997).
6238:Burr, Ramiro (May 18, 1996d).
597:) when he was integrated into
307:After high school, he pursued
1:
9209:Singer-songwriters from Texas
9119:20th-century American singers
9088:Hispanic and Latino Americans
8952:Wener, Ben (April 15, 1999).
8362:Quintanilla, Selena (2002b).
8343:Quintanilla, Selena (2002a).
7595:Lannert, John (May 4, 1996).
7312:Garcia, Julie (May 7, 2016).
7199:"50 Greatest Latin Pop Songs"
7016:"Rising Star To Open Concert"
6685:"Fortune Eluded Mike Salgado"
5871:Anon. (September 25, 1998d).
5849:Anon. (September 25, 1998c).
5685:The Seguin Gazette-Enterprise
1760:Buscando a la Doble de Selena
1392:Astudillo joined the cast of
1272:, drawing a crowd of 18,000.
880:markets. One of the tracks, "
830:, in January 1992. By March,
750:certified 6Ć platinum (Latin)
702:Astudillo and Abraham wrote "
581:1989ā1991: Selena y Los Dinos
485:, to Mexican immigrants from
9249:20th-century American actors
9179:American education activists
8324:Quintanilla, Selena (2002).
8178:Oliva, John (May 12, 2021).
6954:. Vol. 38, no. 4.
6178:"Los Temerarios On the Rise"
5899:. Vol. 110, no. 48
5891:Anon. (November 28, 1998e).
5856:New Braunfels Herald-Zeitung
5700:Anon. (December 28, 1996h).
5532:Anon. (November 18, 1995f).
5505:Anon. (December 12, 1995e).
5483:Anon. (November 29, 1995d).
5463:Anon. (November 12, 1995c).
5389:Anon. (December 24, 1994g).
5367:Anon. (December 17, 1994f).
5247:Anon. (December 23, 1993c).
5225:Anon. (November 25, 1993b).
5181:Anon. (December 11, 1992b).
1966:. Elizabeth Campbell of the
1790:on "Camina Conmigo" for her
1281:Male Entertainer of the Year
1168:climbed the music charts of
445:for Songwriter of the Year.
327:genre. His compositions for
9139:American mariachi musicians
8993:– via Newspapers.com.
8971:– via Newspapers.com.
8854:– via Newspapers.com.
8811:– via Newspapers.com.
8679:– via Newspapers.com.
8638:– via Newspapers.com.
8629:Corpus Christi Caller-Times
8573:– via Newspapers.com.
8564:Corpus Christi Caller-Times
8458:– via Newspapers.com.
8289:– via Newspapers.com.
8195:– via Newspapers.com.
8186:Corpus Christi Caller-Times
8173:– via Newspapers.com.
8149:– via Newspapers.com.
8086:– via Newspapers.com.
8077:Corpus Christi Caller-Times
7915:– via Newspapers.com.
7893:– via Newspapers.com.
7871:– via Newspapers.com.
7827:– via Newspapers.com.
7805:– via Newspapers.com.
7783:– via Newspapers.com.
7760:– via Newspapers.com.
7738:– via Newspapers.com.
7716:– via Newspapers.com.
7675:– via Newspapers.com.
7500:– via Newspapers.com.
7478:– via Newspapers.com.
7469:Corpus Christi Caller-Times
7412:– via Newspapers.com.
7390:– via Newspapers.com.
7351:– via Newspapers.com.
7329:– via Newspapers.com.
7320:Corpus Christi Caller-Times
7315:"Fans of La Flor Celebrate"
7307:– via Newspapers.com.
7285:– via Newspapers.com.
7263:– via Newspapers.com.
7241:– via Newspapers.com.
7232:Corpus Christi Caller-Times
7192:– via Newspapers.com.
7074:– via Newspapers.com.
7052:– via Newspapers.com.
7030:– via Newspapers.com.
7008:– via Newspapers.com.
6984:– via Newspapers.com.
6877:– via Newspapers.com.
6840:– via Newspapers.com.
6818:– via Newspapers.com.
6809:Corpus Christi Caller-Times
6798:– via Newspapers.com.
6789:Corpus Christi Caller-Times
6778:– via Newspapers.com.
6769:Corpus Christi Caller-Times
6758:– via Newspapers.com.
6749:Corpus Christi Caller-Times
6738:– via Newspapers.com.
6729:Corpus Christi Caller-Times
6718:– via Newspapers.com.
6709:Corpus Christi Caller-Times
6698:– via Newspapers.com.
6689:Corpus Christi Caller-Times
6678:– via Newspapers.com.
6669:Corpus Christi Caller-Times
6658:– via Newspapers.com.
6649:Corpus Christi Caller-Times
6638:– via Newspapers.com.
6629:Corpus Christi Caller-Times
6618:– via Newspapers.com.
6596:– via Newspapers.com.
6587:Corpus Christi Caller-Times
6576:– via Newspapers.com.
6567:Corpus Christi Caller-Times
6556:– via Newspapers.com.
6547:Corpus Christi Caller-Times
6536:– via Newspapers.com.
6527:Corpus Christi Caller-Times
6516:– via Newspapers.com.
6507:Corpus Christi Caller-Times
6496:– via Newspapers.com.
6487:Corpus Christi Caller-Times
6476:– via Newspapers.com.
6467:Corpus Christi Caller-Times
6456:– via Newspapers.com.
6447:Corpus Christi Caller-Times
6436:– via Newspapers.com.
6427:Corpus Christi Caller-Times
6416:– via Newspapers.com.
6407:Corpus Christi Caller-Times
6396:– via Newspapers.com.
6387:Corpus Christi Caller-Times
6376:– via Newspapers.com.
6356:– via Newspapers.com.
6294:– via Newspapers.com.
6274:– via Newspapers.com.
6233:– via Newspapers.com.
6213:– via Newspapers.com.
6193:– via Newspapers.com.
6171:– via Newspapers.com.
6088:– via Newspapers.com.
6079:Corpus Christi Caller-Times
6068:– via Newspapers.com.
5991:Anon. (December 12, 2015).
5986:– via Newspapers.com.
5949:– via Newspapers.com.
5940:Corpus Christi Caller-Times
5929:– via Newspapers.com.
5912:Anon. (September 7, 2000).
5886:– via Newspapers.com.
5866:– via Newspapers.com.
5844:– via Newspapers.com.
5824:– via Newspapers.com.
5815:Corpus Christi Caller-Times
5721:Anon. (January 13, 1996i).
5695:– via Newspapers.com.
5673:– via Newspapers.com.
5651:– via Newspapers.com.
5631:– via Newspapers.com.
5500:– via Newspapers.com.
5478:– via Newspapers.com.
5458:– via Newspapers.com.
5436:– via Newspapers.com.
5384:– via Newspapers.com.
5362:– via Newspapers.com.
5342:– via Newspapers.com.
5322:– via Newspapers.com.
5302:– via Newspapers.com.
5282:– via Newspapers.com.
5262:– via Newspapers.com.
5242:– via Newspapers.com.
5220:– via Newspapers.com.
5210:Corpus Christi Caller-Times
5203:Anon. (January 10, 1993a).
5198:– via Newspapers.com.
5155:Anon. (January 15, 1992a).
2089:driving under the influence
1962:and the music scene in the
1910:as a child and listened to
1591:Corpus Christi Caller-Times
1308:New Regional Mexican Artist
970:Corpus Christi Caller-Times
817:Corpus Christi Caller-Times
748:". "Baila Esta Cumbia" was
9275:
9219:Selena y Los Dinos members
9149:American Latin pop singers
8896:– via Gale Research.
8655:– via Gale Research.
8526:– via Gale Research.
8509:– via Gale Research.
8492:– via Gale Research.
8475:– via Gale Research.
8436:– via Gale Research.
8419:– via Gale Research.
8402:– via Gale Research.
8225:Patoski, Joe Nick (1996).
8126:– via Gale Research.
8064:– via Gale Research.
7932:– via Gale Research.
7746:"Preview / Pete Astudillo"
7694:– via Gale Research.
7651:– via Gale Research.
7456:– via Gale Research.
7368:– via Gale Research.
7125:– via Gale Research.
7091:– via Gale Research.
6962:– via Gale Research.
6864:"First Album in the Works"
6857:– via Gale Research.
6805:"Rhythm King Finds Muscle"
6336:– via Gale Research.
6033:– via Gale Research.
6016:– via Gale Research.
5971:Anon. (October 29, 2006).
5966:– via Gale Research.
5809:Anon. (January 26, 1998).
5756:– via Gale Research.
5678:Anon. (August 18, 1996g).
5611:– via Gale Research.
5594:– via Gale Research.
2118:Pete Astudillo discography
2115:
1697:and Rogelio Olivas of the
1559:Bayfront Convention Center
1488:. Astudillo believed that
1098:1995: Death of Selena and
806:) signed Astudillo to his
730:bridge-interlude structure
9244:American company founders
9204:People from Laredo, Texas
9164:Businesspeople from Texas
9159:American ranchera singers
8886:Austin American-Statesman
8516:Austin American-Statesman
8499:Austin American-Statesman
8482:Austin American-Statesman
8465:Austin American-Statesman
8449:Austin American-Statesman
8426:Austin American-Statesman
8409:Austin American-Statesman
8392:Austin American-Statesman
8200:ParƩdez, Deborah (2009).
7358:Austin American-Statesman
6998:Austin American-Statesman
6367:San Angelo Standard-Times
6347:San Angelo Standard-Times
6141:El Manana de Nuevo Laredo
5934:Anon. (August 23, 2001).
5919:San Angelo Standard-Times
5829:Anon. (March 23, 1998b).
5702:"The Year in Music, 1996"
5636:Anon. (March 24, 1996e).
5391:"1994: The Year in Music"
5313:Austin American-Statesman
5293:Austin American-Statesman
5287:Anon. (April 14, 1994b).
5273:Austin American-Statesman
5253:Austin American-Statesman
5232:Austin American-Statesman
1992:Tejano Roots Hall of Fame
1882:San Angelo Standard-Times
1545:was released, and at the
1459:Overall Album of the Year
1444:Austin American-Statesman
1335:Austin American-Statesman
962:Male Vocalist of the Year
836:Un Hombre Busca Una Mujer
500:Astudillo graduated from
292:Tejano Roots Hall of Fame
242:
145:
30:
9154:American philanthropists
9124:American dance musicians
8844:The Park City Daily News
8231:Little Brown and Company
8139:Fort Worth Star-Telegram
7879:"A 'Cristina' Christmas"
7773:Fort Worth Star-Telegram
7403:Fort Worth Star-Telegram
6830:Fort Worth Star-Telegram
6725:"Tradition With a Twist"
6285:Fort Worth Star-Telegram
6265:Fort Worth Star-Telegram
6224:Fort Worth Star-Telegram
6204:Fort Worth Star-Telegram
6183:Fort Worth Star-Telegram
5782:Anon. (June 14, 1997c).
5761:Anon. (June 21, 1997b).
5616:Anon. (March 9, 1996d).
5441:Anon. (April 3, 1995b).
5419:Anon. (April 3, 1995a).
5267:Anon. (April 7, 1994a).
1969:Fort Worth Star-Telegram
1751:songs might deter them.
1689:Fort Worth Star-Telegram
1547:1999 Tejano Music Awards
1451:1997 Tejano Music Awards
1385:1997: Acting career and
1277:1996 Tejano Music Awards
989:1994 Tejano Music Awards
966:1993 Tejano Music Awards
780:for preservation in the
726:1992 Tejano Music Awards
697:1990 Tejano Music Awards
607:1989 Tejano Music Awards
502:Laredo Nixon High School
439:1996 Tejano Music Awards
348:for preservation in the
135:Pedro Astudillo (father)
91:Laredo Nixon High School
9169:Capitol Records artists
8819:The Dallas Morning News
8091:Mottola, Tommy (2016).
5656:Anon. (May 17, 1996f).
5347:Anon. (July 3, 1994e).
5327:Anon. (July 3, 1994d).
5307:Anon. (June 2, 1994c).
4060:Ruiz & Navarro 1996
4000:Lannert & Burr 1996
2095:limit resulting in his
2067:In 1998, Astudillo and
1320:Music Mill Amphitheatre
1186:The Dallas Morning News
1160:, on December 1, 1995.
770:Regional Mexican Albums
728:. The band opted for a
338:Regional Mexican Albums
8301:(executive producer),
7922:UPI Entertainment News
7840:The Brownsville Herald
7152:"Meet: Pete Astudillo"
2865:, pp. 1034, 1053.
1847:Regional Mexican Songs
1300:1996 Premio Lo Nuestro
1118:
811:
602:
435:Regional Mexican Songs
138:Paz Astudillo (mother)
8830:– via ProQuest.
8663:"Selena Vive Tribute"
8385:– via ProQuest.
8313:EMI Latin Productions
8208:Duke University Press
7665:Stevens Point Journal
7144:– via ProQuest.
7108:– via ProQuest.
6299:Burr, Ramiro (1999).
6151:– via ProQuest.
5663:Abilene Reporter-News
4883:Riemenschneider 1997c
4144:Riemenschneider 1997b
4108:Riemenschneider 1997a
4014:, pp. 37ā39, 41.
3925:Riemenschneider 1996b
1660:Universal Music Group
1520:. He participated in
1126:. Astudillo spoke to
1108:
798:
588:
9259:American film actors
9239:Tejano pop musicians
9129:American pop singers
8757:Texas Music Magazine
8690:Laredo Morning Times
8614:NewspaperArchive.com
8602:Galveston Daily News
8581:Laredo Morning Times
8254:To Selena, with Love
8227:Selena: Como La Flor
6992:"Dreaming of Selena"
6645:"Tejano Takes a Bow"
4673:Cortes Gonzalez 2019
4284:Riemenschneider 1998
3901:Riemenschneider 1996
2636:Cortes Gonzalez 1995
2519:Cortes Gonzalez 1994
1705:master of ceremonies
1620:Chiquita Pero Picosa
1518:Laredo National Bank
1175:The compositions on
1148:Texas State Aquarium
344:was selected by the
9194:Latin dance singers
8753:"Selena is Forever"
8355:Suzette Quintanilla
8303:Abraham Quintanilla
7491:The Odessa American
7342:Albuquerque Journal
7298:Del Rio News Herald
7158:Del Rio News-Herald
6023:States News Service
5469:The Odessa American
5448:The Odessa American
5374:Albuquerque Journal
1551:Feria de Las Flores
1541:On April 20, 1999,
1510:Puro Tejano en Vivo
1409:El Show de Cristina
1086:The Odessa American
1069:Johnny Canales Show
978:Johnny Canales Show
800:Abraham Quintanilla
778:Library of Congress
673:, drew elements of
546:Abraham Quintanilla
538:Suzette Quintanilla
427:Astudillo released
360:, in January 1992.
346:Library of Congress
9224:Singers from Texas
8932:The New York Times
8295:Edward James Olmos
6122:Palgrave Macmillan
6044:. 60 minutes in.
2988:, pp. 40, 60.
2440:BeltrĆ”n LĆ³pez 2021
2150:ĀæDĆ³nde EstĆ”s Amor?
2008:Moms Demand Action
1833:Selena: The Series
1824:Selena: The Series
1571:ĀæDĆ³nde EstĆ”s Amor?
1567:ĀæDĆ³nde EstĆ”s Amor?
1543:ĀæDĆ³nde EstĆ”s Amor?
1502:ĀæDĆ³nde EstĆ”s Amor?
1119:
1050:eastern New Mexico
958:Single of the Year
812:
603:
599:Selena y Los Dinos
526:Selena y Los Dinos
510:Loveland, Colorado
451:ĀæDĆ³nde EstĆ”s Amor?
313:Selena y Los Dinos
228:Selena y Los Dinos
210:Peace Rock Records
9184:EMI Latin artists
8865:El Sol de Sinaloa
8788:on April 18, 2023
8743:978-0-313-34395-7
8696:on March 14, 2024
8375:Houston Chronicle
8351:A. B. Quintanilla
8336:A. B. Quintanilla
8308:Selena Remembered
8280:Victoria Advocate
8264:978-1-101-58026-4
8257:. Penguin Books.
8217:978-0-8223-9089-3
7519:on March 28, 2024
7424:Houston Chronicle
7182:The Daily Journal
6914:on March 14, 2024
6608:The Tampa Tribune
6131:978-0-230-37039-5
6006:Victoria Advocate
5877:Victoria Advocate
5796:on March 14, 2024
5544:on March 14, 2024
5519:on March 14, 2024
5490:Victoria Advocate
5062:on March 30, 2023
4909:, pp. 1, 10.
2926:Quintanilla 2002a
2684:Quintanilla 2002b
1983:Houston Chronicle
1888:The Daily Journal
1799:COVID-19 pandemic
1764:Fiesta de la Flor
1555:Selena Auditorium
1418:Houston Astrodome
1009:Bidi Bidi Bom Bom
738:Baila Esta Cumbia
734:chord progression
617:and newly formed
591:A. B. Quintanilla
534:A. B. Quintanilla
393:Bidi Bidi Bom Bom
321:A. B. Quintanilla
279:The Daily Journal
263:
262:
9266:
9174:Cumbia musicians
9134:American dancers
9086:
9085:
9084:
9074:
9073:
9072:
9062:
9061:
9060:
9050:
9049:
9048:
9038:
9037:
9036:
9029:
9011:
9010:
9008:Official website
8994:
8992:
8990:
8981:
8972:
8970:
8968:
8961:Arizona Republic
8957:
8948:
8946:
8944:
8921:
8919:
8917:
8907:
8897:
8880:
8878:
8876:
8871:on April 1, 2023
8867:. Archived from
8855:
8853:
8851:
8840:
8831:
8812:
8806:
8797:
8795:
8793:
8784:. Archived from
8772:
8770:
8768:
8763:on April 1, 2022
8759:. Archived from
8747:
8725:
8723:
8721:
8705:
8703:
8701:
8692:. Archived from
8680:
8678:
8676:
8665:
8656:
8639:
8637:
8635:
8626:
8617:
8611:
8609:
8598:
8589:
8574:
8572:
8570:
8561:
8559:"Taking a Stand"
8552:
8550:
8548:
8539:. Archived from
8527:
8510:
8493:
8476:
8459:
8457:
8455:
8446:
8437:
8420:
8403:
8386:
8369:
8358:
8346:Entre a Mi Mundo
8339:
8320:
8290:
8288:
8286:
8277:
8268:
8244:
8221:
8196:
8194:
8192:
8183:
8174:
8172:
8170:
8159:
8150:
8148:
8146:
8136:
8127:
8110:
8087:
8085:
8083:
8074:
8065:
8046:
8044:
8042:
8026:
8024:
8022:
8006:
8004:
8002:
7986:
7984:
7982:
7966:
7953:
7951:
7949:
7933:
7916:
7914:
7912:
7903:
7894:
7892:
7890:
7881:
7872:
7870:
7868:
7859:
7850:
7848:
7846:
7837:
7828:
7826:
7824:
7815:
7806:
7804:
7802:
7793:
7784:
7782:
7780:
7770:
7761:
7759:
7757:
7748:
7739:
7737:
7735:
7726:
7717:
7715:
7713:
7704:
7695:
7676:
7674:
7672:
7661:
7652:
7633:
7631:
7629:
7612:
7610:
7608:
7591:
7589:
7587:
7570:
7568:
7566:
7549:
7547:
7545:
7528:
7526:
7524:
7507:"Pete Astudillo"
7501:
7499:
7497:
7488:
7479:
7477:
7475:
7466:
7457:
7440:
7438:
7436:
7431:on April 1, 2022
7427:. Archived from
7413:
7411:
7409:
7400:
7391:
7389:
7387:
7378:
7369:
7352:
7350:
7348:
7339:
7330:
7328:
7326:
7317:
7308:
7306:
7304:
7295:
7286:
7284:
7282:
7273:
7264:
7262:
7260:
7251:
7242:
7240:
7238:
7229:
7220:
7218:
7216:
7211:on April 1, 2022
7207:. Archived from
7193:
7191:
7189:
7178:
7169:
7167:
7165:
7154:
7145:
7126:
7109:
7092:
7075:
7073:
7071:
7062:
7053:
7051:
7049:
7040:
7031:
7029:
7027:
7018:
7009:
7007:
7005:
6994:
6985:
6983:
6981:
6975:Arizona Republic
6972:
6963:
6944:
6942:
6940:
6923:
6921:
6919:
6910:. Archived from
6898:
6896:
6894:
6878:
6876:
6874:
6858:
6841:
6839:
6837:
6819:
6817:
6815:
6799:
6797:
6795:
6779:
6777:
6775:
6759:
6757:
6755:
6739:
6737:
6735:
6719:
6717:
6715:
6699:
6697:
6695:
6679:
6677:
6675:
6659:
6657:
6655:
6639:
6637:
6635:
6619:
6617:
6615:
6597:
6595:
6593:
6577:
6575:
6573:
6557:
6555:
6553:
6537:
6535:
6533:
6517:
6515:
6513:
6497:
6495:
6493:
6477:
6475:
6473:
6457:
6455:
6453:
6437:
6435:
6433:
6417:
6415:
6413:
6397:
6395:
6393:
6377:
6375:
6373:
6357:
6355:
6353:
6337:
6320:
6305:(1st ed.).
6295:
6293:
6291:
6275:
6273:
6271:
6255:
6253:
6251:
6234:
6232:
6230:
6214:
6212:
6210:
6194:
6192:
6190:
6172:
6170:
6168:
6152:
6135:
6120:(1st ed.).
6112:
6089:
6087:
6085:
6069:
6067:
6065:
6049:
6034:
6017:
6000:
5987:
5985:
5983:
5967:
5950:
5948:
5946:
5930:
5928:
5926:
5908:
5906:
5904:
5887:
5885:
5883:
5867:
5865:
5863:
5845:
5843:
5841:
5825:
5823:
5821:
5805:
5803:
5801:
5795:
5790:. Archived from
5778:
5776:
5774:
5757:
5738:
5736:
5734:
5717:
5715:
5713:
5696:
5694:
5692:
5674:
5672:
5670:
5652:
5650:
5648:
5632:
5630:
5628:
5612:
5595:
5576:
5553:
5551:
5549:
5540:. Archived from
5528:
5526:
5524:
5518:
5513:. Archived from
5501:
5499:
5497:
5479:
5477:
5475:
5459:
5457:
5455:
5437:
5435:
5433:
5415:
5413:
5411:
5385:
5383:
5381:
5363:
5361:
5359:
5343:
5341:
5339:
5323:
5321:
5319:
5303:
5301:
5299:
5283:
5281:
5279:
5263:
5261:
5259:
5243:
5241:
5239:
5221:
5219:
5217:
5199:
5197:
5195:
5177:
5171:
5169:
5151:
5149:
5147:
5131:
5129:
5127:
5111:
5109:
5107:
5091:
5089:
5087:
5071:
5069:
5067:
5058:. Archived from
5046:
5044:
5042:
5021:
5019:
5017:
5001:
4999:
4997:
4970:
4964:
4958:
4952:
4946:
4940:
4934:
4928:
4922:
4916:
4910:
4904:
4898:
4892:
4886:
4880:
4874:
4868:
4862:
4856:
4850:
4844:
4838:
4832:
4826:
4820:
4814:
4808:
4802:
4796:
4790:
4784:
4775:
4769:
4760:
4754:
4748:
4742:
4736:
4730:
4724:
4718:
4712:
4706:
4700:
4694:
4688:
4682:
4676:
4670:
4664:
4658:
4649:
4643:
4637:
4631:
4625:
4619:
4613:
4607:
4601:
4595:
4589:
4583:
4577:
4571:
4565:
4559:
4546:
4540:
4534:
4528:
4522:
4516:
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4504:
4495:
4489:
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4471:
4465:
4459:
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4441:
4435:
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4423:
4417:
4411:
4405:
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4387:
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4372:
4366:
4360:
4354:
4335:
4329:
4323:
4317:
4311:
4305:
4299:
4293:
4287:
4281:
4275:
4269:
4258:
4252:
4243:
4237:
4231:
4225:
4216:
4210:
4195:
4189:
4183:
4177:
4171:
4165:
4159:
4153:
4147:
4141:
4135:
4129:
4123:
4117:
4111:
4105:
4099:
4093:
4087:
4081:
4075:
4069:
4063:
4057:
4051:
4045:
4039:
4033:
4027:
4021:
4015:
4009:
4003:
3997:
3988:
3982:
3976:
3970:
3964:
3958:
3952:
3946:
3940:
3934:
3928:
3922:
3916:
3910:
3904:
3898:
3892:
3886:
3880:
3874:
3868:
3862:
3856:
3850:
3844:
3838:
3829:
3823:
3817:
3811:
3805:
3799:
3793:
3787:
3778:
3772:
3766:
3760:
3754:
3748:
3742:
3736:
3730:
3724:
3715:
3709:
3690:
3684:
3678:
3672:
3666:
3660:
3654:
3648:
3642:
3636:
3627:
3621:
3612:
3606:
3600:
3594:
3588:
3582:
3576:
3570:
3557:
3551:
3545:
3539:
3533:
3527:
3521:
3515:
3509:
3503:
3494:
3488:
3482:
3476:
3470:
3464:
3458:
3452:
3446:
3440:
3434:
3428:
3422:
3416:
3410:
3404:
3398:
3392:
3386:
3380:
3374:
3368:
3362:
3356:
3350:
3344:
3338:
3332:
3326:
3320:
3314:
3308:
3302:
3296:
3285:
3279:
3273:
3267:
3261:
3255:
3249:
3243:
3237:
3231:
3225:
3219:
3213:
3207:
3201:
3195:
3189:
3183:
3177:
3171:
3165:
3159:
3153:
3147:
3138:
3132:
3121:
3115:
3109:
3103:
3097:
3091:
3085:
3079:
3073:
3067:
3061:
3055:
3049:
3043:
3037:
3031:
3025:
3019:
3013:
3007:
3001:
2995:
2989:
2983:
2977:
2971:
2965:
2959:
2953:
2947:
2941:
2935:
2929:
2923:
2914:
2908:
2902:
2896:
2890:
2884:
2878:
2872:
2866:
2860:
2854:
2848:
2842:
2836:
2830:
2824:
2818:
2812:
2806:
2800:
2794:
2788:
2779:
2773:
2767:
2761:
2755:
2749:
2743:
2737:
2726:
2720:
2714:
2708:
2699:
2693:
2687:
2681:
2675:
2669:
2663:
2657:
2651:
2645:
2639:
2633:
2620:
2614:
2605:
2599:
2593:
2587:
2578:
2572:
2566:
2563:Quintanilla 1997
2560:
2551:
2545:
2534:
2528:
2522:
2516:
2505:
2502:Quintanilla 2002
2499:
2476:
2470:
2464:
2458:
2443:
2437:
2431:
2425:
2419:
2413:
2404:
2398:
2379:
2373:
2360:
2354:
2325:
2319:
2308:
2302:
2287:
2284:de la Torre 1996
2281:
2266:
2260:
2251:
2245:
2216:
2210:
2189:
2183:
2156:El Rey del Ritmo
2045:Christmas carols
1844:
1595:El Rey del Ritmo
1587:El Rey del Ritmo
1527:Behind the Music
1440:the Barrio Boyzz
1432:Graciela BeltrƔn
1375:
1356:Galveston, Texas
1343:Juan Luis Guerra
1312:Song of the Year
1286:
1216:Top Latin Albums
1115:pictured in 1995
915:Entre a Mi Mundo
873:Entre a Mi Mundo
804:pictured in 2020
790:Entre a Mi Mundo
762:
657:music production
595:pictured in 2020
487:Guerrero, Mexico
463:
443:Juan Luis Guerra
407:
259:
256:
186:
76:Other names
64:
61:December 1, 1963
60:
58:
35:
21:
9274:
9273:
9269:
9268:
9267:
9265:
9264:
9263:
9214:Polka musicians
9094:
9093:
9092:
9082:
9080:
9070:
9068:
9058:
9056:
9046:
9044:
9034:
9032:
9024:
9006:
9005:
9002:
8997:
8988:
8986:
8975:
8966:
8964:
8951:
8942:
8940:
8924:
8915:
8913:
8905:
8903:"Album Reviews"
8900:
8883:
8874:
8872:
8858:
8849:
8847:
8834:
8815:
8800:
8791:
8789:
8775:
8766:
8764:
8750:
8744:
8728:
8719:
8717:
8708:
8699:
8697:
8683:
8674:
8672:
8659:
8642:
8633:
8631:
8620:
8607:
8605:
8596:"Weekend Picks"
8592:
8577:
8568:
8566:
8555:
8546:
8544:
8543:on July 1, 2017
8530:
8513:
8496:
8479:
8462:
8453:
8451:
8440:
8423:
8406:
8389:
8372:
8361:
8349:(Media notes).
8342:
8334:(Media notes).
8323:
8293:
8284:
8282:
8271:
8265:
8247:
8241:
8224:
8218:
8199:
8190:
8188:
8177:
8168:
8166:
8153:
8144:
8142:
8130:
8113:
8107:
8090:
8081:
8079:
8068:
8049:
8040:
8038:
8029:
8020:
8018:
8009:
8000:
7998:
7989:
7980:
7978:
7969:
7956:
7947:
7945:
7936:
7919:
7910:
7908:
7897:
7888:
7886:
7875:
7866:
7864:
7853:
7844:
7842:
7831:
7822:
7820:
7809:
7800:
7798:
7787:
7778:
7776:
7764:
7755:
7753:
7742:
7733:
7731:
7720:
7711:
7709:
7698:
7679:
7670:
7668:
7655:
7636:
7627:
7625:
7615:
7606:
7604:
7594:
7585:
7583:
7573:
7564:
7562:
7552:
7543:
7541:
7531:
7522:
7520:
7504:
7495:
7493:
7482:
7473:
7471:
7460:
7443:
7434:
7432:
7416:
7407:
7405:
7394:
7385:
7383:
7372:
7355:
7346:
7344:
7333:
7324:
7322:
7311:
7302:
7300:
7289:
7280:
7278:
7267:
7258:
7256:
7245:
7236:
7234:
7223:
7214:
7212:
7196:
7187:
7185:
7172:
7163:
7161:
7148:
7129:
7112:
7095:
7078:
7069:
7067:
7056:
7047:
7045:
7034:
7025:
7023:
7012:
7003:
7001:
6988:
6979:
6977:
6966:
6947:
6938:
6936:
6926:
6917:
6915:
6901:
6892:
6890:
6881:
6872:
6870:
6861:
6844:
6835:
6833:
6822:
6813:
6811:
6802:
6793:
6791:
6782:
6773:
6771:
6762:
6753:
6751:
6742:
6733:
6731:
6722:
6713:
6711:
6702:
6693:
6691:
6682:
6673:
6671:
6662:
6653:
6651:
6642:
6633:
6631:
6622:
6613:
6611:
6600:
6591:
6589:
6580:
6571:
6569:
6560:
6551:
6549:
6540:
6531:
6529:
6520:
6511:
6509:
6500:
6491:
6489:
6480:
6471:
6469:
6460:
6451:
6449:
6440:
6431:
6429:
6420:
6411:
6409:
6400:
6391:
6389:
6380:
6371:
6369:
6360:
6351:
6349:
6340:
6323:
6317:
6307:Billboard Books
6298:
6289:
6287:
6278:
6269:
6267:
6258:
6249:
6247:
6237:
6228:
6226:
6217:
6208:
6206:
6197:
6188:
6186:
6175:
6166:
6164:
6155:
6138:
6132:
6115:
6092:
6083:
6081:
6072:
6063:
6061:
6052:
6037:
6020:
6003:
5990:
5981:
5979:
5970:
5953:
5944:
5942:
5936:"Tejano Fusion"
5933:
5924:
5922:
5911:
5902:
5900:
5890:
5881:
5879:
5870:
5861:
5859:
5848:
5839:
5837:
5828:
5819:
5817:
5808:
5799:
5797:
5781:
5772:
5770:
5760:
5741:
5732:
5730:
5720:
5711:
5709:
5699:
5690:
5688:
5677:
5668:
5666:
5655:
5646:
5644:
5635:
5626:
5624:
5615:
5598:
5579:
5556:
5547:
5545:
5531:
5522:
5520:
5504:
5495:
5493:
5482:
5473:
5471:
5462:
5453:
5451:
5440:
5431:
5429:
5426:Chicago Tribune
5418:
5409:
5407:
5388:
5379:
5377:
5366:
5357:
5355:
5346:
5337:
5335:
5326:
5317:
5315:
5306:
5297:
5295:
5286:
5277:
5275:
5266:
5257:
5255:
5246:
5237:
5235:
5224:
5215:
5213:
5202:
5193:
5191:
5180:
5167:
5165:
5154:
5145:
5143:
5135:Anon. (2017h).
5134:
5125:
5123:
5115:Anon. (2017g).
5114:
5105:
5103:
5095:Anon. (2017f).
5094:
5085:
5083:
5075:Anon. (2017e).
5074:
5065:
5063:
5050:Anon. (2017d).
5049:
5040:
5038:
5025:Anon. (2017c).
5024:
5015:
5013:
5005:Anon. (2017b).
5004:
4995:
4993:
4983:Anon. (2017a).
4982:
4978:
4973:
4965:
4961:
4953:
4949:
4941:
4937:
4929:
4925:
4917:
4913:
4905:
4901:
4893:
4889:
4881:
4877:
4869:
4865:
4857:
4853:
4845:
4841:
4833:
4829:
4821:
4817:
4809:
4805:
4797:
4793:
4785:
4778:
4770:
4763:
4755:
4751:
4743:
4739:
4731:
4727:
4719:
4715:
4707:
4703:
4695:
4691:
4685:Carrizales 2020
4683:
4679:
4671:
4667:
4659:
4652:
4644:
4640:
4632:
4628:
4620:
4616:
4608:
4604:
4596:
4592:
4584:
4580:
4572:
4568:
4560:
4549:
4541:
4537:
4529:
4525:
4517:
4513:
4505:
4498:
4490:
4486:
4478:
4474:
4466:
4462:
4454:
4450:
4442:
4438:
4430:
4426:
4418:
4414:
4406:
4402:
4394:
4390:
4382:
4375:
4367:
4363:
4355:
4338:
4330:
4326:
4318:
4314:
4306:
4302:
4294:
4290:
4282:
4278:
4270:
4261:
4253:
4246:
4238:
4234:
4226:
4219:
4211:
4198:
4190:
4186:
4178:
4174:
4166:
4162:
4154:
4150:
4142:
4138:
4130:
4126:
4118:
4114:
4106:
4102:
4094:
4090:
4082:
4078:
4070:
4066:
4058:
4054:
4046:
4042:
4034:
4030:
4022:
4018:
4010:
4006:
3998:
3991:
3983:
3979:
3971:
3967:
3959:
3955:
3947:
3943:
3935:
3931:
3923:
3919:
3911:
3907:
3899:
3895:
3887:
3883:
3875:
3871:
3863:
3859:
3851:
3847:
3839:
3832:
3824:
3820:
3812:
3808:
3800:
3796:
3788:
3781:
3773:
3769:
3761:
3757:
3749:
3745:
3737:
3733:
3725:
3718:
3710:
3693:
3685:
3681:
3673:
3669:
3661:
3657:
3649:
3645:
3637:
3630:
3624:Maldonado 1997b
3622:
3615:
3607:
3603:
3595:
3591:
3583:
3579:
3571:
3560:
3552:
3548:
3540:
3536:
3528:
3524:
3516:
3512:
3504:
3497:
3489:
3485:
3477:
3473:
3465:
3461:
3453:
3449:
3443:Maldonado 1995a
3441:
3437:
3429:
3425:
3417:
3413:
3405:
3401:
3393:
3389:
3381:
3377:
3369:
3365:
3359:Maldonado 1994c
3357:
3353:
3345:
3341:
3333:
3329:
3321:
3317:
3309:
3305:
3299:Maldonado 1994d
3297:
3288:
3280:
3276:
3268:
3264:
3256:
3252:
3244:
3240:
3232:
3228:
3220:
3216:
3212:, p. LMQ3.
3208:
3204:
3196:
3192:
3184:
3180:
3172:
3168:
3160:
3156:
3148:
3141:
3133:
3124:
3116:
3112:
3104:
3100:
3092:
3088:
3080:
3076:
3068:
3064:
3056:
3052:
3044:
3040:
3032:
3028:
3020:
3016:
3008:
3004:
2996:
2992:
2984:
2980:
2972:
2968:
2960:
2956:
2948:
2944:
2936:
2932:
2924:
2917:
2909:
2905:
2897:
2893:
2885:
2881:
2873:
2869:
2861:
2857:
2849:
2845:
2837:
2833:
2825:
2821:
2813:
2809:
2801:
2797:
2791:Maldonado 1994b
2789:
2782:
2774:
2770:
2762:
2758:
2750:
2746:
2738:
2729:
2721:
2717:
2709:
2702:
2694:
2690:
2682:
2678:
2670:
2666:
2658:
2654:
2646:
2642:
2634:
2623:
2615:
2608:
2600:
2596:
2588:
2581:
2573:
2569:
2561:
2554:
2546:
2537:
2529:
2525:
2517:
2508:
2500:
2479:
2471:
2467:
2459:
2446:
2438:
2434:
2426:
2422:
2414:
2407:
2399:
2382:
2374:
2363:
2355:
2328:
2320:
2311:
2303:
2290:
2282:
2269:
2261:
2254:
2248:Carrizales 2024
2246:
2219:
2211:
2192:
2184:
2175:
2171:
2137:Como Te Extrano
2120:
2114:
2065:
2012:Red Ribbon Week
2000:
1876:
1860:electric guitar
1842:
1780:Victoria, Texas
1772:Stefani Montiel
1768:Christmas music
1732:Matchbox Twenty
1718:rock en espaƱol
1713:
1675:Enfoque Musical
1643:
1636:Enfoque Musical
1579:
1505:
1494:Como Te Extrano
1486:Como Te Extrano
1455:Como Te Extrano
1390:
1379:Como Te Extrano
1373:
1364:Como Te Extrano
1360:Michael Salgado
1289:Como Te Extrano
1284:
1241:
1224:Como Te Extrano
1209:Como Te Extrano
1195:Como Te Extrano
1191:Como Te Extrano
1177:Como Te Extrano
1166:Como Te Extrano
1162:Como Te Extrano
1157:Como Te Extrano
1140:Sea World Texas
1124:shot and killed
1103:
1100:Como Te Extrano
1011:" for Selena's
954:
793:
760:
746:No Quiero Saber
742:Enamorada de Ti
583:
475:
470:
468:Life and career
461:
430:Como Te Extrano
422:Sea World Texas
418:shot and killed
410:Hot Latin Songs
405:
395:" for Selena's
375:cannon. It was
309:music education
266:Pedro Astudillo
253:
245:
238:
213:
184:
179:
141:
124:
101:
79:Peter Astudillo
71:
65:
62:
56:
54:
53:
52:
51:Pedro Astudillo
42:
26:
17:
16:American singer
12:
11:
5:
9272:
9270:
9262:
9261:
9256:
9251:
9246:
9241:
9236:
9231:
9226:
9221:
9216:
9211:
9206:
9201:
9196:
9191:
9186:
9181:
9176:
9171:
9166:
9161:
9156:
9151:
9146:
9141:
9136:
9131:
9126:
9121:
9116:
9111:
9106:
9104:Pete Astudillo
9096:
9095:
9091:
9090:
9078:
9066:
9054:
9042:
9022:
9021:
9015:Pete Astudillo
9012:
9001:
9000:External links
8998:
8996:
8995:
8973:
8949:
8922:
8898:
8881:
8856:
8832:
8813:
8798:
8773:
8748:
8742:
8726:
8706:
8681:
8669:The Fresno Bee
8657:
8647:(in Spanish).
8640:
8618:
8590:
8575:
8553:
8528:
8511:
8494:
8477:
8460:
8438:
8421:
8404:
8387:
8370:
8359:
8340:
8321:
8291:
8269:
8263:
8245:
8239:
8222:
8216:
8197:
8175:
8163:Tucson Citizen
8151:
8128:
8118:(in Spanish).
8111:
8106:978-0451467782
8105:
8088:
8066:
8056:(in Spanish).
8047:
8027:
8007:
7987:
7967:
7954:
7934:
7917:
7895:
7873:
7851:
7829:
7807:
7785:
7762:
7740:
7718:
7696:
7677:
7653:
7634:
7613:
7592:
7571:
7550:
7529:
7502:
7480:
7458:
7448:(in Spanish).
7441:
7414:
7392:
7370:
7353:
7331:
7309:
7287:
7265:
7243:
7221:
7194:
7170:
7146:
7127:
7117:(in Spanish).
7110:
7093:
7083:(in Spanish).
7076:
7054:
7032:
7010:
6986:
6964:
6945:
6924:
6899:
6879:
6859:
6849:(in Spanish).
6842:
6820:
6800:
6780:
6760:
6740:
6720:
6700:
6680:
6660:
6640:
6620:
6598:
6578:
6558:
6538:
6518:
6498:
6478:
6458:
6438:
6418:
6398:
6378:
6358:
6338:
6321:
6315:
6296:
6276:
6256:
6235:
6215:
6195:
6173:
6153:
6143:(in Spanish).
6136:
6130:
6113:
6099:(in Spanish).
6090:
6070:
6050:
6035:
6018:
6001:
5988:
5968:
5951:
5931:
5909:
5888:
5868:
5846:
5826:
5806:
5779:
5758:
5748:(in Spanish).
5739:
5718:
5697:
5675:
5653:
5633:
5613:
5603:(in Spanish).
5596:
5586:(in Spanish).
5577:
5554:
5529:
5502:
5480:
5460:
5438:
5416:
5386:
5364:
5344:
5324:
5304:
5284:
5264:
5244:
5222:
5200:
5178:
5174:Newspapers.com
5152:
5132:
5112:
5092:
5072:
5047:
5022:
5002:
4979:
4977:
4974:
4972:
4971:
4959:
4947:
4935:
4923:
4911:
4907:Maldonado 1998
4899:
4887:
4885:, p. B12.
4875:
4863:
4851:
4839:
4835:Tarradell 1997
4827:
4815:
4803:
4791:
4776:
4761:
4757:Maldonado 1993
4749:
4737:
4725:
4723:, p. V10.
4713:
4701:
4689:
4677:
4665:
4650:
4638:
4626:
4614:
4602:
4598:Hackleman 2017
4590:
4578:
4566:
4547:
4535:
4533:, p. A91.
4523:
4511:
4496:
4494:, p. 140.
4484:
4472:
4468:HernƔndez 2003
4460:
4456:CastaƱeda 2002
4448:
4436:
4424:
4412:
4400:
4388:
4373:
4361:
4336:
4324:
4312:
4300:
4298:, p. 298.
4288:
4276:
4259:
4244:
4232:
4217:
4196:
4184:
4172:
4170:, p. 101.
4160:
4148:
4136:
4124:
4112:
4100:
4088:
4076:
4064:
4052:
4048:Maldonado 1997
4040:
4028:
4016:
4004:
3989:
3985:Rodriguez 1996
3977:
3965:
3953:
3941:
3929:
3917:
3905:
3903:, p. C11.
3893:
3889:Tarradell 1996
3881:
3879:, p. 327.
3869:
3857:
3845:
3843:, p. 128.
3830:
3818:
3806:
3794:
3779:
3767:
3755:
3743:
3731:
3716:
3714:, p. 141.
3691:
3679:
3667:
3655:
3643:
3628:
3626:, p. 11D.
3613:
3601:
3597:Tarradell 1995
3589:
3587:, p. 138.
3577:
3558:
3546:
3534:
3532:, p. 101.
3530:Mortensen 1995
3522:
3510:
3506:Arrillaga 1996
3495:
3483:
3471:
3459:
3447:
3435:
3423:
3421:, p. 110.
3411:
3409:, p. 109.
3399:
3397:, p. 118.
3387:
3375:
3363:
3361:, p. 149.
3351:
3339:
3327:
3325:, p. 101.
3315:
3303:
3286:
3274:
3262:
3250:
3238:
3226:
3214:
3202:
3190:
3178:
3166:
3154:
3139:
3122:
3118:Maldonado 1999
3110:
3098:
3086:
3082:Maldonado 1994
3074:
3062:
3060:, p. 138.
3050:
3048:, p. 145.
3038:
3026:
3014:
3002:
2990:
2978:
2966:
2954:
2942:
2930:
2915:
2903:
2891:
2889:, p. 105.
2879:
2877:, p. 227.
2867:
2855:
2853:, p. 407.
2843:
2831:
2819:
2807:
2805:, p. 125.
2795:
2780:
2768:
2766:, p. 124.
2756:
2744:
2727:
2715:
2700:
2688:
2676:
2664:
2652:
2640:
2621:
2606:
2594:
2592:, p. 138.
2579:
2567:
2552:
2550:, p. 164.
2535:
2533:, p. 113.
2523:
2506:
2477:
2465:
2444:
2432:
2420:
2416:Rodriguez 1995
2405:
2380:
2361:
2326:
2309:
2288:
2267:
2252:
2217:
2190:
2172:
2170:
2167:
2166:
2165:
2159:
2153:
2147:
2144:Si Tu No Estas
2141:
2133:
2127:
2124:Entregate a Mi
2116:Main article:
2113:
2110:
2097:Chevy Suburban
2064:
2061:
2040:Christmas tree
1999:
1996:
1978:Afro-Caribbean
1924:new wave music
1875:
1874:Artistic style
1872:
1868:American Dream
1794:(2019) album.
1712:
1709:
1700:Tucson Citizen
1694:The Fresno Bee
1648:cover versions
1642:
1632:
1599:Radio y Musica
1578:
1575:
1504:
1498:
1490:Si Tu No Estas
1482:Si Tu No Estas
1478:Si Tu No Estas
1464:Si Tu No Estas
1404:Jennifer Lopez
1389:
1387:Si Tu No Estas
1383:
1329:Siempre Selena
1324:Emilio Navaira
1262:Abilene, Texas
1240:
1237:
1220:Amor Prohibido
1170:Radio y Musica
1102:
1096:
1077:Entregate a Mi
1054:Radio y Musica
1027:Amor Prohibido
1014:Amor Prohibido
1005:Amor Prohibido
953:
951:Amor Prohibido
943:
900:signature song
878:Latin American
864:Houston, Texas
860:Corpus Christi
838:", a cover of
832:Entregate a Mi
828:Entregate a Mi
792:
786:
582:
579:
572:, dancer, and
566:Midland, Texas
506:Laredo College
474:
471:
469:
466:
447:Si Tu No Estas
398:Amor Prohibido
389:Amor Prohibido
369:signature song
358:Entregate a Mi
270:Pete Astudillo
261:
260:
251:
247:
246:
244:Musical artist
243:
240:
239:
237:
236:
233:
230:
225:
221:
219:
215:
214:
212:
211:
208:
203:
197:
195:
191:
190:
187:
181:
180:
178:
177:
172:
167:
162:
156:
154:
150:
149:
147:Musical career
143:
142:
140:
139:
136:
132:
130:
126:
125:
123:
122:
119:
116:
113:
109:
107:
103:
102:
100:
99:
97:Laredo College
94:
87:
85:
81:
80:
77:
73:
72:
66:
50:
48:
44:
43:
36:
28:
27:
25:Pete Astudillo
24:
15:
13:
10:
9:
6:
4:
3:
2:
9271:
9260:
9257:
9255:
9252:
9250:
9247:
9245:
9242:
9240:
9237:
9235:
9234:Spokespersons
9232:
9230:
9227:
9225:
9222:
9220:
9217:
9215:
9212:
9210:
9207:
9205:
9202:
9200:
9197:
9195:
9192:
9190:
9187:
9185:
9182:
9180:
9177:
9175:
9172:
9170:
9167:
9165:
9162:
9160:
9157:
9155:
9152:
9150:
9147:
9145:
9142:
9140:
9137:
9135:
9132:
9130:
9127:
9125:
9122:
9120:
9117:
9115:
9114:Living people
9112:
9110:
9107:
9105:
9102:
9101:
9099:
9089:
9079:
9077:
9067:
9065:
9055:
9053:
9043:
9041:
9031:
9027:
9020:
9016:
9013:
9009:
9004:
9003:
8999:
8985:
8980:
8974:
8963:
8962:
8956:
8950:
8938:
8935:. p. 1.
8934:
8933:
8928:
8923:
8911:
8904:
8899:
8895:
8891:
8887:
8882:
8870:
8866:
8862:
8857:
8846:
8845:
8839:
8833:
8829:
8825:
8821:
8820:
8814:
8810:
8805:
8799:
8787:
8783:
8779:
8774:
8762:
8758:
8754:
8749:
8745:
8739:
8736:. Greenwood.
8735:
8731:
8730:Stavans, Ilan
8727:
8716:
8712:
8707:
8695:
8691:
8687:
8682:
8671:
8670:
8664:
8658:
8654:
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8615:
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8512:
8508:
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8405:
8401:
8397:
8393:
8388:
8384:
8380:
8376:
8371:
8367:
8366:
8360:
8356:
8352:
8348:
8347:
8341:
8337:
8333:
8329:
8328:
8322:
8318:
8317:Q-Productions
8314:
8310:
8309:
8304:
8300:
8296:
8292:
8281:
8276:
8270:
8266:
8260:
8256:
8255:
8250:
8246:
8242:
8240:0-316-69378-2
8236:
8232:
8228:
8223:
8219:
8213:
8209:
8205:
8204:
8198:
8187:
8182:
8176:
8165:
8164:
8158:
8152:
8140:
8135:
8129:
8125:
8121:
8117:
8112:
8108:
8102:
8098:
8097:Penguin Books
8094:
8089:
8078:
8073:
8067:
8063:
8059:
8055:
8054:
8048:
8037:
8036:Tejano Nation
8033:
8028:
8017:
8016:Tejano Nation
8013:
8008:
7997:
7996:Tejano Nation
7993:
7988:
7977:
7976:Tejano Nation
7973:
7968:
7964:
7963:Tejano Nation
7960:
7955:
7944:
7943:Tejano Nation
7940:
7935:
7931:
7927:
7923:
7918:
7907:
7902:
7896:
7885:
7880:
7874:
7863:
7858:
7852:
7841:
7836:
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7819:
7814:
7808:
7797:
7792:
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7752:
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7708:
7703:
7697:
7693:
7689:
7685:
7684:
7678:
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7666:
7660:
7654:
7650:
7646:
7642:
7641:
7635:
7623:
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7614:
7602:
7598:
7593:
7581:
7577:
7572:
7560:
7556:
7551:
7539:
7535:
7530:
7518:
7514:
7513:
7508:
7503:
7492:
7487:
7481:
7470:
7465:
7459:
7455:
7451:
7447:
7442:
7430:
7426:
7425:
7420:
7415:
7404:
7399:
7393:
7382:
7377:
7371:
7367:
7363:
7359:
7354:
7343:
7338:
7332:
7321:
7316:
7310:
7299:
7294:
7288:
7277:
7272:
7266:
7255:
7254:El Paso Times
7250:
7244:
7233:
7228:
7222:
7210:
7206:
7205:
7204:Rolling Stone
7200:
7195:
7184:
7183:
7177:
7171:
7160:
7159:
7153:
7147:
7143:
7139:
7135:
7134:
7128:
7124:
7120:
7116:
7111:
7107:
7103:
7099:
7094:
7090:
7086:
7082:
7077:
7066:
7065:El Paso Times
7061:
7055:
7044:
7043:El Paso Times
7039:
7033:
7022:
7021:El Paso Times
7017:
7011:
7000:
6999:
6993:
6987:
6976:
6971:
6965:
6961:
6957:
6953:
6952:
6951:Texas Monthly
6946:
6934:
6930:
6929:"Latin Notas"
6925:
6913:
6909:
6908:Tejano Nation
6905:
6900:
6889:
6888:Tejano Nation
6885:
6880:
6869:
6865:
6860:
6856:
6852:
6848:
6843:
6832:
6831:
6826:
6821:
6810:
6806:
6801:
6790:
6786:
6781:
6770:
6766:
6761:
6750:
6746:
6741:
6730:
6726:
6721:
6710:
6706:
6701:
6690:
6686:
6681:
6670:
6666:
6661:
6650:
6646:
6641:
6630:
6626:
6621:
6610:
6609:
6604:
6599:
6588:
6584:
6579:
6568:
6564:
6559:
6548:
6544:
6539:
6528:
6524:
6519:
6508:
6504:
6499:
6488:
6484:
6479:
6468:
6464:
6459:
6448:
6444:
6439:
6428:
6424:
6419:
6408:
6404:
6399:
6388:
6384:
6379:
6368:
6364:
6359:
6348:
6344:
6339:
6335:
6331:
6327:
6322:
6318:
6312:
6308:
6304:
6303:
6297:
6286:
6282:
6277:
6266:
6262:
6257:
6245:
6241:
6236:
6225:
6221:
6216:
6205:
6201:
6196:
6185:
6184:
6179:
6174:
6163:
6162:El Paso Times
6159:
6158:"Latin Notes"
6154:
6150:
6146:
6142:
6137:
6133:
6127:
6123:
6119:
6114:
6110:
6106:
6102:
6098:
6097:
6091:
6080:
6076:
6071:
6060:
6056:
6051:
6047:
6043:
6042:
6036:
6032:
6028:
6024:
6019:
6015:
6011:
6007:
6002:
5998:
5997:Tejano Nation
5994:
5989:
5978:
5974:
5969:
5965:
5961:
5957:
5956:UPI NewsTrack
5952:
5941:
5937:
5932:
5921:
5920:
5915:
5910:
5898:
5894:
5889:
5878:
5874:
5869:
5858:
5857:
5852:
5847:
5836:
5832:
5827:
5816:
5812:
5807:
5794:
5789:
5788:Billboard.com
5785:
5780:
5768:
5764:
5759:
5755:
5751:
5747:
5746:
5740:
5728:
5724:
5719:
5707:
5703:
5698:
5687:
5686:
5681:
5676:
5665:
5664:
5659:
5654:
5643:
5642:El Paso Times
5639:
5634:
5623:
5619:
5614:
5610:
5606:
5602:
5597:
5593:
5589:
5585:
5584:
5578:
5574:
5573:Gale Research
5570:
5566:
5562:
5561:
5555:
5543:
5539:
5538:Billboard.com
5535:
5530:
5517:
5512:
5511:Billboard.com
5508:
5503:
5492:
5491:
5486:
5481:
5470:
5466:
5461:
5450:
5449:
5444:
5439:
5428:
5427:
5422:
5417:
5410:September 19,
5406:
5402:
5398:
5397:
5392:
5387:
5376:
5375:
5370:
5365:
5354:
5350:
5345:
5334:
5330:
5325:
5314:
5310:
5305:
5294:
5290:
5285:
5274:
5270:
5265:
5254:
5250:
5245:
5234:
5233:
5228:
5223:
5212:
5211:
5206:
5201:
5190:
5189:
5188:El Paso Times
5184:
5179:
5175:
5164:
5163:
5158:
5153:
5142:
5138:
5133:
5122:
5118:
5113:
5102:
5098:
5093:
5082:
5078:
5073:
5061:
5057:
5053:
5048:
5036:
5032:
5028:
5023:
5012:
5008:
5003:
4992:
4991:
4986:
4981:
4980:
4975:
4968:
4963:
4960:
4956:
4951:
4948:
4944:
4939:
4936:
4932:
4927:
4924:
4921:, p. 57.
4920:
4915:
4912:
4908:
4903:
4900:
4897:, p. 65.
4896:
4895:Cabrera 1997b
4891:
4888:
4884:
4879:
4876:
4873:, p. 12.
4872:
4867:
4864:
4861:, p. 40.
4860:
4855:
4852:
4849:, p. 77.
4848:
4847:Cabrera 1997a
4843:
4840:
4837:, p. 14.
4836:
4831:
4828:
4825:, p. D1.
4824:
4819:
4816:
4813:, p. 53.
4812:
4811:Campbell 1993
4807:
4804:
4801:, p. 38.
4800:
4795:
4792:
4789:, p. 69.
4788:
4787:Cabrera 1999b
4783:
4781:
4777:
4774:, p. 11.
4773:
4768:
4766:
4762:
4759:, p. 74.
4758:
4753:
4750:
4746:
4741:
4738:
4735:, p. A3.
4734:
4729:
4726:
4722:
4717:
4714:
4711:, p. A3.
4710:
4705:
4702:
4698:
4693:
4690:
4686:
4681:
4678:
4674:
4669:
4666:
4662:
4657:
4655:
4651:
4647:
4642:
4639:
4636:, p. D1.
4635:
4630:
4627:
4623:
4618:
4615:
4611:
4606:
4603:
4600:, p. A1.
4599:
4594:
4591:
4587:
4582:
4579:
4575:
4570:
4567:
4563:
4558:
4556:
4554:
4552:
4548:
4545:, p. 86.
4544:
4539:
4536:
4532:
4527:
4524:
4521:, p. 47.
4520:
4515:
4512:
4509:, p. Z4.
4508:
4503:
4501:
4497:
4493:
4488:
4485:
4482:, p. 17.
4481:
4480:Corcoran 2005
4476:
4473:
4470:, p. 13.
4469:
4464:
4461:
4458:, p. 10.
4457:
4452:
4449:
4446:, p. 62.
4445:
4440:
4437:
4434:, p. 10.
4433:
4428:
4425:
4421:
4416:
4413:
4410:, p. 36.
4409:
4404:
4401:
4398:, p. 21.
4397:
4392:
4389:
4385:
4380:
4378:
4374:
4371:, p. LM.
4370:
4365:
4362:
4359:, p. 59.
4358:
4353:
4351:
4349:
4347:
4345:
4343:
4341:
4337:
4334:, p. 11.
4333:
4328:
4325:
4322:, p. 70.
4321:
4316:
4313:
4310:, p. 58.
4309:
4304:
4301:
4297:
4292:
4289:
4286:, p. 16.
4285:
4280:
4277:
4274:, p. 12.
4273:
4268:
4266:
4264:
4260:
4257:, p. 14.
4256:
4251:
4249:
4245:
4242:, p. 31.
4241:
4236:
4233:
4230:, p. 72.
4229:
4228:Cabrera 1997c
4224:
4222:
4218:
4215:, p. 38.
4214:
4209:
4207:
4205:
4203:
4201:
4197:
4194:, p. 94.
4193:
4188:
4185:
4181:
4176:
4173:
4169:
4164:
4161:
4158:, p. 41.
4157:
4152:
4149:
4146:, p. F8.
4145:
4140:
4137:
4134:, p. 39.
4133:
4128:
4125:
4122:, p. 67.
4121:
4116:
4113:
4110:, p. C7.
4109:
4104:
4101:
4097:
4092:
4089:
4086:, p. 16.
4085:
4080:
4077:
4073:
4068:
4065:
4061:
4056:
4053:
4049:
4044:
4041:
4037:
4032:
4029:
4025:
4020:
4017:
4013:
4008:
4005:
4002:, p. 40.
4001:
3996:
3994:
3990:
3987:, p. 6B.
3986:
3981:
3978:
3975:, p. 34.
3974:
3969:
3966:
3963:, p. 39.
3962:
3961:Ragland 1996b
3957:
3954:
3950:
3945:
3942:
3939:, p. E7.
3938:
3937:Ragland 1996b
3933:
3930:
3927:, p. 47.
3926:
3921:
3918:
3915:, p. 70.
3914:
3913:Cabrera 1996d
3909:
3906:
3902:
3897:
3894:
3891:, p. 31.
3890:
3885:
3882:
3878:
3873:
3870:
3867:, p. 99.
3866:
3861:
3858:
3855:, p. 25.
3854:
3849:
3846:
3842:
3837:
3835:
3831:
3828:, p. 66.
3827:
3826:Cabrera 1996c
3822:
3819:
3816:, p. E7.
3815:
3814:Ragland 1996a
3810:
3807:
3804:, p. 18.
3803:
3798:
3795:
3792:, p. 46.
3791:
3786:
3784:
3780:
3777:, p. 25.
3776:
3775:Cabrera 1996a
3771:
3768:
3765:, p. 73.
3764:
3759:
3756:
3752:
3747:
3744:
3741:, p. 64.
3740:
3739:Lannert 1995c
3735:
3732:
3729:, p. 26.
3728:
3723:
3721:
3717:
3713:
3708:
3706:
3704:
3702:
3700:
3698:
3696:
3692:
3689:, p. 29.
3688:
3683:
3680:
3676:
3671:
3668:
3665:, p. 53.
3664:
3663:Lannert 1995b
3659:
3656:
3653:, p. 42.
3652:
3647:
3644:
3641:, p. B8.
3640:
3639:Gonzalez 1997
3635:
3633:
3629:
3625:
3620:
3618:
3614:
3610:
3605:
3602:
3599:, p. 30.
3598:
3593:
3590:
3586:
3581:
3578:
3575:, p. 47.
3574:
3573:Cabrera 1996b
3569:
3567:
3565:
3563:
3559:
3556:, p. 28.
3555:
3550:
3547:
3544:, p. 78.
3543:
3542:Cabrera 1995b
3538:
3535:
3531:
3526:
3523:
3520:, p. 81.
3519:
3518:Cabrera 1995a
3514:
3511:
3507:
3502:
3500:
3496:
3493:, p. 14.
3492:
3487:
3484:
3481:, p. 74.
3480:
3475:
3472:
3469:, p. 19.
3468:
3463:
3460:
3456:
3455:Verhovek 1995
3451:
3448:
3445:, p. 62.
3444:
3439:
3436:
3433:, p. 47.
3432:
3431:Cabrera 1995b
3427:
3424:
3420:
3415:
3412:
3408:
3403:
3400:
3396:
3391:
3388:
3385:, p. 15.
3384:
3379:
3376:
3373:, p. 91.
3372:
3367:
3364:
3360:
3355:
3352:
3349:, p. 70.
3348:
3347:Cabrera 1994e
3343:
3340:
3337:, p. 75.
3336:
3335:Cabrera 1994e
3331:
3328:
3324:
3319:
3316:
3313:, p. 95.
3312:
3307:
3304:
3301:, p. 70.
3300:
3295:
3293:
3291:
3287:
3283:
3278:
3275:
3271:
3266:
3263:
3259:
3254:
3251:
3248:, p. 37.
3247:
3242:
3239:
3235:
3230:
3227:
3223:
3218:
3215:
3211:
3206:
3203:
3200:, p. 88.
3199:
3198:Cabrera 1994c
3194:
3191:
3188:, p. 17.
3187:
3186:Gonzalez 1994
3182:
3179:
3176:, p. 3C.
3175:
3170:
3167:
3164:, p. 59.
3163:
3158:
3155:
3152:, p. 52.
3151:
3146:
3144:
3140:
3137:, p. 70.
3136:
3135:Cabrera 1994d
3131:
3129:
3127:
3123:
3120:, p. 53.
3119:
3114:
3111:
3108:, p. 4C.
3107:
3102:
3099:
3096:, p. 78.
3095:
3094:Cabrera 1994a
3090:
3087:
3084:, p. 62.
3083:
3078:
3075:
3072:, p. 87.
3071:
3066:
3063:
3059:
3054:
3051:
3047:
3042:
3039:
3036:, p. 79.
3035:
3034:Cabrera 1993b
3030:
3027:
3024:, p. 79.
3023:
3018:
3015:
3012:, p. 44.
3011:
3006:
3003:
3000:, p. 58.
2999:
2994:
2991:
2987:
2982:
2979:
2976:, p. 45.
2975:
2970:
2967:
2964:, p. 43.
2963:
2958:
2955:
2951:
2946:
2943:
2939:
2934:
2931:
2927:
2922:
2920:
2916:
2912:
2907:
2904:
2900:
2895:
2892:
2888:
2883:
2880:
2876:
2871:
2868:
2864:
2859:
2856:
2852:
2847:
2844:
2840:
2839:Exposito 2018
2835:
2832:
2828:
2823:
2820:
2816:
2811:
2808:
2804:
2799:
2796:
2793:, p. 50.
2792:
2787:
2785:
2781:
2778:, p. 71.
2777:
2776:Cabrera 1992b
2772:
2769:
2765:
2760:
2757:
2754:, p. 84.
2753:
2752:Cabrera 1994b
2748:
2745:
2742:, p. 80.
2741:
2736:
2734:
2732:
2728:
2724:
2719:
2716:
2712:
2707:
2705:
2701:
2698:, p. 91.
2697:
2692:
2689:
2685:
2680:
2677:
2674:, p. 40.
2673:
2668:
2665:
2662:, p. 81.
2661:
2656:
2653:
2650:, p. 31.
2649:
2644:
2641:
2638:, p. 50.
2637:
2632:
2630:
2628:
2626:
2622:
2618:
2613:
2611:
2607:
2604:, p. 82.
2603:
2598:
2595:
2591:
2586:
2584:
2580:
2576:
2571:
2568:
2564:
2559:
2557:
2553:
2549:
2544:
2542:
2540:
2536:
2532:
2527:
2524:
2521:, p. 65.
2520:
2515:
2513:
2511:
2507:
2503:
2498:
2496:
2494:
2492:
2490:
2488:
2486:
2484:
2482:
2478:
2474:
2469:
2466:
2462:
2457:
2455:
2453:
2451:
2449:
2445:
2441:
2436:
2433:
2430:, p. 79.
2429:
2424:
2421:
2418:, p. 6G.
2417:
2412:
2410:
2406:
2402:
2397:
2395:
2393:
2391:
2389:
2387:
2385:
2381:
2377:
2372:
2370:
2368:
2366:
2362:
2359:, p. 67.
2358:
2353:
2351:
2349:
2347:
2345:
2343:
2341:
2339:
2337:
2335:
2333:
2331:
2327:
2324:, p. 88.
2323:
2318:
2316:
2314:
2310:
2307:, p. 12.
2306:
2301:
2299:
2297:
2295:
2293:
2289:
2286:, p. 1B.
2285:
2280:
2278:
2276:
2274:
2272:
2268:
2264:
2259:
2257:
2253:
2249:
2244:
2242:
2240:
2238:
2236:
2234:
2232:
2230:
2228:
2226:
2224:
2222:
2218:
2214:
2209:
2207:
2205:
2203:
2201:
2199:
2197:
2195:
2191:
2188:, p. 55.
2187:
2182:
2180:
2178:
2174:
2168:
2163:
2160:
2157:
2154:
2151:
2148:
2145:
2142:
2139:
2138:
2134:
2131:
2128:
2125:
2122:
2121:
2119:
2111:
2109:
2107:
2102:
2098:
2094:
2093:blood alcohol
2090:
2085:
2082:
2077:
2076:
2070:
2063:Personal life
2062:
2060:
2058:
2052:
2050:
2049:Feliz Navidad
2047:, including "
2046:
2041:
2037:
2033:
2029:
2025:
2020:
2017:
2013:
2009:
2005:
1997:
1995:
1993:
1989:
1985:
1984:
1979:
1973:
1971:
1970:
1965:
1961:
1957:
1956:
1951:
1950:
1943:
1941:
1937:
1933:
1929:
1925:
1921:
1917:
1913:
1909:
1908:rock and roll
1905:
1901:
1896:
1894:
1890:
1889:
1884:
1883:
1873:
1871:
1869:
1865:
1861:
1857:
1853:
1848:
1841:
1836:
1834:
1830:
1826:
1825:
1820:
1816:
1812:
1808:
1807:Aztec Theatre
1804:
1800:
1795:
1793:
1789:
1785:
1784:Sunny Sauceda
1781:
1777:
1773:
1769:
1765:
1761:
1757:
1752:
1750:
1745:
1741:
1737:
1733:
1729:
1728:Guns N' Roses
1725:
1720:
1719:
1710:
1708:
1706:
1702:
1701:
1696:
1695:
1690:
1686:
1685:
1684:Selena Ā”Vive!
1680:
1676:
1671:
1669:
1665:
1661:
1657:
1653:
1649:
1641:
1640:Selena Ā”Vive!
1637:
1633:
1631:
1629:
1625:
1621:
1615:
1613:
1609:
1603:
1600:
1596:
1592:
1588:
1583:
1576:
1574:
1572:
1568:
1564:
1560:
1556:
1552:
1548:
1544:
1539:
1537:
1531:
1529:
1528:
1523:
1519:
1515:
1511:
1503:
1499:
1497:
1495:
1491:
1487:
1483:
1479:
1474:
1472:
1467:
1465:
1460:
1456:
1452:
1447:
1445:
1441:
1437:
1433:
1429:
1427:
1421:
1419:
1415:
1411:
1410:
1405:
1401:
1397:
1396:
1388:
1384:
1382:
1380:
1372:
1367:
1365:
1361:
1357:
1353:
1352:Market Square
1350:unaired 1991
1349:
1344:
1339:
1337:
1336:
1331:
1330:
1325:
1321:
1317:
1313:
1310:, as well as
1309:
1305:
1301:
1296:
1294:
1293:percussionist
1290:
1282:
1278:
1273:
1271:
1270:Jennifer PeƱa
1267:
1266:Odessa, Texas
1263:
1259:
1255:
1251:
1247:
1238:
1236:
1234:
1229:
1225:
1221:
1217:
1214:
1210:
1204:
1201:
1196:
1192:
1188:
1187:
1182:
1178:
1173:
1171:
1167:
1163:
1159:
1158:
1153:
1149:
1145:
1144:Willie Nelson
1141:
1137:
1136:Cinco de Mayo
1134:
1129:
1125:
1116:
1112:
1107:
1101:
1097:
1095:
1093:
1088:
1087:
1082:
1078:
1074:
1070:
1066:
1062:
1057:
1055:
1051:
1047:
1043:
1038:
1036:
1032:
1031:Techno Cumbia
1028:
1024:
1020:
1016:
1015:
1010:
1006:
1000:
998:
992:
990:
986:
985:
984:El Paso Times
980:
979:
973:
971:
967:
963:
959:
952:
948:
944:
942:
940:
936:
932:
928:
924:
920:
916:
911:
909:
908:Texas musical
905:
901:
897:
893:
889:
888:
887:Rolling Stone
883:
879:
875:
874:
867:
865:
861:
857:
853:
849:
845:
841:
837:
833:
829:
825:
824:Q-Productions
820:
818:
809:
808:Q-Productions
805:
801:
797:
791:
787:
785:
783:
779:
775:
771:
768:
767:
759:
755:
751:
747:
743:
739:
735:
731:
727:
723:
722:
717:
713:
709:
705:
700:
698:
694:
693:
692:El Paso Times
688:
682:
680:
676:
672:
671:
670:Texas Monthly
666:
662:
658:
654:
649:
645:
641:
637:
636:
630:
628:
624:
620:
616:
612:
608:
600:
596:
592:
587:
580:
578:
575:
571:
567:
561:
559:
553:
551:
547:
543:
539:
535:
531:
527:
523:
518:
515:
511:
507:
503:
498:
496:
492:
488:
484:
483:Laredo, Texas
480:
472:
467:
465:
460:
456:
452:
448:
444:
440:
436:
432:
431:
425:
423:
419:
415:
411:
404:
400:
399:
394:
390:
386:
382:
378:
374:
373:Texas musical
370:
366:
361:
359:
355:
354:Q-Productions
351:
347:
343:
339:
336:
332:
331:
326:
322:
318:
314:
310:
305:
303:
302:
297:
293:
289:
285:
281:
280:
275:
271:
267:
258:
255:peteastudillo
252:
248:
241:
234:
231:
229:
226:
223:
222:
220:
216:
209:
207:
206:Q-Productions
204:
202:
199:
198:
196:
192:
188:
182:
176:
173:
171:
168:
166:
165:Tejano cumbia
163:
161:
158:
157:
155:
151:
148:
144:
137:
134:
133:
131:
127:
120:
117:
114:
111:
110:
108:
104:
98:
95:
92:
89:
88:
86:
82:
78:
74:
69:
68:Laredo, Texas
63:(age 60)
49:
45:
40:
39:Laredo, Texas
34:
29:
22:
19:
8987:. Retrieved
8983:
8965:. Retrieved
8959:
8941:. Retrieved
8930:
8914:. Retrieved
8909:
8885:
8873:. Retrieved
8869:the original
8864:
8848:. Retrieved
8842:
8817:
8808:
8790:. Retrieved
8786:the original
8781:
8765:. Retrieved
8761:the original
8756:
8733:
8718:. Retrieved
8714:
8698:. Retrieved
8694:the original
8689:
8673:. Retrieved
8667:
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8632:. Retrieved
8628:
8612:– via
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8600:
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8579:
8567:. Retrieved
8563:
8545:. Retrieved
8541:the original
8536:
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8448:
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8374:
8363:
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8297:(narrator),
8283:. Retrieved
8279:
8252:
8249:PĆ©rez, Chris
8226:
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8185:
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8161:
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8141:(in Spanish)
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8039:. Retrieved
8035:
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7861:
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7839:
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7817:
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7795:
7777:. Retrieved
7775:(in Spanish)
7772:
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7750:
7732:. Retrieved
7728:
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7669:. Retrieved
7663:
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7621:
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7579:
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7558:
7542:. Retrieved
7537:
7521:. Retrieved
7517:the original
7510:
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7490:
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7468:
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7433:. Retrieved
7429:the original
7422:
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7402:
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7380:
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7345:. Retrieved
7341:
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5055:
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5030:
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5010:
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4988:
4969:, p. 2.
4962:
4950:
4945:, p. 3.
4938:
4931:Medina 2017c
4926:
4919:Cabrera 2000
4914:
4902:
4890:
4878:
4866:
4859:Lannert 1996
4854:
4842:
4830:
4818:
4806:
4794:
4752:
4740:
4728:
4716:
4704:
4692:
4680:
4675:, p. 6.
4668:
4661:Medina 2019a
4646:Medina 2018a
4641:
4629:
4622:Medina 2017b
4617:
4605:
4593:
4588:, p. 4.
4581:
4576:, p. 5.
4574:Aguilar 2010
4569:
4562:Saldana 2013
4543:Colloff 2010
4538:
4526:
4514:
4487:
4475:
4463:
4451:
4439:
4427:
4415:
4403:
4391:
4386:, p. 1.
4364:
4357:Cabrera 2001
4327:
4315:
4308:Cabrera 1999
4303:
4291:
4279:
4235:
4187:
4175:
4163:
4151:
4139:
4132:Lannert 1997
4127:
4115:
4103:
4098:, p. 7.
4091:
4079:
4074:, p. 1.
4067:
4062:, p. 1.
4055:
4050:, p. 1.
4043:
4038:, p. 1.
4036:Navarro 1997
4031:
4026:, p. 8.
4019:
4007:
3980:
3968:
3956:
3951:, p. 4.
3944:
3932:
3920:
3908:
3896:
3884:
3872:
3865:Grieser 1996
3860:
3848:
3821:
3809:
3797:
3770:
3758:
3746:
3734:
3727:Lannert 1996
3712:Cordova 1998
3682:
3670:
3658:
3651:Lannert 1995
3646:
3611:, p. 3.
3604:
3592:
3580:
3549:
3537:
3525:
3513:
3508:, p. 9.
3486:
3474:
3467:Lemieux 1995
3462:
3457:, p. 1.
3450:
3438:
3426:
3414:
3402:
3390:
3378:
3366:
3354:
3342:
3330:
3318:
3306:
3277:
3265:
3253:
3241:
3229:
3217:
3205:
3193:
3181:
3174:Delgado 1994
3169:
3162:Patoski 1996
3157:
3113:
3106:Delgado 1994
3101:
3089:
3077:
3065:
3053:
3041:
3029:
3022:Cabrera 1993
3017:
3005:
2993:
2981:
2969:
2957:
2945:
2933:
2906:
2894:
2887:Mottola 2016
2882:
2870:
2863:ParƩdez 2009
2858:
2851:Stavans 2014
2846:
2834:
2822:
2810:
2803:Patoski 1996
2798:
2771:
2764:Patoski 1996
2759:
2747:
2718:
2696:Patoski 1996
2691:
2679:
2667:
2660:Patoski 1996
2655:
2643:
2617:Colloff 2010
2602:Patoski 1996
2597:
2590:Caicedo 1989
2570:
2526:
2475:, p. 8.
2468:
2435:
2428:Patoski 1996
2423:
2376:Soriano 2021
2357:Cabrera 1992
2305:Esparza 1997
2263:BolaƱos 2020
2161:
2155:
2149:
2143:
2135:
2129:
2123:
2101:freeway loop
2086:
2073:
2069:Eva Longoria
2066:
2057:cyberbullied
2053:
2035:
2021:
2015:
2001:
1998:Philanthropy
1987:
1981:
1974:
1967:
1953:
1947:
1944:
1920:Judas Priest
1897:
1886:
1880:
1877:
1839:
1837:
1832:
1829:Julio Macias
1822:
1810:
1796:
1791:
1788:Isabel Marie
1775:
1759:
1753:
1744:power ballad
1723:
1716:
1714:
1698:
1692:
1688:
1682:
1674:
1672:
1644:
1639:
1635:
1627:
1619:
1616:
1604:
1598:
1594:
1590:
1586:
1584:
1580:
1570:
1566:
1542:
1540:
1532:
1525:
1509:
1506:
1501:
1493:
1489:
1485:
1481:
1477:
1475:
1471:George Rivas
1468:
1463:
1454:
1448:
1443:
1436:Bobby Pulido
1425:
1422:
1407:
1400:Gregory Nava
1393:
1391:
1386:
1378:
1370:
1368:
1363:
1348:pay-per-view
1340:
1333:
1327:
1297:
1288:
1274:
1245:
1242:
1227:
1223:
1219:
1212:
1208:
1205:
1199:
1194:
1190:
1184:
1176:
1174:
1169:
1165:
1161:
1155:
1120:
1114:
1099:
1091:
1084:
1080:
1076:
1072:
1068:
1058:
1053:
1041:
1039:
1026:
1018:
1012:
1001:
993:
982:
976:
974:
969:
955:
950:
946:
934:
923:ĀæQuĆ© CreĆas?
919:Juan Gabriel
914:
912:
896:Ilan Stavans
885:
882:Como la Flor
871:
868:
831:
827:
821:
816:
813:
803:
789:
764:
757:
719:
711:
708:Kyu Sakamoto
701:
690:
683:
668:
653:arrangements
648:experimental
643:
633:
631:
604:
594:
562:
554:
550:Tejano music
519:
499:
476:
458:
450:
446:
428:
426:
402:
396:
365:Como la Flor
362:
357:
341:
334:
328:
306:
299:
288:Tejano music
277:
269:
265:
264:
224:Los Bad Boyz
189:1985āpresent
185:Years active
146:
18:
9109:1963 births
9052:Latin music
8984:The Monitor
8809:The Monitor
8365:Ven Conmigo
7906:The Monitor
7884:The Monitor
7862:The Monitor
7818:The Monitor
7796:The Monitor
7751:The Monitor
7729:The Monitor
7707:The Monitor
7381:The Monitor
7276:The Monitor
6868:The Monitor
6059:The Monitor
5977:The Monitor
5835:The Monitor
5622:The Monitor
5560:PR Newswire
5353:York Sunday
5333:The Monitor
5162:The Monitor
4976:Works cited
4967:Corpus 2015
4943:Corpus 2005
4823:Racine 2001
4799:Flores 1997
4745:Medina 2021
4709:Falcon 2020
4697:Martin 2020
4634:Perez 2017b
4586:Garcia 2016
4519:Olivas 2005
4492:Ovalle 2005
4444:Zepeda 2002
4420:Medina 2017
4396:Molina 2001
4272:Anon. 1998c
4255:Anon. 1998b
4213:Anon. 1998d
4180:Anon. 1997c
4156:Anon. 1997b
4084:Corpus 1996
4072:Anon. 1996c
4024:Anon. 1996b
4012:Anon. 1996h
3973:Anon. 1996d
3877:Anon. 1996a
3853:Anon. 1996e
3802:Anon. 1996g
3790:Anon. 1996f
3751:Anon. 1995e
3687:Anon. 1996i
3675:Anon. 1995f
3609:Garcia 1997
3554:Anon. 1995d
3491:Anon. 1995b
3479:Anon. 1995a
3419:Anon. 1994f
3407:Anon. 1994e
3383:Anon. 1994d
3371:Anon. 1994c
3323:Anon. 1994b
3311:Anon. 1994a
3282:Anon. 2017h
3270:Anon. 2017g
3258:Anon. 2017f
3246:Anon. 1994g
3234:Anon. 2017e
3210:Anon. 1998e
3150:Anon. 1996f
3070:Anon. 1993c
3046:Anon. 1993b
3010:Anon. 1993a
2998:Anon. 1992b
2950:Anon. 2017d
2938:Anon. 2017c
2911:Anon. 2017b
2827:Tamayo 2020
2815:Guerra 2017
2740:Leland 1995
2723:Anon. 2017a
2672:Anon. 1992a
2548:Anon. 1995c
2473:Flores 2015
2322:Rivera 1996
2112:Discography
2081:Los Angeles
2032:Santa Claus
1964:South Bronx
1916:Iron Maiden
1803:San Antonio
1797:Due to the
1679:South Texas
1634:2003ā2009:
1628:The Monitor
1557:within the
1512:along with
1500:1998ā2000:
1476:To support
1358:along with
1258:RamĆ³n Ayala
1079:(1992) and
1040:To promote
935:Ven Conmigo
931:Chris PĆ©rez
927:La Carcacha
921:-inspired "
917:, like the
840:Luis Miguel
774:Ana Gabriel
758:Ven Conmigo
721:Ven Conmigo
640:Latin music
615:CBS Records
605:During the
558:Brady Bunch
522:flea market
342:Ven Conmigo
330:Ven Conmigo
296:Latin music
235:Ruido Anejo
218:Formerly of
106:Occupations
9098:Categories
8955:"CD Spins"
8943:August 18,
8653:A128408287
8537:ColorLines
8299:Jose Behar
8124:A128278694
8062:A129109456
7930:A614108788
7486:"The Arts"
7454:A125586620
7366:A128476849
7123:A407802890
7089:A128388317
6960:A222555398
6855:A126970227
6316:0823076911
6149:2469038804
6105:2478238289
6031:A675770204
6014:A508087728
5964:A134703284
5754:A130019250
5609:A128391717
5592:A128393619
5485:"Ad Space"
4955:Anon. 2005
4772:Anon. 2000
4733:Oliva 2021
4721:Gomez 2020
4610:Anon. 2015
4531:Anon. 2006
4384:Anon. 2001
4332:Burr 2001b
4296:Wener 1999
4240:Anon. 1998
4192:Burr 1997b
4096:Anon. 1997
3949:Burr 1996d
3841:Burr 1996b
3763:Verna 1996
3222:Rivas 2011
2986:PĆ©rez 2012
2974:PĆ©rez 2012
2962:PĆ©rez 2012
2899:Smith 2020
2711:Anon. 2021
2648:PĆ©rez 2012
2575:Anon. 2008
2531:PĆ©rez 2012
2461:Anon. 2017
2401:Salas 2020
2213:James 2024
2169:References
2130:Como Nadie
2028:Gary Hobbs
2024:Little Joe
1821:green-lit
1811:Selena XXV
1756:TeleFutura
1656:rock music
1563:Olga TaƱon
1514:La Tropa F
1428:soundtrack
1250:LiberaciĆ³n
1092:Como Nadie
1081:Como Nadie
1046:West Texas
1042:Como Nadie
1035:Si Una Vez
947:Como Nadie
858:, Laredo,
623:Jose Behar
542:Ricky Vela
514:accounting
304:magazine.
115:songwriter
57:1963-12-01
9040:Biography
8989:March 11,
8967:March 10,
8916:March 14,
8910:Billboard
8894:A67254489
8828:283271658
8792:March 14,
8767:March 28,
8720:March 14,
8700:March 14,
8675:March 11,
8634:March 11,
8608:March 13,
8547:April 14,
8524:A67201626
8507:A67255727
8490:A67262348
8473:A67259618
8434:A67352739
8417:A67394256
8400:A72921644
8383:395774358
8332:EMI Latin
8285:March 11,
8191:March 11,
8169:March 11,
8145:March 11,
8041:March 14,
8021:March 14,
8001:March 14,
7981:March 14,
7948:March 14,
7911:March 10,
7889:March 10,
7845:March 13,
7835:"La Onda"
7692:A17647095
7649:A20058837
7640:Billboard
7628:March 14,
7622:Billboard
7607:March 14,
7601:Billboard
7586:March 14,
7580:Billboard
7565:March 14,
7559:Billboard
7544:March 14,
7538:Billboard
7523:March 28,
7474:March 11,
7347:March 11,
7325:March 11,
7281:March 11,
7259:March 10,
7237:April 22,
7215:March 26,
7164:March 13,
7142:368591129
7133:La Prensa
7106:311753048
7070:March 11,
7004:March 11,
6980:March 10,
6939:March 14,
6933:Billboard
6918:March 14,
6893:March 14,
6814:March 11,
6794:March 11,
6774:March 10,
6754:March 10,
6734:March 10,
6714:March 10,
6694:March 10,
6372:March 11,
6352:March 11,
6334:A78902170
6326:Billboard
6290:March 10,
6270:March 10,
6250:March 14,
6244:Billboard
6096:El Debate
6084:March 11,
6041:Biography
5982:March 11,
5945:March 11,
5925:March 11,
5897:Billboard
5882:March 10,
5862:March 10,
5840:March 10,
5820:March 10,
5800:March 14,
5773:March 14,
5767:Billboard
5733:March 14,
5727:Billboard
5712:March 14,
5706:Billboard
5569:A18135281
5548:March 14,
5523:March 14,
5405:0006-2510
5396:Billboard
5146:March 11,
5126:March 11,
5106:March 11,
5086:March 11,
5066:March 17,
5041:April 10,
5016:March 11,
4996:March 11,
4871:Hunt 1995
4507:Ruiz 2005
4432:Burr 2003
4408:Cobo 2002
4369:Burr 2001
4320:Ross 2000
4168:Burr 1997
4120:Vera 1997
3585:Burr 1995
3395:Burr 1994
3058:Burr 1993
2186:Burr 1999
2162:SalvaciĆ³n
2106:royalties
1988:Billboard
1960:rap music
1936:Van Halen
1928:Jose Jose
1856:reggaeton
1840:Billboard
1815:Alamodome
1749:hard rock
1724:SalvaciĆ³n
1652:Colombian
1624:womanizer
1612:vallenato
1371:Billboard
1316:Six Flags
1254:Fugitivos
1228:Billboard
1213:Billboard
1200:Billboard
1181:rancheras
1073:Padrisimo
1065:accordion
1061:Univision
1029:include "
1019:Billboard
904:swan song
892:Latin pop
766:Billboard
655:in their
627:crossover
619:EMI Latin
611:La Sombra
459:Billboard
403:Billboard
377:certified
335:Billboard
301:Billboard
201:EMI Latin
170:Latin pop
84:Education
8937:Archived
8875:April 1,
8850:March 9,
8824:ProQuest
8732:(2014).
8645:El Norte
8569:March 9,
8454:March 9,
8379:ProQuest
8251:(2012).
8116:El Norte
8082:March 8,
7867:March 9,
7823:March 8,
7801:March 8,
7779:March 8,
7756:March 8,
7734:March 8,
7712:March 8,
7683:Newsweek
7671:March 8,
7496:March 8,
7446:El Norte
7435:March 7,
7408:March 9,
7386:March 8,
7303:March 9,
7188:March 9,
7138:ProQuest
7115:El Norte
7102:ProQuest
7098:El Norte
7081:El Norte
7048:March 8,
7026:March 8,
6873:April 9,
6847:El Norte
6836:March 8,
6674:March 9,
6654:March 9,
6634:March 8,
6614:March 8,
6592:March 8,
6572:March 8,
6552:March 8,
6532:March 8,
6512:March 8,
6492:March 8,
6472:March 8,
6452:March 8,
6432:March 7,
6412:March 7,
6392:March 7,
6229:March 9,
6209:March 8,
6189:March 8,
6167:March 8,
6145:ProQuest
6109:ProQuest
6101:ProQuest
6064:March 9,
5903:March 3,
5691:March 9,
5669:March 9,
5647:March 9,
5627:March 9,
5601:El Norte
5583:El Norte
5496:March 8,
5474:March 8,
5454:March 8,
5432:March 8,
5380:March 8,
5358:March 8,
5338:March 8,
5318:March 8,
5298:March 8,
5278:March 8,
5258:March 8,
5238:March 8,
5216:March 7,
5194:March 7,
5168:March 7,
5035:Archived
5031:RIAA.com
2075:El Norte
2036:Cristina
2016:Mi Gente
2004:D.A.R.E.
1949:Newsweek
1893:Babyface
1740:Bon Jovi
1664:Univison
1423:For the
1233:requinto
1133:all-star
1048:through
744:", and "
704:Sukiyaki
570:hype man
495:potatoes
274:Babyface
175:Conjunto
121:producer
41:in 2016.
9026:Portals
8782:KGNS.TV
8053:Reforma
7512:YouTube
6046:A&E
5745:Reforma
1955:cantina
1932:Raphael
1864:corrido
1819:Netflix
1792:Sigueme
1608:tequila
1565:bought
1536:norteƱo
1369:During
1298:At the
1275:At the
1128:KBNA-FM
1007:" and "
997:XHRG-FM
964:at the
894:songs.
852:Lubbock
848:McAllen
752:by the
716:Madonna
679:hip-hop
661:Besitos
391:" and "
379:by the
340:chart.
317:Besitos
250:Website
232:Oxygeno
129:Parents
8892:
8826:
8740:
8651:
8522:
8505:
8488:
8471:
8432:
8415:
8398:
8381:
8327:Selena
8261:
8237:
8214:
8122:
8103:
8060:
7928:
7690:
7647:
7452:
7364:
7140:
7121:
7104:
7087:
6958:
6853:
6332:
6313:
6147:
6128:
6103:
6029:
6012:
5962:
5752:
5607:
5590:
5567:
5403:
2164:(2013)
2158:(2001)
2152:(1999)
2146:(1997)
2140:(1995)
2132:(1993)
2126:(1992)
1918:, and
1900:croons
1852:TikTok
1666:, and
1457:, and
1426:Selena
1414:extras
1395:Selena
1256:, and
1246:piojos
1111:Selena
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