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it was always the studio. The basic purpose of EMS was to finance the studio, but unfortunately that's not what happened. EMS got bigger and bigger and we made more and more products and it took up more time. And instead of making money, it started to lose it. In the end, when EMS went bankrupt, it pulled the studio down."
459:
and Frank Trocco, in their history of the synthesizer revolution, see him rather as aristocratically averse to "trade". In a 2019 interview
Zinovieff commented on EMS as a business: "It's always been a problem with me because I don't like synthesizers. So this side of EMS was never interesting to me,
294:
Zinovieff bought his first computer from the proceeds gained from auctioning his first wife's tiara. It raised £4,000 (equivalent to £80,000 in 2021). He used this computer to control an array of oscillators and amplifiers he had bought from an army surplus store. He claimed that "This was the first
431:
but received only one response, £50 on the mistaken premise it was the price of a synthesiser. Instead he formed EMS with
Cockerell and Tristram Cary. At the end of the 1960s, EMS Ltd. was one of four companies offering commercial synthesizers, the others being
322:. (The house is near the Thames, and the studio was later partially destroyed by a flood). EMS grew out of MUSYS, which was a performance controller operating as an analogue–digital hybrid. It was a synthesiser system which Zinovieff developed with the help of
630:
Following these projects, Zinovieff continued to work primarily as a composer for the remaining years of his life. His work during this time combined sounds from live instrumentation and field recordings and continued his long-term interest in
330:
minicomputers and a piano keyboard. It was marketed as being more portable than the huge Moog system, and at one point Robert Moog offered to sell out to EMS for one million dollars. Zinovieff turned down this deal.
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and spatial multi-channel performance setups. Embracing the power of modern computer technology allowed him to realise ways of working he had pursued throughout his career in music and electronics.
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1371:
557:, (also the home of Birtwistle between 1975 and 1983). His cottage had no mains electricity supply and he powered his remaining synth equipment from batteries hooked up to a windmill.
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A retrospective compilation covering
Zinovieff's work in the EMS era, including collaborations with Hans Werner Henze and Harrison Birtwistle, was compiled by musician
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David Wright and
Harrison Birtwistle, "Clicks, Clocks & Claques. David Wright Investigates Cliques and the Claques in the Music of Birtwistle, 60 This Month",
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708:, was initially conceived as a live piece for a spatially configured loudspeaker system and performed between 2016 and 2017. An album version was released as
455:
described
Zinovieff as "a mad professor type": "I was ushered into his workshop and he was in there talking to a computer, trying to get it to answer back".
387:, Zinovieff and his team created a computer system, based on the PDP-8, which could analyse a tune whistled by a visitor to the show and improvise upon it.
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Zinovieff, pp. 327–328: "by the end of the 1960s, Peter had three children and ran an electronic music studio from a garden shed by the river in Putney".
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ran Unit Delta Plus, an organisation to create and promote electronic music. It was based in the studio
Zinovieff had built, in a shed at his house in
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1965:
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814:; in 1978, he married Rose Verney. He later married Tanya Richardson, and was survived by his fourth wife, Jenny Jardine. He had seven children:
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was premiered at the Queen
Elizabeth Hall on 24 April 1972 in a four-channel version. Zinovieff claimed that he invented sampling in his work on
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1372:"Computer World: Why Cybernetic Serendipity Music is the most important and neglected compilation in electronic music | Page 2 of 5"
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782:, Berlin, in October 2017. The piece was released on the record label The Association for Depth Sound Recordings on 30 July 2021.
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combined her poetry with soundscapes created by
Zinovieff using sound sources related to physics and astronomy. The first piece,
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Zinovieff died on the night of 23 June 2021. He was 88, and had been hospitalised ten days earlier after falling at his home.
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the first ever unaccompanied performance of live computer music, with no human performer involved, and the piece read from
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550:, but never put back together as a working studio. His equipment was put into storage, and later destroyed in a flood.
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After EMS ran into financial difficulties in the mid 1970s, Zinovieff closed his Putney studio, which was sold to the
379:. The programmes were covered in foil so the audience could participate by rustling them. Later that year, as part of
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206:(26 January 1933 – 23 June 2021) was a British composer, musician and inventor. In the late 1960s, his company,
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383:, the first UK international exhibition devoted to the relationship between the arts and new technology at the
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In 1968, Zinovieff's computer music system featured in several pioneering events in London. In
January, the
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works with live visuals created by planetarium supervisor
Christopher Hudson. A final work in the series,
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1990:
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1760:"Interview: Peter Zinovieff: 'I taught Ringo to play synth. He wasn't very good – but neither was I'"
364:
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including a piano-sampling project and consultations on sound support during the development of the
258:, were both Russian aristocrats, who met in London after their families had emigrated to escape the
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After a break of many years, in 2010 Zinovieff became active again publicly in music composition.
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1490:, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor",
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An 8-track reduction, designed for two separate quadraphonic systems, was presented at the
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and originally proposed and then curated by Andrew Spyrou. As its premiere, a preliminary
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2069:"SOME KIND OF MAGIC with Northumberland poet, writer & broadcaster Katrina Porteous"
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EMS Synthesisers, Peter Zinovieff, Tristram Cary, David Cockerell United Kingdom, 1969
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rendering of the piece was commissioned by TBA21, and presented at the TBA21-Augarten
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1995:
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1607:"Before The Mask: Birtwistle's electronic music collaborations with Peter Zinovieff"
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Between the years 2013–2017, Zinovieff composed an extended computer work, entitled
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2212:"Synth inventor Peter Zinovieff to release early years retrospective The EMS Tapes"
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He also continued to work mainly in collaboration during this time. With violinist
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by Zinovieff with Alan Sutcliffe took second prize in a contest, behind a piece by
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1297:"Queen Elizabeth Hall & the evolution of electronic music | Southbank Centre"
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2508:"Peter Zinovieff: South Pacific Migration Party — whales meet electronic waves"
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509:(1972) was composed by Birtwistle with 'electronic realization' by Zinovieff.
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2011 5 Bagatelles From OUR Violin And Computer Concerto (on Aisha Orazbayeva
1568:
Tape leaders : a compendium of early British electronic music composers
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The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
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had visited the studio, but Zinovieff had little interest in popular music.
327:
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2343:"Home | Alumni and supporters | Honorary award holders | Peter Zinovieff"
612:
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2599:. London: Hart-Davis, 1968. OCLC 504549593. Autobiography by his mother.
1605:
Hall, Tom (2015), Beard, David; Gloag, Kenneth; Jones, Nicholas (eds.),
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A series of works created from 2011 onwards in collaboration with poet
475:
310:, and an MIT thesis (1963) by David Alan Luce. In 1966–67, Zinovieff,
1848:
Neset, Anne Hilde (August 2010). "Cross Platform – The Morning Line".
1429:
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254:
Zinovieff was born on 26 January 1933; his parents, Leo Zinovieff and
1966:"Poetry Readings by BBC Broadcasters Julian May and Katrina Porteous"
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developed by Richard Monkhouse, and EMS produced it as the Spectron.
319:
271:
44:
619:
was commissioned in 2012 when the installation moved permanently to
2561:
Recovery/Discovery 40 years of surround electronic music in the UK.
2376:"Peter Zinovieff, British composer and synth pioneer, dies aged 88"
818:, Leo, Kolinka, Freya, Katia, Eliena, and Kyril, who died in 2015.
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recorded by British oceanographer Susannah Buchan off the coast of
607:, which contains a 47-speaker spatial sound system. The result was
935:
Recovery/Discovery 40 years of surround electronic music in the UK
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Two years later, Pink Floyd used a similar effect on their album,
416:
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in June 2017, followed by a presentation of the piece during the
463:
Throughout his career, Zinovieff often worked in collaboration.
403:
211:
2658:
by Tom Hall, Bulletin of the Computer Arts Society, Spring 2013
2425:"Synthesiser pioneer and composer Peter Zinovieff dies aged 88"
642:, Zinovieff composed two concertos for violin and electronics:
2429:
2146:
989:
England & Wales, Civil Registration Birth Index, 1916–2007
620:
806:
In 1960, Zinovieff married Victoria Heber-Percy, daughter of
361:
First London concert of Electronic Music by British composers
2094:"Northumbria brings Antarctica's unseen world to the screen"
2745:
Musicians from the London Borough of Hammersmith and Fulham
1689:, vol. 135, no. 1817 (July 1994), pp. 426-431, at p. 430.
650:, premiered at London Contemporary Music Festival in 2014.
599:, to create an audio work for the large-scale installation
390:
In the same year, part of the studio was also recreated at
960:"Peter Zinovieff – New Songs, Playlists & Latest News"
665:. Subsequent works with Porteous were commissioned by the
266:, he and his brother Ian lived with their grandparents in
1613:, Cambridge: Cambridge University Press, pp. 63–94,
1496:, vol. 40, no. 5 (2007) pp. 463-467, 450-451, at p. 463.
334:
Unit Delta Plus ran a concert of electronic music at the
234:
groups as well as more pop-orientated artists, including
2264:
512:
As well as working with sound, Zinovieff also wrote the
853:
with Harrison Birtwistle, Hans Werner Henze and others
762:, New York City, the same month. Subsequently, a full
242:. In later life, he worked primarily as a composer of
2636:– Lecture for the Red Bull Music Academy, London 2010
1705:
R. H. Bales, "Review, Tristan by Hans Werner Henze",
474:(1971–2) which features recordings of the ticking of
425:
In 1969, Zinovieff sought financing through an ad in
2644:
by Matthew Bate, documentary about EMS and personnel
609:
Bridges from Somewhere and Another to Somewhere Else
2318:"South Pacific Migration Party, by Peter Zinovieff"
1424:, vol. 7, no. 2 (Spring–Summer 1969), pp. 175-177.
560:He subsequently moved back to England, settling in
371:, the concert included the premiere of Zinovieff's
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178:
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96:
88:
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30:
23:
2705:People educated at Royal Grammar School, Guildford
1897:
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1821:"Peter Zinovieff and Cultures of Electronic Music"
1652:
1176:at delia-derbyshire.org, retrieved 6 January 2015.
444:. In the 1970s Zinovieff became interested in the
587:"The Morning Line" Matthew Ritchie (Vienna, 2012)
564:, and in the 1980s received two commissions from
2655:Peter Zinovieff and Cultures of Electronic Music
2404:The Mad Boy, Lord Berners, My Grandmother and Me
1753:
1751:
1749:
1904:"Interview: Lucy Railton & Peter Zinovieff"
553:He then moved to the remote Scottish island of
2191:
2189:
2172:
2170:
352:was also played; they split up later in 1967.
342:. In early 1967 they performed in concerts at
2453:"Chronometer Recovered – The Sound Projector"
1870:"Peter Zinovieff | Good Morning Ludwig, 2012"
1402:, vol. 109, no. 1508 (October 1968), p. 946.
1272:"Appendix B – Four Electronic Music Concerts"
8:
1396:Anthony Gilbert, "SPNM Composers' Weekend",
1169:
1167:
912:(The Association for Depth Sound Recordings)
1828:PAGE: Bulletin of the Computer Arts Society
1729:"Sir Harrison Birtwistle: Duets for Storab"
1524:
1512:
1094:
1069:
1036:
466:Between 1969 and 1978 he collaborated with
367:. Alongside pieces by Delia Derbyshire and
295:computer in the world in a private house".
2614:. Biography of his mother by his daughter.
2322:The Association for Depth Sound Recordings
1936:. Hexham, Northumberland: Bloodaxe Books.
1418:Michael Kassler, "Report from Edinburgh",
790:In 2015 Zinovieff was awarded an honorary
286:, where he earned a doctorate in geology.
20:
1347:"Cybernetic Serendipity: A Documentation"
1016:. Harvard University Press. p. 293.
16:British engineer and composer (1933–2021)
2506:Hunter-Tilney, Ludovic (6 August 2021).
1758:Beaumont-Thomas, Ben (20 October 2015).
1463:. Oxford University Press. p. 201.
2735:English male dramatists and playwrights
2119:"Peter Zinovieff and Lucy Railton: RFG"
1447:November 2000, retrieved 19 April 2010.
1250:. Bloomsbury Publishing. pp. 4–5.
951:
700:Zinovieff's collaboration with cellist
2597:Sofka, the Autobiography of a Princess
2018:"Interview: Katrina Porteous on Field"
1711:, vol. 8, no. 2 (Summer 1984), p. 63.
1655:The Concise Oxford Dictionary of Music
1540:Son[i]a #286. Peter Zinovieff"
298:Zinovieff's work followed research at
2374:Beaumont-Thomas, Ben (26 June 2021).
2312:
2310:
2265:"Thyssen-Bornemisza Art Contemporary"
2012:
2010:
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892:RFG Inventions for Cello and Computer
710:RFG Inventions for Cello and Computer
543:(1975) included a tape by Zinovieff.
256:Sofka, née Princess Sophia Dolgorouky
185:Sofka, née Princess Sophia Dolgorouky
7:
1225:from the original on 20 January 2022
1113:
1111:
1109:
1107:
1105:
1103:
591:This started with a commission from
470:on a number of works. These include
406:congress that year, the composition
2290:"TBA21 Academy Fishing For Islands"
2196:Peter Zinovieff – Album Discography
1659:. Oxford University Press. p.
860:Electronic Calendar – The EMS Tapes
2715:Alumni of the University of Oxford
2627:– Podcast at Ràdio Web MACBA, 2019
2604:Red Princess: A Revolutionary Life
1050:Red Princess: A Revolutionary Life
576:Activity as a composer (2010–2021)
14:
2690:English people of Russian descent
2625:Conversation with Peter Zinovieff
2564:, London: Sound and Music, 2008,
611:, shown during its exhibition in
394:, for a performance of pieces by
2451:Pinsent, Ed (17 February 2009).
1902:Barry, Robert (17 August 2016).
1191:, 120 Years of Electronic Music"
373:Partita for Unattended Computer,
326:and Peter Grogono, and used two
2423:Richards, Will (26 June 2021).
2067:Alikivi, Gary (27 April 2019).
1789:"Computer Musician – Rumblings"
746:mix of the piece was played in
290:Career in music and electronics
148:
128:
2740:21st-century British composers
2710:People educated at Gordonstoun
2535:"Cybernetic Serendipity Music"
1244:Mark Brend (6 December 2012).
385:Institute of Contemporary Arts
276:Guildford Royal Grammar School
270:and then with their father in
69:Guildford Royal Grammar School
1:
1991:"Poetry Please Special: Edge"
1793:Electronics & Music Maker
1571:. Cambridge: Sound On Sound.
1460:Electronic and Computer Music
1326:120 Years of Electronic Music
1141:. MIT Press. pp. 547–8.
1135:Curtis Roads (January 1996).
910:South Pacific Migration Party
728:South Pacific Migration Party
2730:English electronic musicians
2648:Graham Hinton, The EMS Story
2641:What the Future Sounded Like
1619:10.1017/cbo9781316145326.005
1118:"Peter Zinovieff Obituary".
924:Cybernetic Serendipity Music
830:Solo and collaborative works
673:for live performance in its
92:Composer, musician, inventor
1787:Ellis, David (March 1984).
1611:Harrison Birtwistle Studies
1138:The Computer Music Tutorial
524:Nenia: The Death of Orpheus
2766:
2124:City, University of London
1970:Lewis and Clark University
1930:Porteous, Katrina (2019).
262:and soon divorced. During
2700:English opera librettists
2457:www.thesoundprojector.com
1819:Hall, Tom (Spring 2013).
1421:Perspectives of New Music
1301:www.southbankcentre.co.uk
1002:The Dark Side of the Moon
661:(2011), was broadcast on
522:, and also the words for
493:The Dark Side of the Moon
2606:. London: Granta, 2007.
2348:Anglia Ruskin University
1733:www.universaledition.com
1052:, London: Granta, 2007,
1010:; Trocco, Frank (2004).
835:with Harrison Birtwistle
796:Anglia Ruskin University
780:Hamburger Bahnhof Museum
774:, during the exhibition
250:Early life and education
208:Electronic Music Studios
2406:(Jonathan Cape, 2014).
1565:Helliwell, Ian (2016).
1525:Pinch & Trocco 2004
1513:Pinch & Trocco 2004
1441:"All About EMS: Part 1"
1095:Pinch & Trocco 2004
1070:Pinch & Trocco 2004
1037:Pinch & Trocco 2004
917:Compilation appearances
516:for Birtwistle's opera
2351:. 2015. Archived from
1708:Computer Music Journal
1457:Peter Manning (2004).
862:(Space Age Recordings)
723:and released in 2015.
588:
422:
381:Cybernetic Serendipity
363:event was held at the
2631:Dr. Peter Zinovieff,
1221:. 15 September 1968.
867:with Aisha Orazbayeva
586:
480:Wells Cathedral clock
420:
2478:"Aisha Orazbayeva –
1999:. 15 December 2013.
1443:, Musical Matrices,
1213:"Computer Orchestra"
1072:, pp. 276, 278.
825:Selected discography
529:He also worked with
365:Queen Elizabeth Hall
118:Victoria Heber-Percy
2430:New Musical Express
2176:Simpson, Paul.
2043:"Imagining the Sun"
1484:Chris Meigh-Andrews
970:on 19 December 2019
756:UN Ocean Conference
671:Newcastle upon Tyne
617:Good Morning Ludwig
519:The Mask of Orpheus
499:The soundtrack for
468:Harrison Birtwistle
218:used by many early
2750:People from Fulham
2127:. 22 November 2016
808:Robert Heber-Percy
760:The Explorers Club
589:
533:, and the section
478:and the chimes of
423:
308:Jean-Claude Risset
280:Gordonstoun School
260:Russian Revolution
195:Robert Heber-Percy
73:Gordonstoun School
2695:British inventors
2612:978-1-86207-919-9
2602:Sofka Zinovieff.
2539:The Vinyl Factory
2412:978-0-22409-659-1
2402:Sofka Zinovieff.
2355:on 18 August 2022
2240:"Listening Space"
1943:978-1-78037-490-1
1686:The Musical Times
1670:978-0-19-860884-4
1651:(22 April 2004).
1628:978-1-316-14532-6
1578:978-0-9954958-0-7
1470:978-0-19-514484-0
1399:The Musical Times
1378:. 15 October 2014
1376:The Vinyl Factory
1322:"Peter Zinovieff"
1257:978-1-62356-529-9
1193:. 30 January 2014
1148:978-0-262-68082-0
1058:978-1-86207-919-9
1048:Sofka Zinovieff,
885:with Lucy Railton
615:. A second piece
531:Hans Werner Henze
446:video synthesizer
349:Carnival of Light
336:Watermill Theatre
284:Oxford University
201:
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83:Oxford University
47:, London, England
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980:
979:
977:
975:
966:. Archived from
956:
655:Katrina Porteous
640:Aisha Orazbayeva
601:The Morning Line
595:, instigated by
548:National Theatre
338:in 1966, with a
312:Delia Derbyshire
244:electronic music
220:progressive rock
210:(EMS), made the
157:Tanya Richardson
152:
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59:
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2673:discography at
2671:Peter Zinovieff
2662:Peter Zinovieff
2633:7 Deadly Synths
2621:
2589:
2587:Further reading
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1174:Unit Delta Plus
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1129:
1124:. 28 June 2021.
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948:
939:Sound And Music
919:
832:
827:
804:
792:Doctor of Music
788:
770:sound space in
730:, derived from
677:. These pieces—
667:Centre for Life
605:Matthew Ritchie
597:Russell Haswell
578:
535:Tristan's Folly
400:David Lumsdaine
396:Justin Connolly
346:, at which the
324:David Cockerell
292:
252:
204:Peter Zinovieff
197:(father-in-law)
183:
173:Sofka Zinovieff
163:
154:
151: 1978)
146:
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131: 1960)
126:
122:
119:
79:Alma mater
71:
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41:26 January 1933
36:
34:
26:
25:Peter Zinovieff
17:
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5:
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2619:External links
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1795:(Mar 1984): 62
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1445:Sound on Sound
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734:recordings of
691:surround-sound
633:computer music
577:
574:
566:Clive Sinclair
421:EMS Synthi AKS
412:Iannis Xenakis
392:Connaught Hall
354:Paul McCartney
344:The Roundhouse
291:
288:
274:. He attended
251:
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222:bands such as
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97:Known for
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2220:. 11 May 2015
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1996:Poetry Please
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1008:Pinch, Trevor
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812:Jennifer Ross
809:
802:Personal life
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695:Under The Ice
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369:Tristram Cary
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236:Todd Rundgren
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196:
193:
189:
186:
182:Leo Zinovieff
181:
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174:
171:7, including
170:
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160:Jenny Jardine
159:
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136:
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89:Occupation(s)
87:
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67:
63:
55:
51:
46:
33:
29:
22:
19:
2653:
2640:
2632:
2603:
2596:
2573:, retrieved
2560:
2554:
2542:. Retrieved
2538:
2529:
2517:. Retrieved
2511:
2501:
2489:. Retrieved
2485:
2479:
2472:
2460:. Retrieved
2456:
2446:
2434:. Retrieved
2428:
2418:
2403:
2398:
2386:. Retrieved
2381:The Guardian
2379:
2369:
2357:. Retrieved
2353:the original
2346:
2337:
2325:. Retrieved
2321:
2297:. Retrieved
2293:
2284:
2272:. Retrieved
2268:
2259:
2247:. Retrieved
2244:documenta 14
2234:
2222:. Retrieved
2215:
2206:
2178:Lucy Railton
2157:. Retrieved
2150:
2141:
2129:. Retrieved
2122:
2113:
2101:. Retrieved
2097:
2088:
2076:. Retrieved
2072:
2062:
2050:. Retrieved
2046:
2037:
2025:. Retrieved
2021:
1994:
1985:
1973:. Retrieved
1969:
1960:
1932:
1925:
1913:. Retrieved
1907:
1878:. Retrieved
1873:
1864:
1855:
1849:
1831:
1827:
1797:. Retrieved
1792:
1782:
1770:. Retrieved
1768:. London, UK
1765:The Guardian
1763:
1736:. Retrieved
1732:
1723:
1706:
1701:
1684:
1679:
1654:
1643:
1632:, retrieved
1610:
1567:
1547:
1543:
1539:
1532:
1520:
1508:
1491:
1479:
1459:
1452:
1444:
1436:
1419:
1414:
1397:
1392:
1380:. Retrieved
1375:
1366:
1354:. Retrieved
1350:
1341:
1329:. Retrieved
1325:
1316:
1304:. Retrieved
1300:
1291:
1279:. Retrieved
1275:
1266:
1246:
1239:
1227:. Retrieved
1216:
1207:
1195:. Retrieved
1188:
1181:
1157:
1137:
1130:
1119:
1090:
1077:
1065:
1049:
1044:
1032:
1012:
1000:
995:
988:
984:
972:. Retrieved
968:the original
954:
934:
923:
909:
902:
901:
891:
884:
883:
878:Nonclassical
873:
866:
865:
859:
852:
851:
841:
834:
833:
820:
805:
789:
776:Tidalectics.
775:
752:documenta 14
744:quadraphonic
727:
725:
718:
709:
705:
702:Lucy Railton
699:
694:
686:
682:
678:
658:
652:
647:
643:
637:
629:
616:
608:
600:
590:
579:
559:
552:
545:
538:
534:
528:
523:
517:
511:
504:
501:Sidney Lumet
498:
491:
488:Chronometer.
487:
483:
471:
465:
462:
457:Trevor Pinch
451:Jon Lord of
450:
426:
424:
407:
389:
372:
360:
358:
347:
333:
297:
293:
264:World War II
253:
203:
202:
100:Co-founder,
58:(2021-06-23)
56:23 June 2021
18:
2725:2021 deaths
2720:1933 births
2491:5 September
2078:5 September
2052:5 September
2027:5 September
2001:BBC Radio 4
1909:The Quietus
1081:Zinovieff,
1013:Analog Days
999:Notably on
974:19 December
842:Chronometer
750:as part of
736:blue whales
721:Pete Kember
704:, entitled
689:(2016)—are
675:planetarium
663:BBC Radio 3
646:(2010) and
570:Sinclair QL
506:The Offence
484:Chronometer
472:Chronometer
453:Deep Purple
304:Max Mathews
240:David Bowie
228:White Noise
216:synthesizer
141:Rose Verney
2684:Categories
2519:5 December
2147:"Releases"
2098:Mynewsdesk
1952:1090281455
1229:20 January
946:References
794:degree by
732:hydrophone
603:by artist
377:paper tape
340:light show
224:Pink Floyd
37:1933-01-26
2570:638211038
1634:8 January
1587:962031940
1197:6 January
1121:The Times
1060:, p. 185.
964:BBC Music
768:ambisonic
716:in 2020.
625:Karlsruhe
562:Cambridge
428:The Times
402:. At the
328:DEC PDP-8
300:Bell Labs
268:Guildford
232:Krautrock
191:Relatives
179:Parent(s)
65:Education
2384:. London
2200:AllMusic
2182:AllMusic
1858:: 26–27.
1851:The Wire
1502:20206483
1493:Leonardo
1223:Archived
764:b-format
685:(2015),
681:(2013),
613:Istanbul
526:(1970).
514:libretto
503:'s film
168:Children
2675:Discogs
2544:19 June
2486:Discogs
2480:Outside
2462:19 June
2436:26 June
2388:26 June
2224:26 June
2103:26 June
2073:ALIKIVI
1717:4617906
1695:1003251
1544:. 2019.
1382:26 June
1356:26 June
1331:26 June
1306:26 June
1281:26 June
874:Outside
648:Our Too
540:Tristan
476:Big Ben
153:
145:
133:
125:
121:
108:Spouses
2650:, 2002
2610:
2575:5 July
2568:
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