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surrounding space, and the exterior. It is characteristic for the spaces in
Blaisse's work to merge via a fluid transition that typically employs such materials as textiles, which explains her wide ranged projects between private interior space and urban exterior space. Blaisse considers each project as a part of a more complex entity, and she aims to incorporate every aspect into the design process.
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360:, Italy. In this large-scale public park project, the use of paths is an essential tool for structuring the urban landscape. In 1999, Blaisse designed the exterior space for a prison. Within the strict regulations, she makes use of path with organic forms and reflections in the windows to create the idea of more space and of endlessness.
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Museum in
Amsterdam as a result of intensive historical research. Based on a 17century Gobelin this carpet is manufactured in a highly technologically manner of weaving, developed in collaboration with extern experts. The pattern itself refers to plants, which had grown at the same place 300 years ago. By developing
344:, carpets, wall coverings and other flexible objects. These objects create a dialogue between interior and exterior, often creating porous facades. She has for some projects employed transparent textiles, creating an "Invisible Presence"; this is a feature design element of the Glass Pavilion at the
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Blaisse's studio name, ‘Inside
Outside’, relates to her focus on projects addressing both interior and exterior spaces. Her early career in museums piqued her interest in exhibition design, and through her freelancing years she became more focused in the relationship between exhibition space and the
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Blaisses’ projects are custom made solutions on a technical high level that
Blaisse developed in collaboration with technical constructors and engineers. As well, her work often refers to the history of the culture, the material and the place. A recent project is the wall covering for the Stedelijk
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Blaisse's landscape work focuses on similar themes. In 1999, she designed the exterior space for a prison. Within the strict regulations, she makes use of path with organic forms and reflections in the windows to create the idea of more space and of endlessness. In 2004, she was awarded first place
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Petra
Blaisse's encompasses a wide scope of design ranging from architecture, interior design, textile design, exhibition design and landscape architecture. Her studio has worked on a variety of projects such as the set design for a performance of the musical drama, "Narcissus" by
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Koolhaas and
Blaisse have been together since 1986—not living together, she notes, "but having a life together." Three years ago, they began sharing an apartment. Two years later, he obtained a divorce from Madelon Vriesendorp, an artist who is the mother of his two
348:. On one hand, the material creates a sense of security; on the other, it allows light and sound to permeate the boundary between the inside and the outside. Also most of Blaisse's installations are mobile in that way they could be opened and closed if wanted.
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In 2011, Blaisse returned to the
Stedelijk Museum when she was approached by the museum to design a permanent textile installation in order to create a transition between the 118-year-old original museum building and the newly designed extension.
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but she never graduated. Blaisse began her career in the arts by working with photographers and fashion and book illustrators after leaving art school at the age of twenty-one. In 1978 she took a position in the
Applied Arts department at the
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Between 1987 and 1991, while working as a freelancer, Blaisse developed an interest in textiles, interior design, and landscape. During that same period, she collaborated with
329:. Her studio team represents a variety of backgrounds including fashion design, landscape architecture, cultural anthropology, architecture, and theatrical history.
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In 1991, Blaisse founded the
Amsterdam-based studio Inside Outside. The office has since completed a number of different project types including the
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studied art at the
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park project in Rotterdam; this project would represent the first of many future collaborations with the
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and designed exhibitions for OMA at Basel and Rotterdam. She has known her current partner
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Vanderstraeten, Margot, Ruimte wonder, in: De Morgen (Belgium) April 2014, pp. 48–56.
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in Stuttgart (2006), the Prison Gardens in Belgium (2010) and the Dutch Pavilion of the
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in Rotterdam (1994), the Prada Epicenter in New York (2001), H-Project in Seoul (2004),
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300:(2012). Blaisse has collaborated with various architects and designers, including
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She studied at art school in London at Hammersmith College of Art (now known as
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in a competition for the design of the urban landscape complex Giardini di
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Van den Heuvel, Dirk, Inside-outside, in: OASE (1997) 47, pp. 2–19.
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Blaisse, Petra, Inside Outside, Rotterdam (NAI) 2006.
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610:"Nieuw Amsterdams Peil | Calliope Tsoupaki"
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738:- website for Petra Blaisse's design firm
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474:"Petra Blaisse - Metropolis"
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553:"Architecture's New Age"
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539:children.
306:Irma Boom
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110:June 2015
342:curtains
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