Knowledge (XXG)

Phaëton (Lully)

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599: 1297: 633:, disputes Phaëton's claim to divine lineage. Desiring to prove himself, Phaëton convinces his father to allow him to drive the sun-chariot for one day. In the course of his flight he loses control of the horses, threatening the earth beneath with fiery destruction; Epaphus entreats his father to put an end to the danger, and Jupiter strikes the chariot down with a thunderbolt. Phaëton falls to his death. 20: 89:(beginning on 27 April), where it was very successful with the general public. The performances ceased for thirty days of mourning following the death of the queen on 30 July 1683, but resumed thereafter and continued until 12 or 13 January 1684. The opera was revived at the Palais-Royal in 1692, 1702, 1710, 1721, 1730, and 1742. It was sometimes referred to as "the people's opera", just as Lully's 1335: 1323: 1347: 86: 760:
Phaeton, Tragedie représentée pour la première fois à Versailles devant le Roi, le mercredi 6 janvier 1683 et à Paris (...) Remise au théâtre le mardi 13 novembre 1742
879: 962: 625:, is driven to abandon his lover Theona by his ambition for the hand of Libya, daughter of the king of Egypt. On the day of the wedding, Libya's enraged lover 1300: 980: 935: 63:. It can be read as an allegorical depiction of the punishment awaiting those mortals who dare to raise themselves as high as the "sun" (i.e. the 1399: 1394: 1369: 805: 888: 871: 844: 825: 931: 1137: 955: 862: 1374: 1379: 1258: 829: 1313: 948: 622: 297: 598: 1215: 1183: 1151: 1144: 780: 654: 1327: 1281: 1107: 34: 794: 689:
Pitou 1983, vol. 1, p. 289; Rosow 1992. Note that La Gorce 2001 gives a revised date of 8/9 January 1683.
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was the first lyric tragedy of Lully and Quinault to receive its world premiere at the
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The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers
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website, University of North Texas Music Library (Accessed 6 September 2006).
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According to Parvopassu, haute-contre, but in fact the part is notated in the
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came to be called "the musician's opera" (because of its score), and his
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at the University of North Texas Digital Collections website
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at the University of North Texas Digital Collections website
783:(2001). "Lully. (1) Jean-Baptiste Lully (i)" in Sadie 2001. 741:
in the original printed score (p. 175; accessible online at
820:, Milan, Baldini Castoldi Dalai, 2007, pp. 1015-1016, 793:, volume 1 . Paris: Librairie des Bibliophiles (copy at 1311: 839:(3 volumes). Westport, Connecticut: Greenwood Press. 1251: 1193: 1168: 1122: 987: 777:website (Accessed 6 September 2006), (French only) 762:. Paris: Ballard (accessible for free online at 880:The New Grove Dictionary of Music and Musicians 816:, in Gelli, Piero & Poletti, Filippo (ed), 580:; Egyptians, Ethiopians, Indians; followers of 956: 8: 928:: High-resolution images of the 1709 edition 919:: High-resolution images of the 1683 edition 791:Bibliothèque musicale du Théâtre de l'Opéra 963: 949: 941: 936:International Music Score Library Project 112: 1318: 682: 617:, the prideful and reckless son of the 854:" in Sadie 1992, vol. 3, p. 991. 7: 883:, 2nd edition. London: Macmillan. 802:The Jean-Baptiste Lully Collection 14: 1138:George Dandin ou le Mari confondu 863:The New Grove Dictionary of Opera 592:; Hours of the Day; Four Seasons 1345: 1333: 1321: 1296: 1295: 866:(4 volumes). London: Macmillan. 715:According to Clelia Parvopassu ( 661:(1993). Catalogue# 91737 (2 CDs) 101:, as "the king's opera" (one of 81:on or about 6 January 1683. The 877:Sadie, Stanley, editor (2001). 38:in a prologue and five acts by 775:Le magazine de l'opéra baroque 584:; Priestesses; Worshippers of 1: 1400:Libretti by Philippe Quinault 1395:Operas based on Metamorphoses 1370:Operas by Jean-Baptiste Lully 77:, where it was given without 698:Pitou 1983, vol. 1, p. 290; 16:Opera by Jean-Baptiste Lully 576:; Kings and Tributaries of 1416: 1259:Académie Royale de Musique 835:Pitou, Spire (1983–1990). 818:Dizionario dell'opera 2008 719:) unless otherwise stated. 717:Dizionario dell'opera 2008 171:, a god from a former age. 1291: 978: 571: 199: 183: 132: 85:also performed it at the 1216:Jean-Baptiste Lully fils 1184:Jubilate Deo omnis terra 1152:Monsieur de Pourceaugnac 1145:Le Bourgeois gentilhomme 800:"Phaëton (1683)" pages, 655:Les Musiciens du Louvre 521:An Egyptian shepherdess 87:Théâtre du Palais-Royal 1380:French-language operas 828:(reproduced online at 606: 602:1709 illustration for 517:Une bergère Égyptienne 457:Une des Heures du jour 353:a sea god, brother of 24: 1177:Plaude Laetare Gallia 850:Rosow, Lois (1992). " 769:Brenac, Jean-Claude. 629:, himself the son of 601: 286:Louis Gaulard Dumesny 22: 1375:Tragédies en musique 981:List of compositions 812:Parvopassu, Clelia, 621:and the ocean nymph 539:the Earth, a goddess 425:a king from Ethiopia 234:Theona, daughter of 105:'s favorite works). 75:Palace of Versailles 1282:Tragédie en musique 1111:(completed 1687 by 1108:Achille et Polyxène 972:Jean-Baptiste Lully 781:La Gorce, Jérôme de 667:Aparté, 2 CDs, 2011 212:Libya, daughter of 157:Fanchon Moreau 53:after a story from 40:Jean-Baptiste Lully 35:tragédie en musique 996:Cadmus et Hermione 901:Grove Music Online 665:Christophe Rousset 607: 461:an Hour of the day 25: 1309: 1308: 1238:Philippe Quinault 889:978-1-56159-239-5 872:978-1-56159-228-9 860:, editor (1992). 845:978-0-686-46036-7 826:978-88-6073-184-5 787:Lajarte, Théodore 596: 595: 443:a king from India 304:, second wife of 216:by his first wife 127:c. 6 January 1683 44:Philippe Quinault 1407: 1350: 1349: 1348: 1338: 1337: 1326: 1325: 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of Egypt 406: 404: 403: 399: 398: 394: 392: 389: 386: 382: 378: 376: 375: 371: 370: 366: 364: 363: 359: 356: 352: 350: 349: 345: 344: 340: 338: 335: 332: 329:, a sea god, 328: 325: 323: 320: 319: 315: 313: 310: 307: 303: 299: 296: 294: 291: 290: 287: 284: 281: 277: 276: 272: 269: 265: 261: 259: 258: 254: 253: 249: 247: 244: 241: 237: 233: 231: 228: 227: 223: 221: 218: 215: 211: 209: 206: 205: 202: 198: 195: 191: 187: 182: 178: 176: 173: 170: 167: 165: 162: 161: 158: 155: 153: 150: 147: 144: 142: 139: 138: 135: 131: 124: 121: 118: 115: 114: 108: 106: 104: 100: 99: 94: 93: 88: 84: 80: 76: 72: 68: 66: 62: 61: 60:Metamorphoses 56: 52: 49: 45: 41: 37: 36: 31: 30: 21: 1357: 1280: 1263: 1182: 1175: 1157: 1150: 1143: 1136: 1129: 1123:With Molière 1106: 1098: 1090: 1082: 1074: 1067: 1066: 1058: 1050: 1042: 1034: 1026: 1018: 1010: 1002: 994: 923: 914: 878: 861: 851: 836: 817: 813: 810:(in Italian) 801: 790: 774: 759: 752: 751: 733: 724: 716: 711: 694: 685: 676: 675: 646: 613: 603: 581: 577: 573: 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868:ISBN 841:ISBN 822:ISBN 586:Isis 563:bass 497:the 483:bass 447:bass 429:bass 411:bass 391:bass 337:bass 192:and 175:bass 116:Role 98:Atys 92:Isis 55:Ovid 619:Sun 499:Sun 268:Sun 67:). 57:'s 1366:: 773:, 745:). 657:. 653:, 649:/ 645:: 588:; 567:? 529:? 511:? 487:? 469:? 451:? 433:? 415:? 395:? 383:, 341:? 316:? 250:? 238:, 224:? 179:? 42:. 1316:: 1115:) 964:e 957:t 950:v 903:. 874:. 847:. 832:) 797:) 766:) 706:. 357:. 308:. 282:) 270:.

Index


tragédie en musique
Jean-Baptiste Lully
Philippe Quinault
French
libretto
Ovid
Metamorphoses
Sun King
Palace of Versailles
stage machinery
Paris Opera
Théâtre du Palais-Royal
Isis
Atys
Louis XIV
Astraea
soprano
Fanchon Moreau
Saturn
bass
soprano
soprano
Phaëton
haute-contre
tenor
Louis Gaulard Dumesny
Clymene
Oceanus
soprano

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