183:. The play takes place on the night before and morning of Gar's departure to America. Gar is portrayed by two characters, Gar Public ("the Gar that people see, talk to, talk about") and Gar Private ("the unseen man, the man within, the conscience"). Gareth lives with his father, S. B. O'Donnell ("a responsible, respectable citizen") with whom he has never connected. Gar works for his father in his shop and their relationship is no different from that of Boss and Employee. Private often makes fun of S.B. calling him "Screwballs" and parodying his nightly routine as a fashion show.
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indications that there is love between them. In episode 1, Madge says "It must have been near daybreak when he (SB O'Donnell) got to sleep last night. I could hear the bed creaking." Other indications that SB is secretly devastated by his son's imminent departure, include his remembrance of Gar in a sailor suit proudly declaring he need not go to school, he'll work in his father's shop – a memory of an event that may not have happened, and the scene when he pretends to read the paper, but fails to notice that it has been upside-down.
482:, wrote that the play has had "lasting significance; it was Friel's first international success, and the play's greatest significance is probably its ongoing popularity with audiences, which can be explained by Friel's skillful combination of humor with a serious treatment of the pain of a young man forced to emigrate".
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reviewed the play as well in 1966 at its premiere. He said it was a "funny play, a prickly play, finally a most affecting play, and the pleasure it gives is of a most peculiar kind". He opined that Friel has "written a play about an ache, and he has written it so simply and so honestly that the ache
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direction is "workmanlike, but it is a disappointment". In the end, Kauffmann argues that "despite the good work of most of the actors, it is Mr. Friel who lets us down. Not by trickery or fakery, but simply by naïveté in art. There is considerable pleasantness, little poetry and insufficient power
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Essentially, this play is a tragicomedy. It contains many comical scenes, especially the scene with Lizzy
Sweeney, Gar's aunt, in which Gar decides to go to America. Despite the fact that Gar seems to have a relationship with his father no different from that of Boss and Employee, there are
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has "shone a beam into the dark corners of the play and has crafted an intensely unsettling and emotionally charged evening." She also pointed out that it was Dunbar's directing debut, and "the strain showed in some crucial scenes", and that there is "still work to be done".
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reawakening." She praised producer
Patrick Talbot, director Geoff Gould and the cast, for "pulling off such a confident and entertaining full-scale production, a poignant and timely reminder of our need for connection and how we often struggle to articulate it".
190:
Gar's reasons for going to
America (he wanted to prove to Aunt Lizzie that he was not "cold like the O'Donnells"), along with his secret love for his uncommunicative father, and their desperate final, pathetic attempts to communicate make this play quite tragic.
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All of the action in this play takes place within a period of a few hours on the evening of Gar's departure, but it also includes flashbacks to Gar's relationship with local girl Kate Doogan, and the visit from his Aunt Lizzie.
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I've stuck around this hole far too long. I'm telling you, it's a bloody quagmire, a backwater, a dead-end! And everybody in it goes crazy sooner or later! Everybody!
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The 1970s and 1980s saw a number of Irish-themed films being made in
Ireland by foreigners. Brian Fiel's well-known play,
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Brennan, Marjorie (7 October 2021). "Philadelphia, Here I Come review: Friel's masterpiece still has resonance today".
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produced a revival of the play at Dublin's Gaiety
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The play was adapted for a film released in
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in the United States, where it premiered on
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Coyle, Jane (31 January 2004). "Philadelphia, Here I Come! ; Millennium Forum, Derry".
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in
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780:(17 February 1966). "Theater: An Irish Play: 'Philadelphia, Here I Come!' Arrives".
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In 1966, in the United States, it ran for 326 performances, and received several
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The play is on the syllabus for
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The
Politics of Irish Drama: Plays in Context from Boucicault to Friel
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In 2007, Patrick Lonergan, Professor of Drama and Theatre Studies at
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641:"Philadelphia, Here I Come! – Broadway Play – Original | IBDB"
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centres on Gareth (Gar) O'Donnell's move to America, specifically
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along with a cast list from when it was first performed, at the
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693:"PHILADELPHIA, HERE I COME! Opens 3/15 at Gaiety Theatre"
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Lonergan, Patrick (2007). "Philadelphia, Here I Come!".
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in Ireland, Marjorie Brennan reviewed the play for the
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examinations, as well as the English A1 course of the
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321:. It ran for 326 performances, and received several
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574:"Joe Dowling: 'Brian Friel's work changed my life'"
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901:Rockett, Kevin; Gibbons, Luke; Hill, John (2014).
352:. This production toured Ireland, stopping off at
760:"GCSE Themes, Escape: Part of English Literature"
338:Association of Regional Theatres Northern Ireland
938:(DVD). New York: Kino International Corp. 2003.
214:Below is a list of the characters from the play
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251:Kate Doogan (later Kate King) – Máire Hastings
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336:In 2004, the play was performed through the
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729:Irel, The Reviews Hub- (7 February 2014).
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832:The Columbia Encyclopedia of Modern Drama
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672:Fhlatharta, Bernie Ni (20 August 2013).
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1350:Irish-American culture in Philadelphia
712:"Philadelphia, Here I Come! – review"
710:Billington, Michael (1 August 2012).
348:staged the play in 2007, directed by
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547:. London: Faber and Faber. p.
344:and produced by Andrea Montgomery.
393:Andrew Flynn directed the play at
287:Canon Mick O'Byrne – Alex McDonald
137:is a 1964 play by Irish dramatist
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887:Irish film and TV research online
744:Cork Opera House (October 2021).
424:American film and theater critic
297:The play was first staged at the
233:Private Gareth (Gar) O'Donnell –
485:In 2021, at its premiere at the
452:In 2004, at its premiere at the
449:itself becomes a warming fire".
227:Public Gareth (Gar) O'Donnell –
996:Brian Friel and Ireland's Drama
891:Lists the release year as 1970.
141:. Set in the fictional town of
1370:Irish plays adapted into films
480:National University of Ireland
239:S.B. "Screwballs" O'Donnell –
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311:David Merrick Arts Foundation
52:A Comedy in Three Acts (1965)
746:"Philadelphia, Here I Come!"
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27:Play written by Brian Friel
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1037:Philadelphia, Here I Come!
1031:Internet Broadway Database
973:Cambridge University Press
936:Philadelphia, Here I Come!
907:. Routledge. p. 112.
889:. Dublin: Trinity College.
655:"Getting a feel for Friel"
605:Richards, Stanley (1970).
544:Philadelphia, Here I Come!
346:Second Age Theatre Company
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611:Best Plays of the Sixties
410:Irish Leaving Certificate
269:Ben Burton – Michael Mara
222:, on September 28, 1964.
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278:Tom – Brendan O'Sullivan
153:on September 28, 1964.
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464:, Jane Coyle wrote in
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305:, then transferred to
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107:Gaiety Theatre, Dublin
615:Garden City, New York
541:Friel, Brian (1965).
522:American Film Theatre
204:Gar Public, Episode 2
1380:Plays about families
1360:Plays set in Ireland
1355:Plays by Brian Friel
621:. pp. 329–333.
401:. The cast included
247:Mairín D. O'Sullivan
1309:Brian Friel Theatre
1246:Wonderful Tennessee
1238:Dancing at Lughnasa
1105:(unpublished, 1963)
430:Helen Hayes Theater
1390:Comedy-drama plays
999:. United Kingdom:
969:Cambridge, England
904:Cinema and Ireland
783:The New York Times
1385:Tragicomedy plays
1365:1960s debut plays
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1150:The Gentle Island
1010:978-0-415-04753-1
982:978-0-521-66051-8
778:Kaufmann, Stanley
697:BroadwayWorld.com
426:Stanley Kauffmann
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627:73-97684
524:series.
370:New York
307:Broadway
202:—
143:Ballybeg
1029:at the
470:, that
444:critic
354:Donegal
255:Senator
116:English
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362:Dublin
281:Joe –
272:Ned –
67:(play)
1086:Plays
458:Derry
374:Texas
358:Ennis
121:Genre
1319:Saoi
1042:IMDb
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940:OCLC
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623:LCCN
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504:Film
376:and
366:Cork
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