Knowledge (XXG)

Philip Burne-Jones

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170:. Burne-Jones stated that he did not think highly of negroes and was sceptical of their belonging in American society. He wrote "...among a highly civilized and strenuous people the negroes are in an absolutely false position," "the negro is not, and can never be, the equal of his white brother," and considering "exceptions here and there, the best that can be said for them is that they make tolerably good servants." In spite of holding these commonly held views, he was aware they were exaggerated by his conditioning, a reflection of where he grew up, how, and when: "When aversion to race is instinctive and deep-seated, it is a bit difficult to write fairly on the subject"; and repeatedly offered his regrets and commiseration over their difficult situation in America, stating it was a "real tragedy", for which "they deserve our profound sympathy". He summed up his overview on the matter in his final remark on the subject: "I am sorry for the negroes, and I wish they weren't in America at all." 337: 30: 22: 157:
during 1902, where he was popular in fashionable society and contributed to the then-fashionable travelogue literary genre by publishing an account (Dollars and Democracy) of his time spent there. He lived most of his life in London, where he died in 1926.
136:'s poem of the same name. The location of the original painting is unknown. In July 1902 several papers including the Baltimore Sun and the St. Louis Republic reported the painting was sold to 702: 346: 707: 528: 422: 742: 737: 143:
Having a famous father was difficult for him, and it was Philip's fate in life that his work was often compared unfavourably with that of his father.
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that had been bestowed on his father during 1894. It is said that his father had accepted the title only because Philip was keen to inherit it.
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for two years, but left before graduating. To appease his parents for this failure, he agreed to take lessons in painting in London.
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Philip studied painting seriously. His skill was great and he exhibited his work in well-known galleries in London and Paris. The
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exhibited his work eleven times between 1898 and 1918, and his work was also shown in the
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Philip expressed racist attitudes on Black Americans in his 1904 American travelogue
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British aristocrat, whose life and professional career as a painter spanned into the
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of 1900. There he exhibited his portrait of his father, now in the
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Upon his father's death in 1898, Philip succeeded to the title of
28: 20: 404: 190:. 1 May 2008. Archived from the original on 1 May 2008 629: 604: 587: 447: 119:. He painted portraits of many well-known people. 25:Formal portrait of Philip Burne-Jones in mid-life 703:Baronets in the Baronetage of the United Kingdom 72:. He produced more than 60 paintings, including 52:. He was the first child of more famed British 416: 280:: D. Appleton & Company. pp. 165–169 8: 140:; however, Burne-Jones denied the reports. 42:Sir Philip William Burne-Jones, 2nd Baronet 423: 409: 401: 361: 662:Tristram and Isoude stained glass panels 179: 708:People educated at Marlborough College 358:, with 8 library catalogue records 201: 44:(1 October 1861 – 21 June 1926) was a 37:, Burne-Jones' most famous work (1897) 347:Philip Burne-Jones exhibition catalog 7: 338:Works by or about Philip Burne-Jones 505:The Last Sleep of Arthur in Avalon 386:(of Rottingdean and of the Grange) 270:Burne-Jones, Philip (March 1904). 33:A black and white reproduction of 14: 743:19th-century English male artists 738:20th-century English male artists 529:King Cophetua and the Beggar Maid 366:Baronetage of the United Kingdom 328:, memoir about 1902 US travels, 647:Angela Thirkell (granddaughter) 232:. 22 April 1940. Archived from 64:, and a cousin of both author 1: 723:20th-century English painters 713:19th-century English painters 637:Georgiana Burne-Jones (wife) 96:in 1861 and was educated at 322:Burne-Jones, Philip (1904) 302:Burne-Jones, Philip (1902) 759: 652:Pre-Raphaelite Brotherhood 16:English artist (1861–1926) 438: 379: 371: 364: 208:: CS1 maint: unfit URL ( 117:National Portrait Gallery 642:Philip Burne-Jones (son) 537:The Legend of Briar Rose 375:Edward Coley Burne-Jones 80:, and poetic fantasies. 597:(1857–1859) (co-artist) 480:Pygmalion and the Image 472:The Beguiling of Merlin 257:The Virginia Enterprise 122:His most famous work, 38: 26: 718:English male painters 672:Maria Zambaco (model) 620:Holy Grail tapestries 613:Adoration of the Magi 325:Dollars and democracy 273:Dollars and Democracy 168:Dollars and Democracy 32: 24: 728:Painters from London 489:The Wheel of Fortune 464:Love Among the Ruins 130:Mrs Patrick Campbell 595:Oxford Union murals 456:The Merciful Knight 356:Library of Congress 255:"In Gay New York". 153:Philip visited the 98:Marlborough College 68:and prime minister 62:Georgiana Macdonald 733:Burne-Jones family 432:Edward Burne-Jones 352:Philip Burne-Jones 305:Catalogue of Works 58:Edward Burne-Jones 39: 27: 680: 679: 561:Star of Bethlehem 545:The Garden of Pan 497:The Golden Stairs 441:List of paintings 399: 398: 102:Oxford University 750: 657:Morris & Co. 569:Sponsa de Libano 425: 418: 411: 402: 372:Preceded by 362: 342:Internet Archive 333:Internet Archive 313:Internet Archive 290: 289: 287: 285: 267: 261: 260: 259:. 8 August 1902. 252: 246: 245: 243: 241: 236:on 21 March 2009 224:"Shaw's Vampire" 220: 214: 213: 207: 199: 197: 195: 184: 758: 757: 753: 752: 751: 749: 748: 747: 683: 682: 681: 676: 625: 600: 583: 513:The Flower Book 443: 434: 429: 389: 385: 377: 299: 294: 293: 283: 281: 269: 268: 264: 254: 253: 249: 239: 237: 222: 221: 217: 200: 193: 191: 186: 185: 181: 176: 164: 138:W.K. Vanderbilt 134:Rudyard Kipling 88:He was born in 86: 84:Life and career 70:Stanley Baldwin 66:Rudyard Kipling 17: 12: 11: 5: 756: 754: 746: 745: 740: 735: 730: 725: 720: 715: 710: 705: 700: 695: 685: 684: 678: 677: 675: 674: 669: 667:Great Bookcase 664: 659: 654: 649: 644: 639: 633: 631: 627: 626: 624: 623: 617: 608: 606: 602: 601: 599: 598: 591: 589: 585: 584: 582: 581: 573: 565: 557: 549: 541: 533: 525: 517: 509: 501: 493: 485: 476: 468: 460: 451: 449: 445: 444: 439: 436: 435: 430: 428: 427: 420: 413: 405: 397: 396: 391: 378: 373: 369: 368: 360: 359: 349: 344: 335: 320: 298: 297:External links 295: 292: 291: 262: 247: 215: 178: 177: 175: 172: 163: 160: 100:. He attended 85: 82: 54:Pre-Raphaelite 15: 13: 10: 9: 6: 4: 3: 2: 755: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 694: 691: 690: 688: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 643: 640: 638: 635: 634: 632: 628: 621: 618: 615: 614: 610: 609: 607: 603: 596: 593: 592: 590: 586: 579: 578: 574: 571: 570: 566: 563: 562: 558: 555: 554: 550: 547: 546: 542: 539: 538: 534: 531: 530: 526: 523: 522: 518: 515: 514: 510: 507: 506: 502: 499: 498: 494: 491: 490: 486: 483: 481: 477: 474: 473: 469: 466: 465: 461: 458: 457: 453: 452: 450: 446: 442: 437: 433: 426: 421: 419: 414: 412: 407: 406: 403: 395: 392: 388: 384: 383: 376: 370: 367: 363: 357: 353: 350: 348: 345: 343: 339: 336: 334: 331: 327: 326: 321: 318: 314: 311: 307: 306: 301: 300: 296: 279: 275: 274: 266: 263: 258: 251: 248: 235: 231: 230: 229:Time Magazine 225: 219: 216: 211: 205: 189: 183: 180: 173: 171: 169: 161: 159: 156: 155:United States 151: 149: 144: 141: 139: 135: 131: 127: 126: 120: 118: 114: 110: 109:Royal Academy 105: 103: 99: 95: 91: 83: 81: 79: 75: 71: 67: 63: 60:and his wife 59: 55: 51: 47: 46:Victorian Era 43: 36: 31: 23: 19: 641: 611: 575: 567: 559: 553:The Nativity 551: 543: 535: 527: 519: 511: 503: 495: 487: 479: 470: 462: 454: 393: 387: 380: 329: 324: 316: 309: 304: 282:. Retrieved 272: 265: 256: 250: 238:. Retrieved 234:the original 227: 218: 192:. Retrieved 188:"Baronetage" 182: 167: 165: 162:Racial views 152: 145: 142: 123: 121: 106: 87: 41: 40: 34: 18: 698:1926 deaths 693:1861 births 622:(1891–1894) 540:(1885–1890) 516:(1882–1898) 508:(1881–1898) 500:(1876–1880) 492:(1875–1883) 484:(1875–1878) 475:(1872–1877) 315:, included 125:The Vampire 113:Paris Salon 56:artist Sir 35:The Vampire 687:Categories 605:Tapestries 390:1898–1926 174:References 78:landscapes 448:Paintings 74:portraits 50:Edwardian 521:The Mill 394:Extinct 284:25 April 278:New York 240:9 August 204:cite web 630:Related 382:Baronet 340:at the 317:Vampire 148:baronet 94:England 616:(1890) 588:Murals 580:(1896) 572:(1891) 564:(1890) 556:(1887) 548:(1886) 532:(1884) 524:(1882) 482:series 467:(1873) 459:(1863) 194:7 July 90:London 577:Hope 330:via: 310:via: 286:2022 242:2008 210:link 196:2022 354:at 689:: 276:. 226:. 206:}} 202:{{ 92:, 76:, 424:e 417:t 410:v 319:. 288:. 244:. 212:) 198:.

Index



Victorian Era
Edwardian
Pre-Raphaelite
Edward Burne-Jones
Georgiana Macdonald
Rudyard Kipling
Stanley Baldwin
portraits
landscapes
London
England
Marlborough College
Oxford University
Royal Academy
Paris Salon
National Portrait Gallery
The Vampire
Mrs Patrick Campbell
Rudyard Kipling
W.K. Vanderbilt
baronet
United States
"Baronetage"
cite web
link
"Shaw's Vampire"
Time Magazine
the original

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