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403:, meaning "image of nature". This was a miniature mechanical theatre measuring six by eight feet, and described as displaying "Various Imitations of Natural Phenomena, represented by Moving Pictures". It was presented at Loutherbourg's home from March 1781 in an auditorium seating about 130 people. He used
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Loutherbourg then travelled through
Switzerland, Germany and Italy, distinguishing himself as much by his mechanical inventions as by his painting. One of these, showing new effects produced in a model theatre, was the wonder of the day, with its use of lights behind canvas representing the moon and
394:. He devised scenic effects in which, for instance, green trees gradually became russet and the moon rose and lit the edges of passing clouds: illusions achieved through the use of coloured lantern-slides and the ingenious lighting of transparencies. He continued to work at the theatre until 1785.
424:
with "Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of
Pandemonium". The Eidophusikon soon closed, however, as the income did not cover the costs and the audience demanded new productions faster than Loutherbourg could create them. He has been called the
321:, although below the age required by the rules of the institution, and painted landscapes, sea storms, and battles, all of which work had a celebrity above those of the specialists then working in Paris. He made his debut with the exhibition of twelve pictures, including
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was published in 1789. Written by a follower named Mary Pratt, it claimed that the
Loutherbourgs had cured two thousand people between Christmas 1788 and the following July, "having been made proper recipients to receive divine
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but, although it first appeared about the same time as the
Eidophusikon, the first panorama was painted and exhibited by the Scottish painter
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stars, and the illusory appearance of running water produced by clear blue sheets of metal and gauze, with loose threads of silver.
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coordinators, Andrew Ellis, director ; Sonia Roe, editor ; Julia Abel Smith & Richard Garner, catalogue (2007).
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317:. His talent developed rapidly, and he became a figure in the fashionable society of the day. In 1767 he was elected to the
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In 1789 Loutherbourg temporarily gave up painting, in order to pursue an interest in alchemy and the supernatural. He met
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for London theatres, and his invention of a mechanical theatre called the "Eidophusikon". He also had an interest in
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Dobson, Austin. At Prior Park and Other Papers. London: Humphrey
Milford Oxford University Press, 1923. Print.
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Rejecting a religious calling, Loutherbourg decided to become a painter, and in 1755 placed himself under
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A List of a Few Cures performed by Mr and Mrs De
Loutherbourg, of Hammersmith Terrace, without Medicine
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904:"The Virtual Infernal: Philippe de Loutherbourg, William Beckford and the Spectacle of the Sublime"
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One or more of the preceding sentences incorporates text from a publication now in the
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paid him £500 a year to design scenery and costumes and oversee the stage machinery at the
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At
Christmas, 1781, Loutherbourg mounted a spectacle at a party in the Egyptian Hall at
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194:(31 October 1740 – 11 March 1812), whose name is sometimes given in the
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There are paintings by him in the collections of many
British institutions including
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Loutherbourg was buried in
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in 1801 and 1805. He also contributed illustrations to a Bible published by
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Despite these other projects, Loutherbourg still found time for painting.
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858:. Vol. 7 (11th ed.). Cambridge University Press. p. 973.
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Two sets of drawings by de
Loutherbourg were published, reproduced in
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He achieved an even greater success with an entertainment called the
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Oil paintings in public ownership in the Government Art Collection
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and the occult, and was a companion of the confidence-trickster
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Adventures in Cybersound: Philippe Jacques de Loutherberg
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to light the stage and stained glass to change colours.
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72 artworks by or after Philip James de Loutherbourg
933:. London: Public Catalogue Foundation. p. 183.
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The Cutting-Out of the French Corvette La Chevrette
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657:Philippe Jacques de Loutherbourg, R.A., 1740-1812.
1135:Lord Howe's Action, or the Glorious First of June
810:. Vol. VII (9th ed.). 1878. p. 52.
457:Lord Howe's action, or the Glorious First of June
158:Lord Howe's action, or the Glorious First of June
1252:French emigrants to the Kingdom of Great Britain
468:, they still remain). His finest work was the
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478:Attack of the Combined Armies on Valenciennes
347:by Philip James de Loutherbourg, painted 1796
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476:and several historical works, including the
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995:: CS1 maint: location missing publisher (
983:Memoirs of Extraordinary Popular Delusions
775:Richard the Lionheart at Saint-Jean d'Acre
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382:In 1771 he settled in London, where
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493:Seven of his paintings, including
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1287:18th-century English male artists
1282:19th-century English male artists
480:(1793). He was interested in the
297:ministry, he was educated at the
1277:English people of Polish descent
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1032:Philipp Jakob Loutherbourg d. J.
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64:Philippe Jacques de Loutherbourg
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18:Philippe-Jacques de Loutherbourg
1272:French people of Polish descent
659:London: Greater London Council.
490:shows iron foundries at work.
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1232:19th-century English painters
1222:18th-century English painters
886:. Cambridge University Press.
850:De Loutherbourg, Philip James
652:, 22/1 (2021) pp. 10–17.
634:James Abbott McNeill Whistler
1096:Philip James de Loutherbourg
1044:Philip James de Loutherbourg
1010:Philip James de Loutherbourg
626:St Nicholas Church, Chiswick
508:He was made a member of the
187:Philip James de Loutherbourg
49:Philip James de Loutherbourg
36:Philip James de Loutherbourg
1267:French emigrants to England
1175:Francesco Giuseppe Casanova
1012:, BBC, accessed August 2011
902:McCalman, Iain (May 2007).
539:Picturesque English Scenery
315:Francesco Giuseppe Casanova
135:Francesco Giuseppe Casanova
27:French-born English painter
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607:Victoria and Albert Museum
549:published a volume of the
462:Greenwich Hospital Gallery
313:in Paris, and later under
282:Loutherbourg was born in
1237:English landscape artists
1186:Theatre Royal, Drury Lane
882:British Romantic Painting
655:Joppier, Rudiger (1973).
617:, Leicester, Farnham and
611:National Portrait Gallery
545:in 1800. After his death
503:Government Art Collection
470:Destruction of the Armada
464:(in whose successor, the
41:
1257:English history painters
1151:The Battle of Alexandria
981:Mackay, Charles (1852).
878:Lister, Raymond (1989).
729:The Battle of Alexandria
713:The Great Fire of London
598:in west London in 1812.
484:, and his 1801 painting
466:National Maritime Museum
299:University of Strasbourg
1242:Artists from Strasbourg
855:Encyclopædia Britannica
807:Encyclopædia Britannica
698:Hampstead Heath, Summer
650:The British Art Journal
286:in 1740, the son of an
1143:Coalbrookdale by Night
1111:Landscape with Animals
908:Romanticism on the Net
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526:Landscape with Animals
487:Coalbrookdale by Night
472:. He also painted the
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1227:English male painters
1169:Charles-André van Loo
594:Loutherbourg died in
575:Alessandro Cagliostro
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482:Industrial Revolution
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311:Charles-André van Loo
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228:Alessandro Cagliostro
131:Charles-André van Loo
1034:at Wikimedia Commons
615:Royal Academy of Art
499:Skating in Hyde Park
474:Great Fire of London
245:Battle of Camperdown
293:. Intended for the
257:Landscape with cows
1247:Royal Academicians
959:has generic name (
569:Esoteric interests
563:Greater Manchester
537:, under the title
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388:Drury Lane Theatre
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331:Morning after Rain
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940:978-1-904931-42-3
619:Derby Art Gallery
547:Cadell and Davies
291:miniature painter
288:expatriate Polish
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555:Bowyer Bible
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516:Publications
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400:Eidophusikon
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179:Military art
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152:Notable work
98:(1812-03-11)
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29:
1217:1812 deaths
1212:1740 births
1127:Warley Camp
682:Warley Camp
220:set designs
216:naval works
212:the Younger
119:Nationality
1206:Categories
783:References
284:Strasbourg
234:Early life
78:Strasbourg
70:1740-10-31
1119:Moonlight
1103:Paintings
991:cite book
949:cite book
551:Apocrypha
512:in 1781.
357:avalanche
127:Education
108:Middlesex
1177:(master)
1171:(master)
596:Chiswick
535:aquatint
437:Painting
427:panorama
412:Fonthill
295:Lutheran
206:form of
198:form of
171:Movement
145:Painting
104:Chiswick
1162:Related
843::
732:, 1802.
667:Gallery
378:Theatre
364:Travels
329:, and
122:British
112:Britain
1181:Rococo
1154:(1802)
1146:(1801)
1138:(1795)
1130:(1780)
1122:(1777)
1114:(1767)
1054:Art UK
937:
910:(46).
837:
777:, 1807
762:, 1805
747:, 1802
715:, 1797
700:, 1787
685:, 1780
613:, the
609:, the
605:, the
529:, 1767
373:London
265:Warsaw
248:(1799)
204:German
202:, the
196:French
86:France
82:Alsace
590:Death
327:Night
305:Paris
1056:site
997:link
968:link
961:help
935:ISBN
632:and
497:and
414:for
243:The
93:Died
60:Born
912:doi
852:".
586:".
561:in
557:in
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