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Philippe de Vitry

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29: 583: 2871: 2786: 1382: 2796: 2859: 1247: 2823: 2847: 2835: 513:(1322), a treatise on music attributed to him that lent its name to the music of the entire era. While his authorship and the very existence of this treatise have recently come into question, a handful of his musical works do survive and show the innovations in 558:(an isorhythmic line consists of repeating patterns of rhythms and pitches, but the patterns overlap rather than correspond; e.g., a line of thirty consecutive notes might contain five repetitions of a six-note melody or six repetitions of a five-note rhythm). 774:. MEW 0852. Contains recordings of "Vos quid admiramini virginem / Gratissima virginis / Gaude gloriosa" and "Adesto sancta trinitas / Firmissime fidem / Alleluia Benedicta" by Philippe de Vitry. 441:
Details of his early life are vague. While some medieval sources claim that he was born in the Champagne region, more recent research indicates that he may have originated in
554:, but only some of the motets have survived. Each is strikingly individual, exploiting a unique structural idea. He is also often credited with developing the concept of 623: 378: 603: 535:. In some ways the "modern" system of rhythmic notation began with the Ars Nova, during which music might be said to have "broken free" from the older idea of the 418:
writing a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so great a philosopher of our age." The important music treatise
493:, east of Paris. Moving in all the most important political, artistic and ecclesiastical circles, he was acquainted with many lights of the age, including 1131: 1042: 936: 525:, with which he was credited within a century of their inception. Such innovations as are exemplified in his stylistically attributed motets for the 2931: 2906: 1419: 622: 1957: 1122: 602: 646:
While there is still debate about what Vitry did and did not compose, the first sixteen works here, all motets, are widely considered to be his.
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are securely attributed to Vitry, but no music for the latter survives, whilst the former survives only fragmentarily (see Zayaruznaya, 2018).
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were particularly important, and made possible the free and quite complex music of the next hundred years, culminating in the
414:. An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day, with 1778: 2813: 1897: 1812: 1412: 1112: 2946: 2911: 2776: 2641: 1439: 202: 72: 2916: 2673: 2636: 2311: 2306: 1952: 883: 486: 449:. Given that he is often referred to in documents as "Magister," he is thought likely to have studied at the 2789: 2663: 2653: 2484: 1937: 1867: 1405: 1127: 1061: 947: 49: 2827: 2799: 2140: 1827: 1520: 1356: 1161: 22: 1108: 2740: 2055: 1763: 1620: 1309: 155: 80: 2202: 1907: 1832: 1758: 2926: 2921: 2552: 2547: 2454: 2271: 2258: 2207: 2176: 2125: 2016: 1862: 1692: 1677: 1662: 1605: 1555: 1515: 1472: 1372: 1347: 1218: 454: 282: 277: 227: 197: 182: 109: 2755: 2750: 2598: 2381: 2171: 2070: 2001: 1877: 1872: 1842: 1817: 1733: 1703: 1560: 1550: 1505: 1484: 1467: 1319: 1203: 1141: 458: 450: 319: 192: 104: 28: 2795: 485:. In addition to all this, he was a diplomat and a soldier, known to have served at the siege of 2875: 2709: 2699: 2668: 2479: 2459: 2301: 2197: 2145: 2105: 2090: 2006: 1857: 1768: 1540: 1208: 1057: 1048: 942: 2581: 2469: 2439: 2399: 2346: 2281: 2192: 2187: 2135: 2095: 2011: 1917: 1902: 1852: 1713: 1672: 1600: 1510: 1385: 1261: 1213: 1154: 1073: 1069: 1002: 959: 955: 908: 887: 769:
En un gardin. Les quatre saisons de l'Ars Nova. Manuscrits de Stavelot, Mons, Utrecht, Leiden.
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Wathey, Andrew. "The Motets of Philippe de Vitry and the Fourteenth-Century Renaissance".
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Anne Walters Robertson, "Which Vitry? The Witness of the Trinity Motet from the
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It is thought that very little of Vitry's compositions survive; though he wrote
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Attributed on a combination of weaker historical evidence and stylistic grounds
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Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance
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Orbis orbatus / Vos pastores / Fur non venit (less widely accepted)
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Fuller, Sarah. "A Phantom Treatise of the Fourteenth Century? The
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The Monstrous New Art: Divided Forms in the Late Medieval Motet
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Vos quid admiramini / Gratissima / Contratenor / Gaude gloriosa
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and the famous mathematician, philosopher and music theorist
465:, serving as a secretary and advisor; perhaps aided by these 581: 1146: 726:
Attributed on stylistic grounds alone (not widely accepted)
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Quid scire proderit / Dantur officia (less widely accepted)
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and Paris, also serving for a time in the papal retinue at
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Philippe de Vitry is most famous in music history for the
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Schrade, Leo. "Philippe de Vitry: Some New Discoveries".
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Phi millies / O creator / Iacet granum / Quam sufflabit
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Aman novi / Heu Fortuna / Heu me, tristis est anima mea
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connections, he also held several canonries, including
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Wathey, Andrew. "Philippe de Vitry, Bishop of Meaux".
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Leech-Wilkinson, Daniel. "The Emergence of Ars Nova",
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In virtute / Decens carmen / Clamor meus / Contratenor
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Impudenter circuivi / Virtutibus / Contratenor / Tenor
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of modern time meters also originate in the Ars Nova.
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French composer, poet and music theorist (1291–1361)
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Aman novi/Heu Fortuna/Heu me, tristis est anima mea
1041: 935: 836:, §1 "Life, position, reputation; literary works". 629:Two MIDI recordings of works by Philippe de Vitry 999:The New Grove Dictionary of Music and Musicians 21:"de Vitry" redirects here. For other uses, see 673:O canenda / Rex quem / Contratenor / Rex regum 1413: 1162: 661:Douce playsence / Garison / Neuma quinti toni 394:(31 October 1291 – 9 June 1361) was a French 372: 8: 1025:Zayaruznaya, Anna. "New voices for Vitry". 709:Colla iugo / Bona condit / Libera me Domine 679:Tribum / Quoniam secta / Merito hec patimur 453:. Later he was prominent in the courts of 403: 2360: 2239: 2235: 2161: 2115: 2080: 2060: 2051: 2047: 1978: 1974: 1795: 1644: 1586: 1582: 1420: 1406: 1398: 1169: 1155: 1147: 852: 833: 737:Apta caro / Flos / Alma redemptorisa mater 712:Firmissime / Adesto / Alleluya, Benedictus 379: 365: 44: 36:from F-Pnm Français 146, a version of the 1132:International Music Score Library Project 1119:List of compositions by Philippe de Vitry 682:Tuba sacre fidei / In arboris / Virgo sum 567:; an additional nine can be found in the 997:Sanders, Ernest H. "Philippe de Vitry". 650:Attributed on strong historical evidence 2818: 1958:List of Galician-Portuguese troubadours 1123:Digital Image Archive of Medieval Music 1070:10.1093/gmo/9781561592630.article.40032 956:10.1093/gmo/9781561592630.article.29535 804: 788: 422:(1322) is usually attributed to Vitry. 63: 56: 758:Servant regem / O Philippe / Rex regum 636: 7: 1140:in the Medieval Music Database from 946:. Revised by Andrew Wathey. Oxford: 667:Garrit gallus / In nova fert / Neuma 658:Cum statua / Hugo / Magister invidie 1784:Other troubadours and trobairitz... 501:. He died in Paris on 9 June 1361. 1029:46 issue 3 (August 2018): 375–392. 637:Problems playing these files? See 14: 987:4, no. 1 (Winter 1985–86): 23–50. 924:Journal and encyclopedia articles 715:Flos ortus / Celsa cedrus / Tenor 676:Petre clemens / Lugentium / Tenor 2869: 2857: 2845: 2833: 2821: 2794: 2785: 2784: 1381: 1380: 1245: 1128:Free scores by Philippe de Vitry 1109:Free scores by Philippe de Vitry 698:De terre en grec Gaulle appellee 619: 599: 2932:French male non-fiction writers 2907:French male classical composers 1060:and Richard Freedman. Oxford: 1015:42, no. 3 (July 1956): 330–54. 907:. Cambridge University Press. 546:He is reputed to have written 1: 2942:14th-century writers in Latin 2892:14th-century French composers 1779:William IX, Duke of Aquitaine 1113:Choral Public Domain Library 1094:UK public library membership 973:UK public library membership 755:Se paour / Diex / Concupisco 734:Amer / Durement / Dolor meus 489:in 1346. In 1351 he became 1450:List of musical instruments 2968: 2902:French classical composers 1138:Works by Philippe de Vitry 901:Zayaruznaya, Anna (2015). 884:W. W. Norton & Company 20: 2766: 2312:Matheus de Sancto Johanne 2307:Johannes Symonis Hasprois 2238: 2050: 1977: 1953:Galician-Portuguese lyric 1898:Jehan le Cuvelier d'Arras 1813:Andrieu Contredit d'Arras 1585: 1435: 1340: 1243: 992:The Journal of Musicology 985:The Journal of Musicology 2952:Medieval music theorists 2342:Antonio Zacara da Teramo 731:Almifonis / Rosa / Tenor 664:Floret / Florens / Neuma 2937:Medieval male composers 1868:Gillebert de Berneville 1445:List of music theorists 1062:Oxford University Press 1040:Wilkins, Nigel (2001). 948:Oxford University Press 541:notational predecessors 2897:French music theorists 2141:Gherardello da Firenze 1828:Le Chastelain de Couci 1621:Philippe le Chancelier 853:Bent & Wathey 2018 834:Bent & Wathey 2018 795:Sanders, Vol. 20 p. 22 746:Per grama protho paret 586: 404: 42: 32:Manuscript of Vitry's 2450:Johannes de Garlandia 1764:Raimbaut de Vaqueiras 1310:Music of the Trecento 1013:The Musical Quarterly 585: 98:Movements and schools 31: 2771:Also music theorist* 2455:Johannes de Grocheio 2272:Conradus de Pistoria 2259:Philippus de Caserta 2208:Philippus de Caserta 2177:Antonello da Caserta 2126:Andreas de Florentia 2017:Guillaume de Machaut 1678:Bernart de Ventadorn 1663:Aimeric de Peguilhan 1606:Albertus Parisiensis 1556:Adam of Saint Victor 1516:Saint Martial school 1473:Notker the Stammerer 1365:Also music theorist* 1219:Guillaume de Machaut 937:"Vitry, Philippe de" 2382:Contenance angloise 2172:Bartolino da Padova 2071:Marchetto da Padova 2002:Magister Franciscus 1878:Guillaume le Vinier 1873:Gontier de Soignies 1818:Audefroi le Bastart 1704:Folquet de Marselha 1561:Wulfstan the Cantor 1551:Hildegard of Bingen 1521:AdĂ©mar de Chabannes 1506:Fulbert of Chartres 1468:Abbey of Saint Gall 1460:Early (before 1150) 1320:Old Hall Manuscript 1204:Magister Franciscus 1142:La Trobe University 1034:Early Music History 1020:Early Music History 994:13 (1995): 285–317. 743:O Philippe / O bone 614:Gratissima Virginis 451:University of Paris 352:Renaissance music → 2947:Ars nova composers 2912:Writers from Paris 2710:Neo-Medieval music 2700:Medieval folk rock 2480:Berno of Reichenau 2460:Iacobus de Ispania 2302:Petrus de Goscalch 2203:NiccolĂČ da Perugia 2198:Grazioso da Padova 2146:Lorenzo da Firenze 2106:Vincenzo da Rimini 2091:Giovanni da Cascia 1923:Other trouvĂšres... 1908:Perrin d'Angicourt 1858:Gautier de Dargies 1833:ChrĂ©tien de Troyes 1769:Raimon de Miravalh 1759:Raimbaut d'Aurenga 1058:Howard Mayer Brown 1049:Grove Music Online 1036:38 (2019): 215–68. 1022:12 (1993): 119–50. 943:Grove Music Online 594:Vos qui admiramini 587: 398:-poet, bishop and 43: 2809: 2808: 2777:Renaissance music 2485:Aurelian of RĂ©ĂŽme 2470:Johannes de Muris 2440:Franco of Cologne 2418: 2417: 2400:Arnold de Lantins 2359: 2358: 2355: 2354: 2282:Johannes Cuvelier 2234: 2233: 2230: 2229: 2226: 2225: 2193:Giovanni Mazzuoli 2188:Matteo da Perugia 2160: 2159: 2136:Francesco Landini 2114: 2113: 2096:Jacopo da Bologna 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2815: 2801: 2797: 2793: 2791: 2783: 2782: 2779: 2778: 2770: 2769: 2765: 2757: 2754: 2752: 2749: 2747: 2744: 2742: 2739: 2737: 2734: 2733: 2732: 2729: 2727: 2724: 2723: 2721: 2717: 2711: 2708: 2706: 2703: 2701: 2698: 2696: 2693: 2692: 2690: 2686: 2680: 2677: 2675: 2672: 2670: 2667: 2665: 2662: 2660: 2657: 2655: 2652: 2650: 2647: 2643: 2640: 2638: 2635: 2634: 2633: 2632:British Isles 2630: 2629: 2627: 2623: 2617: 2616: 2612: 2610: 2607: 2605: 2602: 2600: 2597: 2595: 2592: 2588: 2585: 2584: 2583: 2580: 2576: 2573: 2572: 2571: 2568: 2566: 2563: 2559: 2556: 2554: 2551: 2549: 2546: 2545: 2544: 2541: 2539: 2536: 2534: 2531: 2529: 2526: 2522: 2519: 2518: 2517: 2514: 2512: 2509: 2507: 2504: 2502: 2499: 2498: 2496: 2494:Musical forms 2492: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2431: 2428: 2427: 2425: 2421: 2411: 2410:W. de Wycombe 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2391: 2388: 2384: 2383: 2379: 2378: 2377: 2374: 2372: 2369: 2368: 2366: 2362: 2348: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2325: 2323: 2320: 2318: 2315: 2313: 2310: 2308: 2305: 2303: 2300: 2298: 2295: 2293: 2290: 2288: 2285: 2283: 2280: 2278: 2277:Baude Cordier 2275: 2273: 2270: 2266: 2262: 2260: 2257: 2255: 2252: 2251: 2249: 2247: 2246: 2245:Ars subtilior 2241: 2237: 2219: 2216: 2214: 2211: 2209: 2206: 2204: 2201: 2199: 2196: 2194: 2191: 2189: 2186: 2183: 2180: 2178: 2175: 2173: 2170: 2169: 2167: 2163: 2153: 2150: 2147: 2144: 2142: 2139: 2137: 2134: 2132: 2129: 2127: 2124: 2123: 2121: 2117: 2107: 2104: 2102: 2101:Maestro Piero 2099: 2097: 2094: 2092: 2089: 2088: 2086: 2082: 2072: 2069: 2068: 2066: 2062: 2059: 2057: 2053: 2049: 2034: 2030: 2028: 2025: 2023: 2022:P. des Molins 2020: 2018: 2015: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1986: 1985: 1980: 1976: 1973: 1971: 1967: 1959: 1956: 1955: 1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1935: 1924: 1921: 1920: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1841: 1839: 1836: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1814: 1811: 1809: 1806: 1805: 1803: 1801: 1797: 1785: 1782: 1781: 1780: 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1745: 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1699: 1696: 1694: 1691: 1689: 1686: 1684: 1681: 1679: 1676: 1674: 1671: 1669: 1668:Arnaut Daniel 1666: 1664: 1661: 1660: 1658: 1655: 1650: 1646: 1630: 1626: 1622: 1619: 1617: 1614: 1612: 1609: 1607: 1604: 1603: 1602: 1599: 1598: 1596: 1594: 1593: 1588: 1584: 1581: 1579: 1575: 1568: 1565: 1562: 1559: 1557: 1554: 1552: 1549: 1547: 1546:Peter Abelard 1544: 1542: 1539: 1537: 1534: 1530: 1529:Odo of Arezzo 1526: 1522: 1519: 1518: 1517: 1514: 1512: 1509: 1507: 1504: 1500: 1496: 1492: 1488: 1486: 1483: 1479: 1476: 1474: 1471: 1470: 1469: 1466: 1465: 1463: 1461: 1457: 1451: 1448: 1446: 1443: 1441: 1438: 1437: 1434: 1430: 1423: 1418: 1416: 1411: 1409: 1404: 1403: 1400: 1387: 1379: 1378: 1376: 1375: 1374: 1364: 1363: 1360: 1359: 1358: 1357:Ars subtilior 1351: 1350: 1349: 1339: 1331: 1328: 1327: 1326: 1323: 1321: 1318: 1315: 1311: 1308: 1307: 1305: 1301: 1295: 1294: 1290: 1288: 1287: 1283: 1281: 1280: 1276: 1275: 1273: 1269: 1263: 1260: 1259: 1257: 1253: 1248: 1236: 1232: 1230: 1227: 1225: 1224:P. des Molins 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1191: 1189: 1185: 1181: 1180: 1172: 1167: 1165: 1160: 1158: 1153: 1152: 1149: 1143: 1139: 1136: 1133: 1129: 1126: 1124: 1120: 1117: 1114: 1110: 1107: 1106: 1102: 1095: 1081: 1075: 1071: 1067: 1063: 1059: 1055: 1054:David Fallows 1052:. Revised by 1051: 1050: 1044: 1038: 1035: 1031: 1028: 1024: 1021: 1017: 1014: 1010: 1008: 1007:1-56159-174-2 1004: 1000: 996: 993: 989: 986: 982: 978: 974: 967: 965:9781561592630 961: 957: 953: 949: 945: 944: 938: 933: 929: 928: 923: 922: 916: 914:9781107039667 910: 906: 905: 899: 895: 889: 885: 881: 877: 873: 872: 867: 866: 862: 854: 849: 847: 845: 843: 839: 835: 830: 827: 823: 819: 813: 810: 806: 801: 798: 792: 789: 782: 777: 775: 773: 770: 762: 757: 754: 751: 748: 745: 742: 739: 736: 733: 730: 729: 725: 724: 720: 717: 714: 711: 708: 707: 703: 702: 701: 699: 695: 691: 684: 681: 678: 675: 672: 669: 666: 663: 660: 657: 654: 653: 649: 648: 647: 642: 640: 616: 615: 596: 595: 574: 572: 570: 566: 565: 559: 557: 553: 549: 544: 542: 538: 534: 533:Ars subtilior 530: 529: 524: 520: 516: 512: 504: 502: 500: 499:Nicole Oresme 496: 492: 488: 484: 480: 476: 472: 468: 464: 460: 456: 452: 448: 444: 436: 434: 432: 428: 427:secular music 423: 421: 417: 413: 408: 407: 401: 397: 393: 382: 377: 375: 370: 368: 363: 362: 360: 359: 354: 353: 349: 348: 347: 346: 338: 337: 333: 331: 328: 326: 323: 321: 318: 316: 313: 311: 308: 306: 303: 301: 298: 296: 293: 289: 286: 284: 281: 279: 276: 275: 274: 271: 269: 266: 264: 261: 260: 253: 252: 244: 241: 239: 236: 234: 231: 229: 226: 224: 221: 219: 216: 214: 211: 209: 206: 204: 201: 199: 196: 194: 191: 189: 186: 184: 181: 180: 176:Major figures 173: 172: 164: 163: 162:Ars subtilior 159: 157: 154: 152: 151: 147: 145: 142: 140: 137: 135: 132: 128: 125: 124: 123: 122: 118: 116: 113: 111: 110:Saint Martial 108: 106: 103: 102: 95: 94: 86: 82: 78: 74: 70: 69: 68: 67: 62: 59: 55: 51: 47: 46: 41: 40: 35: 30: 24: 19: 2775: 2741:Architecture 2613: 2565:Geisslerlied 2543:Formes fixes 2465:Notker Labeo 2430:Anonymous IV 2405:Leonel Power 2390:Thomas Fabri 2380: 2243: 2064:Predecessors 2032: 1982: 1888:Jehan Bretel 1724:Jaufre Rudel 1590: 1499:Odo of Cluny 1371: 1370: 1355: 1354: 1346: 1345: 1313: 1291: 1284: 1277: 1234: 1177: 1115:(ChoralWiki) 1083:. Retrieved 1047: 1033: 1026: 1019: 1012: 998: 991: 984: 980: 941: 903: 879: 855:, § "Works". 829: 821: 817: 812: 805:Wilkins 2001 800: 791: 768: 766: 697: 693: 689: 688: 645: 613: 593: 562: 560: 545: 526: 510: 508: 440: 433:are extant. 431:sacred works 424: 419: 391: 390: 350: 334: 295:Geisslerlied 273:Formes fixes 222: 160: 148: 119: 79: / 75: / 37: 33: 18: 2927:1361 deaths 2922:1291 births 2876:Middle Ages 2731:Middle Ages 2726:Early music 2688:Derivations 2521:Chansonnier 1893:Jehan Erart 1838:Colin Muset 1744:Peire Vidal 1592:Ars antiqua 1348:Ars antiqua 1330:Early music 1286:Ivrea Codex 1027:Early Music 569:Ivrea Codex 459:Philippe VI 429:, only his 256:Major forms 121:Ars antiqua 77:Instruments 2886:Categories 2756:Philosophy 2751:Literature 2719:Background 2625:Traditions 1992:F. Andrieu 1848:Gace BrulĂ© 1688:Castelloza 1654:Trobairitz 1649:Troubadour 1541:St. Godric 1194:F. Andrieu 778:References 763:Recordings 692:The motet 639:media help 483:Clement VI 455:Charles IV 134:Troubadour 105:Saint Gall 2840:Biography 2669:Lithuania 2533:Conductus 2423:Theorists 2395:Roy Henry 2322:Rodericus 2213:Sant Omer 1948:Minnesang 1312:(Italian 1255:Theorists 1187:Composers 1096:required) 1043:"Chanson" 975:required) 934:(2018) . 783:Citations 556:isorhythm 487:Aiguillon 268:Conductus 243:Dunstaple 193:Hildegard 144:Minnesang 85:Theorists 73:Composers 2790:Category 2695:Bardcore 2674:Portugal 2642:Scotland 2615:Planctus 2599:Madrigal 2538:Estampie 2501:Antiphon 2056:Trecento 1984:Ars nova 1943:Goliards 1800:TrouvĂšre 1774:Sordello 1754:Perdigon 1729:Marcabru 1386:Category 1373:TrouvĂšre 1314:ars nova 1303:See also 1179:Ars nova 981:Ars Nova 878:(1978). 548:chansons 523:rhythmic 519:mensural 495:Petrarch 475:Beauvais 471:Clermont 416:Petrarch 406:ars nova 396:composer 336:Planctus 320:Madrigal 156:Trecento 150:Ars nova 139:TrouvĂšre 64:Overview 50:a series 48:Part of 2814:Portals 2659:Germany 2637:England 2609:Organum 2587:Tydorel 2558:Virelai 2553:Rondeau 2548:Ballade 2516:Chanson 2292:Egidius 2287:Egardus 2007:Grimace 1938:Casella 1616:PĂ©rotin 1491:Hucbald 1478:Tuotilo 1271:Sources 1209:Grimace 1134:(IMSLP) 1130:at the 1121:at the 1111:in the 1085:20 June 863:Sources 767:2009 – 479:Avignon 467:Bourbon 463:Jean II 402:in the 330:Organum 288:Virelai 283:Rondeau 278:Ballade 238:Ciconia 233:Landini 228:Machaut 208:PĂ©rotin 203:Walther 198:Bernart 115:Goliard 2864:Poetry 2800:Portal 2746:Poetry 2654:France 2649:Cyprus 2364:Others 2347:Trebor 2332:Solage 2254:Borlet 1749:Peirol 1652:& 1611:LĂ©onin 1076:  1005:  962:  911:  890:  552:motets 218:Franco 183:Notker 81:Theory 2852:Music 2679:Spain 2664:Italy 2604:Motet 2528:Chant 2511:Carol 2506:Canso 868:Books 820:" in 690:Note: 575:Works 505:Music 447:Arras 445:near 325:Motet 310:Lauda 263:Canso 223:Vitry 188:Guido 23:Vitry 1087:2021 1074:ISBN 1003:ISBN 960:ISBN 909:ISBN 888:ISBN 550:and 521:and 461:and 2736:Art 2582:Lai 1066:doi 983:". 952:doi 305:Lai 2888:: 1369:← 1344:← 1072:. 1064:. 1056:, 1046:. 958:. 950:. 940:. 886:. 841:^ 571:. 473:, 457:, 52:on 2816:: 2780:→ 2267:* 2184:* 2148:* 2035:* 1700:* 1656:* 1631:* 1569:? 1563:? 1531:* 1501:* 1493:* 1421:e 1414:t 1407:v 1361:→ 1316:) 1237:* 1170:e 1163:t 1156:v 1089:. 1068:: 968:. 954:: 917:. 896:. 807:. 641:. 380:e 373:t 366:v 87:) 83:( 25:.

Index

Vitry

Roman de Fauvel
a series
Medieval music
Composers
Instruments
Theory
Theorists
Saint Gall
Saint Martial
Goliard
Ars antiqua
Notre-Dame school
Troubadour
TrouvĂšre
Minnesang
Ars nova
Trecento
Ars subtilior
Notker
Guido
Hildegard
Bernart
Walther
PĂ©rotin
Adam de la Halle
Franco
Vitry
Machaut

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