Knowledge (XXG)

Phillip Barker (film director)

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making my own art, which was like installation using film, using film projection in buildings, exterior performances. So I continued now to still make my own art and support it by working commercially in the film business. So I find they both go hand in hand, and I sort of need them both, you know? I need to make art to feel good about myself and working in film as a production designer, it's super creative and I get to experiment and try things I normally wouldn't be able to afford, and work with teams, which I really like doing--the collaboration aspect of filmmaking.
355:. The work involved a delicate paper house that was suspended over a shallow pool of water and projected on the walls were black-and-white super 8 film images of various people floating on a river. Egoyan said of the experience: "Sometimes it just happens. You see a piece by a new artist and it answers something within you in a direct and powerful way. I had that experience nearly twenty-five years ago when I first came across Phillip's work." After the show, Egoyan left Barker a note in the show's guestbook, inviting Barker to work with him. 2181:
of culture asked Barker, looking at a flooded tent set up in the middle of a vast pond where images of Canadian ecological disasters—dead moose being airlifted from the floodplains behind the James Bay project -- lit up the canvas walls from the projectors inside. "It's s---," the bureaucrat pronounced.
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Barker has worked with Egoyan on one other feature, The Sweet Hearafter, as well as a television film featuring cellist Yo-Yo Ma, and two operas, Salome and Elsewhereless. Their working relationship resembles any that Egoyan shares with the rest of his regular cast and crew: rigorously polite, based
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I've always been an artist--a painter, a sculptor--and it's like my habit, you know, that I had to support myself by working in films. So like many of my friends at the time, we would get jobs as scenic painters. I was a special effects technician for a number of years, I've built props, all the time
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Born in England, Barker moved to Canada at 13. By high school, he knew art was his calling, and went to the Ontario College of Art, moving from commercial illustration to experimental and video art by the time he graduated. He spent a year and a half in Paris, busking with his mandolin in the metro,
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At a show held in an abandoned CBC building, Egoyan saw Barker's work and left a note in the guestbook, inviting Barker to work with him. Barker thought the note was a joke and didn't call Egoyan for six months. Since joining the movie business, Barker has designed two other films, directed several
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All the while, he was gaining an international reputation for his installations and graphic pieces, usually involving film projection. At the 1992 Seville Expo, he represented Canada with a controversial project. The chosen theme was water. "is this your work?" a bureaucrat from the Quebec ministry
281:. The performance was viewed from the street below as scenes were performed in nine windows of the three story building. These scenes consisted of a mixture of live performance and film projections set to music. Barker also served as production designer for the 1987 Dutch film 298:
Upon his return to Canada, Barker continued to create installation pieces that incorporated elements of film, video, sculpture and live performance, often exhibited in public places. He also worked on commercials and rock videos to help support himself.
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moved to Holland, where he got a job as a scenic painter, then came back to Canada and worked as a set builder on David Cronenberg's The Dead Zone, gradually rising up the film hierarchy, working on commercials and rock videos to fund his "art habit."
575:. In the film, a fisherman teaches his son about the use of the "shadow nette", a traditional fishing device worn by the fisherman that projects their silhouette on to a screen. Using their projected gestures, the fisherman draws prey to their nets. 350:
in 1996. Barker created elements of projected film and video for the performance. The first of many collaborations with Egoyan, the two met after Egoyan attended one of Barker's shows that was being held in an abandoned building once owned by the
306:, Barker contributed an art piece to the Canadian pavilion. His work consisted of a flooded tent set up in the middle of a vast pond. Images of Canadian ecological disasters were projected onto the walls of the tent. 2345:
Finally, working with set designer Derek McLane (who had provided sets, previously, for the COC's Jenufa and Lulu) and artist/filmmaker Phillip Barker, a definitive vision of Salome came into focus—almost
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Atom Egoyan concedes that it was a great marketing ploy for the Canadian Opera Company to ask a film director who made a remarkable movie about a strip clubto stage an opera with the Dance of the Seven
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camera and projector. Barker's family moved to Canada the following year. His father had purchased the film camera to document the trip. He completed his high school education at
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on shared aesthetics and a common vocabulary. It might not have happened as Barker, until very recently, never had any intention of becoming a movie production designer.
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Yeah. There are projections, there is film, and I'm working with a really great collaborator, Phillip Barker, who is designing a lot of the video and film projections.
2026: 598:, which was released in 2019. His work on the film earned him a nomination for Achievement in Art Direction / Production Design at the 2021 Canadian Screen Awards. 2266: 2945: 560:. He was nominated, along with Robert Hepburn and Brad Milburn, for Best Production Design or Art Direction in a Fiction Program or Series for his work on 580: 204: 625: 2657: 415:, which features a grid of forty-five Super 8 film frames arranged into one frame of 35mm film—an expansion of the technique that he employed in 3304: 1532: 2446: 2201: 2075: 1983: 1909: 1713: 1592: 1319: 314: 97: 3324: 3309: 2596: 428: 2791: 510: 269:, where he lived from 1982 to 1987, supporting himself by working as a scenic painter. In 1986, he debuted his performance piece titled 609:. The tour also featured the release of a book by the same title that was edited by Hoolbloom. The retrospective was presented at the 2761: 1553: 227: 3193: 2032: 352: 2530: 2098: 1231: 556: 187: 3319: 1265: 672: 579:
was featured at several film festivals internationally in 2017 and 2018 and won the prize for Best Canadian Short Film at the
618: 364:. Barker was nominated, along with Patricia Cuccia, in the category of Achievement in Art Direction/Production Design at the 3314: 3025: 530: 406:, which used repurposed footage from an installation piece that he made for the Lumen Travo gallery in Amsterdam in 1984. 2953: 2255: 2980: 2222: 1759: 1645: 1022: 960: 594: 3046: 3219: 2624: 849: 748: 652: 424: 360: 2957: 2882: 3250: 3069:"Bell Media Congratulates TV and Film Production Partners on 181 Nominations for the 2021 Canadian Screen Awards" 2135: 1944: 1396: 724: 479: 446:
The 2000s saw further collaborations between Barker and Egoyan. Barker was the production designer for the films
283: 151: 82: 3245: 325:, which aired in 2005. The film features composite images that were made by combining nine frames, all shot in 3107: 2433: 2062: 1970: 1896: 1700: 1578: 987: 614: 246: 3299: 2706: 2667: 1827: 1276: 970: 954: 565: 347: 242: 55: 3157: 2007: 1569: 1482: 935: 901: 658: 460: 231: 2671: 2588: 2912: 3294: 1677: 1446: 1250: 816: 677: 664: 634: 585: 454: 193: 156: 89: 3189:
Watch production designers behind films like Ford v. Ferrari and The Lighthouse spill trade secrets
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Watch production designers behind films like Ford v. Ferrari and The Lighthouse spill trade secrets
1822: 1754: 1237: 887: 735: 518: 303: 292: 216: 132: 35: 2985: 2767: 2736: 2630: 1218: 797: 610: 495: 491: 203:, a short film written and directed by Barker, won the award for Best Canadian Short Film at the 3099: 629: 3279: 2442: 2071: 1979: 1933: 1905: 1746: 1709: 1624: 1507: 1382: 1211: 1085: 918: 546: 466: 440: 411: 365: 181: 65: 2824: 2507: 941: 374: 330: 250: 146:
He is best known for his work as a production designer, particularly his work with director
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for their work on the film. He also worked with Egoyan in 1997 on a film featuring cellist
3165: 2920: 2859: 868: 803: 538: 337: 238:, where his brother Mike was a founder of the city's Folk Under the Clock concert series. 172: 3017: 2730: 2540: 2108: 2331: 2296: 1817: 874: 830: 646: 499: 399: 387: 342: 164: 3049:(Press release). Greater Vancouver International Film Festival Society. 7 October 2017 2696: 2193: 3288: 2799: 2429: 2058: 1966: 1892: 1696: 1410: 1260: 1008: 780: 682: 602: 448: 392: 278: 2130: 1256: 836: 640: 326: 150:, which includes ten feature films and two live operas. In 2006, Barker received a 2358: 1374: 1340: 855: 754: 432: 274: 176: 163:
Barker's production design has also been featured in films by directors such as
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Award for Outstanding Achievement in Production Design for his work on Egoyan's
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Barker's interest in filmmaking began in 1967, when his father brought home a
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short films of his own and hopes to direct his own feature art film soon.
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Barker, 46, is a slim, soft-spoken man in black jeans and a white shirt.
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that aired as the fourth episode of the six-part television film series
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Best Production Design or Art Direction in a Fiction Program or Series
235: 223: 140: 136: 605:, launched a tour featuring a retrospective of Barker's films, titled 3220:"Emmy Watch: Star Trek: Discovery Production Designer Phillip Barker" 249:, later transitioning to more experimental forms of art, including 2562: 262: 486:. His work on the sets for the film were featured in an issue of 503: 470:(2009). Barker received Genie award nominations for his work on 2502:"The full list of nominations for the 18th annual Genie Awards" 1673:
Outstanding Achievement in Production Design - Dramatic Series
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Barker served as production designer for the television series
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Werner Bergen, "Former city man nominated for Genie Award".
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Outstanding Achievement in Production Design - Feature Film
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Outstanding Achievement in Production Design - Feature Film
313:. The film won the Best Experimental Film Award at the 1996 2589:"CSC Awards and Nominations: The 2000 Winners and Nominees" 1619:(shared with Aidan Leroux, Joel Richardson and Rob Hepburn) 482:
Award for Outstanding Achievement in Production Design for
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Barker also sat on a panel of production designers at the
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magazine that same year. Barker built a 3,000-square-foot
3138:. Toronto, Ontario, Canada. 30 November 2018. p. B4 2511:. Montreal, Quebec, Canada. 5 November 1997. p. F8 2265:. Vol. 19, no. 5. Toronto, Ontario, Canada: 329:
and arranged into a grid that was then transferred to
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In 2020, Barker served as production designer in the
2792:"Full list of 2006 Directors Guild of Canada Awards" 1934:"Trust a Boat, a film/performance by Phillip Barker" 1747:"Trust a Boat, a film/performance by Phillip Barker" 1438:
Best Achievement in Art Direction/Production Design
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Best Achievement in Art Direction/Production Design
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Best Achievement in Art Direction/Production Design
358:Barker and Egoyan next worked together on the film 112: 75: 61: 51: 43: 30: 23: 3129: 2760: 2729: 2623: 2500: 2468: 2394: 2324: 2289: 2161: 1860: 1782: 592:Barker again collaborated with Egoyan on the film 391:, as well as with Egoyan on his production of the 2651: 2649: 2462: 2460: 2458: 2155: 2153: 2946:"2016 Canadian Screen Awards Nominees Announced" 2441:. Phillip Barker and Pleasure Dome. p. 63. 2388: 2386: 2070:. Phillip Barker and Pleasure Dome. p. 15. 1978:. Phillip Barker and Pleasure Dome. p. 46. 1904:. Phillip Barker and Pleasure Dome. p. 45. 3246:"Nominees Announced For 20th Annual DGC Awards" 3012: 3010: 3008: 3006: 3004: 2818: 2816: 2762:"Egoyan gives Toronto the close-up it deserves" 2691: 2689: 1662:Achievement in Art Direction/Production Design 1574:Achievement in Art Direction/Production Design 2194:"MIFF Archive: A Temporary Arrangement (1995)" 1854: 1852: 1850: 1848: 1846: 1844: 336:Barker worked on Egoyan's stage production of 253:that incorporated elements of film and video. 2435:Strange Machines: The Films of Phillip Barker 2064:Strange Machines: The Films of Phillip Barker 1972:Strange Machines: The Films of Phillip Barker 1898:Strange Machines: The Films of Phillip Barker 1702:Strange Machines: The Films of Phillip Barker 607:Strange Machines: The Films of Phillip Barker 498:, inspired by the architecture and design of 85:Outstanding Achievement in Production Design 8: 2889:. Festival du nouveau cinĂ©ma. Archived from 2424: 2422: 2267:Liaison of Independent Filmmakers of Toronto 219:, England. His father was an auto mechanic. 3071:(Press release). Toronto, Ontario, Canada: 2939: 2937: 2913:"Out Show, projection : Circuitto Off" 1741: 1739: 1737: 1735: 1733: 583:. It was also featured on the CBC series ' 2035:. 18 September 2019. Event occurs at 4:43 1818:"Art direction: The art of Phillip Barker" 1811: 1809: 1499:Outstanding Achievement in a Feature Film 1460:Outstanding Achievement in a Feature Film 1402:Outstanding Achievement in a Feature Film 1295: 601:Also in 2019, Barker and fellow filmmaker 581:2017 Vancouver International Film Festival 550:from 2013 to 2015, as well as on the 2016 271:Trust a Boat, 'Film-sculpture for a House' 205:2017 Vancouver International Film Festival 20: 2569:. Canadian Filmmakers Distribution Centre 3226:. Los Angeles, California, United States 2989:. Los Angeles, California, United States 2323:Dault, Gary Michael (30 November 1996). 2288:Dault, Gary Michael (30 November 1996). 1189: 1040: 702: 626:2019 Toronto International Film Festival 409:The following year he released his film 309:In 1995, Barker released the short film 2335:. Toronto, Ontario, Canada. p. 148 2300:. Toronto, Ontario, Canada. p. 144 2249: 2247: 1729: 571:In 2017 Barker released his short film 135:, filmmaker and visual artist based in 3213: 3211: 3094: 3092: 3090: 2477:. Toronto, Ontario, Canada. p. W4 2403:. Toronto, Ontario, Canada. p. W4 2170:. Toronto, Ontario, Canada. p. W4 2021: 2019: 2017: 1869:. Toronto, Ontario, Canada. p. W4 1791:. Toronto, Ontario, Canada. p. W1 1533:Bratislava International Film Festival 402:. Barker also released his short film 385:on the TV film rendition of the novel 179:, as well as on the television series 3158:"Short and Sweet at Clermont-Ferrand" 3018:"Canadian Reflections: Shadow Nettes" 2798:. Sault Ste. Marie, Ontario, Canada: 2365:. 1 October 1996. 22:51 minutes in. 2254:Hahn, Tina (September–October 1999). 2202:Melbourne International Film Festival 1758:. No. 56. Melbourne, Australia: 1593:Vancouver International Film Festival 1320:Melbourne International Film Festival 315:Melbourne International Film Festival 98:Vancouver International Film Festival 7: 2597:Canadian Society of Cinematographers 2227:Exposures: The Art of Film and Video 1708:. Phillip Barker and Pleasure Dome. 429:Canadian Society of Cinematographers 381:In 1998 Barker worked with director 323:Exposures: The Art of Film and Video 2979:McFarland, Melanie (20 June 2016). 2823:Sobchak, Peter (March–April 2006). 511:Toronto International Film Festival 2853:Wilner, Norman (4 December 2012). 1816:Dinoff, Distin (30 October 2000). 1441:(shared with Carolyn 'Cal' Loucks) 478:. In 2006 he was presented with a 261:Barker spent a year and a half in 228:Thomas A. Stewart Secondary School 14: 2944:Furdyk, Brent (19 January 2016). 2656:Dillon, Mark (19 December 2002). 533:in Montreal, in addition to the 435:, Barker shared a nomination for 68:, film direction, screenwriting, 2622:Lacey, Liam (13 December 2000). 2467:McGinnis, Rick (4 August 2001). 2393:McGinnis, Rick (4 August 2001). 2160:McGinnis, Rick (4 August 2001). 1859:McGinnis, Rick (4 August 2001). 1781:McGinnis, Rick (4 August 2001). 96:Best Canadian Short Film at the 1932:Barker, Phillip (Winter 2003). 1554:MontrĂ©al Festival of New Cinema 1140:One in a series of short films 427:, Best Dramatic Short from the 3218:Eagan, Daniel (22 June 2021). 2981:"TV Review: 'American Gothic'" 2842:– via phillipbarker.com. 2740:. New York City, United States 2728:Holden, Stephen (7 May 2009). 1955:– via phillipbarker.com. 1770:– via phillipbarker.com. 1136:Little Films About Big Moments 764:Bach Cello Suite #4: Sarabande 619:Clermont-Ferrand Film Festival 513:included Barker's short film, 1: 3305:Canadian production designers 3026:Canadian Broadcasting Company 2759:Rochon, Lisa (4 April 2009). 2625:"Maelstrom storms the Genies" 2087:– via mikehoolboom.com. 1995:– via mikehoolboom.com. 1921:– via mikehoolboom.com. 1348:(shared with Patricia Cuccia) 521:Short Films of 2012. In 2013 3192:. Toronto, Ontario, Canada: 2954:Entertainment Tonight Canada 2705:. Toronto, Ontario, Canada: 2666:. Toronto, Ontario, Canada: 2485:– via newspapers.com. 2411:– via newspapers.com. 2343:– via newspapers.com. 2308:– via newspapers.com. 2178:– via newspapers.com. 2031:. Toronto, Ontario, Canada: 1877:– via newspapers.com. 1826:. Toronto, Ontario, Canada: 1799:– via newspapers.com. 1478:Production Design - Feature 1369:Best Live Action Short Drama 771:Short film, later televised 3325:English emigrants to Canada 3310:Film directors from Toronto 3146:– via newspapers.com. 2748:– via newspapers.com. 2519:– via newspapers.com. 2332:The Financial Post Magazine 2297:The Financial Post Magazine 2099:"Zoeken Naar Eileen (1987)" 1760:Arthur and Corinne Cantrill 437:Best Live Action Short Film 317:, and was also featured on 215:Phillip Barker was born in 3341: 2863:. Toronto, Ontario, Canada 2790:Mr. Ed (16 October 2006). 2771:. Toronto, Ontario, Canada 2634:. Toronto, Ontario, Canada 531:Festival du nouveau cinĂ©ma 529:(creativity prize) at the 425:The Atlantic Film Festival 3251:Directors Guild of Canada 3100:"CafĂ© Ex: Phillip Barker" 2658:"Ararat shines with nine" 2136:Directors Guild of Canada 1945:Directors Guild of Canada 1655: 1643: 1539: 1505: 1492: 1444: 1431: 1408: 1392: 1121: 949: 882: 811: 743: 480:Directors Guild of Canada 152:Directors Guild of Canada 83:Directors Guild of Canada 1324:Best Short Experimental 662:), and Zosia Mackenzie ( 3108:Canadian Film Institute 2563:"I Am Always Connected" 2531:"My Own Country (1998)" 1502:(shared with film crew) 1463:(shared with film crew) 1405:(shared with film crew) 1328:A Temporary Arrangement 1072:A Temporary Arrangement 615:Canadian Film Institute 423:won best short film at 417:A Temporary Arrangement 311:A Temporary Arrangement 247:commercial illustration 3320:OCAD University alumni 2707:Brunico Communications 2697:"2006 Genies Nominees" 2668:Brunico Communications 2359:"Archive: Atom Egoyan" 2256:"Compositing the Soul" 1828:Brunico Communications 1762:. May 1988. p. 46 1659:Canadian Screen Award 1613:Canadian Screen Award 1292:Awards and nominations 699:As production designer 617:, as well as the 2019 566:Canadian Screen Awards 506:period, for the film. 348:Canadian Opera Company 243:Ontario College of Art 56:Ontario College of Art 16:Canadian film director 2470:"Masters of illusion" 2396:"Masters of illusion" 2326:"Dancing With Salome" 2291:"Dancing With Salome" 2163:"Masters of illusion" 2008:Peterborough Examiner 1862:"Masters of illusion" 1784:"Masters of illusion" 1570:Canadian Screen Award 1059:I Am Always Connected 404:I am always connected 398:by Canadian composer 3315:People from Bradford 3131:"TIFF Bell Lightbox" 1678:Star Trek: Discovery 1597:Best Canadian Short 1447:Where the Truth Lies 1251:Star Trek: Discovery 1217:Laurie McCarthy and 817:Where the Truth Lies 678:Star Trek: Discovery 665:Castle in the Ground 586:Canadian Reflections 484:Where the Truth Lies 476:Where the Truth Lies 455:Where the Truth Lies 194:Star Trek: Discovery 157:Where the Truth Lies 90:Where the Truth Lies 3196:. 18 September 2019 2825:"Setting the scene" 2111:on 23 November 2018 2011:, January 27, 2001. 1755:Cantrills Filmnotes 1353:The Sweet Hereafter 1238:Corinne Brinkerhoff 749:The Sweet Hereafter 736:Rudolf van den Berg 535:Le prix Hors Pistes 517:, in their list of 431:and, with producer 361:The Sweet Hereafter 346:, presented by the 321:'s two-part series 293:Rudolf van den Berg 265:, before moving to 217:Bradford, Yorkshire 133:production designer 36:Bradford, Yorkshire 3110:. 28 February 2019 2832:Canadian Interiors 2768:The Globe and Mail 2737:The New York Times 2674:on 1 December 2016 2631:The Globe and Mail 1219:Stephanie SenGupta 893:Gregory Mackenzie 730:Looking for Eileen 725:Zoeken naar Eileen 650:), Craig Lathrop ( 611:TIFF Bell Lightbox 496:Shepperton Studios 492:presidential suite 488:Canadian Interiors 289:Looking for Eileen 284:Zoeken naar Eileen 3168:. 24 January 2019 2917:centrepompidou.fr 2709:. 6 February 2006 2603:on 15 August 2000 2543:on 9 October 2017 2448:978-1-9994252-0-3 2077:978-1-9994252-0-3 1985:978-1-9994252-0-3 1911:978-1-9994252-0-3 1715:978-1-9994252-0-3 1687: 1686: 1620: 1558:Creativity Prize 1503: 1464: 1442: 1406: 1378: 1349: 1289: 1288: 1183: 1182: 1034: 1033: 441:21st Genie Awards 366:18th Genie Awards 126: 125: 66:Production design 3332: 3263: 3262: 3260: 3258: 3242: 3236: 3235: 3233: 3231: 3215: 3206: 3205: 3203: 3201: 3184: 3178: 3177: 3175: 3173: 3154: 3148: 3147: 3145: 3143: 3133: 3126: 3120: 3119: 3117: 3115: 3096: 3085: 3084: 3082: 3080: 3065: 3059: 3058: 3056: 3054: 3043: 3037: 3036: 3034: 3032: 3014: 2999: 2998: 2996: 2994: 2976: 2970: 2969: 2967: 2965: 2956:. 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Index

Bradford, Yorkshire
Ontario College of Art
Production design
installation art
Directors Guild of Canada
Where the Truth Lies
Vancouver International Film Festival
phillipbarker.com
production designer
Toronto
Ontario
Atom Egoyan
Directors Guild of Canada
Where the Truth Lies
Brian De Palma
Mira Nair
Lisa Cholodenko
Neil LaBute
Reign
American Gothic
Star Trek: Discovery
2017 Vancouver International Film Festival
Bradford, Yorkshire
Super-8
Thomas A. Stewart Secondary School
Peterborough
Ontario
Ontario College of Art
commercial illustration
installation art

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