949:
demonstrates that she is an exceptional actress capable of outstanding work. She plays her character with a kind of quiet grace, nobility, and sincerity that many of her contemporaries could not dream of conjuring. Take, for instance, the scene in which
Tamanna meets her lawyer, Tarun (Bachchan), and he declines to shake her hand. The beautiful Ms. Shetty expresses volumes of pain with just her shifting eyes and disturbed body language. In that moment, Tamanna's essence is shaken, and Shetty makes it known without externalizing too much; we get an even more acute sense of her pain because we see how she fights to conceal it. Shetty creates many such understated levels of meaning in Tamanna's mannerisms; and, in doing so, makes her character all the more sympathetic and genuine. Shetty's attention to detail is spellbinding, and the level of artistry and ingenuity she demonstrates throughout the film never falls short of brilliant. Such sensitive moments abound in Revathi's well-written, thought-provoking script And, propped up by fantastic performances and an uplifting script, the director realizes her goal with awesome success. The heart of this success, undoubtedly, is Shetty. Her endlessly-intriguing performance carries the film; she embodies its pathos, its resonance, its message. After a performance of this caliber, neither critics nor audiences can afford not to take Ms. Shetty seriously - as doing so would be to waste one of the finest acting talents in the industry today."
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memorable performances the year has seen so far." Namrata Joshi was also critical of the film; says "Revathi keeps her narrative low-key - be it the emotions, the dialogues, the songs or the sprinkling of warm close-ups. But often she becomes so still and stiff in her quietude that the audience cannot hear the crucial whispers." She applauded Shetty's performance stating "Shilpa gets an 'artistic' role to dig her teeth into and she gives it all the poignancy and feeling she's got. It's the fringe characters that don't get fleshed out, particularly that of Mita
Vashisht, the rival lawyer who is nothing more than a caricature". Stephen Horne praised the film and Shetty's performance stating "After years of hard work, her resume still lacked that one special film that properly allowed her to flex her acting muscles. In 2004, her big chance finally arrived when she was cast in the lead role (and received top billing to boot, a rarity for female performers in Bollywood) in the HIV awareness drama
926:, a serious issue has been handled with sensitivity and realism. Every now and then comes a film that restores faith in cinema. And at the risk of sounding clichéd and repetitive reinforces the fact that the medium is a great platform to convey great stories, ideas and messages of hope." She was also impressed with the performance of Shetty stating "Shetty plays her role magnificently." and she praised the direction of Revathi stating "And then of course there is Revathi herself, who has crafted this entire venture with great sensitivity and empathy. Truly, a film that must be seen." Film critic Taran Adarsh was more critical of the film says "Director Revathi deserves a pat for attempting an issue-based film . But it's evident that she hasn't done complete research and updated herself on the issue. Even otherwise, her storytelling is of the kind that might only appeal to a niche audience" however, he hailed Shetty's performance: "
897:
brave attempt to highlight some issues facing people with HIV. To film such a story without an eye on the box office is a tribute to the social commitment of the makers of this film." In another positive review Sanjay A Pai a consultant pathologist praised the film stating "This film shows that there is hope for Indian cinema. Whether this will translate into hope for India and the world in its struggle with AIDS remains to be seen." He also heaped praise on Shetty's performance "Shetty is marvellous in her role. She emotes well, whether as the hard working, committed advertising executive or as a grieving woman on learning her HIV status or as someone determined to fight the system. Above all, she has shown bravery in playing an unglamorous role—that of an HIV+ woman—again uncommon in Indian films. It would not surprise me if she wins accolades and awards." Film critic Shilpa
Bharatan Iyer writing for
935:("We'll Meet Again"). And while this film's controversial subject matter ensured its dismal failure at the Indian box office, its poignant story, sensitive portrayals and heartfelt performances garnered it much praise from fans and critics alike, who all had nothing but encouraging words to offer for Shetty's work in particular. An actress was born! Bachchan hadn't yet quite hit the big time during the making of this film, but his turn as the struggling advocate Tarun gives a nice indication of the good things to come. Though he falters slightly in his numerous grandiose speeches in court, Bachchan still brings forth his usual gusto and boyish charm to deliver a memorable performance. But the backbone of
911:(2002). The film has been adapted well to the Indian palate, and AIDS is woven delicately into the story. It educates without being preachy, something it may have been in the danger of. It tends to drag in the first half but more than touches your heartstrings later." She concludes her review stating "
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belongs to Shetty completely. She delivers, what can be rightly called, the performance of her career. The viewer feels and empathizes with the character mainly because of her effective portrayal. She conveys the pain and the emotional upheaval through her expressive eyes, making it amongst the most
316:
The news of
Tamanna having HIV is soon spread around the office, and she loses her job. Angered by her unfair dismissal, she searches for a lawyer to fight her case. Unfortunately, there is no law in India concerned with such cases, and all lawyers refuse to accept her case. Eventually, Tarun Anand
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Jagdish
Chinappa, consultant paediatrician in his review; praised the film for tackling the sensitive theme of HIV and praised the performances. "Excellent performances by Shetty, Bachchan and Khan make this film emotionally charged." He concludes his review stating "the making of this movie is a
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presents a Shilpa Shetty redefined. Her superlative performance in this film gives audiences a window into
Tamanna's heart and soul. There is no trace of an item-girl beginning to take on serious roles; as a woman fighting for dignity in a society that fears and condemns her, Shetty definitively
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also praised Shetty's performance as the lead protagonist stating "Shetty comes up with a rare, subdued performance. Her life and work have been snatched from her, but yet, she refuses to bow to circumstances." although she was less than impressed with
Bachchan's performance as a lawyer stating
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is undoubtedly Shetty herself who carries every single frame she appears in; her ability to portray
Tamanna's pain and anguish with startling believability. Her journey from carefree, fun-loving bigshot to frightened, heartbroken outcast is played to absolute perfection". Film critic S Das also
321:) agrees to represent her, although he had initially rejected her. Tarun seeks assistance from Lal Sir, who is his mentor and has experience handling an HIV-related case. Unfortunately, Tarun and Tamanna lose the case, and they file an appeal before the high court (
290:) is the creative head of a top advertising agency called T.J. Associates. Her dedication, ideas, designs, and hard work have mainly contributed to the success of the agency. She leaves for a college reunion and meets her college sweetheart, Rohit Manchanda (
905:"Bachchan pales in comparison to Denzel Washington, who played the lawyer in the Hollywood original. He lacks in oratorical skills, especially in the climax". Of the film she states "Revathi spins a sensitive tale in her second film, after
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Despite being a minor commercial success, the performances of the film were applauded. Shilpa Shetty in particular was highly applauded for her portrayal of an HIV+ patient. Her performance earned her Best
Actress nominations at the
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Tarun fights the case very strongly and finally wins the case in high court. Tamanna later starts her own business venture and, after 2 years, is recognised by
294:). They rekindle their love for each other and share some intimate moments together. Eventually, Rohit leaves, and Tamanna settles back into her usual routine.
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is worth a watch for its sensitive handling of the delicate subject of AIDS." in another positive review, critic Chitra Mahesh writing for
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is noted as Shetty's career-best performance which earned her widespread critical acclaim and nominations for Best
Actress at the
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Meanwhile, Tamanna reaches out to Rohit, who is battling for his life in a hospital and dies in front of her due to
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1118:"Shilpa Shetty says, 'Maybe I wasn't a good actor, never got an award even after Dhadkan or Phir Milenge'"
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256:(1993). The film was critically acclaimed upon release but proved to be unsuccessful at the box-office.
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1145:"Happy Birthday Shilpa Shetty: Top 5 films of the actress to watch on her birthday"
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as one of India's young achievers. Tamanna dedicates her award to Rohit.
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clearly marks a turning point in her heretofore lackluster filmograhy.
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1424:"Phir Milenge - movie review by Surjyakiran Das - Planet Bollywood"
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Zee Cine Award for Best Actor in a Supporting Role – Male
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praised the film and applauded Shetty's performance "
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1042:"Top Ten Best Movies of Shilpa Shetty of All Time"
1227:"Phir milenge | Indian Journal of Medical Ethics"
1020:"Phir milenge | Indian Journal of Medical Ethics"
1247:Sanjay A Pai, consultant pathologist (2004).
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242:. The film dealt with the subject of
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1203:. BoxOfficeIndia.Com. Archived from
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1508:Films scored by Shankar–Ehsaan–Loy
1322:. 3 September 2004. Archived from
14:
1289:"Phir Milenge: Sensitive attempt"
1249:"Phir Milenge (We'll Meet Again)"
995:"Phir Milenge: Sensitive attempt"
956:for his performance in the film.
1488:Indian remakes of American films
1067:"5 Best Movies of Shilpa Shetty"
1:
1513:Films scored by Bhavatharini
1503:Films scored by Nikhil-Vinay
1253:BMJ: British Medical Journal
1143:Suhag, Jyoti (8 June 2019).
740:"Yaad Hai Woh Pehli Mulaqat"
562:Kaun Hai Jo Sapno Mein Aaya
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1478:2000s Hindi-language films
1040:Santosh (18 August 2016).
580:Dil Bechara Pyaar Ka Maara
238:. The film is directed by
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655:and lyrics are penned by
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1483:HIV/AIDS in Indian films
1265:10.1136/bmj.329.7466.629
297:When her sister, Tanya (
246:and was inspired by the
146:27 August 2004
1428:www.planetbollywood.com
453:Feature film soundtrack
363:as Advocate Tarun Anand
220: We'll Meet Again
132:Percept Picture Company
1493:Indian courtroom films
1402:Film @ The Digital Fix
1346:"Review : (2004)"
1179:Film @ The Digital Fix
977:"Phir Milenge – Movie"
952:Bachchan received the
805:"Khushiyon Ki Koshish"
1398:"Phir Milenge Review"
1175:"Phir Milenge Review"
1096:The Financial Express
785:"Betab Dil Hai" (sad)
393:as TJ, Tamanna's boss
441:13 July 2004 (India)
16:2004 film by Revathi
1326:on 21 November 2004
856:Febi, Vijay Yesudas
763:"Khul Ke Muskurale"
391:Raja Krishnamoorthy
373:Kamalinee Mukherjee
369:as Advocate Kalyani
323:High Court of India
299:Kamalinee Mukherjee
222:) is a 2004 Indian
1207:on 22 January 2008
872:Critical reception
817:Shankar–Ehsaan–Loy
771:Shankar–Ehsaan–Loy
749:Shankar–Ehsaan–Loy
700:Shankar–Ehsaan–Loy
692:"Jeene Ke Ishaare"
645:Shankar–Ehsaan–Loy
500:Shankar-Ehsaan-Loy
422:Shankar–Ehsaan–Loy
357:as Rohit Manchanda
108:Shankar–Ehsaan–Loy
1404:. 29 January 2007
1201:"Box Office 2004"
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1155:on 26 June 2019
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1124:. 15 March 2019
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714:"Betab Dil Hai"
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112:Nikhil–Vinay
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24:Phir Milenge
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1046:World Blaze
922:states "In
883:IIFA Awards
831:"Kuchh Pal"
355:Salman Khan
292:Salman Khan
268:IIFA Awards
232:Salman Khan
166:125 minutes
86:Ravi Varman
72:Salman Khan
56:Produced by
38:Directed by
1473:2004 films
1467:Categories
960:References
788:Sonu Nigam
722:Sonu Nigam
596:chronology
551:chronology
502:chronology
404:Soundtrack
387:as Lal Sir
224:drama film
204:5.43 crore
198:Box office
193:5.50 crore
150:2004-08-27
48:Written by
1319:The Hindu
684:Duration
675:Singer(s)
399:as Guruji
313:himself.
248:Hollywood
226:starring
92:Edited by
1211:21 March
809:Srinivas
744:Abhijeet
625:Amirtham
490:Producer
482:T-Series
437:Released
419: by
179:Language
100:Music by
64:Starring
1433:26 June
1408:26 June
1382:26 June
1357:26 June
1330:26 June
1298:26 June
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1128:26 June
1102:26 June
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1051:26 June
1025:26 June
1004:26 June
669:Track #
629:(2006)
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517:(2004)
513:Lakshya
379:Revathi
303:Revathi
240:Revathi
217:transl.
171:Country
148: (
42:Revathi
1293:Rediff
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999:Rediff
902:Movies
899:Rediff
794:Sameer
752:Sameer
729:Sameer
681:Lyrics
661:Sameer
659:&
651:, and
459:Length
428:, and
385:Nassar
187:Budget
120:Score:
104:Songs:
920:Hindu
865:1:02
845:4:35
823:4:56
797:3:04
777:4:41
755:6:30
732:7:29
706:6:38
678:Music
607:Avuna
476:Label
448:Genre
250:film
182:Hindi
174:India
1458:IMDb
1435:2019
1410:2019
1384:2019
1359:2019
1351:Sify
1332:2019
1300:2019
1234:2019
1213:2008
1187:2019
1161:2019
1130:2019
1104:2019
1078:2019
1071:IMDb
1053:2019
1027:2019
1006:2019
889:and
672:Song
343:Cast
330:AIDS
282:Plot
274:and
244:AIDS
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