Knowledge (XXG)

Photomontage

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604: 589: 697: 140: 477: 630: 94: 363: 570: 105: 486: 468:. These programs make the changes digitally, allowing for faster workflow and more precise results. They also mitigate mistakes by allowing the artist to "undo" errors. Yet some artists are pushing the boundaries of digital image editing to create extremely time-intensive compositions that rival the demands of the traditional arts. The current trend is to create images that combine painting, theatre, illustration, and graphics in a seamless photographic whole. 685: 645: 421:(1912–1988) is an example. His method began with compositions of paper, paint, and photographs put on boards measuring 8½ × 11 inches. Bearden fixed the imagery with an emulsion that he then applied with hand roller. Subsequently, he photographed and enlarged them. The nineteenth century tradition of physically joining multiple images into a composite and photographing the results prevailed in press photography and 657: 588: 172:, West Yorkshire, and New York. The high point of its popularity came, however, during World War I, when photographers in France, Great Britain, Germany, Austria, and Hungary produced a profusion of postcards showing soldiers on one plane and lovers, wives, children, families, or parents on another. Many of the early examples of fine-art photomontage consist of photographed elements superimposed on 673: 20: 221:, Heartfield lived in Berlin until April, 1933, when he escaped to Czechoslovakia after he was targeted for assassination by the SS. Continuing to produce anti-fascist art in Czechoslovakia until 1938, Heartfield's political photomontages earned him the number five position on the Gestapo's Most Wanted List. 204:
George Grosz wrote, "When John Heartfield and I invented photomontage in my South End studio at five o’clock on a May morning in 1916, neither of us had any inkling of its great possibilities, nor of the thorny yet successful road it was to take. As so often happens in life, we had stumbled across a
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began experimenting with photomontage in 1918. Höch worked for Ullstein Verlag designing knitting and embroidery patterns that were inspired by her photomontage work of the time. She continued to work with photomontage for almost the rest of her life, even after she broke from the Berlin Dadaists.
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Heartfield used photomontage extensively in his innovative book dust jackets for the Berlin publishing house Malik-Verlag. He revolutionized the look of these book covers. Heartfield was the first to use photomontage to tell a “story” from the front cover of the book to the back cover. He also
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From 1930 to 1938, John Heartfield used photomontage to create 240 “Photomontages of The Nazi Period” to use art as a weapon against fascism and The Third Reich. The photomontages appeared on street covers all over Berlin on the cover of the widely circulated AIZ magazine published by
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scrapbooking employs a computer to create simple collage designs and captions. The amateur scrapbooker can turn home projects into professional output, such as CDs, DVDs, displays on television, uploads to a website for viewing, or assemblies into one or more books for sharing.
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produced photomontage-style paintings based on images culled from magazines. The world's first retrospective show of photomontage was held in Germany in 1931. A later term coined in Europe was, "photocollage", which usually referred to large and ambitious works that added
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John Heartfield and George Grosz were members of Berlin Club Dada (1916–1920). The German Dadists were instrumental in making montage into a modern art-form. The term "photomontage” became widely known at the end of World War I, around 1918 or 1919.
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Carnival, South End Exhibition Rink, Halifax, Nova Scotia, Canada, February 1899; The carefully prepared photomontage composite was a Notman specialty, each figure being photographed separately and then combined as a single
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technology made possible the ability to copy both flat images and three-dimensional objects using the copier as a scanning camera. Such copier images could then be combined with real objects in a traditional cut-and-glue
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to utilize many techniques that would someday influence digital photomontage, down to the naming of tools in Photoshop. In 1985 he even published a book demonstrating and explaining his techniques, two years before
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Example for an artificially created, totally misleading image: A race car exhibited at an airport (below) was cropped and combined on a computer with snowy mountains, leading to an image of a situation which never
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refers to alterations made to an image. Often, the goal of photograph manipulation is to create another 'realistic' image. This has led to numerous political and ethical concerns, particularly in journalism.
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Other methods for combining images are also called photomontage, such as Victorian "combination printing", the printing of more than one negative on a single piece of printing paper (e.g.
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Contemporary photograph editors in magazines now create "paste-ups" digitally. Creating a photomontage has, for the most part, become easier with the advent of computer software such as
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is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through
476: 1176: 359:, while working primarily in advertising and commercial art in the 1960s and 1970s, used photomontage techniques to create satirical posters and postcards. 2303: 355:
The pioneering techniques of early photomontage artists were co-opted by the advertising industry from the late 1920s onward. The American photographer
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A photomontage may contain elements at once real and imaginary. Combined photographs and digital manipulations may set up a conflict between
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Maria Makela (1996). "By Design: The Early Work of Hannah Höch in Context". In Boswell, Peter; Makela, Maria; Lanchner, Carolyn (eds.).
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and the interests that they believed inspired the war. Photomontage survived Dada and was a technique inherited and used by European
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of Montreal used photomontage to commemorate large social events which could not otherwise be captured on film. Fantasy photomontage
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phenomenon, in which family images are pasted into scrapbooks and a collage created along with paper ephemera and decorative items.
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is composed of multiple facets, artists also combine montage techniques. A series of black and white "photomontage projections" by
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photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting
1147: 1049: 947: 1360: 803: 1513: 1035: 684: 1544: 78: 2168: 1506: 100:, a moralistic photo montage of Rejlanders own work, 1857-a choice between vice (at left) and virtue (at right) 644: 104: 1779: 549: 410: 1400: 1031:
John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage
1821: 769: 485: 426: 313: 514:– for instance, in fake photographs that are presented to the world as real news. For example, in the 2257: 1826: 916:
Marie-Monique Huss, Histoires de famille: cartes postales et culture de guerre (Paris: Noesis, 2000).
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Other major artists who were members of Berlin Club Dada and major exponents of photomontage were
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did, and began using it to produce digital photomontage, becoming a founder of the modern genre.
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Following his exile to Mexico in the late 1930s, Spanish Civil War activist and montage artist,
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Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany
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such as "Fading Away" (1858). These works actively set out to challenge the then-dominant
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experimented with pasting pictures together, a form of art later named "Photomontage.”
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tried to get Uelsmann to test out Photoshop. Uelsmann didn't like it, but his wife
394: 383: 301: 277: 198: 177: 1442:"HP Celebrates America's Inventiveness by Creating World's Largest Digital Image," 1498: 1131: 1029: 927: 796: 2247: 2210: 2205: 2097: 2014: 1971: 1953: 1943: 1885: 1855: 1840: 1811: 1727: 1722: 1652: 1622: 1567: 1352: 1347: 724: 635: 537: 367: 336: 244: 70: 38: 34: 1491:– a technical paper on a semi-automated approach to photomontage, published at 2282: 1991: 1966: 1933: 1845: 1737: 1732: 1679: 1669: 1657: 1642: 1627: 1612: 1582: 1533: 507: 489: 457: 387: 328:, experimented with photomontage on life and social issues in Mexican cities. 293: 261: 256: 248: 886:
Static Films and Moving Pictures: Montage in Avant-Garde Photography and Film
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A timeline of fantastic photomontage and its possible influences, 1857–2007
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Harue Koga: David Bowie of the Early 20th Century Japanese Art Avant-garde
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Undead Theories: Constructivism, Eclecticism And Research in Education
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The first and most famous mid-Victorian photomontage (then called
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Photomontage of kiwifruit and lemons, digitally manipulated using
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became influential in the photomontage world, using multiple
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employed groundbreaking typography to enhance the effect.
1455:"Musings on Collage: The Photomontages of Romare Bearden" 703: 324:
and North American "consumer culture". His contemporary,
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Historical essay on William Notman, with video clips.
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Gallery of jane.jeruto Eldoretian like many of Eding
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The Chronicle of Higher Education; February 1, 2002.
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Composite image created from two or more photographs
2116: 2053: 2005: 1952: 1884: 1708: 1553: 1426:, Dada and Political Photomontage, January 9, 2017. 1424:"Official John Heartfield Exhibition & Archive" 393:Ten years later in 1995, Adobe's creative director 320:, a book of photomontage images highly critical of 1444:HP website. See also Business Wire; June 12, 2002. 1319: 1169:"John Heartfield Photomontages Of The Nazi Period" 1201:(1. ed.). Minneapolis: Walker Art Center. p. 62. 1237:Cut & Paste. European Photomontage 1920–1945 1101:"John Heartfield Photomontage Book Dust Jackets" 1430:"Life through a lens: A different perspective," 969:"George Grosz Quote On Photomontage Invention" 1514: 1071:"Malik-Verlag Photomontage Book Dust Jackets" 8: 1438:; Outdoor Advertising Association of America 1322:Truth Needs No Ally: Inside Photojournalism 77:, notes that the creation of an artificial 1521: 1507: 1499: 1478:Cut & Paste: a history of photomontage 318:Fata Morgana USA: the American Way of Life 33:is the process and the result of making a 530:Photomontage also may be present in the 520:National Press Photographers Association 331:In Argentina during the late 1940s, the 292:created pioneering photomontage work as 138: 49:", and in casual usage is often called " 848:The History of Photography: An Overview 787: 625: 565: 390:began selling Photoshop through Adobe. 120:) was "The Two Ways of Life" (1857) by 75:Virtual Art: From Illusion to Immersion 795:Clark, Lloyd Douglas; Brown, Brian A. 176:, a combination returned to by (e.g.) 662:Photomontage showing what a complete 7: 1111:from the original on 10 January 2017 1081:from the original on 10 January 2017 1009:from the original on 10 January 2017 1240:. Gangemi Editore spa. p. 13. 1173:Official John Heartfield Exhibition 1105:Official John Heartfield Exhibition 1075:Official John Heartfield Exhibition 1003:Official John Heartfield Exhibition 973:Official John Heartfield Exhibition 755:Famous photographical manipulations 284:, and the husband-and-wife team of 1028:Zervigón, Andrés (November 2012). 205:vein of gold without knowing it." 14: 2304:Audiovisual introductions in 1857 1363:from the original on 7 March 2021 883:Valcke, Jennifer (October 2011). 272:Parallel to the Germans, Russian 148:In late Victorian North America, 2103:Bronze and brass ornamental work 1489:Interactive Digital Photomontage 1199:The photomontages of Hannah Höch 1133:Photomontages of the Nazi Period 929:Laughter is a Devastating Weapon 809:from the original on 2022-10-09. 695: 683: 671: 655: 643: 628: 602: 587: 568: 85:were made of composited images. 1300:from the original on 2007-08-22 1275:from the original on 2007-08-04 1150:from the original on 2023-07-19 1052:from the original on 2023-07-19 950:from the original on 2023-07-19 1432:Ealing Times; January 3, 2006. 853:University of New Mexico Press 156:were also popular in the late 1: 1410:, NPPA Code of Ethics webpage 1130:Heartfield, John (May 1997). 268:Russian/Soviet Constructivism 999:"Berlin Club Dada 1916-1920" 926:King, David (October 2015). 425:until the widespread use of 1234:Becker, Lutz (2011-11-11). 1036:University of Chicago Press 889:. GRIN Verlag. p. 11. 666:might look like under water 189:Heartfield, Grosz, and Dada 2330: 562:Examples by modern artists 499: 316:, compiled his acclaimed, 1540: 1353:"WITHIN (photo collages)" 1318:Chapnick, Howard (1994). 296:, such as in the journal 79:immersive virtual reality 1373:// Foreword: art critic 845:Davenport, Alma (1991). 472:Legal and ethical issues 2309:Photographic techniques 2238:Painting in Hälsingland 550:Photograph manipulation 545:Photograph manipulation 373:Starting in the 1960s, 366:A 1950 photomontage by 820:Geelan, David (2006). 638:of 11 different images 497: 492:endurance race car at 482: 370: 145: 113: 101: 43:image-editing software 27: 1483:Composite Photographs 1219:Eskola, Jack (2015). 770:Surrealist techniques 690:A modern photomontage 500:Further information: 488: 479: 427:digital image editing 365: 314:Josep Renau Berenguer 166:Bamforth & Co Ltd 142: 107: 96: 22: 2258:Pressed flower craft 1468:Photomontage Artists 824:. Sense Publishers. 775:Crimes de la commune 351:Postwar photomontage 298:USSR in Construction 126:Henry Peach Robinson 118:combination printing 98:The Two Ways of Life 59:digital image mosaic 1675:Spinning (textiles) 1593:Friendship bracelet 1294:"Untitled Document" 282:Alexander Rodchenko 1460:The New York Times 1406:2006-12-12 at the 1385:, literary critic 1136:. Universe Books. 498: 483: 423:offset lithography 371: 326:Lola Alvarez Bravo 290:Valentina Kulagina 146: 114: 102: 28: 2291: 2290: 2181:Hardstone carving 2129:Balloon modelling 1643:Ribbon embroidery 1247:978-88-492-6515-6 1223:. 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Index


GIMP
composite
composite image
image-editing software
compositing
photoshopping
stitched image
digital image mosaic
Oliver Grau
immersive virtual reality
dioramas


combination printing
Oscar Rejlander
Henry Peach Robinson
painting
tableau vivants

William Notman
postcards
Victorian era
Edwardian era
Bamforth & Co Ltd
Holmfirth
watercolours
George Grosz
John Heartfield
George Grosz

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